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Gavin Ames Avid Editor
Gavin Ames Avid Editor Profile Gavin is an exceptionally talented editor. Fast, creative, and very technically minded. He is one of the best music editors around, with vast live multi-cam experience ranging from The Isle of Wight Festival, to Take That, Faithless and Primal Scream concerts. Since excelling in the music genre, Gavin went on to develop his skills in comedy, editing Shooting Stars. His talents have since gone from strength to strength and he now has a wide range of high-end credits under his belt, such as live stand up for Bill Bailey, Steven Merchant, Ed Byrne and Angelos Epithemiou. He has also edited sketch comedy, a number of studio shows and comedy docs. Gavin has a real passion for editing comedy and clients love working with him so much that they ask him back time and time again! Comedy / Entertainment / Factual “The World According to Jeff Goldblum” Series 2. Through the prism of Jeff Goldblum's always inquisitive and highly entertaining mind, nothing is as it seem. Each episode is centred around something we all love — like sneakers or ice cream — as Jeff pulls the thread on these deceptively familiar objects and unravels a wonderful world of astonishing connections, fascinating science and history, amazing people, and a whole lot of surprising big ideas and insights. Nutopia for National Geographic and Disney + “Guessable” In this comedy game show, two celebrity teams compete to identify the famous name or object inside a mystery box. Sara Pascoe hosts the show with John Kearns on hand as her assistant. Alan Davies and Darren Harriott are the team captains, in a format that puts a twist on classic family games. -
Aardman in Archive Exploring Digital Archival Research Through a History of Aardman Animations
Aardman in Archive Exploring Digital Archival Research through a History of Aardman Animations Rebecca Adrian Aardman in Archive | Exploring Digital Archival Research through a History of Aardman Animations Rebecca Adrian Aardman in Archive: Exploring Digital Archival Research through a History of Aardman Animations Copyright © 2018 by Rebecca Adrian All rights reserved. Cover image: BTS19_rgb - TM &2005 DreamWorks Animation SKG and TM Aardman Animations Ltd. A thesis submitted in partial fulfilment of the requirements for the degree of Master of Arts in Media and Performance Studies at Utrecht University. Author Rebecca A. E. E. Adrian Student number 4117379 Thesis supervisor Judith Keilbach Second reader Frank Kessler Date 17 August 2018 Contents Acknowledgements vi Abstract vii Introduction 1 1 // Stop-Motion Animation and Aardman 4 1.1 | Lack of Histories of Stop-Motion Animation and Aardman 4 1.2 | Marketing, Glocalisation and the Success of Aardman 7 1.3 | The Influence of the British Television Landscape 10 2 // Digital Archival Research 12 2.1 | Digital Surrogates in Archival Research 12 2.2 | Authenticity versus Accessibility 13 2.3 | Expanded Excavation and Search Limitations 14 2.4 | Prestige of Substance or Form 14 2.5 | Critical Engagement 15 3 // A History of Aardman in the British Television Landscape 18 3.1 | Aardman’s Origins and Children’s TV in the 1970s 18 3.1.1 | A Changing Attitude towards Television 19 3.2 | Animated Shorts and Channel 4 in the 1980s 20 3.2.1 | Broadcasting Act 1980 20 3.2.2 | Aardman and Channel -
2019 Kaiser Permanente Run, Walk, and Roll KP Overall 2019
Race Date 2019 Kaiser Permanente Run, Walk, and Roll September 11, 2019 KP Overall 2019 Place ----- 1 Mile ----- ----- Finish ----- ----- Total ----- Overall Name Bib No Gnd Rank Time Rank Time Chip Time Gun Time 1 Lawson Belcher 4251 M 4 5:15.0 2 16:58.0 16:56.0 16:58.0 2 Doug Smith 2269 M 9 5:28.0 1 17:09.0 17:08.0 17:09.0 3 Louis Moreau 2687 M 5 5:16.0 5 17:37.0 17:35.0 17:37.0 4 Jason Holder 4599 M 6 5:18.0 6 17:48.0 17:46.0 17:48.0 5 Jason Veclotch 109 M 11 5:39.0 3 17:48.0 17:46.0 17:48.0 6 David Hotard 121 M 8 5:24.0 8 17:56.0 17:54.0 17:56.0 7 Marquell Gilles 4524 M 7 5:24.0 11 18:02.0 18:00.0 18:02.0 8 Jeffrey Zickus 5185 M 10 5:36.0 10 18:12.0 18:11.0 18:12.0 9 Ramon Romero 3543 M 18 6:01.0 4 18:20.0 17:59.0 18:20.0 10 Mike Gerber 111 M 15 5:49.0 9 18:23.0 18:20.0 18:23.0 11 Ryan Kennedy 4675 M 16 5:53.0 7 18:24.0 18:21.0 18:24.0 12 David Campos 4326 M 12 5:47.0 12 18:30.0 18:28.0 18:30.0 13 Isaac Dunkelberger 4452 M 17 5:58.0 14 18:45.0 18:43.0 18:45.0 14 Jonathan Digioia 2087 M 20 6:05.0 15 18:53.0 18:51.0 18:53.0 15 Josh Carson 4335 M 14 5:47.0 18 18:54.0 18:51.0 18:54.0 16 Staurt Vassey 103 M 243 19:16.0 19:13.0 19:16.0 17 Yuwshua Zadok 5182 M 38 6:37.0 13 19:22.0 18:54.0 19:22.0 18 Rich Kenah 4674 M 29 6:29.0 17 19:28.0 19:11.0 19:28.0 19 Jonathon McDonald 117 M 21 6:08.0 21 19:37.0 19:36.0 19:37.0 20 Jessica Ridley 108 F 19 6:05.0 24 19:44.0 19:42.0 19:44.0 21 Anton Molla 4829 M 26 6:26.0 22 19:56.0 19:54.0 19:56.0 22 George Tam 2700 M 27 6:28.0 23 19:59.0 19:47.0 19:59.0 23 Maxey Hebert 105 F 23 6:20.0 29 20:05.0 20:03.0 -
Index to Volume 26 January to December 2016 Compiled by Patricia Coward
THE INTERNATIONAL FILM MAGAZINE Index to Volume 26 January to December 2016 Compiled by Patricia Coward How to use this Index The first number after a title refers to the issue month, and the second and subsequent numbers are the page references. Eg: 8:9, 32 (August, page 9 and page 32). THIS IS A SUPPLEMENT TO SIGHT & SOUND Index 2016_4.indd 1 14/12/2016 17:41 SUBJECT INDEX SUBJECT INDEX After the Storm (2016) 7:25 (magazine) 9:102 7:43; 10:47; 11:41 Orlando 6:112 effect on technological Film review titles are also Agace, Mel 1:15 American Film Institute (AFI) 3:53 Apologies 2:54 Ran 4:7; 6:94-5; 9:111 changes 8:38-43 included and are indicated by age and cinema American Friend, The 8:12 Appropriate Behaviour 1:55 Jacques Rivette 3:38, 39; 4:5, failure to cater for and represent (r) after the reference; growth in older viewers and American Gangster 11:31, 32 Aquarius (2016) 6:7; 7:18, Céline and Julie Go Boating diversity of in 2015 1:55 (b) after reference indicates their preferences 1:16 American Gigolo 4:104 20, 23; 10:13 1:103; 4:8, 56, 57; 5:52, missing older viewers, growth of and A a book review Agostini, Philippe 11:49 American Graffiti 7:53; 11:39 Arabian Nights triptych (2015) films of 1970s 3:94-5, Paris their preferences 1:16 Aguilar, Claire 2:16; 7:7 American Honey 6:7; 7:5, 18; 1:46, 49, 53, 54, 57; 3:5: nous appartient 4:56-7 viewing films in isolation, A Aguirre, Wrath of God 3:9 10:13, 23; 11:66(r) 5:70(r), 71(r); 6:58(r) Eric Rohmer 3:38, 39, 40, pleasure of 4:12; 6:111 Aaaaaaaah! 1:49, 53, 111 Agutter, Jenny 3:7 background -
7-Night Northumberland Discovery Tour
7-Night Northumberland Discovery Tour Destinations: Northumberland & England Trip code: ALHCR-7 HOLIDAY OVERVIEW Northumberland has a great variety of scenic landscapes. On the coast you’ll find charming fishing villages and dramatic sandy bays. Head inland to historic battle sites and open moorland. Castles at Bamburgh and Warkworth – one of the largest, most impressive fortresses in northern England – and the UNESCO World Heritage Site of Hadrian’s Wall give a glimpse into the area’s history. The magnificent mansion house of Wallington and the peaceful Island of Lindisfarne offer calmer, more reflective destinations. WHAT'S INCLUDED • High-quality Full Board en-suite accommodation and excellent food in our country house • The services of our knowledgeable HF Holidays’ leader, ensuring you get the most from your holiday • Full-day excursions with all transport on touring days in a good-quality, comfortable mini-coach For 2022 departures, all admission costs are included on Discovery tours, including National Trust & English Heritage. www.hfholidays.co.uk PAGE 1 [email protected] Tel: +44(0) 20 3974 8865 HOLIDAYS HIGHLIGHTS • Explore the mightly Bamburgh Castle • Journey to the Isle of Lindisfarne like the pilgrims of old • Witness the might of the Roman Empire at Hadrian's Wall • Discover Warkworth Castle, one of the strongest and most impressive fortresses in the North TRIP SUITABILITY Our Discovery holidays give you the opportunity to immerse yourself in the culture of the local area through active sightseeing. On each Discovery day, you will be walking between 3-5 miles (5-8km), hopping on and off the coach throughout, so you should expect to spend the majority of the day on your feet. -
Helden. Heroes. Héros. 2
1 Animals: Projecting the Heroic helden. across Species Entangled Agency: Heroic Dragons and Direwolves in Game of Thrones Stefanie Lethbridge heroes. Dogs and Horses as Heroes: Animal (Auto)Biographies in England, 1751-1800 Angelika Zirker Die Heroisierung von Kriegspferden und ihre Funktion im Hinblick auf héros. Heroisierungsprozesse in der mili- tärischen Erinnerungskultur der Napoleonischen Kriege im 19. Jahrhundert E-Journal Kelly Minelli “Famous”, “Immortal” – and zu Kulturen Heroic? The White Whale as Hero in Herman Melville’s Moby-Dick des Heroischen. Klara Stephanie Szlezák Widerspruch mit der Zunge einer Hündin. Tierlicher Antiheroismus in Blondi von Michael Degen Tina Hartmann Animal Survival and Inter-Species Heroism in Werner Herzog’s Grizzly Man Tom Chadwick Können Tiere Helden sein? Anthropozentrischer und zoozentrischer Anthropomorphismus in Gabriela Cowperthwaites Blackfish Claudia Lillge Edited by Marie-Luise Egbert and Ulrike Zimmermann Volume 3 (2018) Special Issue helden. heroes. héros. 2 Contents Editorial Marie-Luise Egbert and Ulrike Zimmermann . 3 Entangled Agency: Dragons and Direwolves in Game of Thrones Stefanie Lethbridge . 7 Dogs and Horses as Heroes: Animal (Auto)Biographies in England, 1751-1800 Angelika Zirker . 17 „God’s humbler instrument of meaner clay, must share the honours of that glorious day .“ Die Heroisierung von Kriegspferden und ihre Funktion im Hinblick auf Heroisierungsprozesse in der militärischen Erinnerungskultur der Napoleonischen Kriege im 19 . Jahrhundert Kelly Minelli . 27 “Famous”, “Immortal” – and Heroic? The White Whale as Hero in Herman Melville’s Moby-Dick Klara Stephanie Szlezák . 41 Widerspruch mit der Zunge einer Hündin . Tierlicher Antiheroismus in Blondi von Michael Degen Tina Hartmann . 49 “Let’s have some fucking water for these animals .” Animal Survival and Inter-Species Heroism in Werner Herzog’s Grizzly Man Tom Chadwick . -
Shaun the Sheep's Creator
PRODUCTION NOTES STUDIOCANAL RELEASE DATES: UK – OCTOBER 18th 2019 SOCIAL MEDIA: Facebook - https://www.facebook.com/shaunthesheep Twitter - https://twitter.com/shaunthesheep Instagram - https://www.instagram.com/shaunthesheep/ YouTube - https://www.youtube.com/user/aardmanshaunthesheep For further information please contact STUDIOCANAL: UK ENQUIRIES [email protected] [email protected] 1 Synopsis Strange lights over the quiet town of Mossingham herald the arrival of a mystery visitor from far across the galaxy… For Shaun the Sheep’s second feature-length movie, the follow-up to 2015’s smash hit SHAUN THE SHEEP MOVIE, A SHAUN THE SHEEP MOVIE: FARMAGEDDON takes the world’s favourite woolly hero and plunges him into an hilarious intergalactic adventure he will need to use all of his cheekiness and heart to work his way out of. When a visitor from beyond the stars – an impish and adorable alien called LU-LA – crash-lands near Mossy Bottom Farm, Shaun soon sees an opportunity for alien-powered fun and adventure, and sets off on a mission to shepherd LU-LA back to her home. Her magical alien powers, irrepressible mischief and galactic sized burps soon have the flock enchanted and Shaun takes his new extra-terrestrial friend on a road-trip to Mossingham Forest to find her lost spaceship. Little do the pair know, though, that they are being pursued at every turn by a mysterious alien- hunting government agency, spearheaded by the formidable Agent Red and her bunch of hapless, hazmat-suited goons. With Agent Red driven by a deep-seated drive to prove the existence of aliens and Bitzer unwittingly dragged into the haphazard chase, can Shaun and the flock avert Farmageddon on Mossy Bottom Farm before it’s too late? 2 Star Power The creative team behind the world’s favourite woolly wonder explain how, in Farmageddon, they’ve boldly gone where no sheep has gone before.. -
Whole Day Download the Hansard
Thursday Volume 692 22 April 2021 No. 205 HOUSE OF COMMONS OFFICIAL REPORT PARLIAMENTARY DEBATES (HANSARD) Thursday 22 April 2021 © Parliamentary Copyright House of Commons 2021 This publication may be reproduced under the terms of the Open Parliament licence, which is published at www.parliament.uk/site-information/copyright/. 1119 22 APRIL 2021 1120 in sales in January and February alone, with some House of Commons products seeing their market all but collapse, and virtually nothing is being done about it. A new Brexit cliff has Thursday 22 April 2021 arrived before we finished plummeting off the last one: composite food products now need export health certificates. The chaos of the last set of regs is still haunting our The House met at half-past Nine o’clock exports, and this new chaos will further dent them. Vets say they will not have the capacity to deal with this. What plans do the Government have to address that PRAYERS clear danger? [MR SPEAKER in the Chair] George Eustice: The European Union has changed Virtual participation in proceedings commenced some of its export health certificates, particularly for (Orders, 4 June and 30 December 2020). composite goods, from 21 April. We have been working [NB: [V] denotes a Member participating virtually.] very closely with industry and all those affected over the last few months. We knew that this was going to happen. We have worked with it on getting those replacement health certificates and, in some cases, the need for a Oral Answers to Questions private attestation. Yes, it is complicated. It is a change in law that the EU has made and always intended to make, but we worked very closely with industry and all those affected to make sure that they were ready. -
Nat Morris Digital Producer 07581045444 [email protected]
Nat Morris Digital Producer 07581045444 [email protected] Skills Experienced in a variety of genres including entertainment, archive, hidden camera, reality, factual, comedy, magic and live studio shows. With credits on major TV channels, including BBC, ITV, Channel 4, Channel 5 and MTV. Highly skilled in a number of areas including: social/digital media, photo & video editing, talent-producing, producing, directing, copy-writing, script-writing, community management, content planning, digital strategy, app development & launch, CMS systems, Snappy TV, Grabyo, AVID, Adobe Suite, live-show experience, web design, creative concepts, idea development, archive, location access, recce-ing, team-management, casting, self-shooting, clearances, licensing, fact-checking, UK driving license, Screenskills’ COVID-19 basic awareness on production certified. Experience Love Island Australia (Series 2), Graphic Designer/Video Editor, ITV June 2020 - July 2020 Designing commercial brand assets for Love Island Australia. Creative design behind the new weekly feature, Love Island: Lookout. Pulling reactive content and editing PIP talent reactions to key moments, for use on IGTV and Instagram Story highlights. Ant & Dec’s Saturday Night Takeaway (Series 16), Digital Video Producer, ITV January 2020 - April 2020 Talent-producing Ant & Dec and weekly guest hosts. Creating innovative content concept ideas, keeping inline with pre-agreed briefs. Self-shooting, directing and editing content for social platforms. Copywriting and grasping the correct audience tone of voice. Sourcing props and set designs. Advanced usage of Adobe Suite, including After Effects, Premiere Pro, Photoshop and Lightroom. Filming unique BTS content and being reactive to a live show environment. I’m A Celebrity... Get Me Out Of Here! (Series 19), Digital Creative/Content Producer, ITV Filming exclusive digital content with celeb talent pre-tx. -
Adult Movies the Dark Knight VR FIC DAR Adult Limitless VR FIC LIM
Adult movies The dark knight VR FIC DAR Adult Limitless VR FIC LIM Adult Anonymous VR FIC ANO Adult Big miracle VR FIC BIG Adult Being Flynn VR FIC BEI Adult The cabin in the woods VR FIC CAB Adult ET (Extra Terrestrial) VR FIC ET Adult Extremely loud & incredibly close VR FIC EXT Adult Exam VR FIC EXA Adult Ghost town VR FIC GHO Adult Ironclad VR FIC IRO Adult John Carter VR FIC JOH Adult The Lincoln lawyer VR FIC LIN Adult The lady VR FIC LAD Adult Life as we know it VR FIC LIF Adult Miral VR FIC MIR Adult Men in Black VR FIC MEN Adult Men in Black II VR FIC MEN Adult The mummy VR FIC MUM Adult Salmon fishing in the Yemen VR FIC SAL Adult Twilight zone the movie VR FIC TWI Adult The woman in black VR FIC WOM Adult We need to talk about Kevin VR FIC WE Adult Furry vengeance VR FIC FUR Adult The hunger games VR FIC HUN Adult Avengers VR FIC AVE Adult The dark knight rises VR FIC DAR Adult Wuthering heights VR FIC WUT Adult Taken 2 VR FIC TAK Adult Argo VR FIC ARG Adult The way back VR FIC WAY Adult Trouble with the curve VR FIC TRO Adult Avengers VR FIC AVE Adult American Gangster VR FIC AME Adult Bully VR FIC BUL Adult Albert Nobbs VR FIC ALB Adult Beasts of the southern wild VR FIC BEA Adult Shirin Farhad VR FIC SHI Adult Talaash the answer lies within VR FIC CAR Adult Bedtime Stories VR FIC BED Adult Bewitched VR FIC BEW Adult The dictator VR FIC DIC Adult Life of Pi VR FIC LIF Adult The Hobbit : An Unexpected Journey VR FIC HOB Adult The Best Exotic Marigold Hotel VR FIC HOB Adult Anna Karenina VR FIC ANA Adult Rabbit Hole VR FIC RAB -
Programme 2021 Thank You to Our Partners and Supporters
8–17 October 2021 cheltenhamfestivals.com/ literature #cheltlitfest PROGRAMME 2021 THANK YOU TO OUR PARTNERS AND SUPPORTERS Title Partner Festival Partners The Times and The Sunday Times Australia High Commission Supported by: the Australian Government and the British Council as part of the UK/Australia Season 2021-22 Principal Partners BPE Solicitors Arts Council England Cheltenham BID Baillie Gifford Creative New Zealand Bupa Creative Scotland Bupa Foundation Culture Ireland Costa Coffee Dutch Foundation For Literature Cunard Embassy of the Kingdom of the Netherlands Sky Arts Goethe Institut Thirty Percy Hotel Du Vin Waterstones Marquee TV Woodland Trust Modern Culture The Oldham Foundation Penney Financial Partners Major Partners Peters Rathbones Folio Prize The Daffodil T. S. Eliot Foundation Dean Close School T. S. Eliot Prize Mira Showers University Of Gloucestershire Pegasus Unwin Charitable Trust St. James’s Place Foundation Willans LLP Trusts and Societies The Booker Prize Foundation CLiPPA – The CLPE Poetry Award CLPE (Centre for Literacy in Primary Education) Icelandic Literature Center Institut Francais Japan Foundation Keats-Shelley Memorial Association The Peter Stormonth Darling Charitable Trust Media Partners Cotswold Life SoGlos In-Kind Partners The Cheltenham Trust Queen’s Hotel 2 The warmest of welcomes to The Times and The Sunday Times Cheltenham Literature Festival 2021! We are thrilled and delighted to be back in our vibrant tented Festival Village in the heart of this beautiful spa town. Back at full strength, our packed programme for all ages is a 10-day celebration of the written word in all its glorious variety – from the best new novels to incisive journalism, brilliant memoir, hilarious comedy, provocative spoken word and much more. -
APJ Autumn 2007
AUTUMN 2007 "There's no money in poetry, but then there's no poetry in money, either." ~Robert Graves About the Poets Page 7 Credits Page 9 Big Thicket Song #3 Big Thicket Song #1 For Jame Byrd, Jr. Seven miles from the highway, down trails truckling through cypress trees— Blacktop yellow stripe down the middle the sun a hint of fire edging the leaves— they dragged a living man down a family of beavers builds a home. Never down until they dragged a dead man broken into pieces enough to participate from the bank of tooth- and tail-crafted pond, I shed on either side, tall pines, planted shirt and pants, strip to bare truth every ten years pulped after growth and wade into brown water, mists tall enough to mill the paper to publish the obituary still rising in the stippled day. Toes squish through ripe mud, bubbles ooze up. these woods have a dead man in them Sink down, descend days and years, broken shredded into black asphalt into first light. Sunlight, banding in waves, head legs torso scattered like needles deep woods whisper here breaks into thin beams between leaves and falling, falling, splatters knees a thousand people drive over red specks and belly, chest, penis, pale buttocks, spread droplets of raging tears but paints the years. Only the sounds a dead man’s dying cannot roll dark thicket into shining light of splashing, rap of a woodpecker on dry bark, rustle of armadillos rooting through damp leaves, breath heavy, alien. So and, again, so. A white heron, immense in beauty, © 2007 H.