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University of California, Berkeley The Many Ends of Old Odessa: Memories of the Gilded Age in Russia’s City of Sin Jarrod Tanny, Ph.D. candidate, Department of History, University of California, Berkeley Berkeley Program in Soviet and Post-Soviet Studies Working Paper Series This PDF document preserves the page numbering of the printed version for accuracy of citation. When viewed with Acrobat Reader, the printed page numbers will not correspond with the electronic numbering. The Berkeley Program in Soviet and Post-Soviet Studies (BPS) is a leading center for graduate training on the Soviet Union and its successor states in the United States. Founded in 1983 as part of a nationwide effort to reinvigorate the field, BPS’s mission has been to train a new cohort of scholars and professionals in both cross-disciplinary social science methodology and theory as well as the history, languages, and cultures of the former Soviet Union; to carry out an innovative program of scholarly research and publication on the Soviet Union and its successor states; and to undertake an active public outreach program for the local community, other national and international academic centers, and the U.S. and other governments. Berkeley Program in Soviet and Post-Soviet Studies University of California, Berkeley Institute of Slavic, East European, and Eurasian Studies 260 Stephens Hall #2304 Berkeley, California 94720-2304 Tel: (510) 643-6737 [email protected] http://socrates.berkeley.edu/~bsp/ The Many Ends of Old Odessa: Memories of the Gilded Age in Russia’s City of Sin Jarrod Tanny Summer 2007 Jarrod Tanny is a Ph.D. -
(On) Anton Chekhov Ben Dhooge Nabokov and 'Other Re
On an Unhappy Marriage, Henry James, and Atoms: Vladimir Nabokov Reading (on) Anton Chekhov Ben Dhooge Nabokov’s lecture on Anton Chekhov stands out for its numerous citations from Korney Chukovsky’s 1947 article ‘Friend Chekhov.’ At the same time, however, the lecture contains many more references to other critics, as well – some of them explicit, though not necessarily clear, others more concealed. In an attempt to trace the sources Nabokov used when drafting his Chekhov lecture, the article offers a concrete view of Nabokov’s critical laboratory. Additionally, the article sheds light on his relation to other critics and critical movements, more specifically with respect to the competing ‘tendencies’ at work in the canonization of Chekhov’s oeuvre during the interwar period: Russian émigré, Soviet, and Anglo-American. Nabokov and ‘other readers’ In his Lectures on Russian Literature, Vladimir Nabokov emerges not only as a reader of literature as such – and, by extension, as a teacher of literature – but also as a reader of critical writings on literature. Nabokov frequently refers to other ‘readers’ in the broadest sense of the word, i.e. to critics (writers, literary critics, and scholars) as well as to the common reader who, unlike the former, does not take pen in hand. Sometimes Nabokov names, cites, or refers to specific ‘readers’ who commented on the writer whose work is central to the lecture in question. More often, however, Nabokov refers to reactions and opinions of ‘readers’ without specifying whom they exactly belong to. He lumps individual ‘readers’ together, giving them collective names such as ‘Russian readers and critics,’ ‘socially-minded Russian critics,’ or ‘Freudian-minded explorers.’ More importantly, the different opinions of other ‘readers’ which Nabokov includes in his lectures are meaningful elements in the structure of his argumentation. -
Odessa 2017 UDC 069:801 (477.74) О417 Editorial Board T
GUIDE Odessa 2017 UDC 069:801 (477.74) О417 Editorial board T. Liptuga, G. Zakipnaya, G. Semykina, A. Yavorskaya Authors A. Yavorskaya, G. Semykina, Y. Karakina, G. Zakipnaya, L. Melnichenko, A. Bozhko, L. Liputa, M. Kotelnikova, I. Savrasova English translation O. Voronina Photo Georgiy Isayev, Leonid Sidorsky, Andrei Rafael О417 Одеський літературний музей : Путівник / О. Яворська та ін. Ред. кол. : Т. Ліптуга та ін., – Фото Г. Ісаєва та ін. – Одеса, 2017. – 160 с.: іл. ISBN 978-617-7613-04-5 Odessa Literary Museum: Guide / A.Yavorskaya and others. Editorial: T. Liptuga and others, - Photo by G.Isayev and others. – Odessa, 2017. — 160 p.: Illustrated Guide to the Odessa Literary Museum is a journey of more than two centuries, from the first years of the city’s existence to our days. You will be guided by the writers who were born or lived in Odessa for a while. They created a literary legend about an amazing and unique city that came to life in the exposition of the Odessa Literary Museum UDC 069:801 (477.74) Англійською мовою ISBN 978-617-7613-04-5 © OLM, 2017 INTRODUCTION The creators of the museum considered it their goal The open-air exposition "The Garden of Sculptures" to fill the cultural lacuna artificially created by the ideo- with the adjoining "Odessa Courtyard" was a successful logical policy of the Soviet era. Despite the thirty years continuation of the main exposition of the Odessa Literary since the opening day, the exposition as a whole is quite Museum. The idea and its further implementation belongs he foundation of the Odessa Literary Museum was museum of books and local book printing and the history modern. -
World Literatures: Exploring the Cosmopolitan-Vernacular Exchange
20. A World Apart and the World at Large: Expressing Siberian Exile Mattias Viktorin Social Anthropology, Stockholm University The publication in 1861–62 of Fyodor Dostoevsky’s semi- biographical Notes From a Dead House inaugurated a new literary genre in Russia: narratives of exile and prison life, where Siberia was imagined as “a world apart” – separate from, yet somehow also mirroring, the domestic realities of Imperial Russia. Among the numerous texts that belong to this genre are Anton Chekhov’s The Island of Sakhalin (1895), Pëtr Iakubovich’s In the World of the Outcasts (1895–98), Leo Tolstoy’s Resurrection (1899) and Vladimir Korolenko’s “Siberian stories” (1880–1904).1 In my ongoing project, I seek to unmoor narratives of Siberian exile and prison life from this national literary tradition. Rather than relating the texts in focus to Russian literature or society, 1 Fyodor Dostoevsky, Notes from a Dead House, trans. Richard Pevear and Larissa Volokhonsky (New York: Alfred A. Knopf, 2015 [1861–2]); Anton Chekhov, The Island of Sakhalin, trans. Luba and Michael Terpak (London: The Folio Society, 1989 [1895]); Pëtr Filippovich Iakubovich, In the World of the Outcasts: Notes of a Former Penal Laborer, 2 Volumes, trans. Andrew A. Gentes (London: Anthem Press, 2014 [1895–8]); Leo Tolstoy, Resurrection, trans. Louise Maude (Oxford: Oxford University Press, 1994 [1899]); Vladimir Korolenko, Makar’s Dream and Other Stories, trans. Marian Fell (New York: Duffield and Company, 1916). On Korolenko’s Siberian stories, see Radha Balasubramanian, “Harmonious Compositions: Korolenko’s Siberian Stories”, Rocky Mountain Review of Language and Literature, 44 (1990): 201–10. -
Ecohumanism of the Short Story by V.G. Korolenko the Frost and the Novel by A.V
Ivanova, O., Sizykh, O., Dediukhina, O. /Vol. 8 Núm. 19: 464-473/ Marzo - abril 2019 464 Artículo de investigación Ecohumanism of the short story by V.G. Korolenko The Frost and the novel by A.V. Gelasimov Into the Thickening Fog Экогуманизм рассказа В.Г. Короленко «Мороз» и новеллы А.В. Геласимова «В сгущающийся туман» Ecohumanismo em el cuento corto de V.G. Korolenko la escarcha y La novela de A.V. Gelasimov en la niebla espesante Recibido: 1 de abril de 2019. Aceptado: 30 de abril de 2019 Written by: Oksana Innokentievna Ivanova152 РИНЦ ID 329751, ORCID ID 0000-0003-2416-4642 Oksana Vasilievna Sizykh153 РИНЦ ID 435205, ORCID ID 0000-0001-9716-1457 Olga Vladimirovna Dediukhina154 РИНЦ ID 895780, ORCID ID 0000-0003-4904-682Х Abstract АННОТАЦИЯ The relevance of this article is explained by the Актуальность данной статьи объясняется humanistic potential of the artistic thought of гуманистическим потенциалом V.G. Korolenko and A.V. Gelasimov, whose художественной мысли В.Г. Короленко и works are united by problematic and thematic Андрея Валерьевича Геласимова, identity, despite the time period separating these произведения которых, несмотря на writers. In this article, environmental thinking, разделяющий их временной отрезок, expressed in literary works, is developed объединяет проблемно-тематическая methodologically, which is in line with modern тождественность. В нашей статье literary studies. The purpose of the article is to экологическое мышление, выраженное в identify the general and the particular in литературном творчестве, получает environmental thinking of Korolenko and методологическую разработку, что находится Gelasimov, enabling to concretize the concept of в русле современной литературоведческой these writers’ works. -
Writing a New Self and Creating a Sense for Emotional Belonging: the Case of Nadezhda Teffi, a Russian Writer in Interwar Paris
Writing A New Self and Creating a Sense for Emotional Belonging: The Case of Nadezhda Teffi, a Russian Writer in Interwar Paris Natalia Starostina, Young Harris College When considering the great upheavals of twentieth-century European history, the experience of Russian émigrés in interwar France may strike the historian as a dramatic, sudden, and deep change in luck.1 Many Russian émigrés who ended up on the shores of the Seine after 1917 were the members of the Russian intellectual and political elites who had enjoyed the life of prestige, wealth, refined social and cultural opportunities in tsarist Russia. For many Russian émigrés, life as they knew it was turned upside down when they left Russia. They had to begin their life anew, to rebuild their identities, and to reinvent the self. The experience of women émigrés was especially difficult. Many women had lost their relatives and husbands during the First World War and the Russian Civil War, and many needed to 1 Héléne Menegaldo, Les Russes à Paris: 1919-1939 (Paris: Autrement, 1998) and “L’émigré russe en ses divers avatars,” in Figures de l’émigré russe en France au XIXe et XXe siècle. Fiction et réalité, eds. Charlotte Krauss and Tatiana Victoroff (Amsterdam and New York: Rodopi, 2012), 55-84; Nikita Struve, Soixante-dix ans d'émigration russe: 1919-1989 (Paris: Fayard, 1996) and “Les trois vagues de l’émigration russe” in Figures de l’émigré russe en France au XIXe et XXe siècle, op. cit., 23-7; Catherine Klein-Gousseff, L'exil russe: la fabrique du refugié ́ apatride, 1920-1939 (Paris: CNRS, 2008); Robert Harold Johnston, New Mecca, New Babylon: Paris and the Russian Exiles, 1920-1945 (Kingston: McGill Queen's University Press, 1988); Katherine Foshko, “France's Russian Moment: Russian emigré ́s in interwar Paris and French society,” (PhD diss., Yale University, 2008); Marc Raeff, Russia Abroad: A Cultural History of the Russian Emigration, 1919-1939 (New York: Oxford University Press, 1990), and John Glad, Russia Abroad: Writers, History, Politics (Tenafly, NJ: Hermitage & Birchbark Press, 1999). -
Precursors of Lolita: the Adolescent and His/Her Sexualized Body in Russian Erotic Writing of the Silver Age and in Emigration
Alexei Lalo Precursors of Lolita: The Adolescent and his/her Sexualized Body in Russian Erotic Writing of the Silver Age and in Emigration Louis Malle’s 1978 flm Prety Baby, starring Brooke Shields, Keith Carradine and Susan Sarandon, set in a New Orleans bro thel in 1917 during the last few months of legal prostitution, tells a love story of Violet, a 13yearold budding prostitute, and Bel locq, a young photographer, perhaps in his early thirties. When the flm came out, it caused a scandal in the US mainly due to Brooke Shields’ (who was 12 at the time) full nudity, but also be cause of its lurid main theme: adolescent sexuality and a sexual re lationship between a pubescent girl and an adult man. The shock value of the flm was enhanced by the French director’s noticeable “estrangement” in his manner of presenting the events, without really condemning such horrifying societal sores as child prostitu tion and sex with minors. However, Malle did not seem to glorify these phenomena either.1 © Alexei Lalo, 2011 http://www.utoronto.ca/tsq 1 Daring flms and literary works like Malle’s Prety Baby or Vladimir Nabokov’s novel Lolita (1955) shock their audiences on both sides of the Atlantic by crossing the lines of the permissible in morallegal terms and thus in many ways anticipate contemporaneous/subsequent studies of sexualities providing our deeper understanding of sexual attraction and allowing for certain addi tional possibilities whenever two consenting partners fnd themselves passion ately attracted to one another. Malle’s flm and Nabokov’s novel thus arguably raise the cultural weight of cinema/literature as they enrich the public’s aware ness of such controversial social phenomena as a possibility of consensual rela tionships whenever one of the partners happens to be considerably younger 27 Prior to Malle’s flm, the theme of adolescent sexuality and of a sexual relationship between a pubescent teenager and an adult had been explored by Vladimir Nabokov’s novel Lolita and Stanley Kubrick’s flm of the same name. -
Poetry and Psychiatry
POETRY AND PSYCHIATRY Essays on Early Twentieth-Century Russian Symbolist Culture S t u d i e S i n S l av i c a n d R u ss i a n l i t e R at u R e S , c u lt u R e S , a n d H i S to Ry Series Editor: Lazar FLeishman (Stanford University) POETRY a n d PSYCHIATRY Essays on Early Twentieth-Century Russian Symbolist Culture Magnus L junggren Translated by Charles rougle Boston / 2014 Library of Congress Cataloging-in-Publication Data: A bibliographic record for this title is available from the Library of Congress. Copyright © 2014 Academic Studies Press All rights reserved. ISBN 978-1-61811-350-4 (cloth) ISBN 978-1-61811-361-0 (electronic) ISBN 978-1-61811-369-6 (paper) Book design by Ivan Grave On the cover: Sergey Solovyov and Andrey Bely, 1904. Published by Academic Studies Press in 2014 28 Montfern Avenue Brighton, MA 02135, USA [email protected] www.academicstudiespress.com Effective December 12th, 2017, this book will be subject to a CC-BY-NC license. To view a copy of this license, visit https://creativecommons.org/licenses/by-nc/4.0/. Other than as provided by these licenses, no part of this book may be reproduced, transmitted, or displayed by any electronic or mechanical means without permission from the publisher or as permitted by law. The open access publication of this volume is made possible by: This open access publication is part of a project supported by The Andrew W. -
“Neither Dead Nor Alive:” Ukrainian Language on the Brink of Romanticism, EWJUS, Vol. 4, No. 2, 2017
“Neither Dead Nor Alive:” Ukrainian Language on the Brink of Romanticism Taras Koznarsky University of Toronto Abstract: At the end of the eighteenth century through the first decades of nineteenth century, as the last vestiges of Ukrainian autonomy were abolished, Ukrainian elites and intelligentsia embarked on a diverse range of projects (addressing geography, history, ethnography, travel writing, journalism, and literature) aimed at privileging and promoting their cultural capital within the Russian imperial field of cultural production. The Ukrainian language and its origins, nature, and status came to the fore in these projects as Ukrainian literati carefully gauged their messages for both Ukrainian and metropolitan audiences in order to engage playfully and polemically with imperial perceptions of Ukraine and to further the cause of the Ukrainian language as a distinctive linguistic system, cultural legacy, and literary medium. These often cautious and purposefully ambiguous characterizations, classifications, and applications prepared the ground for the romantic generation of writers who dramatically expanded the stylistic and generic range of Ukrainian in their literary works and translations, and forcefully argued for the language’s autonomy, dignity, and expressive potential. While early romantic Ukrainian writings were seen as colourful linguistic and ethnographic regional variants useful for the development of Russian imperial and national culture, the growth of Ukrainian literature alarmed both Russian critics and administrators, who began to see in these developments not only unproductive and anachronistic vexations, but also a culturally and ideologically subversive agenda that had to be discouraged. By surveying and examining diverse classifications and discussions of the Ukrainian language by Ukrainian and Russian literati, the article questions the limits of so-called “Ukrainophilia” in Russian imperial culture of the early nineteenth century. -
The Emergence of Literary Ethnography in the Russian Empire: from the Far East to the Pale of Settlement, 1845-1914 by Nadezda B
THE EMERGENCE OF LITERARY ETHNOGRAPHY IN THE RUSSIAN EMPIRE: FROM THE FAR EAST TO THE PALE OF SETTLEMENT, 1845-1914 BY NADEZDA BERKOVICH DISSERTATION Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Slavic Languages and Literature in the Graduate College of the University of Illinois at Urbana-Champaign, 2016 Urbana, Illinois Doctoral Committee: Professor Harriet Murav, Chair and Director of Research Associate Professor Richard Tempest Associate Professor Eugene Avrutin Professor Michael Finke ii Abstract This dissertation examines the intersection of ethnography and literature in the works of two Russian and two Russian Jewish writers and ethnographers. Fyodor Dostoevsky, Vladimir Korolenko, Vladimir Bogoraz, and Semyon An-sky wrote fiction in the genre of literary ethnography. This genre encompasses discursive practices and narrative strategies in the analysis of the different peoples of the Russian Empire. To some extent, and in some cases, these authors’ ethnographic works promoted the growth of Russian and Jewish national awareness between 1845 and 1914. This dissertation proposes a new interpretive model, literary ethnography, for the study of the textualization of ethnic realities and values in the Russian Empire in the late nineteenth-century. While the writers in question were aware of the ethnographic imperial discourses then in existence, I argue that their works were at times in tune with and reflected the colonial ambitions of the empire, and at other times, contested them. I demonstrate that the employment of an ethnographic discourse made possible the incorporation of different voices and diverse cultural experiences. My multicultural approach to the study of the Russian people, the indigenous peoples of the Russian Far East, and the Jews of Tsarist Russia documents and conceptualizes the diversity and multi-voicedness of the Russian Empire during the late nineteenth and early twentieth centuries. -
Hope, Despair, and the Struggle for Survival Everyday Life in Revolutionary Petrograd Through the Eyes of Edith Almedingen and Zinaida Hippius
Leiden University MA Russian and Eurasian Studies Master Thesis Supervisor: Dr. J.H.C. Kern Hope, Despair, and the Struggle for Survival Everyday Life in Revolutionary Petrograd Through the Eyes of Edith Almedingen and Zinaida Hippius Leiden, 6 August 2019 Word Count: 20,322 Submitted by: Simon Federer Table of Contents Introduction 2 1. The Study of Everyday Life 10 2. Coping with the Political Revolution 18 3. Working, Housing, Eating, and Selling 27 4. The Social Dimension of Everyday Life 39 Conclusion 48 1 Introduction The Russian Revolution brought vast changes to the inhabitants of Petrograd. The capital of the Russian Empire experienced the collapse of the Tsarist government in the liberal February Revolution 1917 and the Bolshevik takeover in October. The central political processes and social uprisings took place in Petrograd. The city represents both Tsarist authority and people’s rebellion. However it is questionable whether for most people the political changes themselves were tangible or even relevant. From the perspective of individuals not directly involved in politics, a revolution brings uncertainty about one’s own future and that of one’s family. Questions about safety, income, and food become important, simply because they are in people’s direct experience. Then there is the question of how people coped with the challenges arising, and whether they were merely passive victims of the revolutionary circumstances or indeed actively engaged in the process. This study investigates this issue of everyday problems and coping mechanisms by switching the perspective to that of people who were not or at least at some point no longer involved in revolutionary politics: the Russian-English novelist and historian Edith Almedingen (1898-1971) and the Russian poet Zinaida Hippius (1869-1945). -
The Long and Short of It : from Aphorism to Novel / Gary Saul Morson
THE LONG AND SHORT O F I T THE L O N G A N D SHORT OF I T FROM APHORISM TO NOVEL GARY SA U L MO R S O N STA NFO R D UNI VERSITY P RESS STA NFO R D , CAL I F O R N I A Stanford University Press Stanford, California © by the Board of Trustees of the Leland Stanford Junior University. All rights reserved. No part of this book may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying and recording, or in any information storage or retrieval system without the prior written permission of Stanford University Press. Printed in the United States of America on acid-free, archival-quality paper Library of Congress Cataloging-in-Publication Data Morson, Gary Saul, – author. The long and short of it : from aphorism to novel / Gary Saul Morson. pages cm Includes bibliographical references and index. ---- (cloth : alk. paper) — ---- (pbk. : alk. paper) . Aphorisms and apothegms—History and criticism. Wit and humor—History and criticism. Epigram. Literary form. I. Title. . '.—dc Typeset by Bruce Lundquist in / Minion FOR KATIE They were arguing about something complex and important, and neither one of them could convince the other. They did not agree about anything, and that made their dispute all the more engaging and endless. —Mikhail Bulgakov, The Master and Margarita ACK NOWL E DGM E N T S Some thirty years ago, my former teacher, the late Martin Price, commenting on my first book, remarked that my style tended to the aphoristic and sug- gested that I might someday examine the form systematically.