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Schoenberg/Kandinsky Symposium and the Academy of Light Leonardo Gateway Author(s): Roy Ascott, Timothy Binkley, Robert A. Brown, Ronald R. Brown, Bulat M. Galeyev, Roger F. Malina, Alex Nicoloff, Martha Nicoloff, Wolfgang Schneider, Christa Sütterlin Reviewed work(s): Source: Leonardo, Vol. 27, No. 1 (1994), pp. 3-11 Published by: The MIT Press Stable URL: http://www.jstor.org/stable/1575936 . Accessed: 15/03/2012 09:12 Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at . http://www.jstor.org/page/info/about/policies/terms.jsp JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. The MIT Press and Leonardo are collaborating with JSTOR to digitize, preserve and extend access to Leonardo. http://www.jstor.org GrT WAY In GATEWAYwe reporton significant events, in- cludingconferences and expositions;news of inter- estingdevelopments in technologyand scienceas theyrelate to the arts;tutorial-level discussions of importanttechnologies and scienceforthe nonex- pert. Wewelcome readers' suggestions for and con- tributionsto future sections. SCHOENBERG/KANDINSKY SYMPOSIUM AND ANNOUNCING:LEONARDO THE ACADEMY OF LIGHT ELECTRONICALMANAC In January 1993, the Netherlands Royal Conservatory Since1988, Leonardo has been in- and the Municipal Museum of the Hague held an in- volvedin electronic publishing. ternational symposium devoted to the comparative BeginninginSeptember 1993, publi- analysis of the creative works of two artists who have cationof ournewest, monthly on-line become twentieth-century symbols-composer Arnold newsletter,Leonardo Electronic Schoenberg and painter WassilyKandinsky. The "syn- Almanac(LEA) began. LEA is dedicat- thetic" ideas of the artists were emphasized in the ed to providingup-to-date perspec- event, which highlighted the interaction of music and tiveson art involving science and painting. The symposium was timed to occur with the technology-throughartists' state- celebration of the opening of 25 new studios and work- mentsabout their own work, profiles shops for students of the electronic arts department of artfacilities, theoretical and tech- and the Conservatory Music Theatre. The celebration nicaldiscussions and reviews of ma- also marked the opening of the international Academy jorevents. LEA is distributedbythe of Light-with presentations by those whose work to- MITPress through subscription on day embodies the spirit of the painting and music-syn- theInternet electronic network. thesis of Kandinsky and Schoenberg. LEAEditor Craig Harris is a board Speakers included the following: from Holland: memberof thenonprofit organization Frans Evers, Konrad Boehmer, Laurens v.d. Heijden, Leonardo/lSAST.Heis a composer, HansJanssen, Job Ijzerman; from Germany: Albrecht multimediaartist, researcher and ed- Dumling, Klaus Kropfinder; from the United States: ucator.His current research involves Reinhold Brinkmann, Kurt W. Forster; from Russia: theexploration of the creative pro- Irina Vanechkina and Bulat Galeyev. cess andthe impact of newtechnolo- In the Art Gallery and hall, where Kandinsky's pic- gieson creative work environments. tures are exhibited, the Conservatory students per- formed Schoenberg's PierrotLunaire. In the ( 1994 ISAST LEONARDO, Vol. 27, No. 1, pp. 3-11, 1994 3 @GA WAY Announcing... Schoenberg/KandinskySymposium ... LeonardoElectronic Almanac is Conservatory's Great Hall, Schoenberg's monodrama availablefree to Leonardosubscribers Die glucklicheHand was presented with the original and for $25.00/year to nonsub- stage set and light-musical synthesis elements. The au- scribers. Send orders via e-mailto thor of this review showed two musical videotapes that <[email protected]>.Please in- highlighted Kandinsky's pictures. In addition, a video- clude fullmailing address or account tape of the recent Moscow stage performance of Der number,telephone and fax numbers, glebeKlangby Kandinsky and A. Schnittke (with a dra- and e-mailaddress. Nonsubscribers ma ensemble headed by G. Matskyavichyus)was should send VISA/MasterCardinforma- shown. tion as well. One evening the guests were given tours of the new Send editorialsubmissions to electronic music studios in the Conservatory and of <[email protected]>.Send news (50 the most ancient and newest musical instruments in words) of your professionalactivities the Museum in the Hague. The place of honour in this for publicationto <[email protected] exposition was occupied by the "Thermenvox," pro- ley.edu>. duced in the pre-waryears in the United States by the company founded by compatriot Lev Termen. Meeting participants enjoyed a pleasant surprise when 97-year- old Termen himself, along with his daughter Natalia, performed several pieces on the Thermenvox. Termen took part in the Academy of Light's opening celebra- tion as guest of honour in recognition of the fact that, in addition to electronic music, he was engaged in the design of light-musical devices in the 1920s and 1930s. (In the United States, he conducted these experiments with Albert Einstein.) The Academy of Light is an un- official organization, working in the "invisible college" mode, and it is intended to unite everyone engaged in music and light synthesis all over the world. From the United States, Bill Moritz and Elfriede Fischinger reported on the light-musical films by Oskar Fischinger, and gave a concert with their light- instrument, the "lumograph."Videotapes of light-mu- sical concerts of Christian Sidenius, also of the United 4 Gateway GA WAY Schoenberg/KandinskySymposium ... States, were shown in his absence. The director of the THEEYE: A JOURNALOF performance of Die glucklicheHand, Dick Raaijmekers, CONTEMPORARYART and light-artist Christa van Santen represented the Themaiden issue of TheEye: A Journal Netherlands. Gustav Metzger, light-designer of famous of ContemporaryArthas been published rock-band ensembles, demonstrated in detail the tech- inNigeria. Contents include "Towards nical methods he uses in his artistic practice. In addi- ArtisticRevolution inNigeria," by Edwin tion to Termen, Russia was represented by my Debebs;"Historical and Aesthetic Notes presentation of a documentary film about the works on Uli"(the art form of bodyand wall of SKB "Prometheus." F. Evers and Babeth M. Vanloo paintingusing indigo dyes), by C. Krydz took part in the planning and preparation of the aca- Ikwuemesi;a profile of sculptorIsiaka demic program. Osundeby Gani Odutokun; "Three The whole event ended with a "round table" devot- Propositionson PublicArt in Nigeria," by ed to interdisciplinary problems of art education, with OsaD. Egonwaand a portfolioon sculp- discussion of the question: "Are the utopian ideas of torRichard Baye with a textby the artist, Schoenberg, who in 1942 proposed to establish a as wellas exhibitionreviews and com- 'School for Soundmen,' and of Moholy Nagy, who de- mentaries.The magazine is a bi-annual scribed at the same time the contours of an 'Academy publicationof the Eye Society, founded in of Light,' a reality now?" Such meetings give us hope 1989 to promotethe visual arts as in- that today these ideas have indeed become reality. strumentsof development.Editorial advi- BULATM. GALEYEV sors includeLeonardo Honorary Editor KAI, SKB "Prometheus" K. Marks Str., 10 YusufGrillo. An editorial signed by Jacob Kazan, 420111 Jari,secretary of thesociety, states, "We Russia believein the freedom of theartist to use hisvarying experiences for the benefitof BEHRS RECEIVE LINDBERGH GRANT mankind.Such experiences may not nec- Leonardoauthors Marion R. Behr and Omri Behr [1] essarilybe identifiablewith a traditional of ElectroEtch Enterprises, Edison, NewJersey, U.S.A., background,but may include benefits received a 1993 Lindbergh Grant from the Charles A. fromexplorations inscience and technol- Lindbergh Fund for their project entitled "Electron- ogy."For more information, contact The ically Controlled Art Etching: Improving Artist Safety Eye,P.O. Box 1411, Zaria,Nigeria. and Eliminating Hazardous Waste." Subscriptions:N 50. Given in the name of the famed flyer and conserva- tionist, Lindbergh Grants are presented annually to Gateway 5 Even less widely known, but importantfor what it tells of man and novelty, is thefact that historically thefirst discoveryof useful materials, machines or processeshas almost always been in the decorativearts, and was not donefor a perceivedpractical purpose. Necessityis NOT the motherof invention-only of improvement.A man desperately GAE searchingfor a weapon orfood is in no moodfor discovery;he can only WAY exploit what is already known to exist. Discoveryrequires aesthetically IG motivated curiosity, not logic,for new things can acquire validity only by interaction with an environment that has yet to be.... -Cyril Stanley Smith, "On Art, Invention and Technology," Leonardo10, No. 2, 144 (1977). LindberghGrant ... MEDIENLABOR MUNCHEN men and women who further a balance between the ad- Anew laboratory has been created in vance of technology and preservation of the natural/hu- Munichfor the implementation of inter- man environment. disciplinaryMedia Art projects: the Medien An excerpt of the summary prepared by the Fund de- LaborMunchen (MLM). Itis currently scribes the Behrs' project as follows: "Marion Behr, with housedon the second floor of the Kunstler- her husband
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