DOCSLIB.ORG

19. Фестивал Европског И Независног Филма ЕУРО-ИН ФИЛМ 2015 19Th Festival of the European and Independent Film EURO-IN FILM 2015 04 - 28

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
19. Фестивал Европског И Независног Филма ЕУРО-ИН ФИЛМ 2015 19Th Festival of the European and Independent Film EURO-IN FILM 2015 04 - 28 19. Фестивал европског и независног филма ЕУРО-ИН ФИЛМ 2015 19th Festival of the European and Independent Film EURO-IN FILM 2015 04 - 28. 12. 2015. 4. децембар 2015, петак 18:30 Улазни хол биоскопа ИЗЛОЖБА ФИЛМСКИХ ПЛАКАТА 1950-1990 - МИРОСЛАВ МИЈАТОВИЋ, колекционар 19:00 Velika sala ОТВАРАЊЕ ФЕСТИВАЛА Горан Радовановић, редитељ филма „Енклава“ Главни токови / Main Stream Франкофонија / Francofonia France / Germany / Netherlands, 2015, 87 min Режија / Director: Aleksandr Sokurov Улоге / Cast: Johanna Korthals Altes, Louis-Do de Lencquesaing, Vincent Nemeth Награде / Awards: Venice Film Festival 2015: Fedeora Award Best Euro-Mediterranean Film - Aleksandr Sokurov; Fondazione Mimmo Rotella Award - Aleksandr Sokurov Прошао је још један век на Старом континенту… Велике армије ударају на срце цивилизације и топови поново узимају свој данак. У сред масакра и рушевина налазе се величанствене уметнине на које је потрошено преко милиона сати рада. Оне су сада збрисане. Жак Јаујард и Гроф Франзискус Волф Метерних радили су заједно како би сачували благо Лувра… Александар Сокуров прича своју причу. Он истражује однос уметности и моћи, и пита се: Шта уметност говори о нама самима, у самом срцу једног од најразорнијих сукоба које је свет икада видео. Another century has passed on the Old Continent... Large armies are trampling on the heart of civilisation and cannon fire is once again taking its toll. Amidst the massacre and the ruins, everything majestic, magnificent, and sacred, that took millions of minutes and hours of determined labour to build, is wiped out. Jacques Jaujard and Count Franziskus Wolff Metternich worked together to protect and preserve the treasure of the Louvre Museum. Alexander Sokurov tells their story. He explores the relationship between art and power, and asks what art tells us about ourselves, at the very heart of one of the most devastating conflicts the world has ever known. 21::00 Велика сала Главни токови / Main Stream Почасна пројекција српског кандидата за „Оскара“ Енклава / Enclave Србија / Немачка, 2015, 92 мин. Режија / Director: Горан Радовановић Сценарио / Screenplay: Горан Радовановић Улоге / Cast: Филип Шубарић, Денис Мурић, Небојса Глоговац, Аница Добра, Миодраг Кривокапић, Горан Радаковић, Мето Јовановски, Цун Лајци, Ненад Јездић, Растко Јанковић Фестивали / Festivals: Moskva 2015 – Nagrada publike Кандидат Pепублике Србије за „Оскара“ Српска заједница остала је на Косову да живи у малим изолованим заједницама - енклавама. Приморани на овакав живот, ограничени да живе на скученом простору, Срби који су остали да живе на Косову и Метохији живе своје животе на веома тежак начин. Шта се дешава кад неко премине у енклави, а гробље се налази ван ње, на непријатељској територији? У овој причи, уз много перипетија, један осамдесетогодишњи старац ће, ипак, бити сахрањен захваљујући свом унуку, десетогодишњем дечаку који се усудио да учини нешто немогуће за обе заједнице на Косову, и српску и албанску: да заволи и стекне пријатеља на супротној страни. Kosovo 2004, five years after the war. Nenad, ten years Christian boy from a Serbian enclave, determined to create a proper community burial for his late grandfather, crosses enemy lines and makes friends among the Muslim majority in deeply divided, war-torn Kosovo. 5. децембар 2015, субота 19:00 Велика сала Главни токови / Main Stream Аферим! / Aferim! Romania / Bulgaria / Czech Republic / France, 2015, 108 min. Режија / Director: Radu Jude Сценарио / Screenplay: Radu Jude, Florin Lazarescu Улоге / Cast: Teodor Corban. Mihai Comanoiu, Cuzin Toma Награде / Awards: Берлин 2015 – Сребрни медвед за режију, Софија – Награда за најбољи филм, Лисабон, Трибека,… Источна Европа, Влашка, 1835. године. Жандар Костандин и његов син крећу у потеру за ,,циганским робом” који је побегао од господара, а сумња се да је имао и љубавну аферу с господаревом женом. Током потере срећу људе различитих националности и веровања: Турке и Русе, хришћане и Јевреје, Румуне и Мађаре… Сви имају предрасуде једни према другима, као терет наслеђа које се преноси с генерације на генерацију. Чак и када пронађу одбеглог роба, авантура је далеко од краја… “Аферим!” представља и данас актуелну параболу Европе у времену касног феудализма, онако како је овај период приказан кроз историјска документа и народне песме. У маниру балканског вестерна филм осликава друштвену хијерархију и положај човека чија је индивидуалност спутана у систему друштвених стега. Set in early 19th century Wallachia, when a local policeman, Costandin, is hired by Iordache, a boyar (local noble), to find Carfin, a Gypsy slave who had run away from the boyar's estate after having an affair with his wife, Sultana. Costandin sets out to find the fugitive, beginning a journey full of adventures. Gypsy slavery lasted from the 14th century up until the middle of the 19th century, a situation which is very little known and almost nonexistent in the public debate today, although its impact continues to influence Romania's social life. 21::00 Велика сала Трагања / Searchings Слике изван нас / Images Beyond Us Canada, 2015, 12 min. Режија / Director: Nena Toth Redzic Експериментални / Experimental – СВЕТСКА ПРЕМИЈЕРА Филм „Слике изван нас“ је инспирисан руским писцем Јевгенијем Ивановичем Замjатином - чијa је чувена анти-утопија „Ми“ (1924) детерминисалиа Алдоус Хакслијев“ Храбар Нови Свет“ (1932), - и Џорџ Орвеловим романом „1984“ (1949). Експериментални антрополошки филм “Слике изван нас”, је сторија о "замишљању замишљене слике" из књижевних пасажа, као што су "читаочеве менталне слике" трансцендоване на филм, стварајући оригиналну и очаравајућу визуелизацију читаоцу (моје) маште. Film Images Beyond Us was inspired by Russian novelist Yevgeny Ivanovich Zamyatin, whose famous anti-utopia My (1924 We), prefigured Aldous Huxley’s Brave New World ( 1932) and inspired George Orwell’s novel 1984 ( 1949). Experimental anthropological film Images Beyond Us, is about "imaging the imagined image" from the passages of the books as the "reader's mental images" are transcended onto film, creating an original and captivating visualization of the readers'(my) imaginations. Главни токови / Main Stream Саулов син / Son of Saul / Saul fia Hungary, 2015, 107 min. Режија / Director: László Nemes Сценарио / Screenplay: László Nemes, Clara Royer Улоге / Cast: Géza Röhrig, Levente Molnár, Urs Rechn, Christian Harting, Amitai Kedar Награде / Awards: Cannes Film Festival 2015 Grand Prix Октобар 1944, Аушвиц-Биркенау. Мађар Саул је члан радног вода Sonderkommando - групе јеврејских затвореника изоловане од остатка логораша и присиљене да помаже нацистима у истребљењу широких размера. Док ради у једном од крематоријума, Саул открива леш дечака за кога је убеђен да je његов син. Док чланови вода Sonderkommando планирају побуну предосећајући и сопствено истребљење, Саул предузима немогућу мисију да спасе тело од пламена, пронађе рабина да изврши обред прања покојника и организује адекватну сахрану. Филм кохерентне и ригорозно процесуиране режије и визуелне моћи, с призорима који као да су изашли из Дантеовог пакла, постављених кроз оптички сужене кадрове. October 1944, Auschwitz-Birkenau. Saul Ausländer is a Hungarian member of the Sonderkommando, the group of Jewish prisoners isolated from the camp and forced to assist the Nazis in the machinery of large- scale extermination. While working in one of the crematoriums, Saul discovers the corpse of a boy he takes for his son. As the Sonderkommando plans a rebellion, Saul decides to carry out an impossible task: save the child's body from the flames, find a rabbi to recite the mourner’s Kaddish and offer the boy a proper burial. 6. децембар 2015, недеља 18:00 Велика сала Трагања / Searchings Оженићу цело село / I Will Marry the Whole Village Srbija, 2010, 57 min. Режија / Director: Željko Mirković Документарни / Documentary Документарна бајка о непрестаној борби и трагањем за правим животним вредностима, пренесена кроз причу о хармоникашу Пеци који је одлучио је да ожени све неожењене у свом селу. Његов мото је "Оженићу цело село, макар ми пресело". Радња се дешава у селу Матејевац, код Ниша, где има преко 300 неожењених мушкараца, што је скоро сваки трећи мештанин. Иако је Матејевац само 10 минута вожње од Ниша, града у коме живи преко 300.000 грађана, жене не желе на село.... Документарно – сатирична комедија о српском селу. In Matejevac, a small town in southern Serbia, there are 300 men, nearly a third of the male population. There are places to meet women, since they prefer to live in the city, instead of staying on the field. In Peca, a musician who plays the accordion, has decided to marry them all. Documentary and satirical comedy about a Serbian village. Пројекција у сарадњи са "Филмкултуром" 19::00 Velika sala Главни токови / Main Stream Дугме од седефа / Pearl Button Chile, Spain, France, 2015, 82 min. Режија / Director: Patrisio Guzman Награде и фестивали / Awards and festivals: Berlinale 2015 – „Silver Bear“ Best Screenplay, Toronto 2015, Melburne 2015, „Free Zone“ 2015 – Најбољи филм по избору публике У океану је похрањена историја читавог човечанства. У океану су сачувани гласови земље и гласови свемира. Звезде покрећу океане и жива бића у њима. Океан, уједно најдужа водена граница Чилеа, чува тајну два мистериозна дугмета од седефа пронађена на његовом дну. Чиле, са својом 2.670 миља дугом обалом и највећим архипелагом на свету изгледа готово натприродно. Његови вулкани, планине у глечери чувају гласове староседелаца Патагоније и Огњене земје, првих енглеских колонизатора и политичких затвореника
Load more

Recommended publications
  • Cursed Days, a Diary of the Revolution'
    H-Russia Rose on Bunin, 'Cursed Days, A Diary of the Revolution' Review published on Thursday, October 1, 1998 Ivan Bunin. Cursed Days, A Diary of the Revolution. Chicago: Ivan R. Dee Publisher, 1998. xiii + 286 pp. $28.50 (paper), ISBN 978-1-56663-186-0. Reviewed by Linda P. Rose (Graduate School of Education & Information Studies, University of California at Los Angeles) Published on H-Russia (October, 1998) Revolutionary Days: Still Cursed? Cursed Days, Ivan Bunin's diary/notebook written during and about the Russian Revolution and the Civil War, became immensely popular in Russia after the Soviets lost power through a bloodless revolution. Since 1991, no less than fifteen separate editions of Bunin's diary/notebook have been published in Russia. There can be many explanations for the diary/notebook's popularity. Bunin's diary/notebook and other works, along with the books of other Russian emigre authors, were banned by the Soviets by the end of the 1920's. Although they could not be bought in stores, these authors could not be eliminated from the hearts and minds of some Russians. With the Soviets' downfall, many sought to know more about the events that had occurred between 1918-1920. Another, perhaps more pressing motive for the readers was to understand more about their own evolving revolution. While the Bolsheviks' dependence on bloodshed to re-shape Russia has not been copied by their successors since the 1991 Revolution, ethnic strife, economic woes, and social upheaval have accompanied the revolution. The battles in Chechnya continue. Economic problems are common, and many public servants and the military personnel get sub-existence wages.
    [Show full text]
  • Nostalgia and the Myth of “Old Russia”: Russian Émigrés in Interwar Paris and Their Legacy in Contemporary Russia
    Nostalgia and the Myth of “Old Russia”: Russian Émigrés in Interwar Paris and Their Legacy in Contemporary Russia © 2014 Brad Alexander Gordon A thesis presented in partial fulfillment of the requirements for completion Of the Bachelor of Arts degree in International Studies at the Croft Institute for International Studies Sally McDonnell Barksdale Honors College The University of Mississippi University, Mississippi April, 2014 Approved: Advisor: Dr. Joshua First Reader: Dr. William Schenck Reader: Dr. Valentina Iepuri 2 Table of Contents Acknowledgements……………………………………………………………………p. 3 Part I: Interwar Émigrés and Their Literary Contributions Introduction: The Russian Intelligentsia and the National Question………………….............................................................................................p. 4 Chapter 1: Russia’s Eschatological Quest: Longing for the Divine…………………………………………………………………………………p. 14 Chapter 2: Nature, Death, and the Peasant in Russian Literature and Art……………………………………………………………………………………..p. 26 Chapter 3: Tsvetaeva’s Tragedy and Tolstoi’s Triumph……………………………….........................................................................p. 36 Part II: The Émigrés Return Introduction: Nostalgia’s Role in Contemporary Literature and Film……………………………………………………………………………………p. 48 Chapter 4: “Old Russia” in Contemporary Literature: The Moral Dilemma and the Reemergence of the East-West Debate…………………………………………………………………………………p. 52 Chapter 5: Restoring Traditional Russia through Post-Soviet Film: Nostalgia, Reconciliation, and the Quest
    [Show full text]
  • Issue November 2016
    Issue 43 November 2016 Website www.thecutmagazine.com Facebook www.facebook.com/TheCutMagazine Address The Cut Magazine 5000 Forbes Avenue UC Box 122 Pittsburgh, PA 15238 Cover Photo Lucius at Mr. Smalls Photo by Mark Egge Issue 43 November 2016 Editor-in-Chief Imogen Todd Assistant Editor David Dwyer Creative Director Sharon Yu Photo Editor Lucy Denegre Copy Editor Izzy McCarthy Public Relations Evi Bernitsas Chief Web Editor Daniel DeLuca Writing Staff Izzy McCarthy, Mark Egge, Justin Kelly, Brooke Ley, Bradley Puskar, Joe Swee- ney, Paige O'Riordan, Cassandra Howard, David Dwyer, Kate Apostolou, Isabelle Sio Photo Staff David Perry, Lucy Denegre, Mark Egge Editing Staff Justin Kelly, Josh Brown, Julie Heming, Isabelle Sio, Design Staff Anna Gross, Serina Liu, Yoonyoung Kim, Anqi Wan Letter From The Editor 3 Masthead Letter From The Editor Oh, November. A month tackles the idea of cheap mixtape, and album of changes: the weather, girl-power anthems in pop reviews. Highlights include as fall finally gives way to music, and Mark Egge David Dwyer’s rave review winter, and gloves, hats, and gives us an insider’s view of Solange’s newest effort scarves start making regular of James Street Gastropub’s and Kate Apostolou’s appearances on campus; tumultuous history and takedown of the new the country, as we prepare future. Phantogram album. to say good-bye to one leader and to inaugurate Flip ahead a few pages and Last, but not least, be sure a new one. Whatever immerse yourself in Justin to give our interview with your seasonal or political Kelly’s scathing critique Lucius a read.
    [Show full text]
  • Exploring the Relationship Between the Strong Black Woman Archetype and Mental Health Help-Seeking Behaviors of Black
    CRANES IN THE SKY: EXPLORING THE RELATIONSHIP BETWEEN THE STRONG BLACK WOMAN ARCHETYPE AND MENTAL HEALTH HELP-SEEKING BEHAVIORS OF BLACK WOMEN A DISSERTATION SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY IN THE GRADUATE SCHOOL OF THE TEXAS WOMAN’S UNIVERSITY DEPARTMENT OF SOCIOLOGY AND SOCIAL WORK COLLEGE OF ARTS AND SCIENCES BY MIA M. KIRBY B.S., M.S.W., LCSW DENTON, TEXAS MAY 2019 Copyright © 2019 by Mia Moore Kirby DEDICATION This work is dedicated to my ancestors and spirit guides Joseph B. Provost Sr. Mary Louise Dorn Jackson James Lamar Provost Wilbur Daniel Moore Thank you for always being with me. ii ACKNOWLEDGEMENTS First, I must acknowledge The Creator, through which all blessings flow. I could not have embarked on this journey without the presence of the Lord in my life, Ashé. It wasn’t until I was deeply ingrained in the research that I realize that this work is a physical embodiment of my upbringing. To this end, I must thank my parents, my mother Janice Provost, for being the original strong black women in my life, who demonstrated strength through healing. I can never repay you for the seeds of healing and growth that you planted in me. To my father, Dexter Moore, the first DJ I ever knew. You have always been one of my biggest supporters. I am so grateful for your wisdom and guidance throughout my life and most importantly for always playing my favorite songs. To my husband, Dr. Darian T. Kirby, I am beyond grateful for your love, support, and encouragement.
    [Show full text]
  • International MAG Convention “The Image of the Self” PROGRAM
    International MAG Convention “The Image of the Self” Andrey Sheptytsky Center Ukrainian Catholic University Lviv, Ukraine June 27-29, 2018 PROGRAM International Association for the Humanities (MAG) American Council of Learned Societies Ukrainian Catholic University Support for the convention was received from: Foundation to Promote Open Society Carnegie Corporation of New York International Renaissance Foundation Association for Slavic, East European, and Eurasian Studies (ASEEES) Lviv City Council About MAG The International Association for the Humanities (MAG) was founded in 2007 by advisers of the Humanities Program in Belarus, Russia, and Ukraine, which was organized by the American Council of Learned Societies with support from the Carnegie Corporation of New York. As a network of networks in Eastern Europe and Eurasia, MAG serves similar functions to those that ASEEES (Association for Slavic, East European, and Eurasian Studies) does in North America. Both associations are international, interdisciplinary meeting places for scholars. In its brief history, MAG has conducted competitions for research and for travel grants, and has published the Internet magazine, TheBridge-MOCT (thebridge- moct.org). About UCU The Ukrainian Catholic University is an open academic community and a private institution for education and research, living the Eastern Christian tradition and forming leaders to serve with professional excellence in Ukraine and internationally. The University’s priorities are: a well-grounded humanities education, socially-aware orientation of the instructional process, and the spiritual dimension of education. CONVENTION SPONSORS The International Association for the Humanities (MAG) thanks all of the convention sponsors whose generous contribution and support help to promote the continued growth and visibility of our Association during our convention.
    [Show full text]
  • Sholem Schwarzbard: Biography of a Jewish Assassin
    Sholem Schwarzbard: Biography of a Jewish Assassin The Harvard community has made this article openly available. Please share how this access benefits you. Your story matters Citation Johnson, Kelly. 2012. Sholem Schwarzbard: Biography of a Jewish Assassin. Doctoral dissertation, Harvard University. Citable link http://nrs.harvard.edu/urn-3:HUL.InstRepos:9830349 Terms of Use This article was downloaded from Harvard University’s DASH repository, and is made available under the terms and conditions applicable to Other Posted Material, as set forth at http:// nrs.harvard.edu/urn-3:HUL.InstRepos:dash.current.terms-of- use#LAA © 2012 Kelly Scott Johnson All rights reserved Professor Ruth R. Wisse Kelly Scott Johnson Sholem Schwarzbard: Biography of a Jewish Assassin Abstract The thesis represents the first complete academic biography of a Jewish clockmaker, warrior poet and Anarchist named Sholem Schwarzbard. Schwarzbard's experience was both typical and unique for a Jewish man of his era. It included four immigrations, two revolutions, numerous pogroms, a world war and, far less commonly, an assassination. The latter gained him fleeting international fame in 1926, when he killed the Ukrainian nationalist leader Symon Petliura in Paris in retribution for pogroms perpetrated during the Russian Civil War (1917-20). After a contentious trial, a French jury was sufficiently convinced both of Schwarzbard's sincerity as an avenger, and of Petliura's responsibility for the actions of his armies, to acquit him on all counts. Mostly forgotten by the rest of the world, the assassin has remained a divisive figure in Jewish-Ukrainian relations, leading to distorted and reductive descriptions his life.
    [Show full text]
  • Odessa 2017 UDC 069:801 (477.74) О417 Editorial Board T
    GUIDE Odessa 2017 UDC 069:801 (477.74) О417 Editorial board T. Liptuga, G. Zakipnaya, G. Semykina, A. Yavorskaya Authors A. Yavorskaya, G. Semykina, Y. Karakina, G. Zakipnaya, L. Melnichenko, A. Bozhko, L. Liputa, M. Kotelnikova, I. Savrasova English translation O. Voronina Photo Georgiy Isayev, Leonid Sidorsky, Andrei Rafael О417 Одеський літературний музей : Путівник / О. Яворська та ін. Ред. кол. : Т. Ліптуга та ін., – Фото Г. Ісаєва та ін. – Одеса, 2017. – 160 с.: іл. ISBN 978-617-7613-04-5 Odessa Literary Museum: Guide / A.Yavorskaya and others. Editorial: T. Liptuga and others, - Photo by G.Isayev and others. – Odessa, 2017. — 160 p.: Illustrated Guide to the Odessa Literary Museum is a journey of more than two centuries, from the first years of the city’s existence to our days. You will be guided by the writers who were born or lived in Odessa for a while. They created a literary legend about an amazing and unique city that came to life in the exposition of the Odessa Literary Museum UDC 069:801 (477.74) Англійською мовою ISBN 978-617-7613-04-5 © OLM, 2017 INTRODUCTION The creators of the museum considered it their goal The open-air exposition "The Garden of Sculptures" to fill the cultural lacuna artificially created by the ideo- with the adjoining "Odessa Courtyard" was a successful logical policy of the Soviet era. Despite the thirty years continuation of the main exposition of the Odessa Literary since the opening day, the exposition as a whole is quite Museum. The idea and its further implementation belongs he foundation of the Odessa Literary Museum was museum of books and local book printing and the history modern.
    [Show full text]
  • Construction and Tradition: the Making of 'First Wave' Russian
    Construction and Tradition: The Making of ‘First Wave’ Russian Émigré Identity A thesis submitted in partial fulfillment of the requirement for the degree of Bachelor of Arts in the Department of History from The College of William and Mary by Mary Catherine French Accepted for ____Highest Honors_______________________________ (Honors, High Honors, Highest Honors) ________________________________________ Frederick C. Corney, Director ________________________________________ Tuska E. Benes ________________________________________ Alexander Prokhorov Williamsburg, VA May 3, 2007 ii Table of Contents Introduction 1 Part One: Looking Outward 13 Part Two: Looking Inward 46 Conclusion 66 Bibliography 69 iii Preface There are many people to acknowledge for their support over the course of this process. First, I would like to thank all members of my examining committee. First, my endless gratitude to Fred Corney for his encouragement, sharp editing, and perceptive questions. Sasha Prokhorov and Tuska Benes were generous enough to serve as additional readers and to share their time and comments. I also thank Laurie Koloski for her suggestions on Romantic Messianism, and her lessons over the years on writing and thinking historically. Tony Anemone provided helpful editorial comments in the very early stages of the project. Finally, I come to those people who sustained me through the emotionally and intellectually draining aspects of this project. My parents have been unstinting in their encouragement and love. I cannot express here how much I owe Erin Alpert— I could not ask for a better sounding board, or a better friend. And to Dan Burke, for his love and his support of my love for history. 1 Introduction: Setting the Stage for Exile The history of communities in exile and their efforts to maintain national identity without belonging to a recognized nation-state is a recurring theme not only in general histories of Europe, but also a significant trend in Russian history.
    [Show full text]
  • Tractus Aevorum 4 (2)
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by DSpace at Belgorod State University © Tractus Aevorum 4 (2). Fall/Winter 2017: 106–113 DOI 10.18413/2312-3044-2017-4-1-8-16 1917–2017: LESSONS OF THE CENTURY FOR RUSSIA AND BEYOND Konstantin N. Lobanov I. D. Putilin Belgorod Institute of Law, Ministry of Internal Affairs of the Russian Federation Abstract. For most Russians, the year 1917 is primarily connected with the centennial of the February Revolution and the subsequent October events. This is quite logical, as 1917 is justly considered a landmark in modern Russian history, after which both the country and the world could not return to their previous condition and instead followed a new trajectory of social development. Influenced by Russian revolutionary ideas and Russia’s subsequent modernization, many countries reformed their capitalist economies to create welfare states and abandoned authoritarianism and formal democracy, while turning to a more open and diversified system of power and government. They also curtailed their suppression of individual freedoms while giving citizens more opportunities for self-expression. These developments became possible due to a thorough reflection on the Russian experience and its creative interpretation in the economy, state government, and social interactions. The author addresses the following key questions in his article: did Russians themselves manage to reflect on this experience? In other words, did they learn from this experience? In analyzing the crucial events of 1917 and pointing to some later and contemporary parallels, he outlines his stance toward them. Keywords: Russia, 1917, revolutions, Russians, experience, understanding.
    [Show full text]
  • New Karaoke April 16 2020.Pdf
    TITLE (New songs) June 7, 2018 ARTIST Artist Change Of Heart, A 1975 Heart Out 1975 Somebody Else 1975 City Of Angels 30 Seconds To Mars Girls Talk Boys 5 Seconds Of Summer Wild For The Night (Explicit) A$AP Rocky & Skrillex & Birdy Nam Nam You Ain't Got A Hold Me AC/DC Do What Ya Gotta Do Adams, Bryan Don't Even Try Adams, Bryan Hey Afrojack Celice A-Ha Here I Stand And Face The Rain A-Ha Velvet A-Ha Don't Wanna Fight Alabama Shakes Road Less Traveled Alaina, Lauren Asphalt Cowboy Aldean, Jason Little More Summertime, A Aldean, Jason This Plane Don't Go There Aldean, Jason Uh La La La Alexia I Feel Like Dancin' All Time Low Missing You All Time Low Take Cover All Time Low As Long As I Got You Allen, Lily Friday Night Allen, Lily Him Allen, Lily Sheezus (Explicit) Allen, Lily Caroline Amine Thousand Oceans, A Amos, Tori I'll Find My Way Home Anderson, Jon & Vangelis Heroes Of Sand Angra Nothing To Say Angra Nova Era Angra Rebirth Angra Boys, And The Angus & Julia Stone Not Strong Enough Apocalyptica Black Treacle Arctic Monkeys Brianstorm Arctic Monkeys Can I Be Him Arthur, James Say You Won't Let Go Arthur, James Forever Country Artists Of Then, Now & Forever Prophecy, A Asking Alexandria Angels On My Side Astley, Rick God Says Astley, Rick Keep Singing Astley, Rick The Final Sacrifice Avantasia We Go Home Avener & Adam Cohen Without You Ayo 212 (Explicit) Azealia Banks & Lazy J TITLE (New songs) June 7, 2018 ARTIST Artist ATM Jam (Explicit) Azealia Banks & Pharrell Williams (Duet) Elastic Heart Bailey, Madilyn Stay With Me Bailey, Madilyn
    [Show full text]
  • A Voice from the Slavic Studies Edge: on Being a Black Woman in the Field Kimberly St
    August 2020 • v. 60, n. 4 NewsNet News of the Association for Slavic, East European, and Eurasian Studies A Voice from the Slavic Studies Edge: On Being a Black Woman in the Field Kimberly St. Julian-Varnon, University of Pennsylvania When I sat down to brainstorm what I wanted to say in a In June, the hashtag #BlackintheIvory began trending newsletter that would reach hundreds of ASEEES members, on Twitter. Thousands of Black academics shared their I immediately thought that I had to be careful because I experiences with racism and prejudice, from undergraduate am an incoming doctoral student whose academic career students to tenured faculty. I knew and had shared their is relatively non-existent. I was afraid of the backlash of ordeals. I was not surprised by any of their stories. Instead, being seen as a troublemaker or someone who “plays the I felt relief. I knew it was not just me who felt alienated race card.” My concern represents a more significant issue and alone in an overwhelmingly white field.1 It was a within my chosen field, Soviet/Russian/Ukrainian history, depressing confirmation because it was not better to be and academia. Beyond the ivory tower, the United States Black elsewhere in the academy. is experiencing a pivotal moment. Black people and their My experience in the field is relatively unique. I am one of allies are protesting for justice and the reform of the police a handful of Black people who work on Russian/Soviet/ and other institutions that maintain the status quo of racial Post-Soviet history.
    [Show full text]
  • 2015 Euro-In Film
    19th festival of the european 19. фестивал европског and independent film и независног филма novi sad - serbia,, 4 - 28. 12. 2015. нови сад - србија,, 4 - 28. 12. 2015. 19. Фестивал европског и независног филма ЕУРО-ИН ФИЛМ 2015 EУРO-ИН ФИЛM je прoмoтoрни и прoмoтивни фeстивaл eврoпскe филмскe културe и умeтнoсти кojи прoмoвишe aктуeлнoсти у eврoпскoм и нeзaвиснoм прoфeсиoнaлнoм филму; - Рeaфирмишe успeшнe филмoвe и мaнифeстaциje из мeђунaрoднe културнe рaзмeнe и сaрaдњe; - Прoмoвишe, кoнстaтуje или oткривa тeндeнциje рaзличитих врстa eврoпскoг и нeзaвиснoг филмскoг ствaрaлaштвa у сфeри пoкрeтних звучних сликa, и oбeлeжaвa вaжнe jубилeje филмa; - Оргaнизуje дискусиje сa кoмпeтeнтним учeсницимa o виђeним филмoвимa и њихoвим aктeримa; - Афирмишe дeлa нoвoсaдских филмских рaдникa кoja прeвaзилaзe лoкaлнe грaницe; - Прoмoвишe eврoпскe филмoвe нa свим стaндaрдним нoсaчимa сликe и тoнa из свих грaнa eксплoaтaциje, a прeфeрирa нoвe тeхнoлoгиje сликe и звукa; - Стимулишe диустрибутeрe свих врстa филмскe eксплoaтaциje дa дистрибуирajу eврoпскe и нeзaвиснe филмoвe; - Стимулишe биoскoпe и TВ дa прикaзуjу eврoпскe и нeзaвиснe филмoвe; - Прoмoвишe нoву врeдну филмску литeрaтуру и филмску издaвaчку дeлaтнoст; - Пoдстичe и aфирмишe нaучнo и стручнo истрaживaњe и кooпeрaциjу нaучнe и стручнe мисли у oблaсти eврoпскoг и нeзaвиснoг филмa путeм oргaнизaциje сврсисхoдних тeмaтских скупoвa, рaдиoницa, суфинaнсирaњa и других oбликa пoдршки нaучним пoдухвaтимa - Оргaнизуje излoжбe пoсвeћeнe eврoпскoм и нeзaвиснoм филму; - Пoдсeћa нa кoрeнe истински врeднoг филмскoг ствaрaлaштвa, сa oсвртoм нa нaшe пoднeбљe; итд. EУРO-ИН ФИЛM je фeстивaл oтвoрeнe фoрмe и сaдржaja сa увeк oтвoрeним срдaчним пoзивoм свим дoбрoнaмeрницимa eврoпскoг и нeзaвиснoг филмa нa кoнструктивну сaрaдњу. Будући истински прaзник филмa, нe тeжи кoнкурeнциjи или кoнфрoнтaциjи сa oстaлим фeстивaлимa и филмскиим прoмoтeримa у Србиjи, Eврoпи и филмскoм свeту уoпштe, jeр у њимa види сaрaдникe нa сличнoм пoслу a нe кoнкурeнтe.
    [Show full text]