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Waid Ewing Zub Jacinto Curiel
PART5 679 WAID EWING ZUB JACINTO CURIEL RATED T+ 6 7 9 1 1 $3.99US DIRECT EDITION MARVEL.COM 7 59606 08766 2 VARIANT 679 EDITION 6 7 9 2 1 RATED T+ $3.99US MARVEL.COM 7 59606 08766 2 VARIANT 679 EDITION RATED T+ • $3.99US •MARVEL.COM 6 7 9 3 1 7 59606 08766 2 The Earth has been STOLEN! The Lethal Legion and the Black Order have arrived on Earth to fight for cosmic objects called Pyramoids, which are wreaking elemental havoc on their surroundings. Most of the world’s heroes and villains have been trapped in a mysterious stasis, leaving behind only a handful of Avengers as the planet’s last line of defense. When Pyramoids landed in Rome and Peru, the remaining Avengers split into teams to investigate, but the battle has already claimed several of them, and Black Dwarf beat the Rome team to the first Pyramoid. After the heroes in Rome saw their Pyramoid inexplicably annihilate Black Dwarf, they sent Lightning to Peru to warn the other team of the danger, but he was too late--the Human Torch had already touched the second Pyramoid… WRITERS Al Ewing, Jim Zub & Mark Waid ARTIST Kim Jacinto Color Artist David Curiel Letterer VC’s Cory Petit CoVER Mark Brooks VARIANT COVERS Editor in Chief Nick Bradshaw & Jim Campbell; Ramon Perez C.B. Cebulski GRAPHIC DESIGN Chief Creative Officer Carlos Lao Joe Quesada ASSISTANT EDITOR President Alanna Smith Dan Buckley EDITOR Executive Producer Tom Brevoort Alan Fine Avengers created by Stan Lee & Jack Kirby THOR HERCULES ROGUE GRANDMASTER JANE FOSTER LIGHTNING SYNAPSE WONDER MAN RED HULK FALCON HUMAN TORCH MIGUEL SANTOS EMILY GUERRERO SIMON WILLIAMS GEN. -
Advent Traditions,Saint Nicholas Day in Czech Republic,Best Beer Pubs in Prague,Czech Republic the Beer Nation,Prague the Capita
Advent Traditions Advent is a start of liturgical season of 4 Sundays before Christmas. People happily expect Christmas and the coming of Saviour. Even the word “advent” come from Latin word adventus, which means “coming”. It’s time of meditation and charity. Earlier it was time of Lenten, when celebrations, dancing and singing were banned. Advent Lenten disallowed eating meat, only fish were allowed. This Lenten ended with shining of first star on Christmas Eve. Today this season is connected with preparations to Christmas, buying gifts, sweets baking, chores and house decorating. Czech Advent and Christmas Markets For many Czechs it’s a magical time scented with cinnamon, vanilla and mulled wine. In bigger cities, Christmas markets take place and with their atmosphere they are the longest markets of the year. In many stands you can buy gifts for your closed ones. Handmade scarfs, hats and gloves with colourful motives, homemade soaps, candles, ceramics, wickerworks and wooden toys. There’s also presentation of traditional crafts. Right on front of your eyes you can have your text or image engraved on glass and smith can make you a horseshoe for luck. In other stands you can taste roasted almonds, chestnuts, trdelník, potato chips and local specials. People would drink mulled wine, hot mead or punch while watching at Christmas tree. Customs and traditions With advent season there are several traditions and customs in Czech Rep., which survive to this day with small changes. Advent wreath Advent wreath is the most common tradition and you can find in every household. People often make them themselves from twigs and decorate it with cones, bows and rowan. -
Eptember L Heist
Ksini1975 CASSIAR, B.C. VOLUME 19 EPTEMBER L HEIST TOP ROW - JACK GRANT, JOHN WRIGHT, JOHN OLSON, JACK ROBISON 2ND ROW - JENNY DEROUIN, BEVERLY EVANS, KAREN CLARK, KATHY ROBISON LEFT TO RIGHT. 2ND ROW - DAVID RASMUS, DONNA A B LIN , N ATALIE OLSON, PAUL WOOD, B IL L BURR MISSING FROM PICTURE: MARGARET METCALFE, KIRSTEN SMIDT, PAT HICKMAN. Joining the staff are: Margaret Metcalfe, who takes over the Kindergarten. CASSIAR SCHOOL STAFF. NUMBERS FIFTEEN Mr. Metcalfe has taught in Scotland and Africa. Cassiar Elementary Secondary School welcomes ten new Jenny DeRouin, teaches Grade three. Mrs. DeRouin members to the staff for the coming school year. The new has taught previously in Clinton Creek and Ontario. comers join Beverly Evans, Grade one; Paul Wood, Grade Four; John Olson, Grade Six and Seven; Natalie Olson, Kathy and Jack Robison, have come to Cassiar from English and Commerce; and Pat Hickman, Industrial Good Hope Lake where they taught last year. Mrs. Robison Education and Math; — all of whom are well known to teaches the Grade Two Class, and Mr. Robison has charge Cassiar residents and students. of the Grade Five-Six Group. New members of the Secondary Staff include: KAREN CLARK - LEARNING ASSISTANT Bill Burr, who after training at U.B.C. and Simon Mrs. Karen Clark has been appointed full time Fraser, assumes teaching duties in Mathematics and Science learning assistant for the Stikine School District. Karen, who is widely known in the north for her contribu John Wright, an experienced teacher from New Denver tions to education, will supervise learning assistance and Squamish, teaches the Social Studies courses. -
Review: 22 Jump Street | Nouse
Nouse Web Archives Review: 22 Jump Street Page 1 of 3 News Comment MUSE. Politics Business Science Sport Roses Freshers Muse › Film & TV › Features Film Reviews TV Reviews Festivals Review: 22 Jump Street Delivering more action, more gags and more homoeroticism makes this sequel as funny as the first. Kate Barlow reviews Sunday 22 June 2014 Director: Phil Lord, Christopher Miller Starring: Jonah Hill, Channing Tatum, Ice Cube Running time: 112 minutes Rating: ★★★★☆ One of the most endearing features of a comedy is an ability to take the piss out of itself. 22 Jump Street certainly isn’t lacking in this quality. Its prequel didn’t hold back in mocking its own origins in TV, and now the next instalment mocks itself for being a sequel. Twists are made on the original humour: high school is now college, Korean Jesus is now Vietnamese and the drugs are now much harder to find. While these frequent throwbacks do begin to get a little tiring, the plot soon builds up and the film begins to find a voice of its own. The problem with endlessly referencing 21 Jump Street is that it makes it hard not to compare the two films, and in this scenario the second offering inevitably comes up short. 22 Jump Street returns to the college popularity stereotypes the first film so successfully and originally fought against, seeing Jonah Hill’s Schmidt return as bumbling cop and social reject, and Channing Tatum’s Jenko rise to be football jock and cop hero, emerging as a sort of hench Spider-Man. -
Raft of Incoming, A
Greta Adorni was born in Milan where she graduated in Philosophy and continued her studies with an MA in Curatorial Practices at the Brera Academy. At Birkbeck, she completed her MA in History of Art, which gave her the opportunity to combine philosophical theoretical frameworks with memory and trauma studies. This article is the result of her MA dissertation [email protected] / __________________________________________ This article intends to look at the ways in which three works of art have attempted to deal with the issue of representation and mediation of the refugee crisis. 1 Rather than delving into historical or political discourses surrounding this humanitarian crisis, this article will analyse three works of contemporary art: Fuocoammare (Gianfranco Rosi, 2016), Raft of Lampedusa (Jason deCaires Taylor, 2016) and Incoming (Richard Mosse, 2017) mostly through the spectrum of Professor at UNSW National Institute for Experimental Arts and curator Jill Bennett’s theory of ‘empathic vision’ and ‘transactive art’. Political Philosopher Giorgio Agamben’s notions ‘bare life’ and the ‘Muselmann’ will also be regarded as crucial to an empathic visual engagement with art. These theories have the purpose of injecting new approaches to the idea of ‘breathing through the medium’ as a way of activating representations, and thereby maintaining the meaningfulness of representations of refugees. The three works were selected for their alternative approach to the representation and utilization of the art medium. I will analyse Incoming, a documentary made by Richard Mosse in collaboration with Ben Frost and Trevor Tweeten and screened for the first time at the Curve Gallery, at the Barbican Centre in London from 15 February to 23 April 2017. -
Refugee Filmmaking
Alphaville: Journal of Film and Screen Media no. 18, 2019, pp. 3–11 DOI: https://doi.org/10.33178/alpha.18.01 Refugee Filmmaking Editorial Stephanie Hemelryk Donald, Kaya Davies Hayon, and Lucia Sorbera Figure 1: Production still taken for Mare Nostrum (Rana Kazkaz and Anas Khalaf, 2016). Georges Films, Synéastes Film. Photo credit: Eric Devin. The origins of this issue of Alphaville lie in collaborations between the Forced Migration Research Network (UNSW – University of New South Wales) and the Refugee Council of Australia, and in the inspiration afforded us by international colleagues and guests to Sydney (Fadma Aït Mous), Liverpool (Dennis Del Favero) and Lincoln (Hoda Afshar) universities. We have benefited from these academic alliances and invitations, but we also embrace the widest notion of hospitality, whereby the moment of arrival, the request for assistance and shelter, and subsequent decisions over citizenship and long-term residency are located in a moral environment of welcome and mutual learning. We trace and acknowledge our intellectual relationships here in so far as they have allowed us to articulate an emerging and shared recognition that refugee lived experience stands as the barometer for political civility and social health in our time. © Stephanie Hemelryk Donald, Kaya Davies Hayon, and Lucia Sorbera This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License 4 The challenge of the global collapse into conflict and authoritarianism is stark, and the work of refugee filmmakers and documentarists—and indeed those who use scholarship to draw attention to their efforts—is serious and important. This curated collection of essays, films, reflections and reviews seeks to understand the nature and extent of refugee filmmaking today, and to determine who counts as a refugee filmmaker and why. -
S TU D IES a Incidencia De Reescrituras Fílmicas Na Relación De Nomeados E Premiados Dos Principais Galardóns
BOLETÍN GALEGO DE LITERATURA, nº 56 / 1º SEMESTRE (2020): pp. 23-40 / ISSN 2174-4025 ESTUDOS A incidencia de reescrituras fílmicas / na relación de nomeados e premiados STUDIES dos principais galardóns internacionais a longametraxes animadas Rocío G-Pedreira CIEC-IE-Universidade do Minho/ ICE-Universidade de Santiago de Compostela https://orcid.org/0000-0002-5102-5078 [Recibido, 23 abril 2020; aceptado, 4 xuño 2020] [G-Pedreira, R. (2020). A incidencia de reescrituras fílmicas na relación de nomeados e premiados dos principais galardóns internacionais a longametraxes animadas. Boletín Galego de Literatura, 56, “Estudos”, 23-40] DOI http://dx.doi.org/10.15304/bgl.56.6776 RESUMO O presente artigo pretende dar conta da presenza de reescrituras fílmicas de obras 23 literarias realizadas mediante técnicas de animación cuxa calidade as fixo merece- doras de ser nomeadas e/ou premiadas con algúns dos galardóns cinematográficos a nivel mundial máis importantes que contan cunha categoría específica para estas producións, en concreto os Óscar, Annie, Globos de Ouro e BAFTA. Ademais, tamén se analizará brevemente a influencia que ten a creación do hipertexto fílmico para a difusión do correspondente hipotexto. PALABRAS CHAVE Premios cinematográficos; cine de animación; reescrituras fílmicas; adaptación. ABSTRACT This article aims to report about the presence of film rewritings of literary works through animation techniques whose quality making them deserving of being nominees and/ or designed to award some of the most important film awards around the world with a specific category for animated films, in particular, the Oscars, Annie Awards, Golden Globes and BAFTA. Furthermore, it will be analysed briefly the influence of the creation of the film hypertext for hypotext diffusion. -
Aliens of Marvel Universe
Index DEM's Foreword: 2 GUNA 42 RIGELLIANS 26 AJM’s Foreword: 2 HERMS 42 R'MALK'I 26 TO THE STARS: 4 HIBERS 16 ROCLITES 26 Building a Starship: 5 HORUSIANS 17 R'ZAHNIANS 27 The Milky Way Galaxy: 8 HUJAH 17 SAGITTARIANS 27 The Races of the Milky Way: 9 INTERDITES 17 SARKS 27 The Andromeda Galaxy: 35 JUDANS 17 Saurids 47 Races of the Skrull Empire: 36 KALLUSIANS 39 sidri 47 Races Opposing the Skrulls: 39 KAMADO 18 SIRIANS 27 Neutral/Noncombatant Races: 41 KAWA 42 SIRIS 28 Races from Other Galaxies 45 KLKLX 18 SIRUSITES 28 Reference points on the net 50 KODABAKS 18 SKRULLS 36 AAKON 9 Korbinites 45 SLIGS 28 A'ASKAVARII 9 KOSMOSIANS 18 S'MGGANI 28 ACHERNONIANS 9 KRONANS 19 SNEEPERS 29 A-CHILTARIANS 9 KRYLORIANS 43 SOLONS 29 ALPHA CENTAURIANS 10 KT'KN 19 SSSTH 29 ARCTURANS 10 KYMELLIANS 19 stenth 29 ASTRANS 10 LANDLAKS 20 STONIANS 30 AUTOCRONS 11 LAXIDAZIANS 20 TAURIANS 30 axi-tun 45 LEM 20 technarchy 30 BA-BANI 11 LEVIANS 20 TEKTONS 38 BADOON 11 LUMINA 21 THUVRIANS 31 BETANS 11 MAKLUANS 21 TRIBBITES 31 CENTAURIANS 12 MANDOS 43 tribunals 48 CENTURII 12 MEGANS 21 TSILN 31 CIEGRIMITES 41 MEKKANS 21 tsyrani 48 CHR’YLITES 45 mephitisoids 46 UL'LULA'NS 32 CLAVIANS 12 m'ndavians 22 VEGANS 32 CONTRAXIANS 12 MOBIANS 43 vorms 49 COURGA 13 MORANI 36 VRELLNEXIANS 32 DAKKAMITES 13 MYNDAI 22 WILAMEANIS 40 DEONISTS 13 nanda 22 WOBBS 44 DIRE WRAITHS 39 NYMENIANS 44 XANDARIANS 40 DRUFFS 41 OVOIDS 23 XANTAREANS 33 ELAN 13 PEGASUSIANS 23 XANTHA 33 ENTEMEN 14 PHANTOMS 23 Xartans 49 ERGONS 14 PHERAGOTS 44 XERONIANS 33 FLB'DBI 14 plodex 46 XIXIX 33 FOMALHAUTI 14 POPPUPIANS 24 YIRBEK 38 FONABI 15 PROCYONITES 24 YRDS 49 FORTESQUIANS 15 QUEEGA 36 ZENN-LAVIANS 34 FROMA 15 QUISTS 24 Z'NOX 38 GEGKU 39 QUONS 25 ZN'RX (Snarks) 34 GLX 16 rajaks 47 ZUNDAMITES 34 GRAMOSIANS 16 REPTOIDS 25 Races Reference Table 51 GRUNDS 16 Rhunians 25 Blank Alien Race Sheet 54 1 The Universe of Marvel: Spacecraft and Aliens for the Marvel Super Heroes Game By David Edward Martin & Andrew James McFayden With help by TY_STATES , Aunt P and the crowd from www.classicmarvel.com . -
J Ohn F. a Ndrews
J OHN F . A NDREWS OBE JOHN F. ANDREWS is an editor, educator, and cultural leader with wide experience as a writer, lecturer, consultant, and event producer. From 1974 to 1984 he enjoyed a decade as Director of Academic Programs at the FOLGER SHAKESPEARE LIBRARY. In that capacity he redesigned and augmented the scope and appeal of SHAKESPEARE QUARTERLY, supervised the Library’s book-publishing operation, and orchestrated a period of dynamic growth in the FOLGER INSTITUTE, a center for advanced studies in the Renaissance whose outreach he extended and whose consortium grew under his guidance from five co-sponsoring universities to twenty-two, with Duke, Georgetown, Johns Hopkins, North Carolina, North Carolina State, Penn, Penn State, Princeton, Rutgers, Virginia, and Yale among the additions. During his time at the Folger, Mr. Andrews also raised more than four million dollars in grant funds and helped organize and promote the library’s multifaceted eight- city touring exhibition, SHAKESPEARE: THE GLOBE AND THE WORLD, which opened in San Francisco in October 1979 and proceeded to popular engagements in Kansas City, Pittsburgh, Dallas, Atlanta, New York, Los Angeles, and Washington. Between 1979 and 1985 Mr. Andrews chaired America’s National Advisory Panel for THE SHAKESPEARE PLAYS, the BBC/TIME-LIFE TELEVISION canon. He then became one of the creative principals for THE SHAKESPEARE HOUR, a fifteen-week, five-play PBS recasting of the original series, with brief documentary segments in each installment to illuminate key themes; these one-hour programs aired in the spring of 1986 with Walter Matthau as host and Morgan Bank and NEH as primary sponsors. -
KATHRINE GORDON Hair Stylist IATSE 798 and 706
KATHRINE GORDON Hair Stylist IATSE 798 and 706 FILM DOLLFACE Department Head Hair/ Hulu Personal Hair Stylist To Kat Dennings THE HUSTLE Personal Hair Stylist and Hair Designer To Anne Hathaway Camp Sugar Director: Chris Addison SERENITY Personal Hair Stylist and Hair Designer To Anne Hathaway Global Road Entertainment Director: Steven Knight ALPHA Department Head Studio 8 Director: Albert Hughes Cast: Kodi Smit-McPhee, Jóhannes Haukur Jóhannesson, Jens Hultén THE CIRCLE Department Head 1978 Films Director: James Ponsoldt Cast: Emma Watson, Tom Hanks LOVE THE COOPERS Hair Designer To Marisa Tomei CBS Films Director: Jessie Nelson CONCUSSION Department Head LStar Capital Director: Peter Landesman Cast: Gugu Mbatha-Raw, David Morse, Alec Baldwin, Luke Wilson, Paul Reiser, Arliss Howard BLACKHAT Department Head Forward Pass Director: Michael Mann Cast: Viola Davis, Wei Tang, Leehom Wang, John Ortiz, Ritchie Coster FOXCATCHER Department Head Annapurna Pictures Director: Bennett Miller Cast: Steve Carell, Channing Tatum, Mark Ruffalo, Siena Miller, Vanessa Redgrave Winner: Variety Artisan Award for Outstanding Work in Hair and Make-Up THE MILTON AGENCY Kathrine Gordon 6715 Hollywood Blvd #206, Los Angeles, CA 90028 Hair Stylist Telephone: 323.466.4441 Facsimile: 323.460.4442 IATSE 706 and 798 [email protected] www.miltonagency.com Page 1 of 6 AMERICAN HUSTLE Personal Hair Stylist to Christian Bale, Amy Adams/ Columbia Pictures Corporation Hair/Wig Designer for Jennifer Lawrence/ Hair Designer for Jeremy Renner Director: David O. Russell -
2010 16Th Annual SAG AWARDS
CATEGORIA CINEMA Melhor ator JEFF BRIDGES / Bad Blake - "CRAZY HEART" (Fox Searchlight Pictures) GEORGE CLOONEY / Ryan Bingham - "UP IN THE AIR" (Paramount Pictures) COLIN FIRTH / George Falconer - "A SINGLE MAN" (The Weinstein Company) MORGAN FREEMAN / Nelson Mandela - "INVICTUS" (Warner Bros. Pictures) JEREMY RENNER / Staff Sgt. William James - "THE HURT LOCKER" (Summit Entertainment) Melhor atriz SANDRA BULLOCK / Leigh Anne Tuohy - "THE BLIND SIDE" (Warner Bros. Pictures) HELEN MIRREN / Sofya - "THE LAST STATION" (Sony Pictures Classics) CAREY MULLIGAN / Jenny - "AN EDUCATION" (Sony Pictures Classics) GABOUREY SIDIBE / Precious - "PRECIOUS: BASED ON THE NOVEL ‘PUSH’ BY SAPPHIRE" (Lionsgate) MERYL STREEP / Julia Child - "JULIE & JULIA" (Columbia Pictures) Melhor ator coadjuvante MATT DAMON / Francois Pienaar - "INVICTUS" (Warner Bros. Pictures) WOODY HARRELSON / Captain Tony Stone - "THE MESSENGER" (Oscilloscope Laboratories) CHRISTOPHER PLUMMER / Tolstoy - "THE LAST STATION" (Sony Pictures Classics) STANLEY TUCCI / George Harvey – “UM OLHAR NO PARAÍSO” ("THE LOVELY BONES") (Paramount Pictures) CHRISTOPH WALTZ / Col. Hans Landa – “BASTARDOS INGLÓRIOS” ("INGLOURIOUS BASTERDS") (The Weinstein Company/Universal Pictures) Melhor atriz coadjuvante PENÉLOPE CRUZ / Carla - "NINE" (The Weinstein Company) VERA FARMIGA / Alex Goran - "UP IN THE AIR" (Paramount Pictures) ANNA KENDRICK / Natalie Keener - "UP IN THE AIR" (Paramount Pictures) DIANE KRUGER / Bridget Von Hammersmark – “BASTARDOS INGLÓRIOS” ("INGLOURIOUS BASTERDS") (The Weinstein Company/Universal Pictures) MO’NIQUE / Mary - "PRECIOUS: BASED ON THE NOVEL ‘PUSH’ BY SAPPHIRE" (Lionsgate) Melhor elenco AN EDUCATION (Sony Pictures Classics) DOMINIC COOPER / Danny ALFRED MOLINA / Jack CAREY MULLIGAN / Jenny ROSAMUND PIKE / Helen PETER SARSGAARD / David EMMA THOMPSON / Headmistress OLIVIA WILLIAMS / Miss Stubbs THE HURT LOCKER (Summit Entertainment) CHRISTIAN CAMARGO / Col. John Cambridge BRIAN GERAGHTY / Specialist Owen Eldridge EVANGELINE LILLY / Connie James ANTHONY MACKIE / Sgt. -
Biography Mark Ronson Is an Internationally Renowned DJ and Five-Time-Grammy-Award-Winning and Golden Globe-Winning Artist and P
Biography Mark Ronson is an internationally renowned DJ and five-time-Grammy-Award-winning and Golden Globe-winning artist and producer. Ronson spent the first eight years of his life growing up in London, England. Having played guitar and drums from an early age, it wasn't until moving to New York City following his parents’ divorce, that he discovered DJ culture. At age 16, and already a fan of artists like A Tribe Called Quest, Run DMC and the Beastie Boys, Ronson began listening to mixtapes released by various hip hop DJs. Inspired, Ronson confiscated his step-father's vinyl collection and tried his hand at mixing. It was the first step in a career highlighted by work on a multi Grammy-winning album by Amy Winehouse, as well as his own Grammy-winning, global smash hit with Bruno Mars, "Uptown Funk." In the late 1990s into the early 2000s, the New York club scene was percolating with booming hip-hop and glitzy R&B. Ronson quickly earned himself a reputation through stints on the decks in downtown clubs before becoming the DJ of choice for many noteworthy parties. Hip-hop mogul Sean "P. Diddy" Combs hired Ronson to DJ his fabled 29th birthday bash. These and other high-profile gigs boosted Ronson's profile and connected him with other artists, many of whom were interested in collaborating. His first production gig came from British soul singer Nikka Costa and he found that his experience of working a club crowd informed his production skills. Fusing his eclectic turntable skills with his knowledge of musical instruments and songwriting, Ronson soon embarked on his first solo record.