Textbook in History for Class XII
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The Mahabharata
^«/4 •m ^1 m^m^ The original of tiiis book is in tine Cornell University Library. There are no known copyright restrictions in the United States on the use of the text. http://www.archive.org/details/cu31924071123131 ) THE MAHABHARATA OF KlUSHNA-DWAIPAYANA VTASA TRANSLATED INTO ENGLISH PROSE. Published and distributed, chiefly gratis, BY PROTSP CHANDRA EOY. BHISHMA PARVA. CALCUTTA i BHiRATA PRESS. No, 1, Raja Gooroo Dass' Stbeet, Beadon Square, 1887. ( The righi of trmsMm is resem^. NOTICE. Having completed the Udyoga Parva I enter the Bhishma. The preparations being completed, the battle must begin. But how dan- gerous is the prospect ahead ? How many of those that were counted on the eve of the terrible conflict lived to see the overthrow of the great Knru captain ? To a KsJtatriya warrior, however, the fiercest in- cidents of battle, instead of being appalling, served only as tests of bravery that opened Heaven's gates to him. It was this belief that supported the most insignificant of combatants fighting on foot when they rushed against Bhishma, presenting their breasts to the celestial weapons shot by him, like insects rushing on a blazing fire. I am not a Kshatriya. The prespect of battle, therefore, cannot be unappalling or welcome to me. On the other hand, I frankly own that it is appall- ing. If I receive support, that support may encourage me. I am no Garuda that I would spurn the strength of number* when battling against difficulties. I am no Arjuna conscious of superhuman energy and aided by Kecava himself so that I may eHcounter any odds. -
The Emergence of the Mahajanapadas
The Emergence of the Mahajanapadas Sanjay Sharma Introduction In the post-Vedic period, the centre of activity shifted from the upper Ganga valley or madhyadesha to middle and lower Ganga valleys known in the contemporary Buddhist texts as majjhimadesha. Painted grey ware pottery gave way to a richer and shinier northern black polished ware which signified new trends in commercial activities and rising levels of prosperity. Imprtant features of the period between c. 600 and 321 BC include, inter-alia, rise of ‘heterodox belief systems’ resulting in an intellectual revolution, expansion of trade and commerce leading to the emergence of urban life mainly in the region of Ganga valley and evolution of vast territorial states called the mahajanapadas from the smaller ones of the later Vedic period which, as we have seen, were known as the janapadas. Increased surplus production resulted in the expansion of trading activities on one hand and an increase in the amount of taxes for the ruler on the other. The latter helped in the evolution of large territorial states and increased commercial activity facilitated the growth of cities and towns along with the evolution of money economy. The ruling and the priestly elites cornered most of the agricultural surplus produced by the vaishyas and the shudras (as labourers). The varna system became more consolidated and perpetual. It was in this background that the two great belief systems, Jainism and Buddhism, emerged. They posed serious challenge to the Brahmanical socio-religious philosophy. These belief systems had a primary aim to liberate the lower classes from the fetters of orthodox Brahmanism. -
Introduction
INTRODUCTION ’ P”(Bha.t.tikāvya) is one of the boldest “B experiments in classical literature. In the formal genre of “great poem” (mahākāvya) it incorprates two of the most powerful Sanskrit traditions, the “Ramáyana” and Pánini’s grammar, and several other minor themes. In this one rich mix of science and art, Bhatti created both a po- etic retelling of the adventures of Rama and a compendium of examples of grammar, metrics, the Prakrit language and rhetoric. As literature, his composition stands comparison with the best of Sanskrit poetry, in particular cantos , and . “Bhatti’s Poem” provides a comprehensive exem- plification of Sanskrit grammar in use and a good introduc- tion to the science (śāstra) of poetics or rhetoric (alamk. āra, lit. ornament). It also gives a taster of the Prakrit language (a major component in every Sanskrit drama) in an easily ac- cessible form. Finally it tells the compelling story of Prince Rama in simple elegant Sanskrit: this is the “Ramáyana” faithfully retold. e learned Indian curriculum in late classical times had at its heart a system of grammatical study and linguistic analysis. e core text for this study was the notoriously difficult “Eight Books” (A.s.tādhyāyī) of Pánini, the sine qua non of learning composed in the fourth century , and arguably the most remarkable and indeed foundational text in the history of linguistics. Not only is the “Eight Books” a description of a language unmatched in totality for any language until the nineteenth century, but it is also pre- sented in the most compact form possible through the use xix of an elaborate and sophisticated metalanguage, again un- known anywhere else in linguistics before modern times. -
Glimpses of Indian Sculpture Through the Ages
On line Ex hibit ion 1 Glimpses of Indian Sculpture through the ages Highlights from National Museum, New Delhi This online exhibit will take you through 20 path‐breaking examples of Indian sculpture through the ages. Representative of their ingenuity and remarkable craftsmanship, they symbolize the rich and layered artistic heritage of India. STANDING MOTHER GODDESS Dynasty: Harappan Civilization Provenance: Mohenjodaro Material: Terracotta Period: 2700-2100 B.C.E. Dimension: 23.0 x 5.5 x 4.0 cm Acc.No. D.K. 3506/260 N N 16-78 UN-HUMPED BULL DtDynasty: Harappan Civili za tion Provenance: Mohenjodaro Material: Terracotta Period: 2700 B.C.E. Dimension: 16 x 6 x 8 cm Acc.No. V.S. 1539/234 MALE HEAD Dynasty: Mauryan Provenance: Sarnath, Uttar Pradesh Material: Chunar sandstone Period: 3rd century B.C.E. Dimension: 15.3 cm Acc.No. 59.527/1 KUBERA Dynasty: Kushana Provenance: Ahichchhatra, Uttar Pradesh Material: Red sandstone Period: 2nd century C.E. Dimension: 96.0 x 45.5 x 36.0 cm Acc.No. 59.530/2 BUDDHA HEAD Dynasty: Gupta Provenance: SthSarnath, Uttar PdPrades h Material: Buff Chunar sandstone Period: 5th century C.E. Dimension: 26.6 x 16.2 x 21.0 cm Acc.No. 47.20 VISHNU Dynasty: Gupta Provenance: Mathura (Katra Kesavadeva), Uttar Pradesh Material: Red sandstone Period: Mid 5th century C.E. Dimension: 109.0 x 67.0 x 22. 0 cm Acc.No. E. 6 GANGA Dynasty: Gupta Provenance: Ahichchhatra, Bareilly, Uttar Pradesh Material: Terracotta Period: 5th century C.E. Dimension: 172.0 x 74.0 x 40.0 cm Acc.No. -
An Overview of the Existing Tourism Scenario
1- An Overview of the Existing Tourism Scenario, Tourism Offering, Incentives being given under UP Tourism Policy 2018 & brief of the current initiatives taken by the Department of Tourism, Govt. of Uttar Pradesh -Principal Secretary, Tourism Department, U.P. An Overview of the Existing Tourism Scenario, Tourism Offering, Incentives being given under UP Tourism Policy 2018 and brief of the current initiatives taken by the Department of Tourism, Govt. of Uttar Pradesh for development of tourism infrastructure in Bundelkhand are as follows:- Tourist Statistics Most visited tourist destinstions in the State -595- Major tourist destinstions in Bundelkhand Jhansi Region Jhansi Airport–No commercial operation. Nearest Airport is Gwalior Airport ~100 Km which connects directly from Delhi, Mumbai, Kolkata, Hyderabad, Bengaluru. Well connected through National & State Highways with all major cities of UP & other states. Jhansi Junction Railway Station– One of the busiest railway station and links all major cities and tourism destinations. Budget Hotels - Raobagh Palace, Jhansi Hotel, Hotel Sita, Hotel Sheela Shree Plaza. Ideal for-Historical & Heritage Tourism, Adventure Sports / Water Sports, Buddhist Circuit, Jain Circuit. Tourism Infrastructure Development (Rs. 295.37 Lakh) Signage at important tourist destinations in Jhansi & Lalitpur Interlocking works at tourist sites in Jhansi Beautification of Tourist Guest House at Deogarh, Lalitpur Beautification & development at Mahakaleshwar temple at Madhogarh and other sites at Orai, Jalaun -596- -597- -598- Chitrakoot Region 100 Kms from Prayagraj Airport to Chitrakoot, 220 Kms from Lucknow International Airport to Chitrakoot. Regular bus services to & fro from Chitrakoot through well connected National & State Highways. Karwi Railway Station– Links all major cities and tourism destinations in UP & India. -
13 Chapter 5.Pdf
-102- CHAPTER V. LIFE AND PERSONALITY OF MAGHA. The classical1 Sk.literature Is enriched with six poems ^ich may be called gems. Three of them -Raghu, Kumara and Megha from the pen ©f Kalidasa, the national poet of India, are called ’Laghu-trayi* while the remaining three- Kirata of Bharavi, Naisa- dha of Sriharsa and Sisu of Magha- are called ’Brihat-trayi*. The ’Sisu*, or as it is better known, the Maghakavya, after the name ©f Its author, is one1,of the master-pieces of Sanskrit literature. It has enjoyed a very high reputation as work of art for over eleven centuries and has been so popular with the scholars as to be ranked by them as the best Kavya. There may be some exaggera- / / tlon in this estimate but it is certain that Sisu has a position of honour in the circle of the learned. It is evident from the Prabandhis, tradition and the 2 colophon at the end of a manuscript of the poem that he belonged to Bhinnamala in Gujarat. It may be noted in this connection that the country ’Gujarat* in the days ©f Magha (6 A.D. t© 7 A.D.) was not co-extensive with modern Gujarat/ What we know as Gujarat today is the country extending roughly from Mt.Abu in the north to Daman in the south, from Dwarka on the Arabian sea in the west to Godhra or Dohad in the east, that is, the country bounded on the north by 1. ' 47V^jr Tfr^T: i ' 2. f jfpt 'mzrjw Int. -
The Mahabharata of Krishna-Dwaipayana Vyasa, Volume 4
The Project Gutenberg EBook of The Mahabharata of Krishna-Dwaipayana Vyasa, Volume 4 This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.net Title: The Mahabharata of Krishna-Dwaipayana Vyasa, Volume 4 Books 13, 14, 15, 16, 17 and 18 Translator: Kisari Mohan Ganguli Release Date: March 26, 2005 [EBook #15477] Language: English *** START OF THIS PROJECT GUTENBERG EBOOK THE MAHABHARATA VOL 4 *** Produced by John B. Hare. Please notify any corrections to John B. Hare at www.sacred-texts.com The Mahabharata of Krishna-Dwaipayana Vyasa BOOK 13 ANUSASANA PARVA Translated into English Prose from the Original Sanskrit Text by Kisari Mohan Ganguli [1883-1896] Scanned at sacred-texts.com, 2005. Proofed by John Bruno Hare, January 2005. THE MAHABHARATA ANUSASANA PARVA PART I SECTION I (Anusasanika Parva) OM! HAVING BOWED down unto Narayana, and Nara the foremost of male beings, and unto the goddess Saraswati, must the word Jaya be uttered. "'Yudhishthira said, "O grandsire, tranquillity of mind has been said to be subtile and of diverse forms. I have heard all thy discourses, but still tranquillity of mind has not been mine. In this matter, various means of quieting the mind have been related (by thee), O sire, but how can peace of mind be secured from only a knowledge of the different kinds of tranquillity, when I myself have been the instrument of bringing about all this? Beholding thy body covered with arrows and festering with bad sores, I fail to find, O hero, any peace of mind, at the thought of the evils I have wrought. -
The Panchala Maha Utsav a Tribute to the Rich Cultural Heritage of Auspicious Panchala Desha and It’S Brave Princess Draupadi
Commemorting 10years with The Panchala Maha Utsav A Tribute to the rich Cultural Heritage of auspicious Panchala Desha and It’s brave Princess Draupadi. The First of its kind Historic Celebration We Enter The Past, To Create Opportunities For The Future A Report of Proceedings Of programs from 15th -19th Dec 2013 At Dilli Haat and India International Center 2 1 Objective Panchala region is a rich repository of tangible & intangible heritage & culture and has a legacy of rich history and literature, Kampilya being a great centre for Vedic leanings. Tangible heritage is being preserved by Archaeological Survey of India (Kampilya , Ahichchetra, Sankia etc being Nationally Protected Sites). However, negligible or very little attention has been given to the intangible arts & traditions related to the Panchala history. Intangible heritage is a part of the living traditions and form a very important component of our collective cultures and traditions, as well as History. As Draupadi Trust completed 10 years on 15th Dec 2013, we celebrated our progressive woman Draupadi, and the A Master Piece titled Parvati excavated at Panchala Desha (Ahichhetra Region) during the 1940 excavation and now a prestigious display at National Museum, Rich Cultural Heritage of her historic New Delhi. Panchala Desha. We organised the “Panchaala Maha Utsav” with special Unique Features: (a) Half Moon indicating ‘Chandravanshi’ focus on the Vedic city i.e. Draupadi’s lineage from King Drupad, (b) Third Eye of Shiva, (c) Exquisite Kampilya. The main highlights of this Hairstyle (showing Draupadi’s love for her hair). MahaUtsav was the showcasing of the Culture, Crafts and other Tangible and Intangible Heritage of this rich land, which is on the banks of Ganga, this reverend land of Draupadi’s birth, land of Sage Kapil Muni, of Ayurvedic Gospel Charac Saminhita, of Buddha & Jain Tirthankaras, the land visited by Hiuen Tsang & Alexander Cunningham, and much more. -
Poetry's Afterthought: Kalidasa and the Experience of Reading Shiv
Poetry’s Afterthought: Kalidasa and the Experience of Reading Shiv Subramaniam Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy on the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2019 © 2019 Shiv Subramaniam All rights reserved ABSTRACT Poetry’s Afterthought: Kalidasa and the Experience of Reading Shiv Subramaniam This dissertation concerns the reception of the poet Kalidasa (c. 4th century), one of the central figures in the Sanskrit literary tradition. Since the time he lived and wrote, Kalidasa’s works have provoked many responses of different kinds. I shall examine how three writers contributed to this vast tradition of reception: Kuntaka, a tenth-century rhetorician from Kashmir; Vedantadesika, a South Indian theologian who lived in the thirteenth and fourteenth centuries; and Sri Aurobindo, an Indian English writer of the late nineteenth and early twentieth centuries who started out as an anticolonial activist and later devoted his life to spiritual exercises. While these readers lived well after Kalidasa, they were all deeply invested in his poetry. I wish to understand why Kalidasa’s poetry continued to provoke extended responses in writing long after its composition. It is true that readers often use past literary texts to various ends of their own devising, just as they often fall victim to reading texts anachronistically. In contradistinction to such cases, the examples of reading I examine highlight the role that texts themselves, not just their charisma or the mental habits of their readers, can have in constituting the reading process. They therefore urge us to formulate a more robust understanding of textual reception, and to reconsider the contemporary practice of literary criticism. -
Unit 6 the Rise of Guptas: Economy, Society and Polity*
Trade Networks and UNIT 6 THE RISE OF GUPTAS: ECONOMY, Urbanization SOCIETY AND POLITY* Structure 6.0 Objectives 6.1 Introduction 6.2 Antecedents 6.3 Political History of the Guptas 6.4 Administration 6.5 Army 6.6 Economy 6.7 Society 6.8 Culture under the Guptas 6.9 Decline of the Guptas 6.10 Summary 6.11 Key Words 6.12 Answers to Check Your Progress Exercises 6.13 Suggested Readings 6.0 OBJECTIVES After reading this Unit, you will learn about, political conditions in India at the beginning of the fourth century CE; expansion and consolidation of the Gupta empire; order of succession of the Gupta rulers and their military exploits; administration, economy, society and culture under the Guptas; and the decline of the Guptas. 6.1 INTRODUCTION In this Unit, you will become familiar with the political history of the Gupta period. Compared to the pre-Mauryan and Mauryan periods, the number of ruling families had increased considerably in the post-Mauryan period. This means that (i) more and more areas were experiencing the emergence of local states; these states which may have been small were represented by local ruling families, (ii) when large state structures arose these small local states either lost their separate existence or they continued as subordinates within larger areas. One such large state structure which began to emerge from the beginning of the fourth century CE was that of the Guptas. In this Unit, we will look at the political, social and economic aspects of the Gupta period. We will focus on changes which were taking place in this period and which greatly changed the character of post-Gupta polity and society. -
Government of India Ministry of Culture Lok Sabha Unstarred Question No.3203 to Be Answered on 05.12.2016
GOVERNMENT OF INDIA MINISTRY OF CULTURE LOK SABHA UNSTARRED QUESTION NO.3203 TO BE ANSWERED ON 05.12.2016 DESTRUCTION OF ARCHAEOLOGICAL SITES † 3203. DR. VIRENDRA KUMAR: SHRI B SENGUTTUVAN: Will the Minister of CULTURE be pleased to state: (a) whether certain places of archaeological importance have been found while undertaking excavation work in the country during the last three years and if so, the details thereof, site and State-wise including Tamil Nadu; (b) whether the ASI has uncovered the existence of a factory like structure in Tamil Nadu which could be related to the Tamil civilization of the Sangam period and if so, the details thereof; (c) whether the artefacts, jewel, implements, pots and the construction materials etc. found at the archaeological site reveals the existence of a Harappa like civilization and also points towards ancient trade links; (d) whether the carbon dating of the articles has been done and if so, the details thereof; (e) whether the ASI would house the said artefacts in museum in the site or any other place nearby and if so, the details thereof; and (f) whether several important archaeological sites found during excavation are getting destroyed due to increasing human habitations and if so, the steps taken by the Government in this regard? ANSWER MINISTER OF STATE, CULTURE AND TOURISM (INDEPENDENT CHARGE) (DR. MAHESH SHARMA ) (a) The Archaeological Survey of India (ASI) has conducted several excavations in the various States/UT of the country during the last three years including the sites in Tamil Nadu. The details are at Annexure. (b) No, Madam. -
Literary Cultures in History Reconstructions from South Asia
Literary Cultures in History Reconstructions from South Asia EDITED BY Sheldon Pollock UNIVERSITY OF CALIFORNIA PRESS Berkeley Los Angeles London 1 Sanskrit Literary Culture from the Inside Out Sheldon Pollock In contrast to most other literary cultures examined in this book, Sanskrit literature has a long and deep tradition of scholarship. A serious attempt at a comprehensive account appeared by the middle of the nineteenth cen- tury, and today many single- and multi-volume histories are available.1 With- out the foundation this impressive body of work provides, the historical study of Sanskrit literature would be hard indeed to undertake. At the same time, this scholarship, like all human works, has been shaped by the categories and assumptions of its times, and these seem especially vulnerable to criticism from the theoretical perspective adopted in the present volume. The difficulty of defining the object of analysis, to which the introduction to this volume has called attention, is in evidence everywhere in Sanskrit lit- erary scholarship. For many writers, “literature” embraces everything pre- served in writing, or even in speech. Narrower definitions prove to be arbi- trary stipulations or mere tautologies, and hand-me-down qualifiers such as “classical” are typically left unexplained.2 Implicitly, Sanskrit literature is usu- ally understood to be Brahmanical and, by preference, the oldest literature, the Veda, the body of orally transmitted texts of myth and ritual; post-Vedic Sanskrit literature remains for many present-day scholars merely “pretty” and “curious,” as the nineteenth-century scholar F. Max Müller put it, and 1. Weber 1852. Among the more influential texts following upon Weber are Müller 1859, Lévi 1890, Krishnamacariar 1906 (and 1937), Winternitz 1908–1922, and Keith 1923 and 1928.