Odessa 2017 UDC 069:801 (477.74) О417 Editorial Board T
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Communicative-Pragmatic, Normative and Functional Parameters of the Professional Discourse
COMMUNICATIVE-PRAGMATIC, NORMATIVE AND FUNCTIONAL PARAMETERS OF THE PROFESSIONAL DISCOURSE Collective monograph Liha-Pres 2021 Editor-in-Chief Mamych M., PhD of Philological Sciences, Professor, Head of the Department of Applied Linguistics of the National University “Odessa Law Academy”. Deputy Editor-in-Chief Kiselyova A., PhD of Philological Sciences, Associate Professor of the Department of Applied Linguistics of the National University “Odessa Law Academy”. Reviewers: dr Adam Wróbel, School of Polish Language and Culture of Cuiavian University in Wloclawek (Republic of Poland); mgr Joanna Skiba, Director of the Center for Foreign Languages, Cuiavian University in Włocławek (Republic of Poland); Navalna M., PhD of Philological Sciences, Professor, Professor of the Department of Documentation and Teaching Methods of Pereyaslav-Khmelnytsky State Pedagogical University named after Hryhoriy Skovoroda; Yarmak V., PhD of Philological Sciences, Associate Professor, Leading Researcher of the Department of Slavic Languages of the Institute of Linguistics named after O.O. Potebnya of NAS of Ukraine. Recommended for publication by the Academic Council of the National University “Odessa Law Academy” (Minutes № 6 of March 12, 2021) Communicative-pragmatic, normative and functional parameters of the professional discourse : collective monograph / ed. M. Mamych. – Lviv-Toruń : Liha-Pres, 2021. – 336 p. ISBN 978-966-397-232-9 The collective monograph offers an analysis of professional discourse as a thought-communicative activity. The validity of -
Odessa : Genius and Death in a City of Dreams Pdf, Epub, Ebook
ODESSA : GENIUS AND DEATH IN A CITY OF DREAMS PDF, EPUB, EBOOK Charles King | 336 pages | 20 May 2011 | WW Norton & Co | 9780393070842 | English | New York, United States Odessa : Genius and Death in a City of Dreams PDF Book Other Popular Editions of the Same Title. Great introduction to a city with a very unique history. With more tournament opportunities, which make it possible to earn a living, the number and level of women in chess has really risen in the last twenty years. A diverse mix of nationalities: Armenian, Greek, Turkish, Jewish, Italian and, of course, Russian that mostly lived together in toleration. It built itself as a city of many nationalities and religions and became a place for cultures to merge and clash. Chapter Thirteen War and Nonsense. He thinks Putin is a wise leader, and that Ukraine could use someone like him; he once spent hours explaining to me that Stalin had ingeniously trapped Hitler into invading Russia. And I think I was always fascinated by the idea that people who live as far away as Europe or even in the Soviet Union must be real people, need not have two heads. All there. Marissa's Romance Recommendations! Skip to main content. But then of course the thing being proclaimed in Britain, France, US, or elsewhere is also increasingly 19th century. Convert currency. Italian merchants, Greek freedom fighters, and Turkish seamen; a Russian empress and her favorite soldier-bureaucrats; Jewish tavern keepers, traders, and journalists-these and many others seeking fortune and adventure rubbed shoulders in Odessa, the greatest port on the Black Sea. -
Cursed Days, a Diary of the Revolution'
H-Russia Rose on Bunin, 'Cursed Days, A Diary of the Revolution' Review published on Thursday, October 1, 1998 Ivan Bunin. Cursed Days, A Diary of the Revolution. Chicago: Ivan R. Dee Publisher, 1998. xiii + 286 pp. $28.50 (paper), ISBN 978-1-56663-186-0. Reviewed by Linda P. Rose (Graduate School of Education & Information Studies, University of California at Los Angeles) Published on H-Russia (October, 1998) Revolutionary Days: Still Cursed? Cursed Days, Ivan Bunin's diary/notebook written during and about the Russian Revolution and the Civil War, became immensely popular in Russia after the Soviets lost power through a bloodless revolution. Since 1991, no less than fifteen separate editions of Bunin's diary/notebook have been published in Russia. There can be many explanations for the diary/notebook's popularity. Bunin's diary/notebook and other works, along with the books of other Russian emigre authors, were banned by the Soviets by the end of the 1920's. Although they could not be bought in stores, these authors could not be eliminated from the hearts and minds of some Russians. With the Soviets' downfall, many sought to know more about the events that had occurred between 1918-1920. Another, perhaps more pressing motive for the readers was to understand more about their own evolving revolution. While the Bolsheviks' dependence on bloodshed to re-shape Russia has not been copied by their successors since the 1991 Revolution, ethnic strife, economic woes, and social upheaval have accompanied the revolution. The battles in Chechnya continue. Economic problems are common, and many public servants and the military personnel get sub-existence wages. -
[2007 Tanny.Pdf] 30 Pages, 170 KB
University of California, Berkeley The Many Ends of Old Odessa: Memories of the Gilded Age in Russia’s City of Sin Jarrod Tanny, Ph.D. candidate, Department of History, University of California, Berkeley Berkeley Program in Soviet and Post-Soviet Studies Working Paper Series This PDF document preserves the page numbering of the printed version for accuracy of citation. When viewed with Acrobat Reader, the printed page numbers will not correspond with the electronic numbering. The Berkeley Program in Soviet and Post-Soviet Studies (BPS) is a leading center for graduate training on the Soviet Union and its successor states in the United States. Founded in 1983 as part of a nationwide effort to reinvigorate the field, BPS’s mission has been to train a new cohort of scholars and professionals in both cross-disciplinary social science methodology and theory as well as the history, languages, and cultures of the former Soviet Union; to carry out an innovative program of scholarly research and publication on the Soviet Union and its successor states; and to undertake an active public outreach program for the local community, other national and international academic centers, and the U.S. and other governments. Berkeley Program in Soviet and Post-Soviet Studies University of California, Berkeley Institute of Slavic, East European, and Eurasian Studies 260 Stephens Hall #2304 Berkeley, California 94720-2304 Tel: (510) 643-6737 [email protected] http://socrates.berkeley.edu/~bsp/ The Many Ends of Old Odessa: Memories of the Gilded Age in Russia’s City of Sin Jarrod Tanny Summer 2007 Jarrod Tanny is a Ph.D. -
The Annals of UVAN, Vol . V-VI, 1957, No. 4 (18)
THE ANNALS of the UKRAINIAN ACADEMY of Arts and Sciences in the U. S. V o l . V-VI 1957 No. 4 (18) -1, 2 (19-20) Special Issue A SURVEY OF UKRAINIAN HISTORIOGRAPHY by Dmytro Doroshenko Ukrainian Historiography 1917-1956 by Olexander Ohloblyn Published by THE UKRAINIAN ACADEMY OF ARTS AND SCIENCES IN THE U.S., Inc. New York 1957 EDITORIAL COMMITTEE DMITRY CIZEVSKY Heidelberg University OLEKSANDER GRANOVSKY University of Minnesota ROMAN SMAL STOCKI Marquette University VOLODYMYR P. TIM OSHENKO Stanford University EDITOR MICHAEL VETUKHIV Columbia University The Annals of the Ukrainian Academy of Arts and Sciences in the U. S. are published quarterly by the Ukrainian Academy of Arts and Sciences in the U.S., Inc. A Special issue will take place of 2 issues. All correspondence, orders, and remittances should be sent to The Annals of the Ukrainian Academy of Arts and Sciences in the U. S. ПУ2 W est 26th Street, New York 10, N . Y. PRICE OF THIS ISSUE: $6.00 ANNUAL SUBSCRIPTION PRICE: $6.00 A special rate is offered to libraries and graduate and undergraduate students in the fields of Slavic studies. Copyright 1957, by the Ukrainian Academy of Arts and Sciences in the U.S.} Inc. THE ANNALS OF THE UKRAINIAN ACADEMY OF ARTS AND SCIENCES IN THE U.S., INC. S p e c i a l I s s u e CONTENTS Page P r e f a c e .......................................................................................... 9 A SURVEY OF UKRAINIAN HISTORIOGRAPHY by Dmytro Doroshenko In tr o d u c tio n ...............................................................................13 Ukrainian Chronicles; Chronicles from XI-XIII Centuries 21 “Lithuanian” or West Rus’ C h ro n ic le s................................31 Synodyky or Pom yannyky..........................................................34 National Movement in XVI-XVII Centuries and the Revival of Historical Tradition in Literature ......................... -
Poetry Sampler
POETRY SAMPLER 2020 www.academicstudiespress.com CONTENTS Voices of Jewish-Russian Literature: An Anthology Edited by Maxim D. Shrayer New York Elegies: Ukrainian Poems on the City Edited by Ostap Kin Words for War: New Poems from Ukraine Edited by Oksana Maksymchuk & Max Rosochinsky The White Chalk of Days: The Contemporary Ukrainian Literature Series Anthology Compiled and edited by Mark Andryczyk www.academicstudiespress.com Voices of Jewish-Russian Literature An Anthology Edited, with Introductory Essays by Maxim D. Shrayer Table of Contents Acknowledgments xiv Note on Transliteration, Spelling of Names, and Dates xvi Note on How to Use This Anthology xviii General Introduction: The Legacy of Jewish-Russian Literature Maxim D. Shrayer xxi Early Voices: 1800s–1850s 1 Editor’s Introduction 1 Leyba Nevakhovich (1776–1831) 3 From Lament of the Daughter of Judah (1803) 5 Leon Mandelstam (1819–1889) 11 “The People” (1840) 13 Ruvim Kulisher (1828–1896) 16 From An Answer to the Slav (1849; pub. 1911) 18 Osip Rabinovich (1817–1869) 24 From The Penal Recruit (1859) 26 Seething Times: 1860s–1880s 37 Editor’s Introduction 37 Lev Levanda (1835–1888) 39 From Seething Times (1860s; pub. 1871–73) 42 Grigory Bogrov (1825–1885) 57 “Childhood Sufferings” from Notes of a Jew (1863; pub. 1871–73) 59 vi Table of Contents Rashel Khin (1861–1928) 70 From The Misfit (1881) 72 Semyon Nadson (1862–1887) 77 From “The Woman” (1883) 79 “I grew up shunning you, O most degraded nation . .” (1885) 80 On the Eve: 1890s–1910s 81 Editor’s Introduction 81 Ben-Ami (1854–1932) 84 Preface to Collected Stories and Sketches (1898) 86 David Aizman (1869–1922) 90 “The Countrymen” (1902) 92 Semyon Yushkevich (1868–1927) 113 From The Jews (1903) 115 Vladimir Jabotinsky (1880–1940) 124 “In Memory of Herzl” (1904) 126 Sasha Cherny (1880–1932) 130 “The Jewish Question” (1909) 132 “Judeophobes” (1909) 133 S. -
Nostalgia and the Myth of “Old Russia”: Russian Émigrés in Interwar Paris and Their Legacy in Contemporary Russia
Nostalgia and the Myth of “Old Russia”: Russian Émigrés in Interwar Paris and Their Legacy in Contemporary Russia © 2014 Brad Alexander Gordon A thesis presented in partial fulfillment of the requirements for completion Of the Bachelor of Arts degree in International Studies at the Croft Institute for International Studies Sally McDonnell Barksdale Honors College The University of Mississippi University, Mississippi April, 2014 Approved: Advisor: Dr. Joshua First Reader: Dr. William Schenck Reader: Dr. Valentina Iepuri 2 Table of Contents Acknowledgements……………………………………………………………………p. 3 Part I: Interwar Émigrés and Their Literary Contributions Introduction: The Russian Intelligentsia and the National Question………………….............................................................................................p. 4 Chapter 1: Russia’s Eschatological Quest: Longing for the Divine…………………………………………………………………………………p. 14 Chapter 2: Nature, Death, and the Peasant in Russian Literature and Art……………………………………………………………………………………..p. 26 Chapter 3: Tsvetaeva’s Tragedy and Tolstoi’s Triumph……………………………….........................................................................p. 36 Part II: The Émigrés Return Introduction: Nostalgia’s Role in Contemporary Literature and Film……………………………………………………………………………………p. 48 Chapter 4: “Old Russia” in Contemporary Literature: The Moral Dilemma and the Reemergence of the East-West Debate…………………………………………………………………………………p. 52 Chapter 5: Restoring Traditional Russia through Post-Soviet Film: Nostalgia, Reconciliation, and the Quest -
Vol. 73, No. 7JULY/AUGUST 1968 Published•By Conway Hall
Vol. 73, No. 7JULY/AUGUST 1968 CONTENTS Eurnmum..• 3 "ULYSSES": THE BOOK OF THE FILM . 5 by Ronald Mason THE PHENOMENOLOGY OF RELIGION . 8 by Dr. H. W. Turner JEREMY BENTFIAM .... 10 by Maurice Cranston, MA MAXIM GORKY•••• • 11 by Richard Clements, aRE. BOOK REVIEW: Gown. FORMutEncs. 15 by Leslie Johnson WHO SAID THAT? 15 Rum THE SECRETARY 16 TO THE EDITOR . 17 PEOPLEOUT OF 11113NEWS 19 DO SOMETHINGNICE FOR SOMEONE 19 SOUTH PLACENaws. 20 Published•by Conway Hall Humanist Centre Red Um Square, London, Wel SOUTH PLACE ETHICAL SOCIETY Omens: Secretary: Mr. H. G. Knight Hall Manager and Lettings Secretary: Miss E. Palmer Hon. Registrar: Miss E. Palmer Hon. Treasurer: Mr. W. Bynner Editor, "The Ethical Record": Miss Barbara Smoker Address: Conway Hall Humanist Centre, Red Lion Square, London, W.C.I (Tel.: CHAncery 8032) SUNDAY MORNING MEETINGS, II a.rn. (Admission free) July 7—Lord SORENSEN Ivory Towers Soprano solos: Laura Carr. July 14—J. STEWART COOK. BSc. Politics and Reality Cello and piano: Lilly Phillips and Fiona Cameron July 21—Dr. JOHN LEWIS The Students' Revolt Piano: Joyce Langley SUNDAY MORNING MEETINGS are then suspended until October 6 S.P.E.S. ANNUAL REUNION Sunday, September 29, 1968, 3 p.m. in the Large Hall at CONWAY HUMANIST CENTRE Programme of Music (3 p.m.) Speeches by leaders of Humanist organisations (3.30 P.m.) Guest of Honour: LORD WILLIS Buffet Tea (5 p.m.) Tickets free from General Secretary CONWAY DISCUSSIONS will resume on Tuesdays at 6.45 p.m. from October 1 The 78th season of SOUTH PLACE SUNDAY CONCERTS will open on October 6 at 6.30 p.m. -
(On) Anton Chekhov Ben Dhooge Nabokov and 'Other Re
On an Unhappy Marriage, Henry James, and Atoms: Vladimir Nabokov Reading (on) Anton Chekhov Ben Dhooge Nabokov’s lecture on Anton Chekhov stands out for its numerous citations from Korney Chukovsky’s 1947 article ‘Friend Chekhov.’ At the same time, however, the lecture contains many more references to other critics, as well – some of them explicit, though not necessarily clear, others more concealed. In an attempt to trace the sources Nabokov used when drafting his Chekhov lecture, the article offers a concrete view of Nabokov’s critical laboratory. Additionally, the article sheds light on his relation to other critics and critical movements, more specifically with respect to the competing ‘tendencies’ at work in the canonization of Chekhov’s oeuvre during the interwar period: Russian émigré, Soviet, and Anglo-American. Nabokov and ‘other readers’ In his Lectures on Russian Literature, Vladimir Nabokov emerges not only as a reader of literature as such – and, by extension, as a teacher of literature – but also as a reader of critical writings on literature. Nabokov frequently refers to other ‘readers’ in the broadest sense of the word, i.e. to critics (writers, literary critics, and scholars) as well as to the common reader who, unlike the former, does not take pen in hand. Sometimes Nabokov names, cites, or refers to specific ‘readers’ who commented on the writer whose work is central to the lecture in question. More often, however, Nabokov refers to reactions and opinions of ‘readers’ without specifying whom they exactly belong to. He lumps individual ‘readers’ together, giving them collective names such as ‘Russian readers and critics,’ ‘socially-minded Russian critics,’ or ‘Freudian-minded explorers.’ More importantly, the different opinions of other ‘readers’ which Nabokov includes in his lectures are meaningful elements in the structure of his argumentation. -
University of Pittsburgh Department of Slavic Languages and Literatures
University of Pittsburgh Department of Slavic Languages and Literatures Russian 0590: Formative Masterpieces of 19th Century Russian Literature Vladimir Padunov Fall Semester 2010 427 CL Tuesdays and Thursdays 2:30—3:45 624-5713 CL 139 e-mail: [email protected] Office Hours: Mondays and Wednesdays 10:00—11:00; Tuesdays and Thursdays 11:00—12:00; and by appointment I. REQUIRED TEXTS: Chekhov, Anton. Anton Chekhov’s Short Stories. Ed. Ralph E. Matlaw. NY: Norton, 1979. Dostoevsky, Fyodor. Crime and Punishment. Ed. George Gibian. Tr. Jessie Coulson. 3rd ed. NY: Norton, 1989. Gogol, Nikolai. The Overcoat and Other Tales of Good and Evil. Tr. David Magarshack. NY: Norton, 1965. Lermontov, Mikhail. A Hero of Our Time. Tr. Vladimir Nabokov. Woodstock, NY: Ardis, 1986. Proffer, Carl, ed. From Karamzin to Bunin: An Anthology of Russian Short Stories. Bloomington: Indiana UP, 1969. Pushkin, Alexandr. The Complete Prose Tales of Alexandr Sergeyevitch Pushkin. Tr. Gillon R. Aitken. NY: Norton, 1996. Turgenev, Ivan. Fathers and Children. Tr. and ed. Michael Katz. 2nd ed. NY: Norton, 2008. II. RECOMMENDED SECONDARY SOURCES: Andrew, Joe. Writers and Society during the Rise of Russian Realism. Atlantic Heights, NJ: Humanities P, 1980. —. Russian Writers and Society in the Second Half of the Nineteenth Century. Atlantic Heights, NJ: Humanities P, 1982. Bloom, Harold, ed. Fyodor Dostoevsky’s Crime and Punishment. NY: Chelsea House, 1988. Fanger, Donald. Dostoevsky and Romantic Realism: A Study of Dostoevsky in Relation to Balzac, Dickens, and Gogol. Chicago: U of Chicago P, 1965. Frank, Joseph. Dostoevsky: The Miraculous Years, 1865-1871. Princeton: Princeton UP, 1995. -
Contemporary Ukrainian Cinema Into the European Context (2014-2019)
How to Cite: Alforova, Z., Marchenko, S., Shevchuk, Y., Kotlyar, S., & Honcharuk, S. (2021). Contemporary Ukrainian cinema into the European context (2014-2019). Linguistics and Culture Review, 5(S2), 274-283. https://doi.org/10.37028/lingcure.v5nS2.1345 Contemporary Ukrainian Cinema into the European Context (2014-2019) Zoya Alforova Kharkiv State Academy of Culture, Kharkiv, Ukraine Serhii Marchenko Kyiv National I.K. Karpenko-Kary Theatre, Cinema and Television University, Kyiv, Ukraine Yuliia Shevchuk Kyiv National University of Culture and Arts, Kyiv, Ukraine Svitlana Kotlyar Kyiv National University of Culture and Arts, Kyiv, Ukraine Serhii Honcharuk Kyiv National University of Culture and Arts, Kyiv, Ukraine Abstract---The relevance of the study is conditioned by the fact that the development of Ukrainian art, including cinema, is becoming more popular every year. Since 2014, the Ukrainian film industry has been rapidly developing, and has also shown good results at European and other international film festivals. The purpose of the study is to analyses the position of Ukrainian cinema in the recent historical period, as well as to analyses the preconditions that were created for its development and introduction to the European cinema market. The methodological basis of this study is the combination of theoretical methods of cognition. Methods of data analysis and synthesis, dialectical method, historical and periodization method are used. In the course of writing this paper, the studies of Ukrainian and foreign researchers regarding the subject were studied and analyzed. The establishment and current state of the film industry are investigated. The preconditions for the development of Ukrainian cinema as well as factors that influenced its entrance to the European market are considered. -
The Ukrainian Bible and the Valuev Circular of July 18, 1863
Acta Slavica Iaponica, Tomus 28, pp. 1‒21 Articles The Ukrainian Bible and the Valuev Circular of July 18, 1863 Andrii Danylenko On July 18 of 1863, a circular sent by Pёtr Valuev,1 Russia’s minister of internal affairs, to the censorship committees imposed restrictions on Ukraini- an-language publications in the Russian Empire. In accordance with this docu- ment, the Censorship Administration could “license for publication only such books in this language that belong to the realm of fine literature; at the same time, the authorization of books in Little Russian with either spiritual content or intended generally for primary mass reading should be ceased.”2 The gen- esis of this circular, which was incorporated into a later act limiting Ukrainian- language publishing, namely, the so-called Ems Decree of May 18, 1876, has been the focus of numerous studies. Various historians (Fedir Savčenko, David Saunders, Alexei Miller, Ricarda Vulpius) tackled the emergence of the Valuev Circular from various points of view that appear sometimes complementary, sometimes kaleidoscopic, while covering loosely related aspects of the prob- lem. In this paper, the Valuev Circular will be addressed in the context of the appearance of modern translations of the Holy Scriptures into vernacular Ukrainian, thus expanding conventional approaches to the initiation of pro- hibitive measures against the Ukrainian language. ON THE GENESIS OF THE CIRCULAR Among circumstantial theories, premised on some secondary aspects of the genesis of the Valuev Circular, deserving of attention is Remy’s recent at- tempt to treat the appearance of anti-Ukrainian edicts as an incidental intru- sion of the individual into the historical chain of events.