U.S. Poet Laureate Appointment Charles Simic Cleopatra's Needle
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April 2005 Updrafts
Chaparral from the California Federation of Chaparral Poets, Inc. serving Californiaupdr poets for over 60 yearsaftsVolume 66, No. 3 • April, 2005 President Ted Kooser is Pulitzer Prize Winner James Shuman, PSJ 2005 has been a busy year for Poet Laureate Ted Kooser. On April 7, the Pulitzer commit- First Vice President tee announced that his Delights & Shadows had won the Pulitzer Prize for poetry. And, Jeremy Shuman, PSJ later in the week, he accepted appointment to serve a second term as Poet Laureate. Second Vice President While many previous Poets Laureate have also Katharine Wilson, RF Winners of the Pulitzer Prize receive a $10,000 award. Third Vice President been winners of the Pulitzer, not since 1947 has the Pegasus Buchanan, Tw prize been won by the sitting laureate. In that year, A professor of English at the University of Ne- braska-Lincoln, Kooser’s award-winning book, De- Fourth Vice President Robert Lowell won— and at the time the position Eric Donald, Or was known as the Consultant in Poetry to the Li- lights & Shadows, was published by Copper Canyon Press in 2004. Treasurer brary of Congress. It was not until 1986 that the po- Ursula Gibson, Tw sition became known as the Poet Laureate Consult- “I’m thrilled by this,” Kooser said shortly after Recording Secretary ant in Poetry to the Library of Congress. the announcement. “ It’s something every poet dreams Lee Collins, Tw The 89th annual prizes in Journalism, Letters, of. There are so many gifted poets in this country, Corresponding Secretary Drama and Music were announced by Columbia Uni- and so many marvelous collections published each Dorothy Marshall, Tw versity. -
CV, Full Format
BENJAMIN PALOFF (1/15/2013) Department of Slavic Languages and Literatures 507 Bruce Street University of Michigan, Ann Arbor Ann Arbor, MI 48103 3040 MLB, 812 E. Washington (617) 953-2650 Ann Arbor, MI 48109 [email protected] EDUCATION Harvard University, Cambridge, Massachusetts Ph.D. in Slavic Languages and Literatures, June 2007. M.A. in Slavic Languages and Literatures, November 2002. Dissertation: Intermediacy: A Poetics of Unfreedom in Interwar Russian, Polish, and Czech Literatures, a comparative treatment of metaphysics in Eastern European Modernism, 1918-1945. University of Michigan, Ann Arbor, Michigan M.F.A. in Creative Writing/Poetry, April 2001. Thesis: Typeface, a manuscript of poems. Harvard University, Cambridge, Massachusetts B.A., magna cum laude with highest honors in field, Slavic Languages and Literatures, June 1999. Honors thesis: Divergent Narratives: Affinity and Difference in the Poetry of Zbigniew Herbert and Miroslav Holub, a comparative study. TEACHING Assistant Professor, Departments of Slavic Languages and Literatures and of Comparative Literature, University of Michigan, Ann Arbor (2007-Present). Courses in Polish and comparative Slavic literatures, critical theory, and translation. Doctoral Dissertation Committees in Slavic Languages and Literatures: Jessica Zychowicz (Present), Jodi Grieg (Present), Jamie Parsons (Present). Doctoral Dissertation Committees in Comparative Literature: Sylwia Ejmont (2008), Corine Tachtiris (2011), Spencer Hawkins (Present), Olga Greco (Present). Doctoral Dissertation Committees in other units: Ksenya Gurshtein (History of Art, 2011). MFA Thesis Committee in English/Creative Writing: Francine Harris (2011). Faculty Associate, Frankel Center for Jewish Studies (2009-Present); Center for Russian, East European, and Eurasian Studies (2007-Present). Service: Steering Committee, Copernicus Endowment for Polish Studies (2007-Present). -
After Miłosz: Polish Poetry in the 20Th and the 21Th Century Chicago, Chopin Theatre, 9/30 –10/3 2011
After Miłosz: Polish Poetry In the 20th and the 21th Century Chicago, Chopin Theatre, 9/30 –10/3 2011 THE FESTIVAL The Chicago's literary festival titled After Milosz: Polish Poetry in the 20th and 21th Century is the largest presentation of Polish poetry in the United States this year. The festival celebrates the year of Czeslaw Milosz and commemorates the centennial anniversary of the birth of the Nobel Prize winner. The event goes beyond a familiar formula of commenting the work of the poet and offers a broader view on the contemporary Polish poetry. Besides the academic conference dedicated to Milosz's work, and a panel with the greatest America poets (Jorie Graham, Charles Simic) remembering the artist and discussing his influence on American poetry, the program includes readings of the most talented modern Polish poets of three generations. From the best known (Zagajewski, Sommer) to the most often awarded young writer nowadays, Justyna Bargielska. An important part of the festival will be two concerts: the opening show will present the best Polish rappers FISZ and EMADE whose songs are inspired by Polish poetry; another concert will present one of the best jazz singers in the world, Patricia Barber, who will perform especially for this occasion. The main organizers of the festival are the Fundation of Tygodnik Powszechny magazine and the Joseph Conrad International Literary Festival in Krakow, for which the Chicago festival is a portion of the larger international project for promoting Polish literature abroad. The co- organizer of the festival is the Head of the Slavic Department at University of Illinois at Chicago, Professor Michal Pawel Markowski, who represents also the Polish Interdisciplinary Program at UIC supported by The Hejna Fund, and also serves as the artistic director to the Conrad Festival. -
CITY LIGHTS PUBLISHERS CELEBRATING 60 YEARS 1955-2015 261 Columbus Ave | San Francisco, CA 94133
CITY LIGHTS PUBLISHERS CELEBRATING 60 YEARS 1955-2015 261 Columbus Ave | San Francisco, CA 94133 Juan Felipe Herrera has been appointed the 21st Poet Laureate of the United States for 2015-2016! Forthcoming from City Lights this September will be Herrera’s new collection of poems titled Notes on the Assemblage. Herrera, who succeeds Charles Wright as Poet Laureate, said of the appointment, “This is a mega-honor for me, for my family and my parents who came up north before and after the Mexican Revolution of 1910—the honor is bigger than me. I want to take everything I have in me, weave it, merge it with the beauty that is in the Library of Congress, all the resources, the guidance of the staff and departments, and launch it with the heart-shaped dreams of the people. It is a miracle of many of us coming together.” Herrera joins a long line of distinguished poets who have served in the position, including Natasha Trethewey, Philip Levine, W. S. Merwin, Kay Ryan, Charles Simic, Donald Hall, Ted Kooser, Louise Glück, Billy Collins, Stanley Kunitz, Robert Pinsky, Robert Hass and Rita Dove. The new Poet Laureate is the author of 28 books of poetry, novels for young adults and collections for children, most recently Portraits of Hispanic American Heroes (2014), a picture book showcasing inspirational Hispanic and Latino Americans. His most recent book of poems is Senegal Taxi (2013). A new book of poems from Juan Felipe Herrera titled Notes on the Assemblage is forthcoming from City Lights Publishers in September 2015. -
Librarian of Congress Appoints UNH Professor Emeritus Charles Simic Poet Laureate
University of New Hampshire University of New Hampshire Scholars' Repository Media Relations UNH Publications and Documents 8-2-2007 Librarian Of Congress Appoints UNH Professor Emeritus Charles Simic Poet Laureate Erika Mantz UNH Media Relations Follow this and additional works at: https://scholars.unh.edu/news Recommended Citation Mantz, Erika, "Librarian Of Congress Appoints UNH Professor Emeritus Charles Simic Poet Laureate" (2007). UNH Today. 850. https://scholars.unh.edu/news/850 This News Article is brought to you for free and open access by the UNH Publications and Documents at University of New Hampshire Scholars' Repository. It has been accepted for inclusion in Media Relations by an authorized administrator of University of New Hampshire Scholars' Repository. For more information, please contact [email protected]. Librarian Of Congress Appoints UNH Professor Emeritus Charles Simic Poet Laureate 9/11/17, 1250 PM Librarian Of Congress Appoints UNH Professor Emeritus Charles Simic Poet Laureate Contact: Erika Mantz 603-862-1567 UNH Media Relations August 2, 2007 Librarian of Congress James H. Billington has announced the appointment of Charles Simic to be the Library’s 15th Poet Laureate Consultant in Poetry. Simic will take up his duties in the fall, opening the Library’s annual literary series on Oct. 17 with a reading of his work. He also will be a featured speaker at the Library of Congress National Book Festival in the Poetry pavilion on Saturday, Sept. 29, on the National Mall in Washington, D.C. Simic succeeds Donald Hall as Poet Laureate and joins a long line of distinguished poets who have served in the position, including most recently Ted Kooser, Louise Glück, Billy Collins, Stanley Kunitz, Robert Pinsky, Robert Hass and Rita Dove. -
NYU Alumni Magazine Issue 10
Charles Simic grapples with an unexpected national title by Michael Scharf Photograph by Peter Gregoire The ConsidersPoet WHEN CHARLES SIMIC WAS NAMED thing is very far away, and we just came was melting. He has never been directly the 15th U.S. Poet Laureate this past sum- home from the market. We’re unloading a confrontational in the manner of Amiri mer,he was,at nearly 70,an eminent Amer- week’s worth of groceries.The phone rings Baraka, whose poem “Somebody Blew Up ican poet: the winner of a MacArthur out of the blue—and they tell you.” America” (2002) condemns a long list of Foundation “genius” grant and of the A sudden call where a mysterious “American terrorists,” or Allen Ginsberg, Pulitzer Prize for poetry for his 1989 “they” make a possibly life-changing pro- who asked outright “America when will collection The World Doesn’t End (Harvest). nouncement in the midst of a mundane you be angelic?” (in America, 1956) and ref- Still, he was surprised when the phone call task is characteristic of the “dark illumina- erenced everyone from Walt Whitman to came one morning to his New Hampshire tions and acrid comedy,” as New York Sun Richard Nixon. Yet Simic has, he says, home. “Early August, nothing is happen- critic Adam Kirsch has written, that won “pretty much endorsed that sense of the ing,”Simic (WSC ’67) recounts in a cadence Simic national recognition. The call gave poet who speaks truth to power.” not unlike his verse.“In the boonies, every- Simic pause not only because his ice cream In “The Lights Are On Everywhere,” 48 / SPRING 2008 / NYU etrs POET LAUREATE CHARLES SIMIC, NOTED FOR HIS CUTTING WIT, VISITED FLORENCE PRIME MEATS IN THE VILLAGE DURING A RECENT TRIP TO HIS OLD NEIGHBORHOOD. -
California State University, Northridge Myth in The
CALIFORNIA STATE UNIVERSITY, NORTHRIDGE MYTH IN THE POETRY OF CHARLES SIMIC'S DISMANTLING THE SILENCE, RETURN TO A PLACE LIT BY A GLASS OF MILK, AND WHITE A thesis submitted in partial satisfaction of the requirement for the degree of Bachelor of Arts with Honors in English by Jordan Douglas Jones May 1986 The Thesis of Jordan Douglas Jones is approved: Arthur Lane, PhD Benjamin Saltman, PhD Arlene Stiebel, PhD, Chairperson Committee on Honors California State University, Northridge ii ABSTRACT MYTH IN THE POETRY OF CHARLES SIMIC'S DISMANTLING THE SILENCE, RETURN TO A PLACE LIT BY A GLASS OF MILK, AND WHITE by Jordan Douglas Jones Bachelor of Arts with Honors in English Charles Simic in the poetry of his books Dismantling the Silence, Return to a Place Lit By a Glass of Milk, and White uses myth to reach beyond the autobiographical to the archetypal and thus negate the importance of the author. In these poems, the poetic vocation mirrors the vocation of the· shaman as it has been elucidated by Mircea Eliade. Both poet and shaman allow universal forces to work through them. Simic also discusses the myths of the origins and the return to the origins of objects and works of art; as well as the dangers one must encounter when allowing uni versal creative principles to work through one during the creation of art. An~ther aspect of myth which can be seen here is the Romantic concept of Einfuhlung, or loss of ego/ iii object distinction. The author describes his union with particular natural objects. -
Vol 9 Issue 3-Winter
A Newsletter For Poets & Poetry Volume 9, Issue 3 – Winter 2004-05 Stafford Studies: Experiencing the Gift By Sulima Malzin Open your mind and let the wind The Gift pass through those corridors where Time wants to show you a different country. It's the one minutes equal centuries. Stand here. that your life conceals, the one waiting outside It’s real. You’ll hear it. (WS) journal when curtains are drawn, the one Grandmother hinted at d r entry, July 12, 1993 o f f in her crochet design, the one almost found a t S t over at the edge of the music, after the sermon. i K On the morning of July 12, 2004, / o t o these words greeted us, nine eager h It's the way life is, and you have it, a few years given. P students, all writers, some teachers, You get killed now and then, violated as we arrived on the Lewis & Clark in various ways. (And sometimes it's turn about.) BOARD OF TRUSTEES: College campus to immerse ourselves Chair: Joseph Soldati, Portland You get tired of that. Long-suffering, you wait in the Northwest Writing Institute’s Nan Atzen, Sherwood and pray, and maybe good things come—maybe five-day summer program titled Elizabeth Barton, Vancouver the hurt slackens and you hardly feel it any more. “Stafford Studies.” Patricia Carver, Lake Oswego You have a breath without pain. It is called happiness. Don Colburn, Portland The registration packet included It's a balance, the taking and passing along, Martha Gatchell, Drain Stafford's poem, “The Gift,” and a the composting of where you've been and how people Sulima Malzin, Portland copy of a 1969 lecture, “Today’s and weather treated you. -
Poetry for the People
06-0001 ETF_33_43 12/14/05 4:07 PM Page 33 U.S. Poet Laureates P OETRY 1937–1941 JOSEPH AUSLANDER FOR THE (1897–1965) 1943–1944 ALLEN TATE (1899–1979) P EOPLE 1944–1945 ROBERT PENN WARREN (1905–1989) 1945–1946 LOUISE BOGAN (1897–1970) 1946–1947 KARL SHAPIRO BY (1913–2000) K ITTY J OHNSON 1947–1948 ROBERT LOWELL (1917–1977) HE WRITING AND READING OF POETRY 1948–1949 “ LEONIE ADAMS is the sharing of wonderful discoveries,” according to Ted Kooser, U.S. (1899–1988) TPoet Laureate and winner of the 2005 Pulitzer Prize for Poetry. 1949–1950 Poetry can open our eyes to new ways of looking at experiences, emo- ELIZABETH BISHOP tions, people, everyday objects, and more. It takes us on voyages with poetic (1911–1979) devices such as imagery, metaphor, rhythm, and rhyme. The poet shares ideas 1950–1952 CONRAD AIKEN with readers and listeners; readers and listeners share ideas with each other. And (1889–1973) anyone can be part of this exchange. Although poetry is, perhaps wrongly, often 1952 seen as an exclusive domain of a cultured minority, many writers and readers of WILLIAM CARLOS WILLIAMS (1883–1963) poetry oppose this stereotype. There will likely always be debates about how 1956–1958 transparent, how easy to understand, poetry should be, and much poetry, by its RANDALL JARRELL very nature, will always be esoteric. But that’s no reason to keep it out of reach. (1914–1965) Today’s most honored poets embrace the idea that poetry should be accessible 1958–1959 ROBERT FROST to everyone. -
The Pragmatics of Apprompted Poems
LINES BY SOMEONE ELSE: THE PRAGMATICS OF APPROMPTED POEMS Kimberly Dawn Gibson Thesis Prepared for the Degree of MASTER OF ARTS UNIVERSITY OF NORTH TEXAS August 2015 APPROVED: John ‘Haj’ Ross, Major Professor Bruce Bond, Committee Member Deborah Armintor, Committee Member Patricia Cukor-Avila, Director of the Department of Linguistics Mark Wardell, Dean of the Toulouse Graduate School Gibson, Kimberly Dawn. Lines by someone else: The pragmatics of apprompted poems. Master of Arts (Linguistics), August 2015, 83 pp., 14 illustrations, references, 43 titles. Over the last sixty years, overtly intertextual poems with titles such as “Poem Beginning with a Line by John Ashbery” and “Poem Ending with a Line by George W. Bush” have been appearing at an increasing rate in magazines and collections. These poems wed themselves to other texts and authors in distinct ways, inviting readers to engage with poems which are, themselves, in conversation with lines from elsewhere. These poems, which I refer to as “apprompted” poems, explicitly challenge readers to investigate the intertextual conversation, and in doing so, they adopt inherent risks. My thesis will chart the various effects these poems can have for readers and the consequences they may hold for the texts from which they borrow. Literary critics such as Harold Bloom and J. H. Miller have described the act of borrowing as competitive and parasitic—“agon” is Bloom’s term for what he sees as the oedipal anxiety of poets and poets’ texts to their antecedents, but an investigation of this emerging genre in terms of linguistic pragmatics shows that apprompted poems are performing a wider range of acts in relation to their predecessors. -
Poet in Profile: Ted Kooser by Amy Haddad, Phd, MFA, RN
JHR POETRY Poet in Profile: Ted Kooser By Amy Haddad, PhD, MFA, RN Ted Kooser is a prolific poet, devoted to engaging a broad audience for poetry through his own creative work and the weekly newspaper column he edited, American Life in Poetry. The column was carried in more than 150 newspapers. Ted Kooser was named the United States Poet Laureate Consultant in Poetry in 2004 and was reappointed in 2005. He lives on an acreage 3 miles outside the village of Garland, Nebraska—not far from Omaha, where I reside. His poetry collections and non-fiction often include finely- crafted observations about his home state, the landscape, and the people who reside there.1 Over the past several years, I have enjoyed hearing him read his work at public events, have visited with him and his wife Kathleen over dinner at the home of mutual friends, and have corresponded with him. We share an interest in writing creatively about personal illness, as both of us lived through diagnosis and treatment of cancer. His illness and recovery led to a poetry collection that is a departure from themes that generally are the focus of his work. While he was recovering from surgery, chemotherapy, and radiation for tongue and neck cancer in 1998, Kooser began daily two-mile walks before dawn to Photo of Ted Kooser. Image courtesy of Blue Flower avoid the harmful effects of the sun on his sensitive Arts. https://blueflowerarts.com/artist/ted-kooser/ skin. In November, he started to write short poems during and after his walks. -
LIBRARY of CONGRESS MAGAZINE MARCH/APRIL 2015 Poetry Nation
LIBRARY OF CONGRESS MAGAZINE MARCH/APRIL 2015 poetry nation INSIDE Rosa Parks and the Struggle for Justice A Powerful Poem of Racial Violence PLUS Walt Whitman’s Words American Women Poets How to Read a Poem WWW.LOC.GOV In This Issue MARCH/APRIL 2015 LIBRARY OF CONGRESS MAGAZINE FEATURES Library of Congress Magazine Vol. 4 No. 2: March/April 2015 Mission of the Library of Congress The Power of a Poem 8 Billie Holiday’s powerful ballad about racial violence, “Strange Fruit,” The mission of the Library is to support the was written by a poet whose works are preserved at the Library. Congress in fulfilling its constitutional duties and to further the progress of knowledge and creativity for the benefit of the American people. National Poets 10 For nearly 80 years the Library has called on prominent poets to help Library of Congress Magazine is issued promote poetry. bimonthly by the Office of Communications of the Library of Congress and distributed free of charge to publicly supported libraries and Beyond the Bus 16 The Rosa Parks Collection at the Library sheds new light on the research institutions, donors, academic libraries, learned societies and allied organizations in remarkable life of the renowned civil rights activist. 6 the United States. Research institutions and Walt Whitman educational organizations in other countries may arrange to receive Library of Congress Magazine on an exchange basis by applying in writing to the Library’s Director for Acquisitions and Bibliographic Access, 101 Independence Ave. S.E., Washington DC 20540-4100. LCM is also available on the web at www.loc.gov/lcm.