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Cursed Days, a Diary of the Revolution'
H-Russia Rose on Bunin, 'Cursed Days, A Diary of the Revolution' Review published on Thursday, October 1, 1998 Ivan Bunin. Cursed Days, A Diary of the Revolution. Chicago: Ivan R. Dee Publisher, 1998. xiii + 286 pp. $28.50 (paper), ISBN 978-1-56663-186-0. Reviewed by Linda P. Rose (Graduate School of Education & Information Studies, University of California at Los Angeles) Published on H-Russia (October, 1998) Revolutionary Days: Still Cursed? Cursed Days, Ivan Bunin's diary/notebook written during and about the Russian Revolution and the Civil War, became immensely popular in Russia after the Soviets lost power through a bloodless revolution. Since 1991, no less than fifteen separate editions of Bunin's diary/notebook have been published in Russia. There can be many explanations for the diary/notebook's popularity. Bunin's diary/notebook and other works, along with the books of other Russian emigre authors, were banned by the Soviets by the end of the 1920's. Although they could not be bought in stores, these authors could not be eliminated from the hearts and minds of some Russians. With the Soviets' downfall, many sought to know more about the events that had occurred between 1918-1920. Another, perhaps more pressing motive for the readers was to understand more about their own evolving revolution. While the Bolsheviks' dependence on bloodshed to re-shape Russia has not been copied by their successors since the 1991 Revolution, ethnic strife, economic woes, and social upheaval have accompanied the revolution. The battles in Chechnya continue. Economic problems are common, and many public servants and the military personnel get sub-existence wages. -
Nostalgia and the Myth of “Old Russia”: Russian Émigrés in Interwar Paris and Their Legacy in Contemporary Russia
Nostalgia and the Myth of “Old Russia”: Russian Émigrés in Interwar Paris and Their Legacy in Contemporary Russia © 2014 Brad Alexander Gordon A thesis presented in partial fulfillment of the requirements for completion Of the Bachelor of Arts degree in International Studies at the Croft Institute for International Studies Sally McDonnell Barksdale Honors College The University of Mississippi University, Mississippi April, 2014 Approved: Advisor: Dr. Joshua First Reader: Dr. William Schenck Reader: Dr. Valentina Iepuri 2 Table of Contents Acknowledgements……………………………………………………………………p. 3 Part I: Interwar Émigrés and Their Literary Contributions Introduction: The Russian Intelligentsia and the National Question………………….............................................................................................p. 4 Chapter 1: Russia’s Eschatological Quest: Longing for the Divine…………………………………………………………………………………p. 14 Chapter 2: Nature, Death, and the Peasant in Russian Literature and Art……………………………………………………………………………………..p. 26 Chapter 3: Tsvetaeva’s Tragedy and Tolstoi’s Triumph……………………………….........................................................................p. 36 Part II: The Émigrés Return Introduction: Nostalgia’s Role in Contemporary Literature and Film……………………………………………………………………………………p. 48 Chapter 4: “Old Russia” in Contemporary Literature: The Moral Dilemma and the Reemergence of the East-West Debate…………………………………………………………………………………p. 52 Chapter 5: Restoring Traditional Russia through Post-Soviet Film: Nostalgia, Reconciliation, and the Quest -
19. Фестивал Европског И Независног Филма ЕУРО-ИН ФИЛМ 2015 19Th Festival of the European and Independent Film EURO-IN FILM 2015 04 - 28
19. Фестивал европског и независног филма ЕУРО-ИН ФИЛМ 2015 19th Festival of the European and Independent Film EURO-IN FILM 2015 04 - 28. 12. 2015. 4. децембар 2015, петак 18:30 Улазни хол биоскопа ИЗЛОЖБА ФИЛМСКИХ ПЛАКАТА 1950-1990 - МИРОСЛАВ МИЈАТОВИЋ, колекционар 19:00 Velika sala ОТВАРАЊЕ ФЕСТИВАЛА Горан Радовановић, редитељ филма „Енклава“ Главни токови / Main Stream Франкофонија / Francofonia France / Germany / Netherlands, 2015, 87 min Режија / Director: Aleksandr Sokurov Улоге / Cast: Johanna Korthals Altes, Louis-Do de Lencquesaing, Vincent Nemeth Награде / Awards: Venice Film Festival 2015: Fedeora Award Best Euro-Mediterranean Film - Aleksandr Sokurov; Fondazione Mimmo Rotella Award - Aleksandr Sokurov Прошао је још један век на Старом континенту… Велике армије ударају на срце цивилизације и топови поново узимају свој данак. У сред масакра и рушевина налазе се величанствене уметнине на које је потрошено преко милиона сати рада. Оне су сада збрисане. Жак Јаујард и Гроф Франзискус Волф Метерних радили су заједно како би сачували благо Лувра… Александар Сокуров прича своју причу. Он истражује однос уметности и моћи, и пита се: Шта уметност говори о нама самима, у самом срцу једног од најразорнијих сукоба које је свет икада видео. Another century has passed on the Old Continent... Large armies are trampling on the heart of civilisation and cannon fire is once again taking its toll. Amidst the massacre and the ruins, everything majestic, magnificent, and sacred, that took millions of minutes and hours of determined labour to build, is wiped out. Jacques Jaujard and Count Franziskus Wolff Metternich worked together to protect and preserve the treasure of the Louvre Museum. -
O Cinema Interior De Philippe Garrel
philippe garrel philippe garrel o cinema interior de philippe garrel 1 Ministério da Cultura apresenta Banco do Brasil apresenta e patrocina philippe philippe garrel garrel philippe philippe ccbb rio de janeiro 17 out—5 nov 2018 ccbb brasília 30 out—18 nov 2018 Maria Chiaretti e Mateus Araújo organização 15 philippe garrel, aqui e agora 111 a criança-cinema maria chiaretti e mateus araújo alain philippon 21 um cinema do espetáculo íntimo: 119 amor em fuga as poéticas de philippe garrel alain philippon adrian martin 127 o povo que dorme: notas sobre o 35 “filmar a mulher amada, como fiz cinema de philippe garrel por dez anos, é algo em si bastante marcos uzal louco…”: sistema simbólico e virada narrativa na obra de philippe garrel 135 atores na alma nicole brenez cyril béghin 45 a maturidade de garrel 139 manifesto por um cinema violento adriano aprà philippe garrel 69 garrel: ali onde a fala se torna gesto 141 fragmentos de um diário thierry jousse philippe garrel 81 um filme “quebra-cabeça” 146 sendo o cinema apenas o fazendo sally shafto philippe garrel 97 o fulgor de um rosto 149 philippe garrel e serge daney: diálogo edson costa jr. 165 sinopses críticas 103 vida e morte da película luiz carlos oliveira jr. 209 filmografia Ministério da Cultura e Banco do Brasil apresentam O cinema interior de Philippe Garrel, a mais completa retrospectiva do ci- neasta francês já realizada no Brasil. Garrel aborda em sua trajetória cinematográfica a vida da juventude francesa, tendo como inspiração episódios de sua pró- pria biografia. Um dos nomes mais importantes do movimento pós-Nouvelle Vague ainda em atividade, o premiado cineasta tem 53 anos de carreira e segue filmando em formato 35mm, que é a marca de seu cinema. -
Of Gods and Men
A Sony Pictures Classics Release Armada Films and Why Not Productions present OF GODS AND MEN A film by Xavier Beauvois Starring Lambert Wilson and Michael Lonsdale France's official selection for the 83rd Academy Award for Best Foreign Language Film 2010 Official Selections: Toronto International Film Festival | Telluride Film Festival | New York Film Festival Nominee: 2010 European Film Award for Best Film Nominee: 2010 Carlo di Palma European Cinematographer, European Film Award Winner: Grand Prix; Ecumenical Jury Prize - 2010Cannes Film Festival Winner: Best Foreign Language Film, 2010 National Board of Review Winner: FIPRESCI Award for Best Foreign Language Film of the Year, 2011 Palm Springs International Film Festival www.ofgodsandmenmovie.com Release Date (NY/LA): 02/25/2011 | TRT: 120 min MPAA: Rated PG-13 | Language: French East Coast Publicist West Coast Publicist Distributor Sophie Gluck & Associates Block-Korenbrot Sony Pictures Classics Sophie Gluck Ziggy Kozlowski Carmelo Pirrone 124 West 79th St. Melody Korenbrot Lindsay Macik New York, NY 10024 110 S. Fairfax Ave., Ste 310 550 Madison Avenue Phone (212) 595-2432 Los Angeles, CA 90036 New York, NY 10022 [email protected] Phone (323) 634-7001 Phone (212) 833-8833 Fax (323) 634-7030 Fax (212) 833-8844 SYNOPSIS Eight French Christian monks live in harmony with their Muslim brothers in a monastery perched in the mountains of North Africa in the 1990s. When a crew of foreign workers is massacred by an Islamic fundamentalist group, fear sweeps though the region. The army offers them protection, but the monks refuse. Should they leave? Despite the growing menace in their midst, they slowly realize that they have no choice but to stay… come what may. -
International MAG Convention “The Image of the Self” PROGRAM
International MAG Convention “The Image of the Self” Andrey Sheptytsky Center Ukrainian Catholic University Lviv, Ukraine June 27-29, 2018 PROGRAM International Association for the Humanities (MAG) American Council of Learned Societies Ukrainian Catholic University Support for the convention was received from: Foundation to Promote Open Society Carnegie Corporation of New York International Renaissance Foundation Association for Slavic, East European, and Eurasian Studies (ASEEES) Lviv City Council About MAG The International Association for the Humanities (MAG) was founded in 2007 by advisers of the Humanities Program in Belarus, Russia, and Ukraine, which was organized by the American Council of Learned Societies with support from the Carnegie Corporation of New York. As a network of networks in Eastern Europe and Eurasia, MAG serves similar functions to those that ASEEES (Association for Slavic, East European, and Eurasian Studies) does in North America. Both associations are international, interdisciplinary meeting places for scholars. In its brief history, MAG has conducted competitions for research and for travel grants, and has published the Internet magazine, TheBridge-MOCT (thebridge- moct.org). About UCU The Ukrainian Catholic University is an open academic community and a private institution for education and research, living the Eastern Christian tradition and forming leaders to serve with professional excellence in Ukraine and internationally. The University’s priorities are: a well-grounded humanities education, socially-aware orientation of the instructional process, and the spiritual dimension of education. CONVENTION SPONSORS The International Association for the Humanities (MAG) thanks all of the convention sponsors whose generous contribution and support help to promote the continued growth and visibility of our Association during our convention. -
Sholem Schwarzbard: Biography of a Jewish Assassin
Sholem Schwarzbard: Biography of a Jewish Assassin The Harvard community has made this article openly available. Please share how this access benefits you. Your story matters Citation Johnson, Kelly. 2012. Sholem Schwarzbard: Biography of a Jewish Assassin. Doctoral dissertation, Harvard University. Citable link http://nrs.harvard.edu/urn-3:HUL.InstRepos:9830349 Terms of Use This article was downloaded from Harvard University’s DASH repository, and is made available under the terms and conditions applicable to Other Posted Material, as set forth at http:// nrs.harvard.edu/urn-3:HUL.InstRepos:dash.current.terms-of- use#LAA © 2012 Kelly Scott Johnson All rights reserved Professor Ruth R. Wisse Kelly Scott Johnson Sholem Schwarzbard: Biography of a Jewish Assassin Abstract The thesis represents the first complete academic biography of a Jewish clockmaker, warrior poet and Anarchist named Sholem Schwarzbard. Schwarzbard's experience was both typical and unique for a Jewish man of his era. It included four immigrations, two revolutions, numerous pogroms, a world war and, far less commonly, an assassination. The latter gained him fleeting international fame in 1926, when he killed the Ukrainian nationalist leader Symon Petliura in Paris in retribution for pogroms perpetrated during the Russian Civil War (1917-20). After a contentious trial, a French jury was sufficiently convinced both of Schwarzbard's sincerity as an avenger, and of Petliura's responsibility for the actions of his armies, to acquit him on all counts. Mostly forgotten by the rest of the world, the assassin has remained a divisive figure in Jewish-Ukrainian relations, leading to distorted and reductive descriptions his life. -
Introduction
1 Introduction Philippe Garrel, an irregular auteur In April 2013, a retrospective of Philippe Garrel’s fi lms took place at the Magic Cin é ma, a municipal theatre in Bobigny, outside Paris. Such a location, on the periphery of the French capital, may seem inappropriate for the work of a longstanding director whom the fi lm critic Serge Daney spoke of as ‘le seul grand cin é aste fran ç ais de ma g é n é ration’ 1 (Jousse 1991 : 58). But both the accolade and this peripheral location are revealing of the ambiguous position Garrel has occupied within French fi lm culture during the last half century. While held in high esteem by peers and critics, he is only beginning now to receive some mainstream and popular recognition. This increased recognition is evidenced by the fi rst French international conference on Garrel that took place at Paris Nanterre University in November 2018 and by a more recent retrospective of Garrel’s work at the Cin é math è que Fran ç aise in September 2019. Garrel’s status as a critically respected yet marginal fi gure may be explained by the fact that his cinema occupies an uncertain terrain in the history of French cinema, somewhere between the New Wave and the vast heterogeneous body of French cinema that developed in its aftermath. This anomalous position is compounded by an oeuvre that often resists straightforward exegetical criticism, and challenges traditionally held critical oppositions such as those of the real and the imaginary, documentary and fi ction, political and personal, avant- garde and mainstream. -
Odessa 2017 UDC 069:801 (477.74) О417 Editorial Board T
GUIDE Odessa 2017 UDC 069:801 (477.74) О417 Editorial board T. Liptuga, G. Zakipnaya, G. Semykina, A. Yavorskaya Authors A. Yavorskaya, G. Semykina, Y. Karakina, G. Zakipnaya, L. Melnichenko, A. Bozhko, L. Liputa, M. Kotelnikova, I. Savrasova English translation O. Voronina Photo Georgiy Isayev, Leonid Sidorsky, Andrei Rafael О417 Одеський літературний музей : Путівник / О. Яворська та ін. Ред. кол. : Т. Ліптуга та ін., – Фото Г. Ісаєва та ін. – Одеса, 2017. – 160 с.: іл. ISBN 978-617-7613-04-5 Odessa Literary Museum: Guide / A.Yavorskaya and others. Editorial: T. Liptuga and others, - Photo by G.Isayev and others. – Odessa, 2017. — 160 p.: Illustrated Guide to the Odessa Literary Museum is a journey of more than two centuries, from the first years of the city’s existence to our days. You will be guided by the writers who were born or lived in Odessa for a while. They created a literary legend about an amazing and unique city that came to life in the exposition of the Odessa Literary Museum UDC 069:801 (477.74) Англійською мовою ISBN 978-617-7613-04-5 © OLM, 2017 INTRODUCTION The creators of the museum considered it their goal The open-air exposition "The Garden of Sculptures" to fill the cultural lacuna artificially created by the ideo- with the adjoining "Odessa Courtyard" was a successful logical policy of the Soviet era. Despite the thirty years continuation of the main exposition of the Odessa Literary since the opening day, the exposition as a whole is quite Museum. The idea and its further implementation belongs he foundation of the Odessa Literary Museum was museum of books and local book printing and the history modern. -
French Film Program Signs up 100 University
EMBASSY OF FRANCE – PRESS RELEASE French Film Program Signs up 100 th University TOURNÉES FESTIVAL IS A HIT ON AMERICAN CAMPUSES New York, February 7 —For the first time ever, more than 100 American universities are taking part in the Tournées Festival , which brings contemporary French films to campus screens . In all, 108 universities are participating, from 41 States and Puerto Rico. This year, the Tournées Festival will distribute approximately $180,000 in grants, with each participating institution receiving a grant of $1,800 to show a minimum of five films. First launched by the French-American Cultural Exchange (FACE) and the Cultural Services of the French Embassy in 1995 , the Tournées Festival was conceived to help isolated universities have access to new French films that are normally only distributed in big cities. Since its inception, the program has partnered with hundreds of universities and made it possible for more than 250,000 students to discover French-language films . It is hoped that participating universities will subsequently be able to launch their own self-sustaining French film festivals. To promote French-American cooperation, a key mission of FACE and the French Cultural Services , American professors are deeply involved in the selection process, both for the universities and the films. Three distinguished Americans selected which universities to support: Dudley Andrew , Professor of Film and Comparative Literature at Yale University , Livia Bloom , Assistant Curator at the Museum of the Moving Image, and Sonia Lee , Professor of French and African Literature at Trinity College. And, every year, Adrienne Halpern , co-founder of Rialto Films, Annette Insdorf , Professor of Graduate Film Studies at Columbia University, Richard Pena , Film Curator at the Lincoln Center, and Jean Vallier , Film Critic, help select the films that are included in the program. -
CICLO . GRANDE CINEMA RUSSO 1 O Homem Da Câmara De Filmar RUSSIA ANOS VINTE
CICLO . GRANDE CINEMA RUSSO 1 O Homem da Câmara de Filmar RUSSIA ANOS VINTE No final da década de 20, os cineastas Para Dziga Vertov, trata-se não de reflectir soviéticos exploram todas as possibilidades da mas antes de fazer a revolução através arte nova, que dera ao mundo o sentimento do cinema. E consequentemente, de de uma marcha ao ritmo da revolução. Uma revolucionar a prática do cineasta, assim dezena de filmes de excepção testemunham- como a do espectador: o próprio acto de -no, entre os quais estes três, estreados entre ver. O Homem da Câmara de Filmar é uma Setembro de 1928 e Fevereiro de 1929. experiência sem precedentes. "Pensamos", dirá Vertov, "ter direito a ocasionalmente Arsenal faz de Aleksandr Dovzhenko o terceiro realizar filmes que produzam outros filmes. grande da "epopeia revolucionária", ao lado São uma garantia vital para futuras vitórias". de Eisenstein e de Poudovkine. Porém, longe Este filme "sem intertítulos, sem argumento, de ilustrar, como eles, os aniversários e as sem teatro, sem actores e sem décors" palavras de ordem, Dovzhenko ataca em mostra, simultaneamente, no decurso de modo poético as contradições da sua pátria, a uma perseguição alucinante: a projecção Ucrânia, dividida desde a queda do czar entre do próprio filme; o dia de um operador de nacionalismo e revolução. Nem os Ucranianos câmara (o irmão de Vertov, Mikhail Kaufman, nem os Soviéticos lhe ficarão gratos por desempenhando o papel do cineasta); o isso. Para Dovzhenko, comunista assumido, quotidiano de uma grande cidade e dos a revolução bolchevique é a consequência seus habitantes, o que subsiste do mundo lógica das forças telúricas, mágicas, que de ontem e o aburguesamento da nova criaram o seu país. -
Barcode Title Language Category Allafri001 Tweetalige Skool
Barcode Title Language Category ALLAfri001 Tweetalige Skool-Woordeboek Afrikaans Text ALLAfri002 Teach Yourself Afrikaans Afrikaans Text ALLAfri003 Teach Yourself Afrikaans Disc 1 Afrikaans Audio CD ALLAfri004 Teach Yourself Afrikaans Disc 2 Afrikaans Audio CD ALLAfri005 Colloquial Afrikaans Afrikaans Text ALLAfri006 Colloquial Afrikaans Disc 1 Afrikaans Audio CD ALLAfri007 Colloquial Afrikaans Disc 2 Afrikaans Audio CD ALLAfri008 Colloquial Afrikaans Afrikaans Text ALLAfri009 Colloquial Afrikaans Disc 1 Afrikaans Audio CD ALLAfri010 Colloquial Afrikaans Disc 2 Afrikaans Audio CD a0001 Le Destin (Destiny) Arabic VHS a0003 Alif Baa: Introduction to Arabic Letters and Sounds Disc 1 Arabic DVD a0004 Alif Baa: Introduction to Arabic Letters and Sounds Disc 1 Arabic DVD a0005 Alif Baa: Introduction to Arabic Letters and Sounds Disc 2 Arabic DVD a0006 Alif Baa: Introduction to Arabic Letters and Sounds Disc 2 Arabic DVD a0007 Al-Kitaab: A Textbook for Beginning Arabic 2e, Part 1 Disc 1 Arabic DVD a0009 Al-Kitaab: A Textbook for Beginning Arabic 2e, Part 1 Disc 2 Arabic DVD a0011 Al-Kitaab: A Textbook for Beginning Arabic 2e, Part 1 Disc 3 Arabic DVD a0013 The Yacoubian Building Arabic DVD a0014 Ali Zaoua, Prince of the Streets Arabic DVD a0018 Le Destin (Destiny) Arabic DVD ALLArab001 The Qur'an Arabic Text ALLArab002 Arabic-English Dictionary Arabic Text ALLArab003 Let's Read and Write Arabic, Vol. 1 Arabic Text ALLArab004 Alif Baa with DVDs Arabic Text ALLArab005 Alif Baa with DVDs Disc 1 Arabic DVD ALLArab006 Alif Baa with DVDs Disc 2 Arabic