Read the Complete Playbill for Creations of a Caged Bird, Vol. 2

Total Page:16

File Type:pdf, Size:1020Kb

Read the Complete Playbill for Creations of a Caged Bird, Vol. 2 ◎ ABOUT THIS PROJECT ◎ This video is the culminating result of one of Shining Light’s most expansive programs, the Collaborative Arts Project. Incarcerated participants are invited to encourage and inspire thousands of their peers in prisons across the country through original artwork, created from prompts like “What I Wish You Knew” and “Hope In Hardship.” Pieces are then selected to be produced by professional artists/filmmakers and curated in a 60-minute video with supportive messages from public figures and former participants of the SL community who have since been released. These videos are then sent back into prisons for an uplifting facility-wide experience. The final production “Creations of a Caged Bird, volume 2” will be distributed to partnering prisons to be played on TVs and individual electronic tablets in: ○ Pennsylvania ○ North Dakota ○ Ohio ○ Cook County Jail system (Chicago) ○ South Carolina ○ Rikers Island Jails (NYC) ◎ RUN OF SHOW ◎ ● “Man Up” p. 4 ● “Caught in the Silence” p. 9 ● “Reaching Out” p. 5 ● “Speaking to Society & p. 10 ● “What I Wish You Knew” p. 6 the Powers that Be” ● “Our Journey” p. 7 ● “Jump into your Destiny” p. 11 ● “My Life” p. 8 ● “Hope in Hardship” p. 12 ● “Caught in the Silence” p. 9 ● “Time in Heaven” p. 14 ◦ Artist Bios: p. 15 - 21 ALL PIECES WERE WRITTEN BY PEOPLE INCARCERATED IN PENNSYLVANIA A REFLECTION FROM ONE OF OUR CURRENT PARTICIPANTS: It reminded me that there are many forms of incarceration- physical/mental. Also- pain is pain. It isn't about your ethnicity, or the language you speak, or rich or poor...pain is universal. We may mourn/grieve differently, but the pain remains the same. Our tears pour from the same ducts in our eyes because we have one Maker and Creator who hears the groans of His creation and bottles up our tears and quashes our fears. So I say, come one and all, gather around to hear the beautiful sound of why the caged bird sings- the caged bird sings because of the joy it brings to those nearby. Although inside he wants to cry, yet he chooses to be the reason why all within earshot smile and pop their fingers in cadence. If no one’s near to give an ear herein lies the fears and tears of the loneliness of being behind the tiny bars which reveal the mental soars. The bars and walls begin to close in. You no longer can feel a breeze or the wind in your plumage. The air is thin and stale. Lift the mask. Open your eyes. No longer are there blue skies. Joy and pain are all the same when there’s no relief from the grief of concealment. All is left as his tiny body grows cold in the memory of the warm embrace from his Father’s grace and HER! Caged so close yet so far. With prisons bound as the pendulum swings, no matter what you’ll always hear the caged bird sing. I hope and pray this is a suitable adaptation of the sustained words of the tenacious singing bird. 3 “ ” WRITTEN BY SYNOPSIS Luis (“Cheo”) reflected on what led him to incarceration and what motivates him now - supporting his family from the inside and working every day to get home to them. With audio clips from their video conference where Luis tapped out the beat for his song, recording artist Cellus Hamilton created the foundation for the musical production of the final track, mixed with sound bites of their inspiring conversation. FROM THE AUTHOR “It was like two, three o’clock in the morning when I wrote this. I couldn’t sleep...All this damage that I’ve caused, I used to beat myself up in my head like, ‘How can I change and make it better? How can I make it better?’ All I can do is make myself better and not make the same mistakes… It doesn’t matter if you’re doing ‘life’ or if you’re just doing a little time - just do something with your time.” ARRANGED/PERFORMED BY: Cellus Hamilton PRODUCED BY: Von Vuai ACTING: Nikolas Mercado VIDEOGRAPHY/EDITING: Paul Ashch 4 “ ” WRITTEN BY SYNOPSIS: Puddy is a leader in his facility and a member of the Lifers Board, constantly finding ways to encourage younger men to find their purpose and leave prison for good. But he wasn’t always as grounded as he is today. In this piece, brought to life through creative animation, Puddy’s voice is heard reflecting on the difficulty of confronting a life sentence as a younger man, exploring how to survive day to day as a Lifer. FROM THE AUTHOR: “Ladies and gentlemen- people on the outside, on the inside- I love each and every one of you… The title of my poem, and the experience I’ve gone through in 45 years in prison is called, ‘Reaching Out.’ I want this poem and my experience to reach all the people out there in society- all the people in prison. Religion? I don't care what your religion is, your faith, your hope, your families- we’re all in this together.” ANIMATION: Aimee Smyke SOUND DESIGN/AUDIO ENGINEERING: Marialena DiFabbio DRAMATURGE: Dr. Rachel Tracie CREATIVE DIRECTION: Angelica Richie 5 “ ” WRITTEN BY SYNOPSIS: David has never identified as a writer in the past, but it’s clear through his poem that he is exceptionally gifted in the art of finding truth and expressing it in beautiful and complex ways. He explores the power of light- when it’s present, when it’s not, and how it can allow a person to change course when shining in the right direction. Choreographer and dancer Quilan Arnold has his own movement language that adapts English to be interpreted through the whole body which he offers as an interpretation and an expression of David’s work. FROM THE AUTHOR: “I’m fascinated by words. When I read, I read to see how a person will use their words in a way that they want to express themselves- and I really hold on to those moments when you can see somebody and their words can be so powerful that you see exactly what the person is saying. I’m really big on vivid imagery and I used to shy away from doing that and that kept me in the darkness. My identity wasn’t where it needed to be; I didn’t know who I was… When you are mistaken to be somebody that you know you’re not, you get the feeling you always have to prove yourself... It was very dark. I was in darkness, and God brought me to the light.” DANCER/CHOREOGRAPHER: Quilan “Cue” Arnold VOICE OVER: Phillip Attmore ORIGINAL MUSIC: YNOT CINEMATOGRAPHY/EDITING: Kyrsten Arnold 6 “ ” WRITTEN BY SYNOPSIS: Musician and producer Stephanie Yu first worked with Rachel in 2016 on a Shining Light Impact Workshop. Since then, Rachel has been even more empowered to use her creativity to express pain and bring hope to others. This piece, written as a desperate yet powerful appeal to the teenage son of a friend who passed away, asks both him and all of us to persevere through our pain-- hope and renewal wait for us on the other side. FROM THE AUTHOR: “There’s always a way up if you have the courage to take it - hour by hour, minute by minute. The future is unfathomable, there’s all those unknowns to reach for, tomorrow is a brand new clean slate. Your past makes you who you are. There’s nothing to be ashamed of - embrace it. Learn from it and leave it there… Not all hope is lost - there’s a brighter tomorrow.” FEATURING: Stephanie Yu & Rosa Procaccino DIRECTORS: Stephanie Yu & Rosa Procaccino PRODUCED BY: Stephanie Yu ORIGINAL SCORE: Stephanie Yu VIDEOGRAPHY: Ted Buerkle 7 “ ” WRITTEN BY RECENTLY RELEASED SYNOPSIS: Michael wrote this piece knowing his release was upcoming, and he met with director Madeline Johnson in the weeks leading up to his out-date. For him, like many who are approaching release, the feeling is a mix of anticipation, tension, and hope. His piece explores what it means to be the individual living through each of these realities and choosing courage in the face of the unknown. *Michael was released in early May and is committed to finding stable connections, housing, and employment so he can add value to his community. FROM THE AUTHOR: “I was in the thick of the hurricane, my life was just upside down. And at one point I would look back to what happened in my life and would kinda blame situations and things that happened, but then I realized that’s all part of life and the things that happened don’t make me. As a young youth, I didn’t have enough capacity to see that it was part of life… And now, I can rely on God and on other people to help whenever I’m going through something. I can’t do it on my own.” FEATURING: Brandon Contreras DIRECTOR: Madeline Johnson CINEMATOGRAPHY: Zanza Steinberg EDITING: Madeline Johnson 8 “ ” WRITTEN BY SYNOPSIS: Of all our writers, “M” was the only one we were unable to speak to directly. However, she and former team leader Joy Attmore did have meaningful correspondence through letters in which she expanded her creative vision, shared the personal resonance of her lyrics, and offered inspiration to the team that produced her work. Her song directs listeners away from their darker angels to stronger voices of resilience, hope, and triumph.
Recommended publications
  • The Real Estate Marketplace Glossary: How to Talk the Talk
    Federal Trade Commission ftc.gov The Real Estate Marketplace Glossary: How to Talk the Talk Buying a home can be exciting. It also can be somewhat daunting, even if you’ve done it before. You will deal with mortgage options, credit reports, loan applications, contracts, points, appraisals, change orders, inspections, warranties, walk-throughs, settlement sheets, escrow accounts, recording fees, insurance, taxes...the list goes on. No doubt you will hear and see words and terms you’ve never heard before. Just what do they all mean? The Federal Trade Commission, the agency that promotes competition and protects consumers, has prepared this glossary to help you better understand the terms commonly used in the real estate and mortgage marketplace. A Annual Percentage Rate (APR): The cost of Appraisal: A professional analysis used a loan or other financing as an annual rate. to estimate the value of the property. This The APR includes the interest rate, points, includes examples of sales of similar prop- broker fees and certain other credit charges erties. a borrower is required to pay. Appraiser: A professional who conducts an Annuity: An amount paid yearly or at other analysis of the property, including examples regular intervals, often at a guaranteed of sales of similar properties in order to de- minimum amount. Also, a type of insurance velop an estimate of the value of the prop- policy in which the policy holder makes erty. The analysis is called an “appraisal.” payments for a fixed period or until a stated age, and then receives annuity payments Appreciation: An increase in the market from the insurance company.
    [Show full text]
  • American Modern Ensemble at National Sawdust on Wednesday, November 1, 2017, at 7:00 Pm
    American Modern Ensemble at National Sawdust on Wednesday, November 1, 2017, at 7:00 pm: “Lingua Franca,” A Program of Recent and Brand New Music About Mangled Text, ICU Sounds, Rising, Falling, and Clashing Cultures Guest Ensemble: SYBARITE5 Message on chopstick wrapper in David Feurzeig’s Lingua Franca AME pianist Blair McMillen (photo by Bob London), SYBARITE5 The third definition of the phrase “lingua franca” in the Merriam Webster dictionary is: “something resembling a common language.” Lingua Franca is the name of a work by David Feurzeig that titles American Modern Ensemble’s November 1 concert at Brooklyn’s National Sawdust – describing a program that also includes a diversity of recent and new works by three winners of AME’s 10th Annual Composition Competition – Pierce Gradone, Texu Kim, and Aaron Mencher – and AME founder Robert Paterson: • David Feurzeig’s Lingua Franca (2014, New York premiere) for cello and bass, five settings of “unedited texts from around the world, composed in appreciation of the range of global English expression” which are also recited by the players • Pierce Gradone’s The Art of Falling (2011) for solo piano American Modern Ensemble’s Lingua Franca, November 1, 2017, at National Sawdust - Page 2 of 4 • Texu Kim’s Co.Ko. – un poco Loco (2017) for solo piano, “a 10-minute musical essay in three movements, reflecting contemporary Korea, where its own traditions and Western influences mingle in a slightly crazy way” • Aaron Mencher’s Rise (2016) for solo cello, evoking its title both figuratively and literally • Robert Paterson’s Ouvir Estrelas (2017, world premiere), a song setting of a poem in Portuguese by Brazilian Parnassian poet Olavo Bilac • Robert Paterson’s I See You, the New York premiere of a version for string quintet and recording of this 2016 work, originally scored for string orchestra and recording, inspired by a week the composer spent by his father’s bedside in the ICU The acclaimed string quintet SYBARITE5, the program’s guest ensemble, will perform I See You.
    [Show full text]
  • 42Nd Street Center for Performing Arts
    Governors State University OPUS Open Portal to University Scholarship Center for Performing Arts Memorabilia Center for Performing Arts 5-25-1996 42nd Street Center for Performing Arts Follow this and additional works at: http://opus.govst.edu/cpa_memorabilia Recommended Citation Center for Performing Arts, "42nd Street" (1996). Center for Performing Arts Memorabilia. Book 82. http://opus.govst.edu/cpa_memorabilia/82 This Book is brought to you for free and open access by the Center for Performing Arts at OPUS Open Portal to University Scholarship. It has been accepted for inclusion in Center for Performing Arts Memorabilia by an authorized administrator of OPUS Open Portal to University Scholarship. For more information, please contact [email protected]. 42ND STREET Saturday, May 25 IP Ml" :• i fi THE CENTER FOR ARTS AND TECHNOLOGY AT GOVERNORS STATE UNIVERSITY The Troika Organization, Music Theatre Associates, The A.C. Company, Inc., Nicholas Hovvey, Dallett Norris, Thomas J. Lydon, and Stephen B. Kane present Music by Lyrics by HARRY WARREN AL DUBIN Book by MICHAEL STEWART & MARK BRAMBLE Based on the novel by BRADFORD ROPES Original Direction and Dances by Originally Produced on Broadway by GOWER CHAMPION DAVID MERRICK Featuring ROBERT SHERIDAN REBECCA CHRISTINE KUPKA MICHELLE FELTEN MARC KESSLER KATHY HALENDA CHRISTOPHER DAUPHINEE NATALIE SLIPKO BRIANW.WEST SHAWN EMAMJOMEH MICHAEL SHILES Scenic Design by Costume Design by Lighting Design by JAMES KRONZER NANZI ADZIMA MARY JO DONDLINGER Sound Design by Hair and Makeup Design by Asst. Director/Choreographer KEVIN HIGLEY JOHN JACK CURTIN LeANNE SCHINDLER Orchestral & Vocal Arranger Musical Director & Conductor STEPHEN M. BISHOP HAMPTON F. KING, JR.
    [Show full text]
  • 1. Summer Rain by Carl Thomas 2. Kiss Kiss by Chris Brown Feat T Pain 3
    1. Summer Rain By Carl Thomas 2. Kiss Kiss By Chris Brown feat T Pain 3. You Know What's Up By Donell Jones 4. I Believe By Fantasia By Rhythm and Blues 5. Pyramids (Explicit) By Frank Ocean 6. Under The Sea By The Little Mermaid 7. Do What It Do By Jamie Foxx 8. Slow Jamz By Twista feat. Kanye West And Jamie Foxx 9. Calling All Hearts By DJ Cassidy Feat. Robin Thicke & Jessie J 10. I'd Really Love To See You Tonight By England Dan & John Ford Coley 11. I Wanna Be Loved By Eric Benet 12. Where Does The Love Go By Eric Benet with Yvonne Catterfeld 13. Freek'n You By Jodeci By Rhythm and Blues 14. If You Think You're Lonely Now By K-Ci Hailey Of Jodeci 15. All The Things (Your Man Don't Do) By Joe 16. All Or Nothing By JOE By Rhythm and Blues 17. Do It Like A Dude By Jessie J 18. Make You Sweat By Keith Sweat 19. Forever, For Always, For Love By Luther Vandros 20. The Glow Of Love By Luther Vandross 21. Nobody But You By Mary J. Blige 22. I'm Going Down By Mary J Blige 23. I Like By Montell Jordan Feat. Slick Rick 24. If You Don't Know Me By Now By Patti LaBelle 25. There's A Winner In You By Patti LaBelle 26. When A Woman's Fed Up By R. Kelly 27. I Like By Shanice 28. Hot Sugar - Tamar Braxton - Rhythm and Blues3005 (clean) by Childish Gambino 29.
    [Show full text]
  • Steve Pamon President & Chief Operating Officer Parkwood Entertainment
    Steve Pamon President & Chief Operating Officer Parkwood Entertainment Launch With GS External Advisory Council Steve Pamon is the President and Chief Operating Officer of global entertainer Beyoncé’s management and production company, Parkwood Entertainment. In his time at Parkwood Entertainment, the team has continued its history of critical and commercial success in the media, entertainment, and consumer products business, as evident in the Super Bowl 50 Halftime Show, Lemonade visual album, 22 Days Nutrition, The Formation World Tour, Coachella Homecoming, On the Run II world tour, Everything is Love album, Global Citizen Africa Festival, Adidas / Ivy Park partnership, Disney’s The Lion King: The Gift album, among many others. In addition, his team manages the careers of rapper/songwriter, Ingrid and actresses/musicians, Chloe x Halle. Prior to joining Parkwood Entertainment, Pamon was the head of sports and entertainment marketing for JPMorgan Chase, where he led a team responsible for the ongoing operations around the bank’s broad sponsorship portfolio, including Madison Square Garden (NY Knicks & NY Rangers), NY Jets, NY Giants, Radio City Music Hall, The Rockettes, The US Open Tennis Tournament, Chicago Theater, and the Los Angeles Forum. Before joining JPMC, Pamon was the Vice President of Strategy and New Business Development for the National Football League. He also served as the Senior Vice President and General Manager of HBO's digital distribution. His career began with stints at Merrill Lynch, Citigroup, McKinsey & Co., and Time Warner. Outside of his full-time role, Pamon recently completed a 10 year term as a board member of New York Road Runners ("NYRR"), a non-profit organization that produces more than 100 sports events each year - including the famed New York City Marathon.
    [Show full text]
  • Who Tells Your Story?: Intersections of Power, Domesticity, and Sexuality Relating to Rap and Song in the Musical Hamilton
    WHO TELLS YOUR STORY?: INTERSECTIONS OF POWER, DOMESTICITY, AND SEXUALITY RELATING TO RAP AND SONG IN THE MUSICAL HAMILTON By Tia Marie Harvey A THESIS Submitted to Michigan State University in partial fulfillment of the requirement for the degree Musicology—Master of Arts 2019 ABSTRACT WHO TELLS YOUR STORY?: INTERSECTIONS OF POWER, DOMESTICITY, AND SEXUALITY RELATING TO RAP AND SONG IN THE MUSICAL HAMILTON By Tia Marie Harvey In January 2015, Lin-Manuel Miranda’s Hamilton: An American Musical premiered at The Public Theater in New York City. Later that year it moved to Broadway with an engagement at the Richard Rodgers Theater, followed by productions in Chicago and London. Commercially successful and critically acclaimed, Hamilton continues to hold significant cultural relevance in 2019. As a result of this musical’s cultural significance, it has the ability to communicate positive, but also limiting, aspects of our society. In this thesis, I examine the concept of rap as a musical language of power. To do this, I assert that characters in Hamilton who have power, and particularly when expressing that power, do so through rap. In contrast, when characters don’t have power, or are entering realms of the powerless (i.e. spaces gendered female), they do so through lyrical song. In chapter 1, I set up the divide between rap and song as it primarily translates among male characters and class. Chapter 2 is focused on the domestic sphere, and in chapter 3 I discuss sexuality. In the conclusion of this thesis, I revisit the character of Eliza and explore the perceived power of her role as storyteller and the way in which the themes I discuss illuminate many missed opportunities to present an interpretation of America’s founding that is truly revolutionary.
    [Show full text]
  • The Case of Rihanna: Erotic Violence and Black Female Desire
    Fleetwood_Fleetwood 8/15/2013 10:52 PM Page 419 Nicole R. Fleetwood The Case of Rihanna: Erotic Violence and Black Female Desire Note: This article was drafted prior to Rihanna and Chris Brown’s public reconciliation, though their rekindled romance supports many of the arguments outlined herein. Fig. 1: Cover of Esquire, November 2011 issue, U. S. Edition. Photograph by Russell James. he November 2011 issue of Esquire magazine declares Rihanna “the sexiest Twoman alive.” On the cover, Rihanna poses nude with one leg propped, blocking view of her breast and crotch. The entertainer stares out provocatively, with mouth slightly ajar. Seaweed clings to her glistening body. A small gun tattooed under her right arm directs attention to her partially revealed breast. Rihanna’s hands brace her body, and her nails dig into her skin. The feature article and accompanying photographs detail the hyperbolic hotness of the celebrity; Ross McCammon, the article’s author, acknowledges that the pop star’s presence renders him speechless and unable to keep his composure. Interwoven into anecdotes and narrative scenes explicating Rihanna’s desirability as a sexual subject are her statements of her sexual appetite and the pleasure that she finds in particular forms of sexual play that rehearse gendered power inequity and the titillation of pain. That Rihanna’s right arm is carefully positioned both to show the tattoo of the gun aimed at her breast, and that her fingers claw into her flesh, commingle sexual pleasure and pain, erotic desire and violence. Here and elsewhere, Rihanna employs her body as a stage for the exploration of modes of violence structured into hetero- sexual desire and practices.
    [Show full text]
  • Reggie Workman Working Man
    APRIL 2018—ISSUE 192 YOUR FREE GUIDE TO THE NYC JAZZ SCENE NYCJAZZRECORD.COM REGGIE WORKMAN WORKING MAN JIM JONNY RICHARD EDDIE McNEELY KING WYANDS JEFFERSON Managing Editor: Laurence Donohue-Greene Editorial Director & Production Manager: Andrey Henkin To Contact: The New York City Jazz Record 66 Mt. Airy Road East APRIL 2018—ISSUE 192 Croton-on-Hudson, NY 10520 United States Phone/Fax: 212-568-9628 New York@Night 4 Laurence Donohue-Greene: Interview : JIM Mcneely 6 by ken dryden [email protected] Andrey Henkin: [email protected] Artist Feature : JONNY KING 7 by donald elfman General Inquiries: [email protected] ON The COver : REGGIE WORKMAN 8 by john pietaro Advertising: [email protected] Encore : RICHARD WYANDS by marilyn lester Calendar: 10 [email protected] VOXNews: Lest WE Forget : EDDIE JEFFERSON 10 by ori dagan [email protected] LAbel Spotlight : MINUS ZERO by george grella US Subscription rates: 12 issues, $40 11 Canada Subscription rates: 12 issues, $45 International Subscription rates: 12 issues, $50 For subscription assistance, send check, cash or vOXNEWS 11 by suzanne lorge money order to the address above or email [email protected] Obituaries by andrey henkin Staff Writers 12 David R. Adler, Clifford Allen, Duck Baker, Stuart Broomer, FESTIvAL REPORT Robert Bush, Thomas Conrad, 13 Ken Dryden, Donald Elfman, Phil Freeman, Kurt Gottschalk, Tom Greenland, Anders Griffen, CD REviews 14 Tyran Grillo, Alex Henderson, Robert Iannapollo, Matthew Kassel, Marilyn Lester, Suzanne
    [Show full text]
  • Bullseye with Jesse Thorn Is a Production of Maximumfun.Org and Is Distributed by NPR
    00:00:00 Music Music Gentle, trilling music with a steady drumbeat plays under the dialogue. 00:00:01 Promo Promo Speaker: Bullseye with Jesse Thorn is a production of MaximumFun.org and is distributed by NPR. [Music fades out.] 00:00:11 Jesse Host I’m Jesse Thorn. It’s Bullseye! Thorn 00:00:14 Music Music “Huddle Formation” from the album Thunder, Lightning, Strike by The Go! Team plays. A fast, upbeat, peppy song. Music plays as Jesse speaks, then fades out. 00:00:20 Jesse Host Lin-Manuel Miranda grew up in a working-class neighborhood, north of Harlem. He went to a fancy school for gifted kids, on the Upper East Side. He went to college at Wesleyan, and not long after he graduated, he had a hit Broadway musical— [“Huddle Formation” fades out to be replaced with “In the Heights”.] In the Heights. 00:00:34 Clip Clip “In the Heights” from the Broadway musical In the Heights plays. ENSEMBLE: In the Heights I can’t survive without café USNAVI: I serve café ENSEMBLE: 'Cause tonight... [Music fades out as Jesse speaks] 00:00:41 Jesse Host He’s also the creator and star of Hamilton: the award-winning, massively influential musical about the founding f—well, you know what. This is a little silly. I’m explaining the plot of Hamilton on NPR. You know what Hamilton is. These days, Lin-Manuel is in a spot where not many artists find themselves. He can do pretty much whatever he wants! He can take on almost any project.
    [Show full text]
  • Top 200 Concert Grosses
    2018 YEAR END | TOP 200 CONCERT GROSSES Artist Tickets Sold Artist Tickets Sold Date Facility/Promoter Support Capacity Gross Date Facility/Promoter Support Capacity Gross 07/20/18 Taylor Swift Camila Cabello 165,654 $22,031,385 06/28/18 Eagles/Jimmy Buffett Vince Gill 48,122 $9,055,130 07/21-22 MetLife Stadium Charli XCX 55,218 Coors Field 48,122 East Rutherford, NJ 100% Denver, CO 100% 3 shows Messina Touring Group / AEG Presents 49.50 - 499.50 1 Live Nation 47.00 - 397.00 23 07/26/18 Taylor Swift Camila Cabello 174,764 $21,779,845 08/25/18 Taylor Swift Camila Cabello 56,112 $9,007,179 07/27-28 Gillette Stadium Charli XCX 58,255 Nissan Stadium Charli XCX 56,112 Foxboro, MA 100% Nashville, TN 100% 3 shows Messina Touring Group / AEG Presents 49.50 - 499.50 2 Messina Touring Group / AEG Presents 49.50 - 499.50 24 08/10/18 Taylor Swift Camila Cabello 116,745 $18,089,414 08/24/18 Drake Migos 67,446 $8,992,078 08/11/18 Mercedes-Benz Stadium Charli XCX 58,373 08/25/18 Madison Square Garden Arena Roy Wood$ 16,861 Atlanta, GA 100% 08/27-28 New York, NY 100% 2 shows Messina Touring Group / AEG Presents 49.50 - 499.50 3 4 shows Live Nation 53.50 - 263.50 25 05/18/18 Taylor Swift Camila Cabello 118,084 $16,251,980 06/25/18 U2 55,575 $8,705,673 05/19/18 Rose Bowl Stadium Charli XCX 59,042 06/26/18 Madison Square Garden Arena 18,525 Pasadena, CA 100% 07/01/18 New York, NY 100% 2 shows Messina Touring Group / AEG Presents 49.50 - 499.50 4 3 shows Live Nation Global Touring 41.00 - 325.00 26 10/05/18 Taylor Swift Camila Cabello 105,002 $15,006,157
    [Show full text]
  • Putting It Together
    46th Season • 437th Production SEGERSTROM STAGE / September 11 - October 11, 2009 David Emmes Martin Benson Producing ArtiStic director ArtiStic director presents PUTTING IT TOGETHER words and music by Stephen Sondheim devised by Stephen Sondheim and Julia McKenzie Thomas Buderwitz Soojin Lee Steven Young Drew Dalzell Scenic deSign coStume deSign Lighting deSign Sound deSign Joshua Marchesi Jamie A. Tucker* Production mAnAger StAge mAnAger musical direction by Dennis Castellano directed by Nick DeGruccio Dr. S.L. and Mrs. Betty Eu Huang Huang Family Foundation honorAry ProducerS corPorAte Producer Putting It Together is presented through special arrangement with music theatre international (mti). All authorized performance materials are also supplied by mti. 421 West 54th Street, new york, ny 10019; Phone: 212-541-4684 Fax: 212-397-4684; www.mtiShows.com Putting It Together• SOUTH COA S T REPE R TO R Y P1 THE CAST (in order of appearance) Matt McGrath* Harry Groener* Niki Scalera* Dan Callaway* Mary Gordon Murray* MUSICIANS Dennis Castellano (conductor/keyboards), John Glaudini (synthesizer), John Reilly (woodwinds), Louis Allee (percussion) SETTING A New York penthouse apartment. Now. LENGTH Approximately two hours including one 15-minute intermission. PRODUCTION STAFF Casting ................................................................................ Joanne DeNaut, CSA Dramaturg .......................................................................... Linda Sullivan Baity Assistant Stage Manager .............................................................
    [Show full text]
  • New Studio on Broadway: Music Theatre and Acting
    ® ® 2019 CELEBRATING JIMMY NEDERLANDER James M. Nederlander or “Jimmy,” Chairman of The Nederlander Organization, was the visionary theatrical impresario who built one of the largest private live entertainment companies in the world known for producing and presenting world-class entertainment since 1912. Jimmy started working in the theatre at age 7 sweeping floors for his father, David Tobias (D.T.) Nederlander, in Detroit, Michigan. During a career that spanned over 70 years, Jimmy amassed a network of premier legitimate theatres including nine on Broadway: the Brooks Atkinson, Gershwin, Lunt-Fontanne, Marquis, Minskoff, Nederlander, Neil Simon, Richard Rodgers, and the world famous Palace; in Los Angeles: The Pantages; in London: the Adelphi, Aldwych, and Dominion; and in Chicago: the Auditorium, Broadway Playhouse, Cadillac Palace, and CIBC Theatres, and the Oriental Theatre which this year was renamed the James M. Nederlander Theatre in Jimmy’s honor. He produced over one hundred acclaimed Broadway musicals and plays including Annie, Applause, La Cage aux Folles, Les Liaisons Dangereuses, Me and My Girl, Nine, Noises Off, Peter Pan, Sweet Charity, The Life and Adventures of Nicholas Nickelby, The Will Rogers Follies, Woman of the Year, and many more. “Generous,” “loyal” and “trusted” are just a few of the accolades his friends use to describe him. Jimmy was beloved by the industry and the recipient of many distinguished honors including an Honorary Doctorate of Fine Arts from the University of Connecticut (2014), the Exploring the Arts Foundation Award (2014), the United Nations Foundation Champion Award (2012), The Broadway League’s Schoenfeld Vision for Arts Education Award (2011), the New York Pop’s Man of the Year (2008), and the special Tony Award for Lifetime Achievement (2004).
    [Show full text]