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Téléchargez Le Catalogue Du Fidlab 2021 Sommaire / Index 2 Éditorial / Editorial 30 Nunca seré policía I’ll Never Be A Cop 5 Projets fnalisés / Completed projects 32 Reescritura Re-Writing 8 Prix / Awards 34 Spilliaert 9 Jury 36 Swarm 10 A Night of Knowing Nothing 38 Tehran, City of Ambitions 12 Ana no quiere que la vean bailar Tehran, Shahr E Arezouha Ana Doesn’t Want to Be Seen Dancing 40 Twittering Soul 14 Bogancloch Zmogaus dalia 16 Dead Lands 43 Focus Belgium Adamot Metot 44 Escautville 18 Dialogues d’exilés 46 Hélicotronc 20 Estados Generales 48 Potemkino 22 It Is at This Point That the Need to Write History Arises 50 Wrong Men è a Questo Punto Che Nasce Il Bisogno di Fare Storia 67 Partenaires - Collaborations / Partners - Collaborations 24 Jeune Cinéma 68 Équipe / Team 26 La Cascadeure 28 Morir de pie To Die on Your Feet Plateforme de coproduction internationale / I nte rn at i o n a l coproduction platform Éditorial / Editorial 13e édition, une édition en ligne. Encore, me direz-vous. Hélas Cette année, honorée de mettre en lumière la production Our 13th edition, online only. Again, you might say. Alas, I might We are also glad to shine a light on Belgian productions ; oui, vous répondrai-je. Nous l’avions rêvé autrement, mais belge, une délégation de productrices et de producteurs answer. It may not be what we had hoped for, yet at least now a delegation of producers will present ongoing projects, which nous savons et nous l’avons compris maintenant : nos distances présentera des projets en cours, façon de renforcer davantage we know that the distance between us will in no way impact will give us an opportunity to strengthen our relationships with respectives n’entacheront nullement notre envie de partages, nos relations de coproduction. our keen interest in sharing, community and interactions relating European producers involved in coproduction. de collectif, d’échanges autour de cette nouvelle proposition this new proposal of “les flms de demain”. de flms de demain. I was convinced that an online edition would be a source of We are thankful for the precious and extended support of our Convaincue qu’une édition en ligne était source de potentiels Nous saluons le soutien précieux et renouvelé de nos development and opportunities for the selected projects, and institutional partners, without whom this adventure simply could pour tous les projets retenus, force était de constater après partenaires institutionnels sans qui cette aventure ne pourrait indeed, last year’s event was a success, rallying three times as not be; namely, the Provence-Alpes-Côte d’Azur region, l’événement que les professionnels étaient trois fois plus se tenir, la Région Sud Provence-Alpes-Côte d’Azur, la Ville many professionals as usual. This, in spite of the fact that jisti the city of Marseille, the Bouches-du-Rhône department, as nombreux que d’ordinaire. Même si toutes et tous en de Marseille, le Département des Bouches-du Rhône ainsi que meetings somehow lacked the warmth of the gatherings normally well as the CNC. Not forgetting our generous endowment convenaient, les rendez-vous dans les salles jitsi ne recueillaient le CNC. Sans oublier nos partenaires qui dotent des prix, taking place at the Haussmannian mansion that is home to partners: Air France, Sublimages, Vidéo de Poche, Commune pas la même chaleur que ceux réalisés dans le jardin tropical Air France, Sublimages, Vidéo de Poche, Commune Image, the festival’s headquarters. Image, Mactari, Camargo Foundation, Micro Climat, Kodak and du FID. Mactari, la Fondation Camargo, Micro Climat, Kodak Silverway Paris, Casa de Velázquez and the Madrid Film School. et Silverway Paris, la Casa de Velázquez et l’école de Cinéma Before we delve into this year’s selection, just a quick reminder. Avant de partager la sélection de cette année, permettez-moi de Madrid. Since the last edition of FIDLab, no less than 12 projects have An international jury of three distinguished professionals will un rappel. Depuis la dernière édition du FIDLab, 12 projets reached their fnal stage of production, and 5 will be fnalized award the prizes: Diana Bustamante Escobar, head of Colombian sont en cours de fnition et 5 seront prêts pour la fn d’année. Pour l’attribution de ces prix, le jury international est composé by the end of the year. We are also proud of the FIDLab projects production company Burning; Leonardo Bigazzi, Italian curator Fière aussi des projets FIDLab qui ont intégré la sélection de trois éminents professionnels : Diana Bustamante Escobar, that have been selected at the Cannes Film Festival this year : of the Fondazione In Between Art Film; and David Schwartz, cannoise 2021, Ghost Town de Nicolas Peduzzi (France) qui gérante de la société de production colombienne, Burning ; Ghost Town (France), which will premiere for the opening of the American, manager of theatrical programming for Netflix, fera l’ouverture de l’ACID ainsi que La Camera dei Genitori Leonardo Bigazzi, curateur italien de la Fondazione In Between ACID section, as well as Diego Marcon’s La Camera dei Genitori overseeing the Paris Theater in Manhattan. I am delighted with de Diego Marcon (Italie/Grande Bretagne) et A Night of Knowing Art Film et David Schwartz, américain, Directeur de la (Italy / Great Britain), and Payal Kapadia’s A Night of Knowing their participation and I thank them, since I am sure that their Nothing de Payal Kapadia (Inde/France), tous deux présentés programmation du Paris Theater - Netflix. Je me réjouis de Nothing (France / India), both of which will be showcased at the professional experience will be of great beneft to all the projects, à La Quinzaine des Réalisateurs. leur participation et les remercie, convaincue que leur Directors’ Fortnight section. regardless of the fnal prize list. expérience professionnelle sera proftable, au-delà même du Quoi, alors, du cru 2021 ? Retenus sur plus de 502 candidatures, palmarès, à tous les projets. So, what about the 2021 selection? Out of more than 502 I cannot wait for you to discover these enriching flmic statements 16 projets reflètent 15 pays : Allemagne, Autriche, Belgique, candidates, 16 projects have been chosen, from 15 diferent and to make them your own, and I hope that you will enjoy Chili, Espagne, France, Islande, Israël, Inde, Iran, Lituanie, Impatiente que vous puissiez vous emparer de tous ces gestes countries: Austria, Belgium, Chile, France, Germany, India, Iran, watching them as much as we have enjoyed choosing them. Mexique, Pérou, Portugal, Royaume-Uni. Riche de leur diversité cinématographiques qui nous nourrissent, j’espère que vous Iceland, Israel, Lithuania, Mexico, Peru, Portugal, Spain, United géographique et de leur singularité d’écriture, cette sélection les découvrirez avec autant de plaisir que nous en avons Kingdom. Benefting from their geographical diversity and unique Fabienne Moris, Director of FIDLab mêle avec énergie et facétie, beautés et surprises, des motifs eu à les choisir. writing qualities, the selection mixes political, environmental, politiques, écologiques, historiques, musicaux, utopiques, historical, musical, utopian and artistic motives, in a vivacious artistiques. S’y trouve de l’humour, du sérieux, du décalage : and playful mode, full of beauty and surprises. The approach de la reconstitution historique au conte fantastique, du flm Fabienne Moris, directrice FIDLab might be at times humoristic, serious, or ofbeat – from historical noir ou musical à la série mystérieuse, en passant par l’archive, reconstruction to fantasy tale, from flm noir or musical to qu’elle soit familiale ou s’empare de l’histoire du cinéma, sans mystery series, by way of flm archives, either familial or touching oublier les réminiscences du passé réactualisées. Bref, on the history of cinema, not excepting updated reminiscences un programme qui se fait l’écho d’un cinéma contemporain of the past. In short, what we have here is a generous programme curieux, vif, agité et intelligent. that reflects the nature of today’s cinema: at once curious, lively, restless and sharp. Vous dire aussi que je suis heureuse d’initier une collaboration avec le Lab du Centro de Cine y Creación, à Santiago (Chili), I would also like to express how glad we are to have launched et d’avoir invité le projet Morir de pie, issu de leur sélection, n.b : l’impression de ce catalogue étant postérieure aux dates de la a collaboration with Centro de Cine y Creación, based in n.b : since this catalog was printed after the dates of the online edition, au FIDLab 2021. tenue en ligne de la 13 ème édition, nous avons pris le parti d’indiquer Santiago, Chile, and to have invited one of their 2021 selected we chose to add the awards of the diferent awarded projects in their les prix remis aux lauréats concernés sur la page qui leur est dédiée. projects, Morir de Pie, into our FIDLab programme. page. 2021 2 2021 3 2009 Projets fnalisés / Completed projects 2021 ALGORITHM CEMETERY Fanny Zaman / Belgium / FIDLab 2014 Carlos Casas 144 WP: FIDMarseille 2015 Poland - Uzbekistan / FIDLab 2013 Projets sélectionnés / WP: FIDMarseille 2019 Selected projects AN UNUSUAL SUMMER Kamal Aljafari / Palestinian Territories / COMME DES LIONS DE PIERRE FIDLab 2019 À L’ E N T R É E DE LA NUIT 86 WP : Visions du Réel 2020 Olivier Zuchuat / France Films fnalisés / Switzerland - Greece / FIDLab 2010 ARÁBIA (ARABY) WP: Visions du réel 2012 Completed flms João Dumans & Afonso Uchoa D: Hévadis Films (France), Outside the Brazil / FIDLab 2016 WP : Première Mondiale / World Premiere Box (Switzerland), Greek Film Archive IP : Première Internationale
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