Artl@s Bulletin Volume 9 Issue 1 “Other Modernities”: Art, Visual Culture Article 3 and Patrimony Outside the West 2020 Beyond Nationalism? Blank Spaces at the documenta 1955 – The Legacy of an Exhibition Between Old Europe and New World Order Mirl Redmann University of Geneva,
[email protected] Follow this and additional works at: https://docs.lib.purdue.edu/artlas Part of the African History Commons, Holocaust and Genocide Studies Commons, Islamic World and Near East History Commons, Modern Art and Architecture Commons, Other German Language and Literature Commons, Other Italian Language and Literature Commons, and the Women's Studies Commons Recommended Citation Redmann, Mirl. "Beyond Nationalism? Blank Spaces at the documenta 1955 – The Legacy of an Exhibition Between Old Europe and New World Order." Artl@s Bulletin 9, no. 1 (2020): Article 3. This document has been made available through Purdue e-Pubs, a service of the Purdue University Libraries. Please contact
[email protected] for additional information. This is an Open Access journal. This means that it uses a funding model that does not charge readers or their institutions for access. Readers may freely read, download, copy, distribute, print, search, or link to the full texts of articles. This journal is covered under the CC BY-NC-ND license. “Other Modernities” Beyond Nationalism? Blank Spaces at the documenta 1955 – The Legacy of an Exhibition Between Old Europe and New World Order Mirl Redmann* Université de Genève Abstract Was the first documenta really beyond nationalism? documenta 1955 has been widely regarded as conciliation for the fascist legacy of the exhibition “Degenerate Art” (1937), and as an attempt to reintegrate Germany into the international arts community.