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Gli Autori Di Questo Numero
pl.it | rassegna italiana di argomenti polacchi | 11 | 2020 ISSN: 2384-9266 | plitonline.it Gli autori di questo numero Alessandro Amenta is an assistant professor of Polish language at the University of Rome “Tor Vergata”. His research interests include translation stud- ies, Polish interwar and post-1989 literature, and gender and queer studies in Eastern Europe. He has translated many 20th century Polish writers into Italian, such as Witold Gombrowicz, Adam Zagajewski, Wiesław Myśliwski, Zuzanna Ginczanka, Andrzej Stasiuk, Eugeniusz Tkaczyszyn-Dycki, Antoni Libera, Izabela Filipiak, Łukasz Jarosz, and Piotr Paziński. He is the author of two monographs: Il Discorso dell’Altro. La costruzione delle identità omosessuali nella narrativa polacca del Novecento (2008) and Le parole e il silenzio. La poesia di Zuzanna Ginczanka e Krystyna Krahelska (2016). Lidia Mafrica graduated in 2015 from the University of Udine, where she specialised in Polish language and literature. In her master’s dissertation, she discussed the analysis and Italian translation of Fotoplastikon by Jacek Dehnel. Currently she is a temporary research fellow at University of Genoa and edito- rial assistant for “pl.it / rassegna italiana di argomenti polacchi”. Dario Prola is an assistant professor in the Faculty of Applied Linguistics of Warsaw University. He teaches the history of Italian literature, literary translation, and specialised translation. He received a PhD in 2008 from Turin University, with a thesis on the theme of myth and representation of the city in Polish literature after 1989. His research interests include contemporary Polish literature, literary translation, and literary relationships between Italy and Poland. He is the author of numerous articles and two monographs: Mito e rappresentazione della città nella letteratura polacca (2014) and Spossato dalla bellezza: l’Italia nella scrittura di Jarosław Iwaszkiewicz (2018). -
I Burn Paris Free Download
I BURN PARIS FREE DOWNLOAD Bruno Jasienski,Cristian Opris,Soren Gauger,Marcin Piekoszewski | 309 pages | 15 Apr 2012 | Twisted Spoon Press | 9788086264370 | English | Prague, Czech Republic Bruno Jasieński And I Burn Paris: The Great Polish Futurist And Catastrophist I Burn Paris are its inheritors, I Burn Paris with your own proletariat. Apr 08, Aleksandra rated it it was amazing. Yes, I Burn Paris actually is optimistically utopian -- even if the price for the new society is very high: Paris proper isn't exactly burnt I Burn Paris the ground, but the vast majority of Parisians He grew up in an unsettled China, and became a political activist. Views Read Edit View history. Sentenced to 15 years in a labour camp, he was executed on 17 September in Butyrka prison in Moscow. The most important of these, I Burn Parisbrought him misery, celebrity and, ultimately, led to his downfall. Wikimedia Commons. She was right, we were destined not to love each other; but not for the reason she had envisioned. More Details Actual Price:. The novel was also a humorous reply to Paul Morand 's pamphlet I Burn Moscowpublished shortly before. Up until the plague claims its maker. Published April 15th by Twisted Spoon Press first published Powerful poetic prose. They were brought to the nearest pharmacy. Or think of I Burn Paris as like a s version of The Purge, but one that doesn't try to hide its ideology or sympathies. He has exhibited across Europe and his work has been included in group shows I Burn Paris presentations of contemporary avant- garde graphic artists. -
After Miłosz: Polish Poetry in the 20Th and the 21Th Century Chicago, Chopin Theatre, 9/30 –10/3 2011
After Miłosz: Polish Poetry In the 20th and the 21th Century Chicago, Chopin Theatre, 9/30 –10/3 2011 THE FESTIVAL The Chicago's literary festival titled After Milosz: Polish Poetry in the 20th and 21th Century is the largest presentation of Polish poetry in the United States this year. The festival celebrates the year of Czeslaw Milosz and commemorates the centennial anniversary of the birth of the Nobel Prize winner. The event goes beyond a familiar formula of commenting the work of the poet and offers a broader view on the contemporary Polish poetry. Besides the academic conference dedicated to Milosz's work, and a panel with the greatest America poets (Jorie Graham, Charles Simic) remembering the artist and discussing his influence on American poetry, the program includes readings of the most talented modern Polish poets of three generations. From the best known (Zagajewski, Sommer) to the most often awarded young writer nowadays, Justyna Bargielska. An important part of the festival will be two concerts: the opening show will present the best Polish rappers FISZ and EMADE whose songs are inspired by Polish poetry; another concert will present one of the best jazz singers in the world, Patricia Barber, who will perform especially for this occasion. The main organizers of the festival are the Fundation of Tygodnik Powszechny magazine and the Joseph Conrad International Literary Festival in Krakow, for which the Chicago festival is a portion of the larger international project for promoting Polish literature abroad. The co- organizer of the festival is the Head of the Slavic Department at University of Illinois at Chicago, Professor Michal Pawel Markowski, who represents also the Polish Interdisciplinary Program at UIC supported by The Hejna Fund, and also serves as the artistic director to the Conrad Festival. -
Gombrowicz and Woolf: the Face As Culture
chapter 3 Gombrowicz and Woolf: The Face as Culture Introduction Championed by Baudelaire, the face in which the importance of ‘depth’ is eclipsed by the spectacle of surface inaugurates a new era in portraiture. Authors active in the 1920s, 1930s, and later tend to produce portraits which circumvent the principles of phrenology and physiognomics without explicit reference to those ‘sciences’. In this period, theories of ‘reading’ the face as instruments of characterisation are used less frequently. Writers tend to chal- lenge the traditional role of the face as an instrument of characterisation directly. Thus, the face is no longer simply a passage to the soul. This ‘meaning- less’ type of portraiture (to borrow Edmund Heier’s phrase), which not only complicates physiognomic characterisation but often completely destroys it, will be the focus of this chapter (1976, 324). I will examine portraits in the works of two authors considered to be paradigmatic of modernist style, the English writer Virginia Woolf (1882–1941) and the Polish author Witold Gombrowicz (1904–69).1 One reason why twentieth-century portraiture received little critical atten- tion is that modernist accounts of faces have not been considered as portraits at all. Heier suggests that ‘modernist’ faces are often reduced to “mere signals” and “meagre suggestions” which compel the reader to “felicitous accidental com- pletion” (1976, 323). To be a literary portrait, a description must fulfil two con- ditions: it must “draw forth” the character (as French pourtraire would sugg est); 1 Witold Gombrowicz, a Polish author of plays, novels, short stories and other non-fictional texts, is recognised as a representative of Polish literary modernism. -
(Ne)Laisvės Refleksija. Witold Gombrowicz Ir Alfonsas Nyka-Niliūnas
VYTAUTO DIDŢIOJO UNIVERSITETAS HUMANITARINIŲ MOKSLŲ FAKULTETAS ISTORIJOS KATEDRA REFERATAS Dienoraštinė tremties ir išsivadavimo iš jos (ne)laisvės refleksija. Witold Gombrowicz ir Alfonsas Nyka-Niliūnas Studentė: Laima Venclauskienė, Mg I kursas Dėstytojas: prof. Egidijus Aleksandravičius KAUNAS, 2009 Turinys Įvadas ......................................................................................................................... 2 Tremtis ir emigracija: būties ir distancijos kategorijos ........................................... 6 Lietuvos ir Lenkijos paveikslai – prarastasis rojus ir jo (ne)laisvė ......................... 9 Apibendrinimas ....................................................................................................... 12 Naudota literatūra ................................................................................................... 13 1 Įvadas Ar įmanoma atskirti intelektualinę teritoriją nuo individo pojūtinių išgyvenimų istorijos, jo gyvenimą rikiuojančių būtinybių ir atsitiktinumų? Anot Algirdo Juliaus Greimo, intelektualinė biografija – tai savo paties gyvenimo logiška rekonstrukcija, mentalinių įvykių atranka, organizuota į vienprasmį procesą ir mąstymo reiškinius siejantį algoritmą1. Vytauto Kavolio puoselėjamas projektas intelektualinių biografijų metodu įgalinti vienos kurios kultūros – lietuviškosios, pavyzdţiui,- vieno kultūrinio klodo ar epochos aprašymą yra suprantamas, priimtinas ir pagirtinas, anot A. J. Greimo2. V. Kavolio tiriama simbolinė konstrukcija, savęs ir pasaulio suvokimas -
U.S. Poet Laureate Appointment Charles Simic Cleopatra's Needle
® ® FOLLY SEPTEMBERSEPTEMBER 2007 2007 U.S. Poet Laureate Appointment Charles Simic Cleopatra’s Needle Drawn in Dust Jan Wurm © 2007 Follymag 1 www.follymag.com ® SEPTEMBERAPRIL 20072007 FOLLY FEATURES U.S. Poet Laureate Appointment 3 Charles Simic Central Park’s Obelisk 6 Cleopatra’s Needle Drawn in Dust 8 Jan Wurm FOLLY is published monthly. All material is compiled from sources believed to be reliable but published without responsibility for errors or omissions. Material in this publication cannot be reproduced. However, the publication can be distributed and shared, in its entirety. For submissions, please contact [email protected]. Folly is not responsible for the return of unsolicited material. © 2007 Folly 2 www.follymag.com ® FOLLY SEPTEMBER 2007 highly organized poetry with shades of darkness and flashes of ironic Charles Simic humor." Appointed Poet Charles Simic was born in Yugoslavia on May 9, 1938. His childhood was Laureate complicated by the events of World War II. He moved to Paris with his mother when he was 15; a year later, they joined his father in New York Librarian of Congress James H. and then moved to Oak Park, a suburb of Chicago, where he graduated Billington announced the from the same high school as Ernest Hemingway. Simic attended the appointment of Charles Simic to University of Chicago, working nights in an office at the Chicago Sun be the Library’s 15th Poet Times, but was drafted into the U.S. Army in 1961 and served until 1963. Laureate Consultant in Poetry on He earned his bachelor's degree from New York University in 1966. -
CITY LIGHTS PUBLISHERS CELEBRATING 60 YEARS 1955-2015 261 Columbus Ave | San Francisco, CA 94133
CITY LIGHTS PUBLISHERS CELEBRATING 60 YEARS 1955-2015 261 Columbus Ave | San Francisco, CA 94133 Juan Felipe Herrera has been appointed the 21st Poet Laureate of the United States for 2015-2016! Forthcoming from City Lights this September will be Herrera’s new collection of poems titled Notes on the Assemblage. Herrera, who succeeds Charles Wright as Poet Laureate, said of the appointment, “This is a mega-honor for me, for my family and my parents who came up north before and after the Mexican Revolution of 1910—the honor is bigger than me. I want to take everything I have in me, weave it, merge it with the beauty that is in the Library of Congress, all the resources, the guidance of the staff and departments, and launch it with the heart-shaped dreams of the people. It is a miracle of many of us coming together.” Herrera joins a long line of distinguished poets who have served in the position, including Natasha Trethewey, Philip Levine, W. S. Merwin, Kay Ryan, Charles Simic, Donald Hall, Ted Kooser, Louise Glück, Billy Collins, Stanley Kunitz, Robert Pinsky, Robert Hass and Rita Dove. The new Poet Laureate is the author of 28 books of poetry, novels for young adults and collections for children, most recently Portraits of Hispanic American Heroes (2014), a picture book showcasing inspirational Hispanic and Latino Americans. His most recent book of poems is Senegal Taxi (2013). A new book of poems from Juan Felipe Herrera titled Notes on the Assemblage is forthcoming from City Lights Publishers in September 2015. -
Presence of Julian Tuwim in Lithuania
ACTA UNIVERSITATIS LODZIENSIS FOLIA LITTERARIA POLONICA 6(36) 2016 http://dx.doi.org/10.18778/1505-9057.36.11 Teresa Dalecka* The (Non)Presence of Julian Tuwim in Lithuania The relatively poor reception of Julian Tuwim’s works in Lithuania stems from the 1960s. In that period, unofficial literature circulated the country, influ- encing society as a form of cultural resistance, sole means to preserve national identity. Literary works became synonymous with defending culture and society. One of the dominating directions of the development of Lithuanian literature was reconstructing bonds with the pre-war national-agricultural vision of the world and historical memory. The second direction was, often through translations, re- constructing Western modernistic trends1. Lithuanian writers were searching for various forms of modified avant-garde trends in Western poets, Julian Tuwim among them. Having reclaimed independence in 1991, Lithuanian literature became simi- lar to Western literature. A lot of new opportunities opened up. Among the most interesting ones, there were phenomena like: unstable identity of the subject, pop- ularity of grotesque, disappearance of lyricism in poetry, intertextuality, domi- nance of essay in prose, and stylistic experiments including merging highbrow and mass literature2. Contemporary Lithuanian writers reflect various outlooks and philosophies in their works. Young authors feel less overwhelmed by tradi- tion than their predecessors. At the same time, the reasons to rebel against literary canons are diminishing: Currently, the most important issue is the audience of literature and the ques- tion of the place for subjective works in a chaotic world of commercialised soci- ety, ruled by market competitiveness, along with modernised communication3. -
Librarian of Congress Appoints UNH Professor Emeritus Charles Simic Poet Laureate
University of New Hampshire University of New Hampshire Scholars' Repository Media Relations UNH Publications and Documents 8-2-2007 Librarian Of Congress Appoints UNH Professor Emeritus Charles Simic Poet Laureate Erika Mantz UNH Media Relations Follow this and additional works at: https://scholars.unh.edu/news Recommended Citation Mantz, Erika, "Librarian Of Congress Appoints UNH Professor Emeritus Charles Simic Poet Laureate" (2007). UNH Today. 850. https://scholars.unh.edu/news/850 This News Article is brought to you for free and open access by the UNH Publications and Documents at University of New Hampshire Scholars' Repository. It has been accepted for inclusion in Media Relations by an authorized administrator of University of New Hampshire Scholars' Repository. For more information, please contact [email protected]. Librarian Of Congress Appoints UNH Professor Emeritus Charles Simic Poet Laureate 9/11/17, 1250 PM Librarian Of Congress Appoints UNH Professor Emeritus Charles Simic Poet Laureate Contact: Erika Mantz 603-862-1567 UNH Media Relations August 2, 2007 Librarian of Congress James H. Billington has announced the appointment of Charles Simic to be the Library’s 15th Poet Laureate Consultant in Poetry. Simic will take up his duties in the fall, opening the Library’s annual literary series on Oct. 17 with a reading of his work. He also will be a featured speaker at the Library of Congress National Book Festival in the Poetry pavilion on Saturday, Sept. 29, on the National Mall in Washington, D.C. Simic succeeds Donald Hall as Poet Laureate and joins a long line of distinguished poets who have served in the position, including most recently Ted Kooser, Louise Glück, Billy Collins, Stanley Kunitz, Robert Pinsky, Robert Hass and Rita Dove. -
NYU Alumni Magazine Issue 10
Charles Simic grapples with an unexpected national title by Michael Scharf Photograph by Peter Gregoire The ConsidersPoet WHEN CHARLES SIMIC WAS NAMED thing is very far away, and we just came was melting. He has never been directly the 15th U.S. Poet Laureate this past sum- home from the market. We’re unloading a confrontational in the manner of Amiri mer,he was,at nearly 70,an eminent Amer- week’s worth of groceries.The phone rings Baraka, whose poem “Somebody Blew Up ican poet: the winner of a MacArthur out of the blue—and they tell you.” America” (2002) condemns a long list of Foundation “genius” grant and of the A sudden call where a mysterious “American terrorists,” or Allen Ginsberg, Pulitzer Prize for poetry for his 1989 “they” make a possibly life-changing pro- who asked outright “America when will collection The World Doesn’t End (Harvest). nouncement in the midst of a mundane you be angelic?” (in America, 1956) and ref- Still, he was surprised when the phone call task is characteristic of the “dark illumina- erenced everyone from Walt Whitman to came one morning to his New Hampshire tions and acrid comedy,” as New York Sun Richard Nixon. Yet Simic has, he says, home. “Early August, nothing is happen- critic Adam Kirsch has written, that won “pretty much endorsed that sense of the ing,”Simic (WSC ’67) recounts in a cadence Simic national recognition. The call gave poet who speaks truth to power.” not unlike his verse.“In the boonies, every- Simic pause not only because his ice cream In “The Lights Are On Everywhere,” 48 / SPRING 2008 / NYU etrs POET LAUREATE CHARLES SIMIC, NOTED FOR HIS CUTTING WIT, VISITED FLORENCE PRIME MEATS IN THE VILLAGE DURING A RECENT TRIP TO HIS OLD NEIGHBORHOOD. -
THE SARMATIAN REVIEW Vol
THE SARMATIAN REVIEW Vol. XX, No. 2 April 2000 Mr. Thaddeus Comes to America Nationality and Ethnicity in Poland-Lithuania A panoramic view of the Vilnius Castle in 1997. Photo by John Knasas. 694 THE SARMATIAN REVIEW April 2000 The Sarmatian Review (ISSN 1059- ing theater’s performance of Mr. Thaddeus 5872) is a triannual publication of the Polish In- From the Editor in Polish testifies to the strong sense of eth- stitute of Houston. The journal deals with Polish, The last great pastoral of European litera- nic identity among Americans of Polish Central, and Eastern European affairs, and their ture, Mr. Thaddeus, was written in 1834. implications for the United States. We specialize background. in the translation of documents. The genre of the pastoral implies a perfect Nationhood is a tight weave of mytholo- Subscription price is $15.00 per year for individu- or nearly-perfect world where human ani- gies, ideals, facts, dreams, hopes and grati- als, $21.00 for institutions and libraries ($21.00 mosities, grief and anger are manageable tude, and Mr. Thaddeus is all that. It is sec- for individuals, $27.00 for libraries overseas, air and where “all is right with the world.” As mail). The views expressed by authors of articles ond only to Henryk Sienkiewicz’s Trilogy do not necessarily represent those of the Editors the name suggests, in pastorals the place of (1884-88) in upholding and promoting or of the Polish Institute. Articles are subject to action is the rural world, and the mode of Polish nationhood. But—how many in the editing. -
Babel' in Context a Study in Cultural Identity B O R D E R L I N E S : R U S S I a N А N D E a S T E U R O P E a N J E W I S H S T U D I E S
Babel' in Context A Study in Cultural Identity B o r d e r l i n e s : r u s s i a n а n d e a s t e u r o p e a n J e w i s h s t u d i e s Series Editor: Harriet Murav—University of Illinois, Urbana-Champaign Editorial board: Mikhail KrutiKov—University of Michigan alice NakhiMovsKy—Colgate University David Shneer—University of Colorado, Boulder anna ShterNsHis—University of Toronto Babel' in Context A Study in Cultural Identity Ef r a i m Sic hEr BOSTON / 2012 Library of Congress Cataloging-in-Publication Data: A catalog record for this book as available from the Library of Congress. Copyright © 2012 Academic Studies Press All rights reserved Effective July 29, 2016, this book will be subject to a CC-BY-NC license. To view a copy of this license, visit https://creativecommons.org/licenses/by-nc/4.0/. Other than as provided by these licenses, no part of this book may be reproduced, transmitted, or displayed by any electronic or mechanical means without permission from the publisher or as permitted by law. ISBN 978-1-936235-95-7 Cloth ISBN 978-1-61811-145-6 Electronic Book design by Ivan Grave Published by Academic Studies Press in 2012 28 Montfern Avenue Brighton, MA 02135, USA [email protected] www.academicstudiespress.com C o n t e n t s Note on References and Translations 8 Acknowledgments 9 Introduction 11 1 / Isaak Babelʹ: A Brief Life 29 2 / Reference and Interference 85 3 / Babelʹ, Bialik, and Others 108 4 / Midrash and History: A Key to the Babelesque Imagination 129 5 / A Russian Maupassant 151 6 / Babelʹ’s Civil War 170 7 / A Voyeur on a Collective Farm 208 Bibliography of Works by Babelʹ and Recommended Reading 228 Notes 252 Index 289 Illustrations Babelʹ with his father, Nikolaev 1904 32 Babelʹ with his schoolmates 33 Benia Krik (still from the film, Benia Krik, 1926) 37 S.