DOCSLIB.ORG

February 1934) James Francis Cooke

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
February 1934) James Francis Cooke Gardner-Webb University Digital Commons @ Gardner-Webb University The tudeE Magazine: 1883-1957 John R. Dover Memorial Library 2-1-1934 Volume 52, Number 02 (February 1934) James Francis Cooke Follow this and additional works at: https://digitalcommons.gardner-webb.edu/etude Part of the Composition Commons, Ethnomusicology Commons, Fine Arts Commons, History Commons, Liturgy and Worship Commons, Music Education Commons, Musicology Commons, Music Pedagogy Commons, Music Performance Commons, Music Practice Commons, and the Music Theory Commons Recommended Citation Cooke, James Francis. "Volume 52, Number 02 (February 1934)." , (1934). https://digitalcommons.gardner-webb.edu/etude/819 This Book is brought to you for free and open access by the John R. Dover Memorial Library at Digital Commons @ Gardner-Webb University. It has been accepted for inclusion in The tudeE Magazine: 1883-1957 by an authorized administrator of Digital Commons @ Gardner-Webb University. For more information, please contact [email protected]. THE ETUDE <'Music <3XCavazine February 1934 ^ Price 25 Cents THE ETUDE FEBRUARY 1934. Page 67 Choose Your Own Books Many Successful Piano Teachers of To-day Regularly Use These Works JctA^eUpto^O^S BUY AS FEW AS ALBUMS OF PIANO PIECES Works with attractive qualities that keep P^° ‘^/^cher to achieve results. First and Second FOUR A YEAR these works for examination. Grade Pieces for Boys Price, 75<! eavorfd PRESENT-DAY “dolly” pieces. ^selectuon or easy piano solos of the t est of the “real boy” beginner. Priscilla’s Week ilsIiiSsss-Hiii Boy’s Own Book of Piano Pieces A reliable and complete book service. As a plete and reliable guide to all of the impor¬ tant new books published each month the Editorial Board reviews in WINGS about twenty books which, in their opinion, are the out¬ Girl’s Own Book of Piano Pieces standing books to be published by the leading publishing houses. You may purchase any of these, or in fact any books in print, through the Guild and they will be delivered to you postage prepaid. Thus, during the year you will be reliably informed on about 250 books—all of the best books of the year— sSSSaissKa and can conveniently get any that you wish. No more danger of overlooking or forgetting books you especially want to read. OA saving of 50% on the selections of the Editorial Board. The Editors of the Guild—men and women of national reputation—select one book each Carl Van Doren month from the advance lists of the leading publishers, which they con¬ Julia Peterkln sider deserving of merit and special recommendation. This book is de¬ Burton Rascoe scribed in WINGS, which comes to members one month in advance of Joseph Wood Krutch publication date of the selected book. From the description given, you can decide sssiisirsfSfiK whether or not you wish to examine the book. If not, just return the “Announce¬ Here's Proof That ment Slip” to us and no book will be sent you. Otherwise we will send the book on approval, postage paid by us. Take five days to read it. Then return it and Guild Members Sprightly Rhythms pay nothing, or keep it and pay $2.00 regardless of the retail price in the stores. Save Up to 50% (Guild selections range in retail store price from $2.50 to $5.00.) on the OBuy as few as four books a year. No longer is it necessary to buy a book Outstanding Books every month and pay $21.00 to be a member of the Guild. Now members only agree to buy four books during the year. These may In fact, they frequently gSPBfR&GI be either the monthly selections at $2.00 each (regardless of the save as much as 60%. The retail price), or any other books in print at the established price books pictured below at the set by the publisher. In all cases we prepay the postage. left are all Guild selections Protect Yourself Against Rising Prices of Books of recent months. Guild members were offered their choice of these books for $2.00 nrfium-B*ade*marche^aatisfy^the^student^and^riso Subscribe Now—Send No Money each. Yet two of them sold narches.Pdrill8 or calisthenics. Get "AN AMERICAN for $5.00 each in the stores, one for $4.00, one for $3.75, and not one of them for less than $2.50. So Reverie Album bership makes saswr you can see how Guild members save aethodf’ as much as 50% on their entire year’s purchases of books. And this privilege costs you nothing. ■MAIL THIS COUPON TODAY - Miniatures Standard Opera Album By Jas. H. Rogers Pr.. 60c1 Price, 75<f iature classics in modern piano etudes. Grades 3 to 4. intermediate grades. PUBLISHERS DEALERS Theodore Presser C° IMPORTERS kly gets ^eces- Direct-Mail Service nn RrenSi"’— 1712 Chestnut Street-PHILADELPHIA. PA. HELPFUL CATALOGS ON THE CLASSIFICATIONS OF MUSIC IN WHICH YOU ARE INTERESTED CHEER. FULLY SUPPLIED FREE ON REQUEST. THE rr n How Can I START Teaching Music ? A Talk With Prospective Teachers 1. Am I Able To Teach Music? You are the only one to answer this question. You are conscious of whether you are able or not. Some people are THE PHILHARMONIC SOCIETY of MISCHA ELMAN achieved a real triumph “IPHIGENIA IN AULIS,” by which Gluck born teachers. They love to impart Budapest began its present season with a gala when, on December 14th, he appeared in re¬ WILLARD SPENSER, America’s first suc¬ things to others and after only a few terms concert in celebration of the eightieth anni¬ marked a new period in operatic history, has cessful light opera composer, died at St. cital as the second event of the Philadelphia had a performance by the Oxford University of thorough lessons or self study they versary of the first appearance of the organi¬ Music Teachers Association Artist Series of Davids (Philadelphia), December sixteenth, zation, when the baton was in the hand of Opera Club (England), which is doing a at the age of eighty-one. A prophet honored are able to take piano beginners starting concerts. At the close of the program there great service by producing these old master with such a book as "Music Play for Ferenc (Franz) Erkel, who was also the first was an ovation such as the historic Academy by his own, his “The Little Tycoon,” when composer to write genuine Hungarian operatic works that are outside the current repertory produced at the Temple Theater of Philadel¬ Every Day” and have actually produced of Music has seldom seen. For a full half hour of the theater. most excellent results. If you want to music. The program opened with the Festi¬ the audience demanded encore after encore, phia, on January 4, 1886, was an instan¬ teach it is certainly worth a trial. val Overture of Erkel, with Erno Dohnanyi and would have had more but for the artist taneous success and, by professional and conducting. Later, for Liszt’s Hungarian being compelled to leave for his train. A MOZART-LISZT FESTIVAL was cele¬ amateur troupes, had nearly nine thousand 2. Am I Required to Fantasie for piano and orchestra, Dohnanyi brated on November 5th, by the Colonne performances. His “The Princess Bonnie” had was soloist and led the orchestra from the Orchestra of Paris, under the direction of its premiere on March 26, 1894, at the Chest¬ Have A License? piano. A DEBUSSY-STRAVINSKY festival pro¬ M. Paul Paray. Alexander Brailowsky was nut Street Theater (Philadelphia) where it •s-*• gram, under the baton of Ernest Ansermct, the solo pianist in the “Concerto in E minor” had one thousand and thirty-nine perform¬ Teachers in state or municipal insti¬ THE “REQUIEM” of Brahms, under the was recently given at Buenos Aires. It in¬ of Liszt and the “Concerto in A major” of ances, the long-run record for America. His tutions are usually obliged to be accred¬ direction of Bernardino Molinari, was the cluded Debussy’s L’Apres-midi d’un Faune Mozart. The purely orchestral numbers were productions were noteworthy for their clean ited. The private teacher is regarded as work chosen to inaugurate, on November and La Mer; as well as La Symphonie de the “Symphony in E minor” of Mozart, and standards, which drew an exclusive patron¬ Psaumes and Le Sacre du Printemps of Stra¬ the Orpheus and the Mazeppa tone poems of age who admired catchy music to librettos a professional artist and no more license twelfth, the season at the Augusteo of Rome. vinsky. ‘ is usually required or should be required •3-»- Liszt. which did not offend good taste. than that expected of a concert artist. MAURICE RAVEL would seem to have THE ROYAL THEATER of Stockholm Therefore the matter of license need not been quite adopted by the Spanish public. CHARLES WAKEFIELD CADMAN’S M. GILBERT BEAUME, violoncellist of Even though in the former days he was has revived for the present season the “Romeo new fantasy, Dark Dancers of the Mardi the Detroit Symphony Orchestra, has received bother you. Meanwhile go on acquiring et Juliette” of Gounod, the “Djamileh” of the Chartier Prize for composition, from the more and more musical training. treated there to no little sarcasm, these are Gras, had its premiere performance in New fine times for his Rapsodie Espagnole and for Bizet, the “Orphee aux Enters (Orpheus in the York when given, on November ninth, on a National Academy of Fine Arts of France. Underword)” of Offenbach, the “Lohengrin” 3. What Should Be “L’Heure Espagnole.” The musical world do program of American music sponsored by the (in a new stage setting) of Wagner, and, with American Academy of Arts and Letters, with RABAT, MOROCCO, offers its public and My First Step? these has produced a ballet, “Le Boutique Henry Hadley conducting.
Load more

Recommended publications
  • A Century of Scholarship 1881 – 2004
    A Century of Scholarship 1881 – 2004 Distinguished Scholars Reception Program (Date – TBD) Preface A HUNDRED YEARS OF SCHOLARSHIP AND RESEARCH AT MARQUETTE UNIVERSITY DISTINGUISHED SCHOLARS’ RECEPTION (DATE – TBD) At today’s reception we celebrate the outstanding accomplishments, excluding scholarship and creativity of Marquette remarkable records in many non-scholarly faculty, staff and alumni throughout the pursuits. It is noted that the careers of last century, and we eagerly anticipate the some alumni have been recognized more coming century. From what you read in fully over the years through various this booklet, who can imagine the scope Alumni Association awards. and importance of the work Marquette people will do during the coming hundred Given limitations, it is likely that some years? deserving individuals have been omitted and others have incomplete or incorrect In addition, this gathering honors the citations in the program listing. Apologies recipient of the Lawrence G. Haggerty are extended to anyone whose work has Faculty Award for Research Excellence, not been properly recognized; just as as well as recognizing the prestigious prize scholarship is a work always in progress, and the man for whom it is named. so is the compilation of a list like the one Presented for the first time in the year that follows. To improve the 2000, the award has come to be regarded completeness and correctness of the as a distinguishing mark of faculty listing, you are invited to submit to the excellence in research and scholarship. Graduate School the names of individuals and titles of works and honors that have This program lists much of the published been omitted or wrongly cited so that scholarship, grant awards, and major additions and changes can be made to the honors and distinctions among database.
    [Show full text]
  • The Encyclopedia of Greater Philadelphia Civic Partnership and Planning Workshop April 16-17, 2009, at the Historical Society of Pennsylvania Summary of Sessions
    The Encyclopedia of Greater Philadelphia Civic Partnership and Planning Workshop April 16-17, 2009, at the Historical Society of Pennsylvania Summary of Sessions DAY 1 Morning Panel: Capitalizing on the Region’s Historical Assets The session began with an introduction from Howard Gillette, who spoke about the general goals of the Encyclopedia project and the role of civic investment and engagement within it. He emphasized the importance of collaboration across disciplines and state lines and the Encyclopedia’s potential to build on existing assets while also generating new initiatives and knowledge. Panel chair Steven Conn then introduced the panel and posed the question, “What are we doing here?” In response to his question, Conn spoke of the parallel flourishing of new scholarship on Philadelphia over the past twenty years and a civic and cultural renaissance that this project hopes to connect further. Conn also described the past’s ability to reflect on the present and inform the future and concluded with the hope that the Encyclopedia will be a resource that resonates with people in the present and shapes debates about the future. The first speaker was Michael Coard from the Avenging the Ancestors Coalition, who spoke about the President’s House project. Coard described the uniqueness of the President’s House site and Liberty Bell Center as a space where visitors must cross the “hell of slavery” into the “heaven of liberty” and addressed the importance of recognizing both sides of that story. To this point, Coard identified truth as the prime historical need and spoke of the power of projects in civic engagement and investment like the President’s House to challenge one-sided history and make the experiences of African Americans part of the larger narrative.
    [Show full text]
  • Academy of Music; Academy of Music_____ and Or Common Academy of Music______2
    NPS Form 10-900 (3-82) 0MB No. 1024-0018 Expires 10-31-87 United States Department of the Interior National Park Service For NPS use only National Register of Historic Places received Inventory Nomination Form date entered See instructions in How to Complete National Register Forms Type all entries complete applicable sections_________________ 1. Name___________________ historic______American Academy of Music; Academy of Music_____ and or common Academy of Music_______________________ 2. Location_________________ street & number 232-46 South Broad Street at SW., corner Locust Street not for publication Philadelphia city, town vicinity of P ennsylvania 42 county Philadelphia state code CO 3. Classification Category Ownership Status Present Use district public X occupied agriculture museum _ K- building(s) X private unoccupied commercial park structure both work in progress educational private residence site Public Acquisition, Accessible X entertainment religious object in process X yes: restricted government scientific being considered - yes: unrestricted __ industrial transportation .... no military __ other: 4. Owner of Property name Philadelphia Orchestra Association street & number 232-46 South Broad Street city, town Philadelphia vicinity of state Pennslyvania 5. Location of Legal Description courthouse, registry of deeds, etc. Philadelphia City Hall street & number Broad and Market Streets city, town Philadelphia state Pennsylvania 6. Representation in Existing Surveys title Historic American Buildings Survey has this property been determined eligible? yes no date 1957, 1963, 1965, 1967 JL federal state county local depository for survey records W ashing ton, D C city, town state 7. Description Condition Check one Check one excellent deteriorated unaltered ^ original site good ruins X altered moved date fair unexposed Interior Describe the present and original (if known) physical appearance This free standing brick Renaissance Revival Style building exhibits a free use of classical forms.
    [Show full text]
  • December 1934) James Francis Cooke
    Gardner-Webb University Digital Commons @ Gardner-Webb University The tudeE Magazine: 1883-1957 John R. Dover Memorial Library 12-1-1934 Volume 52, Number 12 (December 1934) James Francis Cooke Follow this and additional works at: https://digitalcommons.gardner-webb.edu/etude Part of the Composition Commons, Ethnomusicology Commons, Music Education Commons, Musicology Commons, Music Pedagogy Commons, Music Performance Commons, Music Practice Commons, and the Music Theory Commons Recommended Citation Cooke, James Francis. "Volume 52, Number 12 (December 1934)." , (1934). https://digitalcommons.gardner-webb.edu/etude/53 This Book is brought to you for free and open access by the John R. Dover Memorial Library at Digital Commons @ Gardner-Webb University. It has been accepted for inclusion in The tudeE Magazine: 1883-1957 by an authorized administrator of Digital Commons @ Gardner-Webb University. For more information, please contact [email protected]. THE ETUDE s CMCusic S&gmim December 1934 Price 25 Cents <Cy/ i/<)/maJ ($v-e vnM, DECEMBER 19,% Page 695 THE ETUDE THE HARCOURT, BRACE MUSIC DEPARTMENT Albert E. Wier, Editor £Magnifying Christmas PRESENTS FOUR NEW AND DISTINCTIVE MUSIC COLLECTIONS PIECES FOR TWO PIANOS—Four Hands THE DAYS OF THE HARPSICHORD If you do any two-piano playing, this collection of This is the first volume of a series to be known as 48 classic, romantic and modem compositions is in¬ “The Pianist’s Music Shelf.” It contains 80 dispensable for recital, study or recreation. There melodic compositions by more than fifty famous Eng¬ is a 200-word note of general musical interest pre¬ lish, French, German and Italian harpsichord com¬ £Musical Joy ceding each composition, also a page of twelve recital posers in the period from 1500 to 1750.
    [Show full text]
  • Cavalleria Rusticana I Pagliacci Usporedno Sa Sve Brojnijim Izvedbama Prvi Su Put Zajedno Izvedeni 22
    P. Mascagni CAVALLERIA RUSTICANA R. Leoncavallo: I PAGLIAccI Nedjelja, 3. svibnja 2015., 18:30 sati. Foto: Metropolitan opera P. Mascagni CAVALLERIA RUSTICANA R. Leoncavallo: I PAGLIAccI Nedjelja, 3. svibnja 2015., 18:30 sati. THE MET: LIVE IN HD SERIES IS MADE POSSIBLE BY A GENEROUS GRANT FROM ITS FOUNDING SPONZOR Neubauer Family Foundation GLOBAL CORPORATE SPONSORSHIP OF THE MET LIVE IN HD IS PROVIDED BY THE HD BRODCASTS ARE SUPPORTED BY Pietro Mascagni CAVALLERIA RUSTICANA Opera u jednom činu Libreto: Giovanni Targioni-Tozzetti i Guido Menasci prema istoimenoj noveli Giovannija Verge NEDJELJA, 3. SVIBNJA 2015. POčETAK U 18 SATI I 30 MINUTA. Praizvedba: Teatro Costanzi, Rim, 17. svibnja 1890. Prva hrvatska izvedba: Druga operna stagiona, Zagreb, 29. svibnja 1893. Prva izvedba ansambla Metropolitana 4. prosinca 1891. u Chicagu Premijera ove izvedbe u Metropolitanu: 14. travnja 2015. ZBOR I ORKESTAR METROPOLITANA SANTUZZA Eva-Maria Westbroek ZBORovođa Donald Palumbo TURIDDU Marcelo Álvarez DIRIGENT Fabio Luisi ALFIO George Gagnidze REDATELJ David McVicar LUCIA Jane Bunnell SCENOGRAF Rae Smith LOLA Ginger Costa-Jackson Tekst: talijanski Stanka poslije Cavallerije rusticane. Titlovi: engleski Svršetak oko 22 sata. Ruggero Leoncavallo I PAGLIACCI Foto:Metropolitan opera Opera u dva čina s prologom Libreto: skladatelj NEDJELJA, 3. SVIBNJA 2015. POčETAK U 18 SATI I 30 MINUTA. Praizvedba: Teatro Dal Verme, Milano, 21. kolovoza 1892. Prva hrvatska izvedba: Treća operna stagiona, Zagreb, 22. travnja 1894. Prva izvedba u Metropolitanu: 11. prosinca 1893. Premijera ove izvedbe u Metropolitanu: 25. travnja 2015. KOSTIMOGRAF Moritz Junge CANIO/PAGLIACCIO Marcelo Álvarez OBLIKOVATELJICA RASVJETE Paule Constable NEDDA/COLOMBINA Patricia Racette KOREOGRAF Andrew George TONIO/TADDEO George Gagnidze KONZULTANT ZA VODVILJ Emil Wolk BEPPE/ARLECCHINO Andrew Stenson SILVIO Lucas Meachem Tekst: talijanski Titlovi: engleski CAVALLERIA RUSTICANA Radnja se događa na Uskrs u sicilijanskom selu.
    [Show full text]
  • Between Feasts and Daily Meals. Towards an Archaeology Of
    Elliott Shore Modern Restaurants and Ancient Commensality Summary Commensality in terms of archaeological investigations seems to revolve around questions of feasting and everyday eating patterns. The nature of the available evidence moves ar- chaeologists and ancient historians to conjecture about these questions in innovative and thoughtful ways. How can a modern historian of food enter into this conversation? The history of restaurants in the West seems to provide one way into this debate and poses the question of what evidence we actually have for what commensality might be. Keywords: Modern history; restaurants; commensality; dining out; spectacle. Auseinandersetzungen mit Kommensalität im Rahmen archäologischer Untersuchungen scheinen sich im Wesentlichen um Fragen zu Festen und alltäglichen Essgewohnheiten zu drehen. Die Art der ihnen zur Verfügung stehenden Befunde lässt Archäologen/Archäo- loginnen und Althistoriker/Althistorikerinnen auf innovative und umsichtige Weise über diese Themen nachdenken. Wie kann sich nun die Historie mit dem Thema Nahrung und Essen in der Neuzeit in diese Diskussion einbringen? Die Geschichte des Restaurants in den Kulturen des Westens scheint eine Möglichkeit zu sein, in diese Debatte einzusteigen und wirt zudem die Frage auf, welche Daten wir eigentlich haben, um zu erforschen, was Kommensalität sein könnte. Keywords: Neuere und Neueste Geschichte; Restaurants; Kommensalität; Essen außer Haus; Spektakel. Susan Pollock (ed.) | Between Feasts and Daily Meals | Berlin Studies of the Ancient World 30 (ISBN 978-3-9816751-0-8; URN urn:nbn:de:kobv:188-fudocsdocument0000000222142-2) | www.edition-topoi.de 277 elliott shore 1 Introduction Two issues confronted me upon being invited to a commensality workshop as the lone modern historian: I had only a layperson’s understanding of ancient archaeology, and I had never heard of commensality.
    [Show full text]
  • Form 990 FY 2019
    E-file Status Page 1 of 1 Cumulative E-File History 2018 Federal Locator: 14344X Taxpayer Name: Academy Of Music Of Philadelphia, Inc. Return Type: 990, 990 Submitted Date 7/10/2020 3:13:41 PM Acknowledgement 7/10/2020 3:26:12 PM Date Status Accepted Submission ID 23695320201925000050 Print Close https://gosystemrs.fasttax.com/GoSystemRSReport.Web/Modal//ElfCumulativeHistory.as ... 7/ 10/ 2020 Return of Organization Exempt From Income Tax OMÀB N¾o. µ1545¼-0047 Form 990 Under section 501(c), 527, or 4947(a)(1) of the Internal Revenue Code (except private foundations) I Do not enter Social Security numbers on this form as it may be made public. Open to Public Department of the Treasury I Internal Revenue Service Information about Form 990 and its instructions is at www.irs.gov/form990. Inspection A For the 2018 calendar year, or tax year beginning 09/01 , 2018, and ending 08/31 , 20 19 C Name of organization D Employer identification number B Check if applicable: ACADEMY OF MUSIC OF PHILADELPHIA, INC. Address change Doing Business As 23-1501159 Name change Number and street (or P.O. box if mail is not delivered to street address) Room/suite E Telephone number Initial return ONE SOUTH BROAD STREET, 14TH FLOOR (215) 893-1900 Terminated City or town, state or province, country, and ZIP or foreign postal code Amended PHILADELPHIA, PA 19107 G Gross receipts $ 3,327,709. return Application F Name and address of principal officer: MATIAS TARNOPOLSKY H(a) Is this a group return for Yes X No pending subordinates? ONE SOUTH BROAD STREET, 14THJ FLOOR, PHILADELPHIA, PA H(b) Are all subordinates included? Yes No I Tax-exempIt status: X 501(c)(3) 501(c) ( ) (insert no.) 4947(a)(1) or 527 If "No," attach a list.
    [Show full text]
  • 2008 OAH Annual Meeting • New York 1
    Welcome ear colleagues in history, welcome to the one-hundred-fi rst annual meeting of the Organiza- tion of American Historians in New York. Last year we met in our founding site of Minneap- Dolis-St. Paul, before that in the national capital of Washington, DC. On the present occasion wew meet in the world’s media capital, but in a very special way: this is a bridge-and-tunnel aff air, not limitedli to just the island of Manhattan. Bridges and tunnels connect the island to the larger metropolitan region. For a long time, the peoplep in Manhattan looked down on people from New Jersey and the “outer boroughs”— Brooklyn, theth Bronx, Queens, and Staten Island—who came to the island via those bridges and tunnels. Bridge- and-tunnela people were supposed to lack the sophistication and style of Manhattan people. Bridge- and-tunnela people also did the work: hard work, essential work, beautifully creative work. You will sees this work in sessions and tours extending beyond midtown Manhattan. Be sure not to miss, for example,e “From Mambo to Hip-Hop: Th e South Bronx Latin Music Tour” and the bus tour to my own Photo by Steve Miller Steve by Photo cityc of Newark, New Jersey. Not that this meeting is bridge-and-tunnel only. Th anks to the excellent, hard working program committee, chaired by Debo- rah Gray White, and the local arrangements committee, chaired by Mark Naison and Irma Watkins-Owens, you can chose from an abundance of off erings in and on historic Manhattan: in Harlem, the Cooper Union, Chinatown, the Center for Jewish History, the Brooklyn Historical Society, the New-York Historical Society, the American Folk Art Museum, and many other sites of great interest.
    [Show full text]
  • Babel' in Context a Study in Cultural Identity B O R D E R L I N E S : R U S S I a N А N D E a S T E U R O P E a N J E W I S H S T U D I E S
    Babel' in Context A Study in Cultural Identity B o r d e r l i n e s : r u s s i a n а n d e a s t e u r o p e a n J e w i s h s t u d i e s Series Editor: Harriet Murav—University of Illinois, Urbana-Champaign Editorial board: Mikhail KrutiKov—University of Michigan alice NakhiMovsKy—Colgate University David Shneer—University of Colorado, Boulder anna ShterNsHis—University of Toronto Babel' in Context A Study in Cultural Identity Ef r a i m Sic hEr BOSTON / 2012 Library of Congress Cataloging-in-Publication Data: A catalog record for this book as available from the Library of Congress. Copyright © 2012 Academic Studies Press All rights reserved Effective July 29, 2016, this book will be subject to a CC-BY-NC license. To view a copy of this license, visit https://creativecommons.org/licenses/by-nc/4.0/. Other than as provided by these licenses, no part of this book may be reproduced, transmitted, or displayed by any electronic or mechanical means without permission from the publisher or as permitted by law. ISBN 978-1-936235-95-7 Cloth ISBN 978-1-61811-145-6 Electronic Book design by Ivan Grave Published by Academic Studies Press in 2012 28 Montfern Avenue Brighton, MA 02135, USA [email protected] www.academicstudiespress.com C o n t e n t s Note on References and Translations 8 Acknowledgments 9 Introduction 11 1 / Isaak Babelʹ: A Brief Life 29 2 / Reference and Interference 85 3 / Babelʹ, Bialik, and Others 108 4 / Midrash and History: A Key to the Babelesque Imagination 129 5 / A Russian Maupassant 151 6 / Babelʹ’s Civil War 170 7 / A Voyeur on a Collective Farm 208 Bibliography of Works by Babelʹ and Recommended Reading 228 Notes 252 Index 289 Illustrations Babelʹ with his father, Nikolaev 1904 32 Babelʹ with his schoolmates 33 Benia Krik (still from the film, Benia Krik, 1926) 37 S.
    [Show full text]
  • Spring 2007 a Letter from the President
    College of Musical Arts Bowling Green State University Bowling Green, Ohio 43403-0290 Promoting Musical Excellence Pro Musica supports the College of Musical Arts by inviting the participation of alumni, friends, parents and the Bowling Green community in a wide variety of musical events and by providing financial support for projects that are often beyond the reach of state funding. A letter from the President Pro Musica: Promoting Musical Excellence This has been an extraordinary year for Pro Musica. As you can see from their essays, students greatly appreciate the 51 travel grants we’ve been able to A special year of award thanks to new and renewed memberships. We are making a substantial difference in the Bowling Green State University’s College of Musical Arts. promoting excellence! Student memberships alone increased by 254 percent! Two students, Jami Lynn Haswell and Michael Hsin-en Liu, were elected by their peers to serve on the Pro Musica Board. We are proud to have them with us and look forward to Pro Musica funded serving with them. Pro Musica also sponsors and provides musical events in our community. 98 individual student For example, a fantastic piano concert was given at the Wood County District grants, awarding nearly Public Library on a cold winter’s Sunday afternoon. It was well attended and greatly appreciated by all. The Bowling Green Kiwanis Club was treated by $39,000 for 2006-07! our student, Jami Lynn Haswell, with her memories and pictures of her musical experiences in Pitten, Austria. We hope to expand providing musical events to our community.
    [Show full text]
  • Making an Old-World Milwaukee: German Heritage, Nostalgia, and the Reshaping of the Twentieth Century City Joseph B
    University of Wisconsin Milwaukee UWM Digital Commons Theses and Dissertations August 2017 Making an Old-world Milwaukee: German Heritage, Nostalgia, and the Reshaping of the Twentieth Century City Joseph B. Walzer University of Wisconsin-Milwaukee Follow this and additional works at: https://dc.uwm.edu/etd Part of the Ethnic Studies Commons, and the United States History Commons Recommended Citation Walzer, Joseph B., "Making an Old-world Milwaukee: German Heritage, Nostalgia, and the Reshaping of the Twentieth Century City" (2017). Theses and Dissertations. 1719. https://dc.uwm.edu/etd/1719 This Dissertation is brought to you for free and open access by UWM Digital Commons. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of UWM Digital Commons. For more information, please contact [email protected]. MAKING AN OLD-WORLD MILWAUKEE: GERMAN HERITAGE, NOSTALGIA AND THE RESHAPING OF THE TWENTIETH CENTURY CITY by Joseph B. Walzer A Dissertation Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in History at The University of Wisconsin-Milwaukee August 2017 ABSTRACT MAKING AN OLD-WORLD MILWAUKEE: GERMAN HERITAGE, NOSTALGIA AND THE RESHAPING OF THE TWENTIETH CENTURY CITY by Joseph B. Walzer The University of Wisconsin-Milwaukee, 2017 Under the Supervision of Professor Rachel Buff This dissertation examines the importance of white ethnicity, and especially Germanness, in the “civic branding” and urban restructuring efforts of city officials, civic boosters, and business leaders in Milwaukee, Wisconsin in the mid-to-late twentieth century. Scholars have increasingly identified the significant roles the “revival” of European ethnic identities played in maintaining white racial privilege in response to the Civil Rights Movement since the 1960s.
    [Show full text]
  • Reflections About Potsdamer Platz from Berliners', Germans' And
    Epilogue: Reflections About Potsdamer Platz From Berliners’, Germans’ and Tourists’ Personal Experience Magdalena Wierietielny, 24, Polish, Anthropology graduate, tourist Opinion after visiting Potsdamer Platz: To me this place does not really mean anything. It doesn’t present any values that I would identify with, not even just as a tourist visiting Berlin, but a European. If I think about it more I can almost say that this place is dead to me. Architecture is of course impressive, new and high rise with glass-and steel modernity notion, but I couldn’t find a place to sit. There was no sense of a meeting place, which a centre of a city normally carries. Josefine Maaß, 26, German, International Relations master0s student in Berlin, Opinion as a German national living in Berlin: I do not have any opinion on that place really. I have been living in Berlin for 2 years now and I must say that Potsdamer Platz for me functions only as a point ‘through’, as a connector in the city, which in that sense works great to me. I like the look of the ‘New’ that it presents, but I never spend my time there, except the 5 or 10 min when I am waiting for my next bus or train. Michel Tranter, 22, Scottish, Architecture student visiting Berlin: I love the Sony Centre, it is really vibrant, but like many of the ‘platz’s’ spaces it is too large and has no focus. The vehicle communication in it is too significant: the roads and car traffic. I also found that there is no real sense of history.
    [Show full text]