Journal of Comparative Literature and Aesthetics
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The Work of Art in the Age of Digital Reproduction and Mediated Reality
Ulla Karttunen The Work of Art in the Age of Digital Reproduction and Mediated Reality. The Work of Art in the Age of Digital Reproduction and Mediated Reality. Ethics and Aesthetics in the dream and cream world of every-extending publicity Ulla Karttunen * University of Eastern Finland Shift in publicities My focus is on the public, published, reproduced sides of reality – existing in the contemporary world is something more than immediate presence, it very often also means touching what is already mediated. Reality, as public and social, consists not only of persons, actions and social structures; it is also made up of images and words, reflections and reproductions. I shall call these reproduced parts of reality-mediated realities. * [email protected], [email protected] Art, Emotion and Value. 5th Mediterranean Congress of Aesthetics, 2011 479 Ulla Karttunen The Work of Art in the Age of Digital Reproduction and Mediated Reality. Art and science are traditional forms of reflecting and interpreting reality, but in today’s society there are also many forms of mediated reality that did not exist just a short while ago. Public realms of words and images have undergone enormous change, massive growth, and a kind of virtual urbanization. In spite of silent villages, consisting of prayer books, textual newspapers and religious imagery, we have today real publiCITIES: crowded centres and favelas consisting of advertisements, reality shows, magazines, lifestyle books, music videos, blogs and so on. This development has been made possible by various technical discoveries, inventions from photography and cinema to computers and digital reproduction. In the 19th century advertising, marketing, entertainment, celebrity culture and similar fields were either non-existent or minimal if we compare their coverage today.1 These areas are generally based on visual enjoyment, so aesthetics (with its visual orientation criticized in anti-ocularcentric2 philosophy) could have dealt with them. -
And Their Addresses for Titles Cited in Both Editions; and a Short List of Book Stores Specializing in Outstanding Sources of Asian Studies Materials
DOCUMENT RESUME ED 059 132 SO 002 365 AUTHOR Embree, Ainslie T., Comp.; And Others TITLE Asia: A Guide to Basic Books. 1971 Supplement. INSTITUTION ASIA Society, New York, N.Y. PUB DATE 71 NOTE 53p. AVAILABLE FROM Asia Society, 112 East 64th Street, New York, New York 10021 (Supplement .500; Original Edition and Supplement .750.) EDRS PRICE MF$0.65 HC-$3.29 DESCRIPTORS *Annotated Bibliographies; *Area Studies; *Asian History; Burmese Culture; Chinese Culture; *Cross Cultural Studies; Cultural Awareness; Developing Nations; *Foreign Culture; Higher Education; Indians; Japanese; Non Western Civilization; Resource Guides; Secondary Grades IDENTIFIERS Asia; *Asian Studies; China; India; Japan; Southeast Asia ABSTRACT This selective bibliography, compiled and annotated by Asian specialists, is intended for the general reader as a continuation of Asia: A Guide to Basic Books published in 1966. The purpose is to identify 156 books covering extensive subject areas about Asia. The supplement is a geographically arranged into four major sections: General Asia, South Asia, Southeast Asia, and East Asia. Books pertaining to India, China and Japan comprise over onethird of this bibliography supplement and are classified by subjects under the categories: 1)general works;2)cultural, economic, and political history;:1) religion and philosophy; 4) literature; 5) art; and 6) modern political, social, and economic developments. Alphabetically arranged author and title indices are provided for both the original and the supplement. Special features include additional title bibliographies; a list of recent pub.`ishers and their addresses for titles cited in both editions; and a short list of book stores specializing in outstanding sources of Asian studies materials. -
Computational Media Aesthetics for Media
COMPUTATIONAL MEDIA AESTHETICS FOR MEDIA SYNTHESIS XIANG YANGYANG (B.Sci., Fudan Univ.) A THESIS SUBMITTED FOR THE DEGREE OF DOCTOR OF PHILOSOPHY NUS GRADUATE SCHOOL FOR INTEGRATIVE SCIENCES AND ENGINEERING NATIONAL UNIVERSITY OF SINGAPORE 2013 ii DECLARATION I hereby declare that this thesis is my original work and it has been written by me in its entirety. I have duly acknowledged all the sources of information which have been used in the thesis. This thesis has also not been submitted for any degree in any university previously. XIANG YANGYANG January 2014 iii ACKNOWLEDGMENTS First and foremost, I would like to thank my supervisor Profes- sor Mohan Kankanhalli for his continuous support during my Ph.D study. His patience, enthusiasm, immense knowledge and guidance helped me throughout the research and writing of this thesis. I would like to thank my Thesis Advisory Committee members: Prof. Chua Tat-Seng, and Dr. Tan Ping for their insightful com- ments and questions. I also want to thank all the team members of the Multimedia Analysis and Synthesis Laboratory, without whom the thesis would not have been possible at all. Last but not the least, I would like to express my appreciation to my family. They have spiritually supported and encouraged me through the whole process. iv ABSTRACT Aesthetics is a branch of philosophy and is closely related to the nature of art. It is common to think of aesthetics as a systematic study of beauty, and one of its major concerns is the evaluation of beauty and ugliness. Applied media aesthetics deals with basic media elements, and aims to constitute formative evaluations as well as help create media products. -
Paths from the Philosophy of Art to Everyday Aesthetics
Paths from the Philosophy of Art to Everyday Aesthetics Edited by Oiva Kuisma, Sanna Lehtinen and Harri Mäcklin Paths from the Philosophy of Art to Everyday Aesthetics © 2019 Authors Cover and graphic design Kimmo Nurminen ISBN 978-952-94-1878-7 PATHS FROM THE PHILOSOPHY OF ART TO EVERYDAY AESTHETICS Eds. Oiva Kuisma, Sanna Lehtinen and Harri Mäcklin Published in Helsinki, Finland by the Finnish Society for Aesthetics, 2019 6 Contents 9 Oiva Kuisma, Sanna Lehtinen and Harri Mäcklin Introduction: From Baumgarten to Contemporary Aesthetics 19 Morten Kyndrup Were We Ever Modern? Art, Aesthetics, and the Everyday: Distinctions and Interdependences 41 Lars-Olof Åhlberg Everyday and Otherworldly Objects: Dantoesque Transfiguration 63 Markus Lammenranta How Art Teaches: A Lesson from Goodman 78 María José Alcaraz León Aesthetic Intimacy 101 Knut Ove Eliassen Quality Issues 112 Martta Heikkilä Work and Play – The Built Environments in Terry Gilliam’s Brazil 132 Kalle Puolakka Does Valery Gergiev Have an Everyday? 148 Francisca Pérez-Carreño The Aesthetic Value of the Unnoticed 167 Mateusz Salwa Everyday Green Aesthetics 180 Ossi Naukkarinen Feeling (With) Machines 201 Richard Shusterman Pleasure, Pain, and the Somaesthetics of Illness: A Question for Everyday Aesthetics 215 Epiloque: Jos de Mul These Boots Are Made for Talkin’. Some Reflections on Finnish Mobile Immobility 224 Index of Names 229 List of Contributors 7 OIVA KUISMA, SANNA LEHTINEN & HARRI MÄCKLIN INTRODUCTION: FROM BAUMGARTEN TO CONTEMPORARY AESTHETICS ontemporary philosopher-aestheticians -
Applied Aesthetics
1 UNIT 3 APPLIED AESTHETICS: WESTERN PERSPECTIVE Contents 3.0 Objectives 3.1 Introduction 3.2 World of Music/ Applied Aesthetics of Musicology 3.3 Applied Aesthetics in Mathematical Domains 3.4 Application of Aesthetics in Information Field 3.5 Applied Aesthetics related to Digital Art and a Host of varied fields 3.6 Application of Aesthetics in Other Fields 3.7 Let Us Sum Up 3.8 Further Readings and References 3.0 OBJECTIVES “Applied Aesthetics is the application of the branch of philosophy of aesthetics to cultural constructs” Applied aesthetics seems to derive a new shape, an enriched stature, thus aesthetics is made ever moving, ever growing by additions of some sort at each step. Invigorated in strength, enriched numerously with precious additions and constructs, it compares well with life itself, which according to the Veda is ‘gigantic’, Prano Virat, it is ever growing, ever flowing like a river or stream, without a break to look back, or to beat a retreat, it is not like a stagnated pool of water, which gives foul smell; it is refreshed each moment, it always gives fresh look of novelty, poise, patience. By applying aesthetics to various aspects of life and nature, it aims is to make it more suited to enlarge it into gigantic Bunyan tree of knowledge and also to make it an interdisciplinary and multi-dimensional branch of study. As above mentioned, it is a philosophy though some have called it ‘a science of beauty’. The question is, should it be treated as ‘philosophy’ or ‘science’ or both. -
Journal of Scottish Thought
Journal of Scottish Thought Volume 10 Published by the Research Institute of Irish and Scottish Studies University of Aberdeen 2018 ISSN 1755 9928 Editor: Endre Szécsényi © The Contributors This volume of The Journal of Scottish Thought developed from a conference hosted by the Research Institute of Irish and Scottish Studies, University of Aberdeen. The Journal of Scottish Thought is a peer reviewed, open access journal published annually by the Research Institute of Irish and Scottish Studies at the University of Aberdeen. Correspondence should be addressed to The Journal of Scottish Thought, 19 College Bounds, University of Aberdeen, AB24 3UG. Printed and bound by CPI Group (UK) Ltd, Croydon, CR0 4YY. CONTENTS Editorial Note v Ronald W. Hepburn’s Agnosticism Mary Warnock 1 Is the Sacred Older than the Gods? Guy Bennett-Hunter 13 Religious Experience, Imagination and Interpretation: A Case Study Peter Cheyne 26 The Voice of Cordelian Ethics: Imagination and the Loss of Religion Michael McGhee 52 Aesthetic and Moral James Kirwan 69 Aesthetic Experience, Metaphysics and Subjectivity: Ronald W. Hepburn and ‘Nature-Mysticism’ David E. Cooper 90 Constructing the Aesthetics of Nature Cairns Craig 102 Ronald W. Hepburn on Wonder and the Education of Emotions and Subjectivity James MacAllister 123 Wonder and the Everyday: Hepburnian Considerations and Beyond Arto Haapala 139 Notes on Contributors 153 Editorial Note On 18–19 May 2018, a symposium was held in the Research Institute of Irish and Scottish Studies at the University of Aberdeen to commemorate the tenth anniversary of the death of Ronald W. Hepburn. The speakers of this event – Arnar Árnason, Guy Bennett-Hunter, Pauline von Bonsdorff, Isis Brook, David E. -
From Point to Pixel: a Genealogy of Digital Aesthetics by Meredith Anne Hoy
From Point to Pixel: A Genealogy of Digital Aesthetics by Meredith Anne Hoy A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Rhetoric and the Designated Emphasis in Film Studies in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Whitney Davis, co-chair Professor Jeffrey Skoller, co-chair Professor Warren Sack Professor Abigail DeKosnik Professor Kristen Whissel Spring 2010 Copyright 2010 by Hoy, Meredith All rights reserved. Abstract From Point to Pixel: A Genealogy of Digital Aesthetics by Meredith Anne Hoy Doctor of Philosophy in Rhetoric University of California, Berkeley Professor Whitney Davis, Co-chair Professor Jeffrey Skoller, Co-chair When we say, in response to a still or moving picture, that it has a digital “look” about it, what exactly do we mean? How can the slick, color-saturated photographs of Jeff Wall and Andreas Gursky signal digitality, while the flattened, pixelated landscapes of video games such as Super Mario Brothers convey ostensibly the same characteristic of “being digital,” but in a completely different manner? In my dissertation, From Point to Pixel: A Genealogy of Digital Aesthetics, I argue for a definition of a "digital method" that can be articulated without reference to the technicalities of contemporary hardware and software. I allow, however, the possibility that this digital method can acquire new characteristics when it is performed by computational technology. I therefore treat the artworks covered in my dissertation as sensuous artifacts that are subject to change based on the constraints and affordances of the tools used in their making. -
Karun Rasa and Tragic Feeling
THE TWO SIDES OF A SINGLE COIN: KARUN RASA AND TRAGIC FEELING ANUPAM NAGAR University of North Gujarat, India 91 The tragic feeling (stress mine) is evoked in us when we are in the presence of a character who is ready to lay down his life, if need be, to secure one thing — his sense of personal dignity Arthur Miller, “Tragedy and the Common Man”, New York Times, 27 February 1949 In Sanskrit Poetics (SP) there is a discernible absence of tragedy perhaps on account of its idealistic character. Though conflict is present it is not the type of conflict as perceived between individuals. It is based, rather, on inclination and idealism in which idealism ultimately triumphs. In Indian thought Death is a fantasized happening; the body is prone to decay, while the soul is eternal. The issue then is how do we address Death, even when the manure of rotten leaves gives birth to new shrubs? Death possibly is not the denouement of life. On the contrary Life and Death are corollaries of each other. The second possible reason for SP being idealistic in nature is that here time does not follow a chronological sequence —it is circular in movement (chakravat parivartante). Therefore tragedy along western lines becomes impossible on account of philosophical compulsions. A man here after casting off his body assumes a new form and then takes another when the present body decomposes. This intermittent process goes on and on till he accomplishes total deliverance. And salvation can only be realized after having attained the first three goals of righteousness (dharma), prosperity (artha) and pleasure (kama). -
A Rhetorical Model for Homiletics. Rodney Kennedy Louisiana State University and Agricultural & Mechanical College
Louisiana State University LSU Digital Commons LSU Historical Dissertations and Theses Graduate School 1990 The piE stemic Power of Metaphor: A Rhetorical Model for Homiletics. Rodney Kennedy Louisiana State University and Agricultural & Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_disstheses Recommended Citation Kennedy, Rodney, "The pE istemic Power of Metaphor: A Rhetorical Model for Homiletics." (1990). LSU Historical Dissertations and Theses. 5063. https://digitalcommons.lsu.edu/gradschool_disstheses/5063 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Historical Dissertations and Theses by an authorized administrator of LSU Digital Commons. For more information, please contact [email protected]. INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand corner and continuing from left to right in equal sections with small overlaps. -
Attempting Art: an Essay on Intention-Dependence
Attempting Art: an essay on intention-dependence Michel-Antoine Xhignesse Department of Philosophy McGill University, Montréal December 2016 A thesis submitted to McGill University in partial fulfillment of the requirements of the degree of Doctor of Philosophy © Michel-Antoine Xhignesse 2016 Table of Contents Dissertation abstract ................................................................................................................ iii Résumé de thèse ....................................................................................................................... iv Acknowledgements ................................................................................................................... v Chapter 1 – Introductory Remarks............................................................................................. 1 Chapter 2 – Art, Intention, and Intention-Dependence ............................................................ 9 2.1 – Introduction ............................................................................................................................ 9 2.2 – Intentional action ................................................................................................................. 11 2.3 – Intention-dependence vs. concept-dependence .................................................................... 18 2.4 – Accidents and Incidents ....................................................................................................... 22 2.5 – Separating Concept- and Intention-Dependence -
A Beautiful Future for Aesthetics: Three Avenues of Progress
A Beautiful Future for THE AMERICAN SOCIETY FOR AESTHETICS: Aesthetics: Three Avenues AN ASSOCIATION FOR AESTHETICS, CRITICISM, AND THEORY OF THE ARTS of Progress John Dyck VOLUME 37 NUMBER 1 SPRING 2017 CUNY—The Graduate Center What is the future of the ASA? Where is it going? Where should it be 1 A Beautiful Future for Aesthetics: Three going? I will make some suggestions about how the ASA can ensure Avenues of Progress, by John Dyck a healthy and beautiful future not only for itself as an organization, 4 Suggestions for the ASA: Creativity, but also for philosophical aesthetics and philosophy of art. I will Diversity, and Disciplinary Study, by outline three main opportunities. First, I will suggest fruitful new Sarah Gokhale directions of research within philosophical aesthetics. Second, I will show how the ASA can be fruitful within the academy at large, 6 News from the National Office encouraging interdisciplinary work in aesthetics. Finally, I will show how the ASA can spread its wings beyond the academy, engaging the 7 Conference Reports public regarding aesthetics. Pursuing any of these avenues helps to ensure a healthy future for the ASA and aesthetics. 8 Aesthetics News 9 Calls for Papers What do I mean by a ‘healthy future’ for the ASA? Mainly, I mean a well-populated future. This involves, first, number of members; the 12 Upcoming Events ASA will be well-populated if it has lots of members. But it also means diversity of membership. Sherri Irvin has recently shown that aes- Active Aestheticians 15 thetics has a diversity problem, in particular regarding publication.1 The ASA needs active members who identify as minorities in terms of their ethnic, gender, and sexual orientation, and ability status. -
Aesthetics—What? Why? and Wherefore?
KENDALL WALTON Aesthetics—What? Why? and Wherefore? It is a very great honor to address my friends and philosophy of quantum physics are younger. But colleagues as president of the American Society these are clearly subcategories of traditional, well- for Aesthetics, an organization that plays a unique established areas of philosophy—ethics and phi- role in a field that is, at once, a major traditional losophy of science—and they inherit much of their branch of philosophy and also central to disci- identity and sense of purpose from their parents. plines often regarded as remote from philosophy, Aesthetics is not so fortunate. It is related in vari- as well as depending crucially on their contribu- ous important ways to epistemology, metaphysics, tions. philosophy of mind, philosophy of language— I will follow the lead of one of my distinguished indeed it overlaps all of them—but these older predecessors in this office, Peter Kivy, who used relatives are at best aunts and uncles to aesthetics, the occasion of his own presidential address twelve not parents. Aesthetics must figure out for itself years ago to step back and reflect on the state of what exactly it is. the discipline and the nature of aesthetics.1 Two kinds of issues about the field need to be addressed: What is distinctive about this branch i. what is aesthetics? of philosophy, in contrast to others? And what is philosophy? Under the first heading, we will ask Aesthetics is a strange field, in some ways a con- what aesthetics is the philosophy of , what domain fused one.