NYU Alumni Magazine Issue 10

Total Page:16

File Type:pdf, Size:1020Kb

NYU Alumni Magazine Issue 10 Charles Simic grapples with an unexpected national title by Michael Scharf Photograph by Peter Gregoire The ConsidersPoet WHEN CHARLES SIMIC WAS NAMED thing is very far away, and we just came was melting. He has never been directly the 15th U.S. Poet Laureate this past sum- home from the market. We’re unloading a confrontational in the manner of Amiri mer,he was,at nearly 70,an eminent Amer- week’s worth of groceries.The phone rings Baraka, whose poem “Somebody Blew Up ican poet: the winner of a MacArthur out of the blue—and they tell you.” America” (2002) condemns a long list of Foundation “genius” grant and of the A sudden call where a mysterious “American terrorists,” or Allen Ginsberg, Pulitzer Prize for poetry for his 1989 “they” make a possibly life-changing pro- who asked outright “America when will collection The World Doesn’t End (Harvest). nouncement in the midst of a mundane you be angelic?” (in America, 1956) and ref- Still, he was surprised when the phone call task is characteristic of the “dark illumina- erenced everyone from Walt Whitman to came one morning to his New Hampshire tions and acrid comedy,” as New York Sun Richard Nixon. Yet Simic has, he says, home. “Early August, nothing is happen- critic Adam Kirsch has written, that won “pretty much endorsed that sense of the ing,”Simic (WSC ’67) recounts in a cadence Simic national recognition. The call gave poet who speaks truth to power.” not unlike his verse.“In the boonies, every- Simic pause not only because his ice cream In “The Lights Are On Everywhere,” 48 / SPRING 2008 / NYU etrs POET LAUREATE CHARLES SIMIC, NOTED FOR HIS CUTTING WIT, VISITED FLORENCE PRIME MEATS IN THE VILLAGE DURING A RECENT TRIP TO HIS OLD NEIGHBORHOOD. from his forthcoming collection That Little poetic approach to the Laureateship, which Once in America, Simic spent a year in Something (Harcourt), he writes: The he sees as more about how one comports Queens before moving with his family to Emperor must not be told night is coming. / His himself than any specific criticism or praise Chicago. After a brief time at the armies are chasing shadows, / Arresting whip- for the powers that be. “The thing about University of Chicago, he moved to poor-wills and hermit thrushes /And setting the role of the Poet Laureate so far, if you Greenwich Village in 1958 with the idea towns and villages on fire. // In the capital, they look back, is that everyone has behaved of being an artist. Although Simic was go around confiscating / Clocks and watches, very well as a figure of integrity,” Simic accepted at Columbia University,he could burning heretics / And painting the sunrise above says. “And right now we’re in a historical not make tuition. Instead, he painted in his the rooftops / So we can wish each other good moment where there’s not much integrity apartment while working at NYU Press. morning. around in government and other places.” “I basically took care of the mailing list,” The poem addresses power indirectly— Like his poetry, which is suggestive but he says, but the simple job inaugurated a the capital and the rooftops could be any- doesn’t name names, Simic implies that his longer relationship with the university.He where—but such lines are typical of a own manner of “speaking truth to power” soon moved to the payroll office, and after career-long concern with the ways individu- might be challenge enough. a stint in the U.S.Army,returned to it and als get blown about by the currents of histo- But it is also possible, looking at his life enrolled at NYU to complete his under- ry.For a poet like Simic,an honor tied to one and work, to read Simic’s Laureateship graduate degree in Russian literature. of the most muscular institutions on earth symbolically as the Library of Congress’s It was affordable, with his employee dis- required that he think about the nature of way of endorsing a certain vision of count, and classes were just a couple doors the post, and what it would down from his office. demand of him, and then call Simic has never been directly By 1970, after stints in an early them back. computer banking division and at The Laureateship has always confrontational...but he has, he says, Aperture magazine, Simic had been something of an ambigu- published two books and married ous post. It began in 1937 as “pretty much endorsed that sense of Helen Dubin,a clothing designer. “Consultant in Poetry to the the poet who speaks truth to power.” They had no intention of leaving Library of Congress”—when New York—until his work Robert Lowell (1947-48) and gained greater recognition and later Elizabeth Bishop (1949-50) held it— America—one that celebrates heterogene- invitations to teach at colleges and universities and supposed little official function. The ity and an open view on the world. As flooded in from across the country.“The idea current name was decreed by an act of only the second Laureate not born in the of teaching had never crossed my mind, since Congress in 1985, possibly as a way United States, United Kingdom, or I only have a B.A.,” He recalls.“But we had a of bringing the post into line with that of Canada, Simic’s tenure defies a time of kid,and life had become really complicated in Britain, which has had a Laureate at least closing borders. As he continues in “The the city.So we decided,‘what the hell.’”After since Ben Jonson in 1616. But it wasn’t Lights Are On Everywhere,” The rooster three years at California State University at until Robert Pinsky’s unprecedented three brought in chains is crowing, / The flowers in Hayward, Simic took a job at the University consecutive one-year terms in the 1990s the garden have been forced to stay open, / And of New Hampshire in 1973, where he’s now that the position gained prominence in still, dark stains spread over the palace floors / a professor emeritus. Accolades slowly built the United States. Pinsky’s “Favorite Poem Which no amount of scrubbing will wipe away. up, with the MacArthur fellowship—today Project”—a book and video anthology of Like Joseph Brodsky—the Russian- worth $500,000—coming in 1984. It was a ordinary Americans selecting and reading born Laureate who served in the early breakthrough financially, and also in terms of their favorite poems—became synony- 1990s—Simic has witnessed “dark stains” notoriety. mous with the post, and with the feel- firsthand. Born in 1938 in Belgrade, he While the Laureateship might be seen good side of the Clinton administration. arrived in the United States in 1954, at the as the most prominent of accolades, a title No Laureate since has really entered the age of 16, having emigrated with his par- effectively declaring the poet a national national consciousness in the same way. ents and younger brother from a war- treasure, there’s no danger that the atten- Those at the Library of Congress were scarred homeland via Paris. While WWII tion will affect the sense of place and per- quick to assure Simic that “it’s an honor, and its aftermath play a mostly back- spective Simic developed as a boy in the not a job,” and he has decided, like ground role in his verse, he treats that tumultuous years following the war.As he Laureates before him, to define his year in period of his life directly in a 2000 mem- writes in A Fly in the Soup—of his child- his own way.One of his goals is to endorse oir, A Fly in the Soup (University of hood self watching citizens of Paris with books that make finding and reading poet- Michigan Press), in which he writes, not proper papers walk past his refugee fami- ry easier, including Poems of New York without humor, of his family’s nightmar- ly—“I knew something they didn’t, some- (Everyman’s Library), a celebrated antholo- ish experience during the bombing of thing hard to come by unless history gives gy of known and unknown poets from the Belgrade, of the murderous factions that you a good kick in the ass: how superflu- 19th century to the present. Otherwise, the followed in its wake, and of their displace- ous and insignificant in any grand scheme writer seems to have transferred his oblique ment after the war. mere individuals are!” 50 / SPRING 2008 / NYU ST. THOMAS AQUINAS THAT LITTLE (from The Book of Gods and Devils, 1990) SOMETHING I left parts of myself everywhere (from That Little Something, 2008) The way absent-minded people leave Gloves and umbrellas for Li-Young Lee Whose colors are sad from dispensing so much bad luck. The likelihood of ever finding it is small. I was on a park bench asleep. It’s like being accosted by a woman It was like the Art of Ancient Egypt. And asked to help her look for a pearl I didn’t wish to bestir myself. She lost right here in the street. I made my long shadow take the evening train. She could be making it all up, “We give death to a child when we give it a doll,” Even her tears, you say to yourself, Said the woman who had read Djuna Barnes. As you search under your feet, We whispered all night. She had traveled to darkest Africa. Thinking, Not in a million years.
Recommended publications
  • CV, Full Format
    BENJAMIN PALOFF (1/15/2013) Department of Slavic Languages and Literatures 507 Bruce Street University of Michigan, Ann Arbor Ann Arbor, MI 48103 3040 MLB, 812 E. Washington (617) 953-2650 Ann Arbor, MI 48109 [email protected] EDUCATION Harvard University, Cambridge, Massachusetts Ph.D. in Slavic Languages and Literatures, June 2007. M.A. in Slavic Languages and Literatures, November 2002. Dissertation: Intermediacy: A Poetics of Unfreedom in Interwar Russian, Polish, and Czech Literatures, a comparative treatment of metaphysics in Eastern European Modernism, 1918-1945. University of Michigan, Ann Arbor, Michigan M.F.A. in Creative Writing/Poetry, April 2001. Thesis: Typeface, a manuscript of poems. Harvard University, Cambridge, Massachusetts B.A., magna cum laude with highest honors in field, Slavic Languages and Literatures, June 1999. Honors thesis: Divergent Narratives: Affinity and Difference in the Poetry of Zbigniew Herbert and Miroslav Holub, a comparative study. TEACHING Assistant Professor, Departments of Slavic Languages and Literatures and of Comparative Literature, University of Michigan, Ann Arbor (2007-Present). Courses in Polish and comparative Slavic literatures, critical theory, and translation. Doctoral Dissertation Committees in Slavic Languages and Literatures: Jessica Zychowicz (Present), Jodi Grieg (Present), Jamie Parsons (Present). Doctoral Dissertation Committees in Comparative Literature: Sylwia Ejmont (2008), Corine Tachtiris (2011), Spencer Hawkins (Present), Olga Greco (Present). Doctoral Dissertation Committees in other units: Ksenya Gurshtein (History of Art, 2011). MFA Thesis Committee in English/Creative Writing: Francine Harris (2011). Faculty Associate, Frankel Center for Jewish Studies (2009-Present); Center for Russian, East European, and Eurasian Studies (2007-Present). Service: Steering Committee, Copernicus Endowment for Polish Studies (2007-Present).
    [Show full text]
  • Poetry Magazine
    Poetry Magazine 2008- January Articles Made to Measure, The Red Sea Devotion: The Garment District Nocturnal, Divine Rights Devotion: The Burnt-Over District Stephen Edgar Bruce Smith callas lover, cruel, cruel summer The History of Mothers of Sons D.A. Powell Lisa Furmanski Man of War, Argonaut's Vow Pink Ocean Carol Frost Stuart Dybek The Solipsist The Taste of Silence Troy Jollimore Adam Kirsch Citation Responsibilities Joshua Mehigan Joanie V. Mackowski Repetition,The Late Worm, Clamor and Quiet Cut Out For It Ange Mlinko Kay Ryan Closing the Circle Getting Where We're Going Jhumpa Lahiri John Brehm A Night in Brooklyn The Dead Remember Brooklyn The Rain-Streaked Avenues of Central Queens D. Nurkse Moose Dreams, Dogwood William Johnson Biographer Samuel Menashe La Porte Rachel Webster There's Nothing More Wendy Videlock Poetry Magazine 2008- Feb. Articles Midsummer, Dawn Leaving Prague: A Notebook Louise Glück Alexei Tsvetkov bon bon il est un pays, Mort de A.D. Four Takes à elle l’acte calme, Ascension D. H. Tracy La Mouche, Arènes de Lutèce Samuel Beckett Letter to the Editor James Matthew Wilson Fowling Piece Heidy Steidlmayer Letter to the Editor Sean Lysaght An Old Woman’s Painting Letter to the Editor Jim Carmin Lynn Emanuel Letter to the Editor Michael Hudson Full Fathom Jorie Graham Letter to the Editor Robert Longoni J. Learns the Difference Between Letter to the Editor Adam Zagajewski Poverty and Having No Money Jeffrey Schultz Stemming from Stevens Lisa Williams Ladybirds Larissa Szporluk Rose Thorns Molly McQuade Kertész: Latrine,Ross: Children of the Ghetto,Ross: Yellow Star Doisneau: Underground Press Sudek: Tree Petersen: Kleichen and a Man Kolár: Housing Estate George Szirtes Sincerity and Its Discontents in American Poetry Now Peter Campion Poetry Magazine 2008- March Articles Nights on Planet Earth Campbell McGrath Letter to the Editor William Watt Containment, The Catch Letter to the Editor Michael A.E.
    [Show full text]
  • After Miłosz: Polish Poetry in the 20Th and the 21Th Century Chicago, Chopin Theatre, 9/30 –10/3 2011
    After Miłosz: Polish Poetry In the 20th and the 21th Century Chicago, Chopin Theatre, 9/30 –10/3 2011 THE FESTIVAL The Chicago's literary festival titled After Milosz: Polish Poetry in the 20th and 21th Century is the largest presentation of Polish poetry in the United States this year. The festival celebrates the year of Czeslaw Milosz and commemorates the centennial anniversary of the birth of the Nobel Prize winner. The event goes beyond a familiar formula of commenting the work of the poet and offers a broader view on the contemporary Polish poetry. Besides the academic conference dedicated to Milosz's work, and a panel with the greatest America poets (Jorie Graham, Charles Simic) remembering the artist and discussing his influence on American poetry, the program includes readings of the most talented modern Polish poets of three generations. From the best known (Zagajewski, Sommer) to the most often awarded young writer nowadays, Justyna Bargielska. An important part of the festival will be two concerts: the opening show will present the best Polish rappers FISZ and EMADE whose songs are inspired by Polish poetry; another concert will present one of the best jazz singers in the world, Patricia Barber, who will perform especially for this occasion. The main organizers of the festival are the Fundation of Tygodnik Powszechny magazine and the Joseph Conrad International Literary Festival in Krakow, for which the Chicago festival is a portion of the larger international project for promoting Polish literature abroad. The co- organizer of the festival is the Head of the Slavic Department at University of Illinois at Chicago, Professor Michal Pawel Markowski, who represents also the Polish Interdisciplinary Program at UIC supported by The Hejna Fund, and also serves as the artistic director to the Conrad Festival.
    [Show full text]
  • Hammer Langdon Cv18.Pdf
    LANGDON HAMMER Department of English [email protected] Yale University jamesmerrillweb.com New Haven CT 06520-8302 yale.edu bio page USA EDUCATION Ph.D., English Language and Literature, Yale University B.A., English Major, summa cum laude, Yale University ACADEMIC APPOINTMENT Niel Gray, Jr., Professor of English and American Studies, Yale University Appointments in the English Department at Yale: Lecturer Convertible, 1987; Assistant Professor, 1989; Associate Professor with tenure, 1996; Professor, 2001; Department Chair, 2005-fall 2008, Acting Department Chair, fall 2011 and fall 2013, Department Chair, 2014-17 and 2017-19 PUBLICATIONS Books In progress: Elizabeth Bishop: Life & Works, A Critical Biography (under contract to Farrar Straus Giroux) The Oxford History of Poetry in English (Oxford UP), 18 volumes, Patrick Cheney general editor; LH coordinating editor for Volumes 10-12 on American Poetry, and editor for Volume 12 The Oxford History of American Poetry Since 1939 The Selected Letters of James Merrill, edited by LH, J. D. McClatchy, and Stephen Yenser (under contract to Alfred A. Knopf) Published: James Merrill: Poems, Everyman’s Library Pocket Poets, selected and edited with a foreword by LH (Penguin RandomHouse, 2017), 256 pp James Merrill: Life and Art (Alfred A. Knopf, 2015), 944 pp, 32 pp images, and jamesmerrillweb.com, a website companion with more images, bibliography, documents, linked reviews, and blog Winner, Lambda Literary Award for Gay Memoir/Biography, 2016. Finalist for the Poetry 2 Foundation’s Pegasus Award for Poetry Criticism, 2015. Named a Times Literary Supplement “Book of the Year, 2015” (two nominations, November 25). New York Times, “Top Books of 2015” (December 11).
    [Show full text]
  • November 2012
    founded in 1912 by harriet monroe November 2012 FOUNDED IN 1912 BY HARRIET MONROE volume cci • number 2 CONTENTS November 2012 POEMS elizabeth spires 95 Pome hailey leithauser 96 Mockingbird vijay seshadri 98 Sequence casey thayer 102 The Hurt Sonnet idra novey 103 The Visitor La Prima Victoria Of the Divine as Absence and Single Letter donald revell 106 Borodin katie ford 107 The Soul Foreign Song Speak to Us jim harrison 110 The Present The Girls of Winter joanna klink 112 Toward what island-home am I moving david yezzi 113 Cough lisa williams 114 Torch POET photos the editors 117 Photographs Notes RUTH Lilly poetry FELLOWS reginald dwayne betts 149 At the End of Life, a Secret For the City that Nearly Broke Me A Postmodern Two-Step nicholas friedman 154 The Magic Trick As Is Not the Song, but After richie hofmann 157 Fresco Imperial City Keys to the City jacob saenz 160 I Remember Lotería GTA: San Andreas (or, “Grove Street, bitch!”) Blue Line Incident rickey laurentiis 166 Southern Gothic Swing Low You Are Not Christ COMMENT clive james 171 A Stretch of Verse adam kirsch 182 Rocket and Lightship letters 193 contributors 195 announcement of prizes 197 back page 207 Editor christian wiman Senior Editor don share Associate Editor fred sasaki Managing Editor valerie jean johnson Editorial Assistant lindsay garbutt Reader christina pugh Art Direction winterhouse studio cover art by alex nabaum “Pegged,” 2012 POETRYMAGAZINE.ORG a publication of the POETRY FOUNDATION printed by cadmus professional communications, us Poetry • November 2012 • Volume 201 • Number 2 Poetry (issn: 0032-2032) is published monthly, except bimonthly July / August, by the Poetry Foundation.
    [Show full text]
  • Caught Between Continents the Holocaust and Israel’S Attempt to Claim the European Jewish Diaspora
    Caught between Continents The Holocaust and Israel’s Attempt to Claim the European Jewish Diaspora Zachary Kimmel Columbia University Abstract Israel’s idea of its sovereignty over Jewish cultural production has been essential in defining national mythology and self-consciousness ever since its founding as a state in 1948. But by what right does Israel make such claims? This article examines that question through exploring three legal cases: Franz Kafka’s manuscripts, the historical records of Jewish Vienna, and the literary estate of Lithuanian-born Chaim Grade. All three cases reveal a common jurisprudential and cultural logic, a rescue narrative that is central to the State of Israel itself. To this day, Israel maintains an idea of its sovereignty over Jewish cultural production, and a study of these cases demonstrates how the Holocaust plays as decisive a role in the creation and implementation of Israeli policy and jurisprudential practice as it has in its national identity more broadly. Article After decades of legal wrangling, a Tel Aviv court ruled in June 2015 that the manuscripts of Franz Kafka must be handed over to the National Library of Israel.1 The final batch of Kafka’s papers arrived in Jerusalem on August 7, 2019.2 Despite the fact that Kafka died in Prague in 1924, Israel’s lawyers argued that his manuscripts ought to be the legal property of the Jewish nation-state. Yet by what right does Israel make such claims—even over the claims of other nations where the artists in question were citizens, or ignoring the ethno- religious identifications of the artists themselves? This article examines that question, exploring the fate of Kafka’s manuscripts as well as legal battles over two other important archives with Jewish lineage: the historical records of Jewish Vienna and the literary estate of Lithuanian-born Chaim Grade.
    [Show full text]
  • U.S. Poet Laureate Appointment Charles Simic Cleopatra's Needle
    ® ® FOLLY SEPTEMBERSEPTEMBER 2007 2007 U.S. Poet Laureate Appointment Charles Simic Cleopatra’s Needle Drawn in Dust Jan Wurm © 2007 Follymag 1 www.follymag.com ® SEPTEMBERAPRIL 20072007 FOLLY FEATURES U.S. Poet Laureate Appointment 3 Charles Simic Central Park’s Obelisk 6 Cleopatra’s Needle Drawn in Dust 8 Jan Wurm FOLLY is published monthly. All material is compiled from sources believed to be reliable but published without responsibility for errors or omissions. Material in this publication cannot be reproduced. However, the publication can be distributed and shared, in its entirety. For submissions, please contact [email protected]. Folly is not responsible for the return of unsolicited material. © 2007 Folly 2 www.follymag.com ® FOLLY SEPTEMBER 2007 highly organized poetry with shades of darkness and flashes of ironic Charles Simic humor." Appointed Poet Charles Simic was born in Yugoslavia on May 9, 1938. His childhood was Laureate complicated by the events of World War II. He moved to Paris with his mother when he was 15; a year later, they joined his father in New York Librarian of Congress James H. and then moved to Oak Park, a suburb of Chicago, where he graduated Billington announced the from the same high school as Ernest Hemingway. Simic attended the appointment of Charles Simic to University of Chicago, working nights in an office at the Chicago Sun be the Library’s 15th Poet Times, but was drafted into the U.S. Army in 1961 and served until 1963. Laureate Consultant in Poetry on He earned his bachelor's degree from New York University in 1966.
    [Show full text]
  • CITY LIGHTS PUBLISHERS CELEBRATING 60 YEARS 1955-2015 261 Columbus Ave | San Francisco, CA 94133
    CITY LIGHTS PUBLISHERS CELEBRATING 60 YEARS 1955-2015 261 Columbus Ave | San Francisco, CA 94133 Juan Felipe Herrera has been appointed the 21st Poet Laureate of the United States for 2015-2016! Forthcoming from City Lights this September will be Herrera’s new collection of poems titled Notes on the Assemblage. Herrera, who succeeds Charles Wright as Poet Laureate, said of the appointment, “This is a mega-honor for me, for my family and my parents who came up north before and after the Mexican Revolution of 1910—the honor is bigger than me. I want to take everything I have in me, weave it, merge it with the beauty that is in the Library of Congress, all the resources, the guidance of the staff and departments, and launch it with the heart-shaped dreams of the people. It is a miracle of many of us coming together.” Herrera joins a long line of distinguished poets who have served in the position, including Natasha Trethewey, Philip Levine, W. S. Merwin, Kay Ryan, Charles Simic, Donald Hall, Ted Kooser, Louise Glück, Billy Collins, Stanley Kunitz, Robert Pinsky, Robert Hass and Rita Dove. The new Poet Laureate is the author of 28 books of poetry, novels for young adults and collections for children, most recently Portraits of Hispanic American Heroes (2014), a picture book showcasing inspirational Hispanic and Latino Americans. His most recent book of poems is Senegal Taxi (2013). A new book of poems from Juan Felipe Herrera titled Notes on the Assemblage is forthcoming from City Lights Publishers in September 2015.
    [Show full text]
  • Librarian of Congress Appoints UNH Professor Emeritus Charles Simic Poet Laureate
    University of New Hampshire University of New Hampshire Scholars' Repository Media Relations UNH Publications and Documents 8-2-2007 Librarian Of Congress Appoints UNH Professor Emeritus Charles Simic Poet Laureate Erika Mantz UNH Media Relations Follow this and additional works at: https://scholars.unh.edu/news Recommended Citation Mantz, Erika, "Librarian Of Congress Appoints UNH Professor Emeritus Charles Simic Poet Laureate" (2007). UNH Today. 850. https://scholars.unh.edu/news/850 This News Article is brought to you for free and open access by the UNH Publications and Documents at University of New Hampshire Scholars' Repository. It has been accepted for inclusion in Media Relations by an authorized administrator of University of New Hampshire Scholars' Repository. For more information, please contact [email protected]. Librarian Of Congress Appoints UNH Professor Emeritus Charles Simic Poet Laureate 9/11/17, 1250 PM Librarian Of Congress Appoints UNH Professor Emeritus Charles Simic Poet Laureate Contact: Erika Mantz 603-862-1567 UNH Media Relations August 2, 2007 Librarian of Congress James H. Billington has announced the appointment of Charles Simic to be the Library’s 15th Poet Laureate Consultant in Poetry. Simic will take up his duties in the fall, opening the Library’s annual literary series on Oct. 17 with a reading of his work. He also will be a featured speaker at the Library of Congress National Book Festival in the Poetry pavilion on Saturday, Sept. 29, on the National Mall in Washington, D.C. Simic succeeds Donald Hall as Poet Laureate and joins a long line of distinguished poets who have served in the position, including most recently Ted Kooser, Louise Glück, Billy Collins, Stanley Kunitz, Robert Pinsky, Robert Hass and Rita Dove.
    [Show full text]
  • June 28-July 2, 2020 AJL’S 55Th Annual Conference
    June 28-July 2, 2020 AJL’s 55th Annual Conference Letters………………………………………………………………………………...2 Conference Committee…………………………………………………………......3 Standing Ovations………………………………………………………………......5 AJL Information……………………………………………………………………...7 AJL Awards ………………………………………………………………...............13 Schedule Grid…………………………………………………………………….... 17 Detailed Program…………………………………………………………………....21 Speaker Biographies………………………………………………………………..33 1 Dear Friends, Welcome to the 2020 AJL Digital Conference: Staying Connected, our first ever digital conference. While we can’t meet in person due to the global COVID-19 pandemic, I promise you the next few days will be filled with engaging programs that will leave you with new information and an energized outlook to take back to your jobs wherever they are being performed at the moment. Of course, none of this would be possible without an extraordinary team of volunteers who have worked tirelessly to put this all together. I want to extend special thanks to Rachel Kamin, Marcie Eskin, Lisa Silverman and Jackie Ben-Efraim, who managed to turn a whole lot of lemons into delicious lemonade. They were supported by a fantastic team of AJL members who are listed in this conference program book. There is so much to do, but you do not want to miss our incredible Keynote featuring Jonathan and Adam Kirsch in conversation with Erica Dreifus, our welcoming Virtual Round Table, all of our award-winning authors and illustrators, and the installation of our new AJL Board. That is a lot to choose from, so I encourage you to let the Socio App assist in setting (and remembering) your schedule and help you network with all your AJL friends. This is truly going to be an international conference with presenters and participants from all over North America and the world.
    [Show full text]
  • California State University, Northridge Myth in The
    CALIFORNIA STATE UNIVERSITY, NORTHRIDGE MYTH IN THE POETRY OF CHARLES SIMIC'S DISMANTLING THE SILENCE, RETURN TO A PLACE LIT BY A GLASS OF MILK, AND WHITE A thesis submitted in partial satisfaction of the requirement for the degree of Bachelor of Arts with Honors in English by Jordan Douglas Jones May 1986 The Thesis of Jordan Douglas Jones is approved: Arthur Lane, PhD Benjamin Saltman, PhD Arlene Stiebel, PhD, Chairperson Committee on Honors California State University, Northridge ii ABSTRACT MYTH IN THE POETRY OF CHARLES SIMIC'S DISMANTLING THE SILENCE, RETURN TO A PLACE LIT BY A GLASS OF MILK, AND WHITE by Jordan Douglas Jones Bachelor of Arts with Honors in English Charles Simic in the poetry of his books Dismantling the Silence, Return to a Place Lit By a Glass of Milk, and White uses myth to reach beyond the autobiographical to the archetypal and thus negate the importance of the author. In these poems, the poetic vocation mirrors the vocation of the· shaman as it has been elucidated by Mircea Eliade. Both poet and shaman allow universal forces to work through them. Simic also discusses the myths of the origins and the return to the origins of objects and works of art; as well as the dangers one must encounter when allowing uni­ versal creative principles to work through one during the creation of art. An~ther aspect of myth which can be seen here is the Romantic concept of Einfuhlung, or loss of ego/ iii object distinction. The author describes his union with particular natural objects.
    [Show full text]
  • Individual and Multitude in Roberto Bolaño's 2666 By
    The Invisible Crowd: Individual and Multitude in Roberto Bolaño’s 2666 by Francisco Brito A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Comparative Literature in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Francine Masiello, Chair Professor Estelle Tarica Professor Tom McEnaney Summer 2018 The Invisible Crowd: Individual and Multitude in Roberto Bolaño’s 2666 ¬ 2018 Francisco Brito 1 Abstract The Invisible Crowd: Individual and Multitude in Roberto Bolaño’s 2666 by Francisco Brito Doctor of Philosophy in Comparative Literature University of California, Berkeley Professor Francine Masiello, Chair This dissertation argues that Roberto Bolaño’s novel 2666 offers us a new way of thinking about the relationship between the individual and the multitude in the globalized world. I argue that the novel manages to capture the oppressive nature of its structures not by attempting to represent them directly but instead by telling the stories of individuals who feel especially alienated from them. These characters largely fail to connect with one another in any lasting way, but their brief encounters, some of which take place in person, others through reading, have pride of place in a text that, I propose, constitutes a brief on behalf of the marginal and the forgotten in its overall form: it is an example of the novel as an ever-expanding, multitudinous crowd; it strives to preserve the singularity of each of its members while at the same time suggesting that the differences between them are less important than their shared presence within a single narrative whole.
    [Show full text]