Construction and Tradition: the Making of 'First Wave' Russian
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Cursed Days, a Diary of the Revolution'
H-Russia Rose on Bunin, 'Cursed Days, A Diary of the Revolution' Review published on Thursday, October 1, 1998 Ivan Bunin. Cursed Days, A Diary of the Revolution. Chicago: Ivan R. Dee Publisher, 1998. xiii + 286 pp. $28.50 (paper), ISBN 978-1-56663-186-0. Reviewed by Linda P. Rose (Graduate School of Education & Information Studies, University of California at Los Angeles) Published on H-Russia (October, 1998) Revolutionary Days: Still Cursed? Cursed Days, Ivan Bunin's diary/notebook written during and about the Russian Revolution and the Civil War, became immensely popular in Russia after the Soviets lost power through a bloodless revolution. Since 1991, no less than fifteen separate editions of Bunin's diary/notebook have been published in Russia. There can be many explanations for the diary/notebook's popularity. Bunin's diary/notebook and other works, along with the books of other Russian emigre authors, were banned by the Soviets by the end of the 1920's. Although they could not be bought in stores, these authors could not be eliminated from the hearts and minds of some Russians. With the Soviets' downfall, many sought to know more about the events that had occurred between 1918-1920. Another, perhaps more pressing motive for the readers was to understand more about their own evolving revolution. While the Bolsheviks' dependence on bloodshed to re-shape Russia has not been copied by their successors since the 1991 Revolution, ethnic strife, economic woes, and social upheaval have accompanied the revolution. The battles in Chechnya continue. Economic problems are common, and many public servants and the military personnel get sub-existence wages. -
Dmitri Shostakovich Symphony No
Booklet_ODE1109 sos 3 10/01/08 13:35 Page 1 THE PHILADELPHIA ORCHESTRA CHRISTOPH ESCHENBACH Dmitri Shostakovich Symphony No. 5 Seven Romances on Poems of Alexander Blok Yvonne Naef,mezzo-soprano Juliette Kang,violin Hai-Ye Ni,cello CHristoph EschenbacH,piano Booklet_ODE1109 sos 3 10/01/08 13:35 Page 2 ESCHENBACH CHRISTOPH • ORCHESTRA H bac hen c s PHILADELPHIA E THE oph st i r H C 2 Booklet_ODE1109 sos 3 10/01/08 13:35 Page 3 Dmitri ShostakovicH (1906–1975) Symphony No. 5 Seven Romances in D minor,Op. 47 (1937) on Poems of Alexander Blok,Op. 127 (1967) ESCHENBACH 1 I.Moderato – Allegro 5 I.Ophelia’s Song 3:01 non troppo 17:37 6 II.Gamayun,Bird of Prophecy 3:47 2 II.Allegretto 5:49 7 III.THat Troubled Night… 3:22 3 III.Largo 16:25 8 IV.Deep in Sleep 3:05 4 IV.Allegro non troppo 12:23 9 V.The Storm 2:06 bu VI.Secret Signs 4:40 CHRISTOPH • bl VII.Music 5:36 The Philadelphia Orchestra Yvonne Naef,mezzo-soprano CHristoph EschenbacH,conductor Juliette Kang,violin* Hai-Ye Ni ,cello* CHristoph EschenbacH ,piano ORCHESTRA *members of The Philadelphia Orchestra [78:15] Live Recordings:Philadelphia,Verizon Hall,September 2006 (Symphony No. 5) & Perelman Theater,May 2007 (Seven Romances) Executive Producer:Kevin Kleinmann Recording Producer:MartHa de Francisco Balance Engineer and Editing:Jean-Marie Geijsen – PolyHymnia International Recording Engineer:CHarles Gagnon Musical Editors:Matthijs Ruiter,Erdo Groot – PolyHymnia International PHILADELPHIA Piano:Hamburg Steinway prepared and provided by Mary ScHwendeman Publisher:Boosey & Hawkes Ondine Inc. -
Nostalgia and the Myth of “Old Russia”: Russian Émigrés in Interwar Paris and Their Legacy in Contemporary Russia
Nostalgia and the Myth of “Old Russia”: Russian Émigrés in Interwar Paris and Their Legacy in Contemporary Russia © 2014 Brad Alexander Gordon A thesis presented in partial fulfillment of the requirements for completion Of the Bachelor of Arts degree in International Studies at the Croft Institute for International Studies Sally McDonnell Barksdale Honors College The University of Mississippi University, Mississippi April, 2014 Approved: Advisor: Dr. Joshua First Reader: Dr. William Schenck Reader: Dr. Valentina Iepuri 2 Table of Contents Acknowledgements……………………………………………………………………p. 3 Part I: Interwar Émigrés and Their Literary Contributions Introduction: The Russian Intelligentsia and the National Question………………….............................................................................................p. 4 Chapter 1: Russia’s Eschatological Quest: Longing for the Divine…………………………………………………………………………………p. 14 Chapter 2: Nature, Death, and the Peasant in Russian Literature and Art……………………………………………………………………………………..p. 26 Chapter 3: Tsvetaeva’s Tragedy and Tolstoi’s Triumph……………………………….........................................................................p. 36 Part II: The Émigrés Return Introduction: Nostalgia’s Role in Contemporary Literature and Film……………………………………………………………………………………p. 48 Chapter 4: “Old Russia” in Contemporary Literature: The Moral Dilemma and the Reemergence of the East-West Debate…………………………………………………………………………………p. 52 Chapter 5: Restoring Traditional Russia through Post-Soviet Film: Nostalgia, Reconciliation, and the Quest -
Folia Orient. Bibliotheca I.Indd
FOLIA ORIENTALIA — BIBLIOTHECA VOL. I — 2018 DOI 10.24425/for.2019.126132 Yousef Sh’hadeh Jagiellonian University [email protected] The Koran in the Poetry of Alexander Pushkin and Ivan Bunin: Inspiration, Citation and Intertextuality Abstract The Koran became an inspiration to the Russian poet Alexander Pushkin (1799–1837), made obvious in many of his works, such as Imitations of the Koran, The Prophet, and In a Secret Cave. Pushkin studied the translation of the Koran carefully and used many verses of its Surahs in his texts. Many of his contemporary poets and followers were influenced by his poetry, like Ivan Bunin (1870–1953), who continued the traditions of Pushkin. Bunin repeated many thoughts from Koranic discourse and placed them in his poems that were full of faith and spirituality. He wrote many of them at the beginning of the 20th century1, before his emigration to France in 1918, for example: Mohammed in Exile, Guiding Signs and For Treason. It has been noted that Bunin was quoting verses from the Koran to create an intertextual relationships between some Surahs and his poems, showing a great enthusiasm to mystical dimension of Islam. We find this aspect in many works, such as The Night of al-Qadr, Tamjid, Black Stone of the Kaaba, Kawthar, The Day of Reckoning and Secret. It can also be said that a spiritual inspiration and rhetoric of Koran were not only attractive to Pushkin and Bunin, but also to a large group of Russian poets and writers, including Gavrila Derzhavin, Mikhail Lermontov, Fyodor Tyutchev, Yakov Polonsky, Lukyan Yakubovich, Konstantin Balmont, and others. -
19. Фестивал Европског И Независног Филма ЕУРО-ИН ФИЛМ 2015 19Th Festival of the European and Independent Film EURO-IN FILM 2015 04 - 28
19. Фестивал европског и независног филма ЕУРО-ИН ФИЛМ 2015 19th Festival of the European and Independent Film EURO-IN FILM 2015 04 - 28. 12. 2015. 4. децембар 2015, петак 18:30 Улазни хол биоскопа ИЗЛОЖБА ФИЛМСКИХ ПЛАКАТА 1950-1990 - МИРОСЛАВ МИЈАТОВИЋ, колекционар 19:00 Velika sala ОТВАРАЊЕ ФЕСТИВАЛА Горан Радовановић, редитељ филма „Енклава“ Главни токови / Main Stream Франкофонија / Francofonia France / Germany / Netherlands, 2015, 87 min Режија / Director: Aleksandr Sokurov Улоге / Cast: Johanna Korthals Altes, Louis-Do de Lencquesaing, Vincent Nemeth Награде / Awards: Venice Film Festival 2015: Fedeora Award Best Euro-Mediterranean Film - Aleksandr Sokurov; Fondazione Mimmo Rotella Award - Aleksandr Sokurov Прошао је још један век на Старом континенту… Велике армије ударају на срце цивилизације и топови поново узимају свој данак. У сред масакра и рушевина налазе се величанствене уметнине на које је потрошено преко милиона сати рада. Оне су сада збрисане. Жак Јаујард и Гроф Франзискус Волф Метерних радили су заједно како би сачували благо Лувра… Александар Сокуров прича своју причу. Он истражује однос уметности и моћи, и пита се: Шта уметност говори о нама самима, у самом срцу једног од најразорнијих сукоба које је свет икада видео. Another century has passed on the Old Continent... Large armies are trampling on the heart of civilisation and cannon fire is once again taking its toll. Amidst the massacre and the ruins, everything majestic, magnificent, and sacred, that took millions of minutes and hours of determined labour to build, is wiped out. Jacques Jaujard and Count Franziskus Wolff Metternich worked together to protect and preserve the treasure of the Louvre Museum. -
SUMMARY Articles and Reports History of Literature Natalia L
SUMMARY Articles and Reports History of Literature Natalia L. Lavrova. The motif of Divine Narcissism in Baroque Literature. This article focuses on historical fate of the motif of divine narcissism which is explicitly actualized in Baroque literature. Key words: Narcissus myth; Baroque; divine narcissism; «Divine Comedy»; Ficino; «Paradise Lost». Olga A. Bogdanova. «Country-estate Culture» in the Russian Literature of the XIX – beg. XX Century. Social and Cultural Aspects. The country estate of the XIX century as a phenomenon of Russian culture united the parts of the Russian nation – nobility and peasantry, split in the process of Peter’s reforms – into a certain wholeness. Both Europeism and «soilness» of the Russian classical literature came from the fact that its creators, the Russian landlords with their European education, within the estate were closely tied with the peasants and thus could express the folk mentality by the European artistic language. The town intellectuals of the «Silver Age», alien to the «country-estate culture», on the opposite, lost the immediate link with the common people and created the literature, which was far from the national religious tradition («legend»), not that of «soil», but of «catastrophy». Key words Country-estate; estate nobility; peasantry; Russian classical literature; «legend»; intellectuals; Silver Age; «soillessness»; catastrophism. Yulia N. Starodubtseva. Afanasy Fet’s Works as Perceived by Aleksandr Blok (using Aleksandr Blok’s library as a study case). The author aims to investigate the influence of Afanasy Fet’s work on Aleksandr Blok by analyzing the notes made by Blok when reading. This method makes it possible to address the issue on the basis of factual and therefore more reliable material, and pairing poems for comparison is facilitated by the fact that Fet’s side is preselected by Blok’s notes. -
2. Maxim Vinaver and the First Russian State Duma ————————————
———————————— 2. Maxim Vinaver and the First Russian State Duma ———————————— 2. Maxim Vinaver and the First Russian State Duma The name, Maxim Vinaver, became associated with the First Russian State Duma. He wrote two books on the subject, Conflicts in the First Duma (Konflikty v pervoi Dume) (1907) and The History of the Vyborg Ap- peal [Memoirs] (Istoriia vyborgskogo vozzvaniia [vospominaniia]) (written in 1910 and published in 1913). This output, emerging in the years fol- lowing the closure of the First Duma, memorializes the short period between spring and fall of 1906. At the same time, these two memoirs reflect the time in which they were written, and allude to new realities in Russian political life between 1906 and the First World War. They are redolent of internecine disputes within the Russian Constitutional Democratic Party (Kadet), the difficulties of organizing a unified Jewish politics, and the relentless struggle with the government. In this essay I discuss the content of Vinaver’s memoirs while trying to reconstruct the political context in which they were written. My goal is not to provide an exhaustive description of Vinaver’s activities in the Duma or to provide a full description of the memoirs’ content. Rather, I outline Vinaver’s perception of the First Duma and illuminate the politi- cal goals contained in these two books. Lawyer, politician, and memoirist, Maxim Vinaver was born to a middle-class Jewish family in 1862, in Warsaw. After graduating with a degree in law from the University of Warsaw, he settled in St. Petersburg, where he was active both as a trial lawyer and editor of and contributor to the most prestigious legal journals in Russia, including Iuridicheskii vestnik and Vestnik prava. -
Sergei Diaghilev's Ballets Russes in the Context of Symbolism Andrey Konovalov1,A Liudmila Mikheeva2,* Yulia Gushchina3,B
Advances in Social Science, Education and Humanities Research, volume 572 Proceedings of the 7th International Conference on Arts, Design and Contemporary Education (ICADCE 2021) Sergei Diaghilev's Ballets Russes in the Context of Symbolism Andrey Konovalov1,a Liudmila Mikheeva2,* Yulia Gushchina3,b 1 Institute of Fine Arts, Moscow Pedagogical State University, Moscow, Russia 2 Department of General Humanitarian Disciplines, Russian State Specialized Academy of Arts, Moscow, Russia 3 Likhachev Russian Research Institute for Cultural and Natural Heritage, Moscow, Russia a Email: [email protected] b Email: [email protected] *Corresponding author. Email: [email protected] ABSTRACT The present article focuses on the artistic culture of the Silver Age and the remarkable creative atmosphere of Russia at the turn of the 20th century characterized by the synthesis of arts: drama, opera, ballet, and scenography. A key figure of the period was Sergei Diaghilev, the editor and publisher of the magazines Mir Iskusstva (World of Art) and The Yearbook of the Imperial Theatres, the founder of the famous Ballets Russes in Paris, the organizer of exhibitions of Russian artists of different schools and movements. The article studies the features of Symbolism as an artistic movement and philosophy of art of the Silver Age, a spiritual quest of artistic people of the time, and related and divergent interests of representatives of different schools and trends. The Silver Age is considered the most sophisticated and creative period of Russian culture, the time of efflorescence, human spirit, creativity, the rise of social forces, general renewal, in other words, Russian spiritual and cultural renaissance. -
Translation of Selected Poems by K. Balmont
Swarthmore College Works Russian Faculty Works Russian 2015 Translation Of Selected Poems By K. Balmont K. Balmont Sibelan E.S. Forrester Swarthmore College, [email protected] Follow this and additional works at: https://works.swarthmore.edu/fac-russian Part of the Slavic Languages and Societies Commons Let us know how access to these works benefits ouy Recommended Citation K. Balmont and Sibelan E.S. Forrester. (2015). "Translation Of Selected Poems By K. Balmont". Russian Silver Age Poetry. 33-37. https://works.swarthmore.edu/fac-russian/220 This work is brought to you for free by Swarthmore College Libraries' Works. It has been accepted for inclusion in Russian Faculty Works by an authorized administrator of Works. For more information, please contact [email protected]. Konstantin Balmont 33 became more demanding; his poetry was described as a magnificent transla- tion from an unknown original, though always praised for its musicality. He himself translated poetry from numerous languages; authors he rendered from English included Blake, Poe, Shelley, Whitman, and Wilde. Balmont emigrated to France in 1922 and lived there in poverty, as did most émigré poets; he suffered a gradual mental decline that limited his ability to write and died in 1942. Verblessness [Безглагольность] In the nature of Russia there’s some weary tenderness, The unspeaking pain of a deep-buried sorrow, Ineluctable grief, voicelessness, endlessness, A high frozen sky, and horizons unfolding. Come out here at dawn to the slope of the hillside— A chill smoking over the shivering river, The massive pine forest stands darkly, unmoving, And the heart feels such pain, and the heart is not gladdened. -
A Data Analysis Tool for the Corpus of Russian Poetry
Olga Lyashevskaya, Kristina Litvintseva, Ekaterina Vlasova, Eugenia Sechina A DATA ANALYSIS TOOL FOR THE CORPUS OF RUSSIAN POETRY BASIC RESEARCH PROGRAM WORKING PAPERS SERIES: LINGUISTICS WP BRP 77/LNG/2018 This Working Paper is an output of a research project implemented at the National Research University Higher School of Economics (HSE). Any opinions or claims contained in this Working Paper do not necessarily reflect the views of HSE. SERIES: LINGUISTICS Olga Lyashevskaya1, Kristina Litvintseva2, Ekaterina Vlasova3, Eugenia Sechina4 A Data Analysis Tool for the Corpus of Russian Poetry5 A data analysis tool of the Corpus of Russian Poetry (a part of the Russian National Corpus) is designed for quantitative research in various areas of versology and linguistics aspects of the poetic texts. The core part, a frequency database of the corpus, includes annotation at the level of texts, verses, words as well as patterns of words, letters, and stress. The tool allows a user to study certain properties (e. g. rhyming patterns, lexical co-occurrence) taken alone and in their interaction, both in the whole corpus and in subcorpora. Besides that, it facilitates the contrastive studies of two chosen subcorpora. The paper reports a few case studies demonstrating applicable descriptive and exploratory methods and potential for further research in the field of the digital literary studies. JEL Classification: Z. Keywords: poetic corpora, quantitative linguistics, lexical markers, lexical diversity, rhyme, linguistic poetics, versology, Russian language, Russian National Corpus 1. Introduction Russian versology has always heavily relied on statistics data as the basis for predictions and generalizations on meter, rhyme, and other formal and linguistic features of poetic language (see Gasparov 2005, Taranovsky 2010, Jakobson et al. -
International MAG Convention “The Image of the Self” PROGRAM
International MAG Convention “The Image of the Self” Andrey Sheptytsky Center Ukrainian Catholic University Lviv, Ukraine June 27-29, 2018 PROGRAM International Association for the Humanities (MAG) American Council of Learned Societies Ukrainian Catholic University Support for the convention was received from: Foundation to Promote Open Society Carnegie Corporation of New York International Renaissance Foundation Association for Slavic, East European, and Eurasian Studies (ASEEES) Lviv City Council About MAG The International Association for the Humanities (MAG) was founded in 2007 by advisers of the Humanities Program in Belarus, Russia, and Ukraine, which was organized by the American Council of Learned Societies with support from the Carnegie Corporation of New York. As a network of networks in Eastern Europe and Eurasia, MAG serves similar functions to those that ASEEES (Association for Slavic, East European, and Eurasian Studies) does in North America. Both associations are international, interdisciplinary meeting places for scholars. In its brief history, MAG has conducted competitions for research and for travel grants, and has published the Internet magazine, TheBridge-MOCT (thebridge- moct.org). About UCU The Ukrainian Catholic University is an open academic community and a private institution for education and research, living the Eastern Christian tradition and forming leaders to serve with professional excellence in Ukraine and internationally. The University’s priorities are: a well-grounded humanities education, socially-aware orientation of the instructional process, and the spiritual dimension of education. CONVENTION SPONSORS The International Association for the Humanities (MAG) thanks all of the convention sponsors whose generous contribution and support help to promote the continued growth and visibility of our Association during our convention. -
Russian Poets and the October Revolution: Alexander Blok, Sergey Yesenin, Mikhail Kuzmin and Others
Sylaiev, O., Razumenko, I., Tararak, O., Vorozhbit-Horbatiuk, V., Prokopchuk, I. / Volume 9 - Issue 27: 436-444 / March, 2020 436 DOI: http://dx.doi.org/10.34069/AI/2020.27.03.48 Russian Poets and the October Revolution: Alexander Blok, Sergey Yesenin, Mikhail Kuzmin and Others Русские поэты и Октябрьская революция: Александр Блок, Сергей Есенин, Михаил Кузьмин и другие Poetas rusos y la revolución de octubre: Alexander Blok, Sergey Yesenin, Mikhail Kuzmin y otros Received: January 22, 2020 Accepted: March 21, 2020 Written by: Oleksandr Sylaiev151 ORCID ID: 0000-0002-2388-5951 Iryna Razumenko152 ORCID ID: 0000-0002-3221-4340 Oleksandr Tararak153 ORCID ID: 0000-0002-9740-0750 Viktoriia Vorozhbit-Horbatiuk154 ORCID ID: 0000-0002-5138-9226 Inna Prokopchuk155 ORCID ID: 0000-0001-9353-2169 Abstract Аннотация The article considers the question of the В статье рассматривается вопрос об идейно- ideological and creative evolution of famous творческой эволюции известных русских Russian poets at a turning point in the history of поэтов на переломном этапе истории ХХ the twentieth century - during the years of the столетия – в годы активного формирования active formation of a totalitarian state system тоталитарного государственного устройства и and its aesthetic socialist-realist doctrine. его эстетической соцреалистической Revolutionary maximalism, the idea of a доктрины. Революционный максимализм, идея complete renewal of all being, came not only полного обновления всего бытия шла не только from Marxism and the Bolsheviks, but was also от марксизма и большевиков, но prepared by literature, long before the подготавливалась и литературой, задолго до revolution, it had already “artistically matured” революции уже «вызрела» художественно в in the poetry of Alexander Blok, Sergey поэзии Александра Блока, Сергея Есенина, Yesenin, Osip Mandelstam, Vladimir Осипа Мандельштама, Владимира Mayakovsky and many others.