ATHE ITE

eA Library The Boston Letter from eAthenceum

No. 85 OCTOBER 1986

"There is nothing permanent but change" - HERACLITUS

La plus ~a change ... HE season is changing: foliage changes colors; hours of light and dark alter (it seems) abruptly; the warmth of the sun declines into the chill of Autumn and many of us become vaguely conscious of a sense of loss, experiencing marked, if undirected, feelings of nostalgia. Well, why not indulge them, however briefly, before the inevitable immersion in the innumerable activities of "Life is real/ Life is earnest" WINTER! Through the good offices of one of our Trustees, a short essay on the Athenreum, wrtten in 1932 by Katherine Simonds (Mrs. Lovell) Thompson and previously un­ published, has come into our hands. It is charming, affectionate, curiously informa­ tive and altogether enjoyable. We share it with you here.

ATHENJEUM For over a hundred years now, nearly all the great names of New England have been associated with the Boston Athenreum. It began in 1807 as the private library of a group of Boston gentlemen; and that is all that it claims to be today; but in the meantime it has become a library of some 320,000 volumes, and has played no small part in American literature, philosophy, and statesmanship. Among its Proprietors have been numbered Daniel Webster, Artemas Ward, Oliver Wendell Holmes, James Ford Rhodes, Henry Cabot Lodge, Barrett Wendell, Amy Lowell and Gamaliel Bradford. And, established since 1849 in the same building, it has become a symbol of all that, unchanging though conscious of change, complacent yet inquiring, arro­ gant yet simple, ludicrous yet often entertained by its own absurdities, and curiously inspiring to respect and affection, is Boston at its best. It was originally called The Anthology Club; but the name was changed to the Athenreum "because it was more easily pronounced." Apparently the populace of Boston was better at spelling than at pronouncing, for no record suggests that the

[ 1 ] diphthong caused the Proprietors any qualms. Nor did they hesitate over the implica­ tion of the name; yet it is not every newer Athens that dares assert one of its private libraries to be the Temple of Athene. The outside, a granite wall on Beacon Street, is imposing and forbidding. The bleak, stony, damp entrance ball is like a catacomb. In the small vestibule, a chilly white Adam and Eve mourn Paradise Lost. But, once inside, for the Proprietors and their friends, Paradise bas been regained. Sun streams in from a garden; and if the garden is a graveyard, nevertheless, it harbors Mother Goose and, besides, many of those who in life loved the Athenreum and whose ghosts may return to it more quickly from the Granary than did their bodies even from their houses on Beacon or Mount Vernon Streets, or from their offices on State Street. (That ghostly Proprietors do sometimes return was maintained by no less a Proprietor than Nathaniel Hawthorne, who declared that he had seen a fellow-member reading in the periodical room the account of his own funeral.) Yet, in spite of its more famous Proprietors, the Atbenreum does not seem re­ served for scholars or statesmen: the prevailing impression is of an immense and comfortable pleasantness. Everything is accessible: all the shelves are open; most of the tables are beside windows. No one speaks in bushed tones, yet no one is irri­ tatingly loud. The assistants are amiable, intelligent and extremely industrious if consulted, but they never bother a reader. (Though it is history that one member of the Staff, overbearing an argument between the elder Gamaliel Bradford and Thomas Wentworth Higginson, quieted them with an admonitory, "Boys, boys!") Moreover, there are flowers everywhere, and particularly on all official desks, placed there by a special fund. Here and there are bowls containing goldfish, to enliven the contemplative life; and, best of all, part of the Delivery Desk is given over to the more silent but equally efficient deliveries of a tribe of guppies. There is a Proprietors' Tea-room where tea takes place every afternoon. One of the pleasantest and most characteristic customs of the Athenreum is that of asking readers to express their opinions on the back page of a new book, in not more than five words. The theory is that these opinions guide the committee in its decision whether to keep the book permanently or discard it when the first flurry of interest bas subsided. Since at the back of nearly every book completely divergent opinions may be found, it is probable that the committee comes to a fairly independent decision! The Athenreum does not act as censor for the Proprietors: if the Selecting Com­ mittee judges a book worth reading, it does not hesitate to acquire it merely because some people consider it obscene. Yet if banned books were circulated freely, under the State law, the assistant who gave them out could be prosecuted. Therefore the Athenreum reserves a section for what are gloriously called "Scruple books": any member whose scruples do not restrain him may read them, but they may not leave the building. It must be understood, however, that prudence and not prudishness guides the Committee in deciding what books to segregate; Marcel Proust, for in­ stance, who, though some may find him unpleasant, has never been banned in Boston, remains on the regular shelves. [ 2 ] Nor does the Athenreum make any effort to supply the place of the ordinary lending library; it docs not attempt to buy all the new books as they come out nor to preserve for casual readers books of only passing interest, nor even to buy any books in great quantities. This is not to say, however, that it is merely high-brow- in fact, its collec­ tion of detective stories is imposing. Moreover, a corner of the balcony is given over to children's books, and specially arranged to invite children. At one time, the art gallery of the Athenreum was rich and famous: but as its collection of books grew, by far the most valuable part of its pictures and statuary went to form the nucleus of the Boston Museum of Fine Arts. Still, one may trace the varying taste of the periods through which the Athenreum has passed by the orna­ ments it has elected to keep. Of these, the most conspicuous are the white marble busts, one of which is always at one's elbow, go where one may. At first disconcerted, one comes rather to enjoy the silent society, whether of an early Proprietor, draped in a toga, in which he seems uneasy, or such fictive figures as Little Nell. Most mys­ terious of this ghostly crew is a group of fifteen busts, unnamed and unidentified, during all these years. Who they are and whence they came, no one can say; but in the midst of the Proprietors, all so well identified, so admirably vouched for and documented, they introduce an agreeable element of unchallenged anonymity. The Athenreum is not a place for the giddy young nor, yet, for the giddy old. The sober, bright-eyed, white-haired old gentleman who wears goloshes on rainy days and an archaic hat in all weathers, and his maiden sister, seem indigenous to the Athe­ nreum, destined to pass endless hours in its large unhurried air. (That they wonder, that they inquire, that they enjoy discovery, is forever surprising, for they look as if they were beyond all doubt or query.) Yet by now all sorts of people are Proprietors; there are over a thousand shares. Still, since the Athenreum makes no effort to adapt itself, they are forced to like what they find, or look elsewhere; and the fact that those who remain like it gives them a certain homogeneity. Whoever owns or disowns it, whoever mocks at or decries it, the Athenreum remains the same, anchored in the still waters of utter respectability. I think Il Penseroso would have liked the Athenreum. * * * * * Certain changes there have been: the entrance hall may be somewhat less funereal, "scruples" no longer exist, goldfish and guppies have departed and the (unmen­ tioned) Athenreum Cat no longer prowls by night-alarm systems do not permit this kind of thing. The sober old gentleman and his maiden sister have, perhaps, undergone a certain amount of up-dating, and Tea is now a weekly event-in season. But is it not extraordinary, considering the intervening half century plus, how much remains essentially unchanged and perfectly recognizable?

Volunteers Program Also fortunately unchanged is the very real affection and regard in which the Athe­ nreum is held by members and friends, and their desire to assist personally in its

[ 3 ] activities. Until recently, such assistance was organized informally; but a growing cadre of volunteers deserves improved organization of their efforts. Kay Justley has agreed to take on the tasks of Chairman of Athenreum Volunteers, and she may be reached at 723-4326. We hope to create a Visitors Center on the first floor, where information on the building will be available. Interested volunteers will assist the staff with tours of the building and with activities in the Art Gallery, guiding guests through exhibitions and working to expand awareness of our lecture, concert and play-reading programs. Volunteers are always needed for teas and receptions. Beyond the creation of a warm and pleasant atmosphere within the building by act­ ing as hostesses and hosts to our many guests, volunteers able to offer more than the occasional hour or two of afternoon or evening time are needed to assist at the Front Desk and the proposed Visitors Desk as well as in other departments. Should you have a free morning or afternoon which you could devote to the Athenreum on a regular basis, it would be much appreciated. Again, you may reach Kay Justley at 723-4326, or leave a message for her at the Front Desk. * * * * * In the May (1986) issue of ITEMS we reported on the splendid Bartlett Hayes Collection of World War I Posters recently presented to the Athenreum. Asked if he would consider contributing some anecdotes of his collecting experience, Mr. Hayes responded with the following, which we include here with great pleasure.*

The Tenth Muse-Collecting How can I account for my interest in World War I posters? So remote do those days now seem that I can remember little of their routine succession. As a teen-ager I'm sure I didn't think of myself as a collector in a professional way. If I'd thought about it at all it would have been more like picking wild flowers or, perhaps, like pausing to choose from a box of candy. As I now contemplate that time a parable may help to illustrate how I probably conducted my activity. It is a parable of a crow. I have no idea whence he came into our family. I was, I think, eight or ten at the time. He was a tame crow, appropriately black. His tongue had been slit so that he could imitate human speech, as if he were a parrot. He ought to have a name, we children thought. Jim seemed obvious, reflecting Southern custom. It didn't matter that the bird might have been a female. Jim Crow satisfied us and we enjoyed his friendly antics. The antics included adroit thievery. Only later did I discover that it was not so much Jim's thievery that motivated him as it was his instinct for collecting. A thief is concerned with the value of an object; a collector prizes the object for itself. Jim's passion has been shared with such human notables as Napoleon, Lord Elgin and countless others. What distinguished them from Jim's collecting was his simplicity, nay innocence. My sister would miss a five and ten cent store bauble, I would miss • Your editor is happy indeed to discover members possessing such delightful ways with the pen as those exhibited in this issue, and would be pleased to receive pieces from more of you. [ 4 ] a small inexpensive jacknife, both could be found in a "nest" containing so many shiny things they could not be concealed. Once retrieved, the contents would soon be replaced, so powerful is the drive to collect. Jim Crow came to an end that left us grieving. He was beheaded by some dastardly being who took advantage of his friendly tameness. We buried him with childish ceremony beneath a honeysuckle bush. Along with him we buried a portion of his collection. I suspect that all collectors are spurred on, more or less, by the kind of satisfaction displayed by Jim Crow. Add a portion of emotion, a pinch of scholarship, some luck, to taste, and the instinct becomes impelling. I can't remember what it was that prodded me to become interested in posters during World War I. A nascent fascination with artistic imagery perhaps? A competi­ tive game with a fellow student? Or, more naive possibly, the same acquisitive joy represented by the collecting of Jim Crow? Somehow, I began gathering posters, is all I can remember. Looking at them today is as if the truth of a dream has been con­ verted into the stark reality of full consciousness. I do remember paying many visits, when I was free to leave the Andover campus, to the five or six floors of the rear stairwell of Filene's Department Store in Boston. (How Jim Crow would have loved that store!) My eye was directed to the walls of those stairs that were lined with innumerable framed war posters. I can't even remem­ ber how I learned they were there. I spent much time studying them, especially the the names and addresses of printers to be found at the bottom of most sheets. I then wrote to those firms requesting samples of their World War I graphic work, giving my name as a student (I was 15 or 16 at the time) and, always, enclosing a dollar bill "to pay for postage." As may be seen from the collection now in the Boston Athe­ nreum, the response was both prodigious and prestigious. I received graphic examples from fourteen countries, including Germany and Russia. With each new postal de­ livery my excitement grew. It occurs to me that there is one vital element in the collecting process that should not be overlooked: it is total commitment. Although my expenses in begging material from abroad were not great, there was a local source which cost me most of my allow­ ance. It was the collection assembled by Mrs. Fiske Warren of Harvard, Massachu­ setts, that she sold for War benefits. Rather than gratify me that source served to stimulate me as well as eliminate my spending money. I have no idea of what became of the Filene collection, nor of what may have re­ mained unsold by Mrs. Warren. However, I trust they are all sequestered in some nest, as are mine here at the Boston Athenreum, in the spirit of lim Crow.

Exhibitions and Events October 1-December 11. "John Frazee (1790-1852), Sculptor." An exhibition of sculpture jointly sponsored by the National Portrait Gallery under a grant from National Endowment for the Arts; the exhibition was shown at the National Por­ trait Gallery April-August 1986. illustrated catalogue by FrederickS. Voss, with

[ 5 ] an essay by Dennis Montagna and Jean Henry (price, $10.00). Opening recep­ tion, Wednesday, October 1, 5:30 to 7:30P.M. Tuesday, October 7, at 6:00 P.M., FrederickS. Voss will give an illustrated talk, "John Frazee: Speculations on the Unknown." Mr. Voss, Historian and Curator, National Portrait Gallery, is curator of the exhibition and author of its accompanying catalogue. Tuesday, October 28, at 6:00 P.M., Jonathan P. Harding (former Curator of Painting and Sculpture at the Boston Athenreum) will give an illustrated talk, "The Boston Athenreum as an Early Patron of Sculpture." Thursday, November 20, at 6:00 P.M., William H. Gerdts will gave an illustrated talk, "The Beginnings of American Sculpture." Prof. Gerdts is Professor of Art History, City University of New York; he is a leading authority on Ameri­ can art and has written numerous books and articles on American sculpture. October 8, Wednesday, 3:30-5:30 P.M. Opening day of tea for Athenreum members and guests. Tea will be served every Wednesday through June 3, 1987 (tea will not be served, however, on December 24 and 31 because of holiday closings) . The contribution is $3.00 per person. October 14, Wednesday, 5:30-7:30 P.M. Reception and book-signing party to cele­ brate the publication of John Masefield: A Bibliographical Description of His First, Limited, Signed and Special Editions, by Crocker Wight (price, $20.00). October 23, Thursday, at 8:00 P.M. "Misia," an illustrated talk by Robert Fizdale. Mr. Fizdale will speak about his book Misia (New York: Alfred A. Knopf, 1980), which he co-authored with Arthur Gold. Misia is the biography of Misia Sert, whose influence in art, music, dance, and literature helped set the taste of Paris before and after World War I. This talk has been made possible by a friend of the Athenreum. November 6, Thursday, at 8:00P.M. "Samurai and Silk," a talk by Haru Matsukata Reischauer. Mrs. Reischauer will speak about her book Samurai and Silk: A J apa­ nese and American Heritage (Cambridge: Harvard University Press, 1986), an account of her two illustrious grandfathers: one, a provincial samurai who became a founding father of the Meiji government; and the other, scion of a wealthy and enterprising peasant family, who almost single-handedly developed the silk trade with America. November 13, Thursday, at 8:00 P.M. "Why Neo-Georgian Rooms Do Not Look Like Georgian Rooms," an illustrated talk by Peter Thornton, Curator of Sir John Soane's Museum, London; former Keeper of the Department of Furniture and Woodv.'ork, Victoria and Albert Museum; and Fellow of the Society of Anti­ quaries, London. In this second in our series of lectures on the decorative arts, Mr. Thornton will discuss changing taste in interior decoration and room arrange-

[ 6 ] ment from Baroque to Modern times. This talk has been made possible by a friend of the Athenreum. November 23, Sunday, at 2:30P.M. Staged reading of a ne\v play. November 25, Tuesday, at 8:00P.M. "Cities on a Hill," a talk by Frances FitzGerald. Miss FitzGerald, author of Fire in the Lake, will speak on her ne\v book Cities on a Hill (New York: Simon and Schuster, 1986), in which she discusses four sub­ cultures: San Francisco's Castro neighborhoods; Jerry Falwell's Baptist church in Virginia; Sun City, a Florida retirement village; and the disciples of guru Bhag­ wan Shrce Rajneesh. December 4, Thursday, at 8:00P.M. "Domenico Scarlatti and the Italo-Iberian So­ nata," a concert by Bernard Brauchli, harpsichord. Mr. Brauchli is on the faculty of the New England Conservatory of Music and is music director of the Can1- bridge Society for Early Music. The concert is co-sponsored by the Consul Gen­ eral of Spain in Boston. December 15-January 10. "Two Gentlemen Photographers," exhibition of the pho­ tographs of William Lyman Underwood ( 1864-1929) and Loring Underwood ( 187 4-1930), co-sponsored by the Solie Foundation, which is publishing a book to accompany the exhibition, Gentlemen Photographers, The Work of Willia1n Lyman Underwood and Loring Underwood, \Vith reproductions of the Under­ woods' photographs and essays by Joel Snyder and Carol Schloss. Opening reception, Tuesday, December 16, 5:30 to 7:30P.M. Thursday, January 8, at 6:00 P.M. Film and lecture on the Underwoods' photo­ graphs. January 15-February 28. "Robert Motherwell: The Collaged Image." Traveling ex­ hibition organized by Walker Art Center, Minneapolis. Illustrated catalogue with essay by Jack Flam (price, $7.00). Thursday, January 15, at 6:00P.M., panel discussion on various aspects of mod­ ernism. Participants: Robert Motherwell; Varujan Boghosian (sculptor and Professor of Art at Dartmouth); Jack Flam, author of accompanying exhibi­ tion catalogue and Professor of Art History at Brooklyn College and Gradu­ ate Center, City University of New York); and Arthur Berger (composer and writer on music and former Professor of Music at Brandeis and Harvard). Thursday, January 29, at 6:00P.M., Richard Brown Baker (major art collector) will give an illustrated talk, "Collecting the Art of One's Own Time." Thursday, February 12, at 6:00P.M. Talk on the influence of primitive African and Oceanic art on contemporary art. Thursday, February 26, at 6:00 P.M., Carl Belz (Director, Rose Art Museum, Brandeis University) will give a talk, ·'Freedom and Responsibility in the Modernist Tradition. ' [ 7 ] February 14, Saturday, Silhouette Day (all day). Helen and Neville Laughon \Vill cut silhouettes for those who would enjoy a shade of themselves or of a friend. Helen and Neville Laughon of Richmond, Virginia, have visited the Athenreum twice before, in October 1980 and February 1983. They have appeared at the National Portrait Gallery and the Corcoran Gallery of Art in Washington, D.C. This event has been made possible by the Andrew Oliver Fund. In order to make a reservation for any of the above events, please call 227-8112 (res­ ervations are not necessary for receptions) .

A thenteum Holiday Schedule for 1987 January 1 (Thursday) New Year's Day January 19 (Monday) Martin Luther King Day February 16 (Monday) Washington's Birthday April20 (Monday) Patriot's Day May 25 (Monday) Memorial Day June 17 (Wednesday) Bunker Hill Day July 3 (Friday) Library will be closed for Independence Day (July 4) September 7 (Monday) Labor Day October 12 (Monday) Columbus Day November 11 (Wednesday) Veterans Day November 26 (Thursday) Thanksgiving December 24 (Thursday) Close at 1:00 P.M. December 25 (Friday) Christmas December 26 (Saturday) December 31 (Thursday) Close at 1:00 P.M.

Two New Book Funds Since the publication of the last issue of ATHENJEUM ITEMS, two additions have been made to the roster of endowed book funds. Robert N. Shapiro had been accumu­ lating his gifts to the Athenreum in our Proprietors' Book Fund for some time, and a few weeks ago these reached the necessary starting point for a separate fund, $2,500. We hope that Mr. Shapiro's example will encourage other Athenreum readers along similar lines. As this issue of IT EMS was going to press, a book fund in memory of Robert Greene Vickery was established by a devoted Athenreum member; Mr. Vickery, a graduate of the Noble and Greenough School and Harvard College, class of 1913, was in the cotton manufacturing business. After his retirement from the textile field, Mr. Vickery worked for 11 years in jobs concerned with Massachusetts pri5on problems and law. While the book fund established in Mr. Vickery's name is unrestricted, preference \Vill be given to selecting materials reflecting Mr. Vickery's interests in the latter part of his life. [ 8 ] NEW BOOKS OF VARlO US INTEREST SELECTED FROM THE FULL LIST OF ACCESSIONS Art and Architecture ANDREW, DAVID S. Louis Sullivan and the Po­ KRAUSS, RoSALIND E. The Originality of the lemics of Modern Architecture: the Present Avant-Garde and Other Modcrni t Myths. Against the Past. KRAUTHEJMER, RICHARD. The Rome of Alex­ TIIP ARCHITECTURE OF RICHARD MOR­ ander VJI, 1655-1667 RIS HUNT. LIEBS, CHFSTFR H. Main Street to M1racle Mtle: ART Af~TER MODERNISM: RETHINKING American Road-;ide Architecture. REPRF'5FNTATION. LIECHTENSTEIN, THE PRINCELY COLLEC­ ATROSI IENKO, V. I. The Origins of the Ro­ TIONS. manesque: Near Eastern Influences on European LOWRY, BATES. Building a National Image: Ar­ Art, 4th-12th Centuries. chitectural Drawings for the American Democ­ AYRES, JAMES. The Artist's Craft: A History of racy, 1789-1912. Tools, Techniques, and Materials. McCURDY, MICHAEL. The Illustrated Harvard: BFATRIX POTIER: THE V&A COLLECTION. Harvard University in Wood Engravings and BENDINFR, KENNETH. An Introduction to Vic­ Words. torian Painting. McMEEKIN, DoROTHY. Diego Rivera: Science BERGER, ROBERT W. Versailles: the Chateau of and Creativity in the Detroit Murals. Loui~ XIV. McMULLEN, RoY. Degas: His Life, Times, and BLASER, WERNER. Atrium: Five Thousand Years Work. of Open Courtyards. MALLARY, PETER T. New England Churche~ BONNARD, PIERRE. Bonnard. and Meeting Houses, 1680-1830. BOYER. M. CHRISTINE. Manhattan Manners: MANN, RICHARD G . El Greco and His Patrons: Architecture and Style, 1850-1900. Three Major Projects. BRUZELIUS, CAROLINE AsTRID. The Thirteenth­ MARLING, KARAL ANN Tom Benton and His Century Church at St-Denis. Drawings. CARTLIDGE, BARBARA. Twentieth-Century Jew­ MURASE, MTYEKO. Tales of Japan: Scrolls and elry. Prints From the New York Public Library. CHADWICK, WHITNEY. Women Artists and the NEUWIRTH, WALTRAUD. Glass, 1905-1925: Surrealist Movement. From Art Nouveau to Art Deco. COOPER, HELEN A. Winslow Homer Watercol­ THE NEW PATH: RUSKIN AND THE AMER­ ors. ICAN PRE-RAPHAELITES. COURTNEY-CLARKE, MARGARET. N debele: PEGGY GUGGENHEIM COLLECTION, VEN­ the Art of an African Tribe. ICE, THE SOLOMON R. GUGGENHEIM DE HAMEL, CHRISTOPHER. A History of lllumi- FOUNDATION. nated Manuscripts. RUESCHEMEYER, MAR.ll,YN. Soviet Emigre DEUTSCHE KUNST SEIT 1960. Artists: Life and Work in the USSR and the FORD, ALICE. Edward Hicks, His Life and Art. United States. GOLDMAN, Junm-r. James Rosenquist. SCHATBORN, PETER. Drawings by Rembrandt, GONZALEZ-PALACIOS, ALvAR. ll Tempo del His Anonymous Pupils and Followers. Gusto. SCHWARTZ, GARY. Rembrandt: His Life, Hi~ GREENTHAL, KATHRYN. Augustus Saint-Gau­ Paintings. den~. Ma<;ter Sculptor. SELZ, PETER HowARD. Art in a Turbulent Era. HANCHER, MICHAEL. The Tenniel Illustration<;, SHARP, LEWIS I. John Quincy Adams Ward, to the "Alice" Books. Dean of American Sculpture. HOWARTH, DAVID. Lord Arundel and His Ctr­ STERN, RoBER1 A. M. Pride of Place: Buildmg cle. the American Dream. HUXTABLE, ADA LoUISE. Goodbye History, STYLIANOU, ANDREAS. The Painted Churches Hello Hamburger: An Anthology of Architec­ of Cypru~: Treasures of Byzantine Art. tural Delights and Disa~ters. TWOMBLY, RoBERT C. Louis Sullivan, His Life KARL, FREDERICK RoBERT. Modern and Modern­ and Work. ic;m: the Sovereignty of the Artist, 1885-1925. VELLAY, MARc. Pterre Chareau. KORZE IK, DIANA. Drawn to Art: A Nine- VON ERFFA, HELMUT. The Paintings of Benja­ teenth-Century American Dream. min West.

[ 9 ] WALTERS ART GALLERY. Masterpieces of WHISTLER, LAURENCE. The Laughter and the Ivory From the \Valters Art Gallery. U m: the Life of Rex Whistler. WEILL, ALAIN. The Poster: A Worldwide Sur­ WIRZ, HANs. Washington Deco: Art Deco De­ vey and History. sign in the Nation's Capital.

Belles Lettres, Poetry, and Criticism ASHBERY, JoHN. Selected Poems. GRIFFIN, DusTIN. Regaining Paradise: Milton BARTHES, ROLAND. The Rustle of Language. and the Eighteenth Century. BAUDELAIRE, CHARLES. Selected Letters of THE HARVARD BOOK OF CONTEMPORARY Charles Baudelaire. AMERICAN POETRY; edited by Helen Ven­ BLACKMUR, R. P. Selected Essays of R. P. dler. Blackmur. LAWRENCE, D. H. The Letters of D. H. Law­ BRADLEY, GEORGE. Terms To Be Met. rence & Amy Lowell, 1914-1925. BRODSKY, JosEPH. Less Than One. McCARTHY, Wn.LIAM. Hester Thrale Piozzi, BROWNING, RoBERT. More Than a Friend: the Portrait of a Literary Woman. Letters of Robert Browning to Katharine de McCLURE, MICHAEL. Selected Poems. Kay. NEW AND OLD VOICES OF WAH'KON­ CARPENTER, Wn.LIAM. Rain. TAH. CARRUTH, HAYDEN. The Selected Poetry of NEWLYN, LucY. Coleridge, Wordsworth, and Hayden Carruth. the Language of Allusion. COLETTE. Flowers and Fruit. PRITCHETT, V. S. A Man of Letters: Selected CONJURING: BLACK WOMEN, FICTION, Essays. AND LITERARY TRADITION. RICH, ADRIENNE. Your Native Land, Your Life: DURAS, MARGUERITE. The War. Poems. SHAKESPEARE'S LOST PLAY, EDMUND THOMAS, DYLAN. The Collected Letters of IRONSIDE. Dylan Thomas. EURIPIDES. Helen. TOLSTOY, LEo. Tolstoy's Diaries. GINZBURG, NATALIA. The Little Virtues.

Biography ANGELOU, MAYA. All God's Children Need GOODMAN, MICHAEL. The Last Dalai Lama: a Traveling Shoes. Biography. BERKOW, IRA. Red: A Biography of Red Smith. HATCH, RoBERT McCONNELL. Major John An- BRANDT, CLARE. An American Aristocracy: the dre: A Gallant in Spy's Clothing. Livingstons. HENTOFF, NAT. Boston Boy. BROOKS, SARA. You May Plow Here: the Nar­ JENKINS, RoY. Truman. rative of Sara Brooks. KLEIN, MAURY. The Life and Legend of Jay CANETTI, ELIAS. The Play of the Eyes. Gould. CLENDENNING, JoHN. The Life and Thought LEVENSON, LEAH. Hanna Sheehy-Skeffington, of Josiah Royce. Irish Feminist. CLOAKE, JoHN. Templer, Tiger of Malaya: the LEWIS, GIFFORD. Somerville and Ross: the Life of Field Mar::,hal Sir Gerald Templer. World of the Irish R.M. CO\VAN, RoBERT G. Foibles, Fun, Flukes, Facts McLAUGHLIN, R. EMMET. Caspar Schwenck­ of Life m World War I San Francisco, Oakland feld, Reluctant Radical: His Life to 1540. and France, Los Angeles. MAYER, HENRY. A Son of Thunder: Patrick CURTIS, PHILIP. A Hawk Among Sparrows: A Henry and the American Republic. Biography of Austin Farrer. NOKES, DAVID. Jonathan Swift, A Hypocrite Re­ DU~NE, GERALD T. Grenville Clark, Public Citi­ versed: a Critical Biography. zen. PEARSON, JOHN. The Ultimate Family: the EVANS, PETER. Ari: lhe Life and Times of Aris­ Making of the Royal House of Windsor. totle Socrates Onassis. REISCHAUER, HARU MATSUKATA. Samurai and l ~ ROST, LAWRENCE A. Boy General in Bronze: Silk: a Japanese and American Heritage. Cu::,ter, tvtichigan':s Hero on Horseback. SPASOWSKI, RoMUALD. The Liberation of One. GOLDBERG, VICKI. tvtargaret Bourke-White. SPERBER, ANN M. Murrow, His Life and Times.

[ 10 ] VALLADARES, ARMANDO. Against all H ope: WELD, JACQUELINE BOGRAD. Peggy, the \Vay- the Prison Memoirs of Armando Valladares. ward Guggenheim. VASSILTCHIKOV, MARIE. Berlin Diary, 1940- WILSON, ARTiiUR J. The Life and Times of Sir 1945. Alfred Chester Beatty. VAUGHAN, RoGER. Herbert von Karajan: a Bi­ WRIGHT, EDMOND. Franklin of Philadelphia. ographical Portrait.

Children's Books AIKEN, JOAN. The Last Slice of Rainbow: and MAHY, MARGAIU!T. The Catalogue of the Uni- Other Stories. verse. ALIKI. Jack and Jake. MAHY, MARGARET. Jam: a True Story. CALDERS, PERE. Brush. MORI, TsUYOSHJ. Socrates and the 3 Little Pigs. CAMERON, ANN. More Stories Julian Tells. NAYLOR, PHYLLIS REYNOLDS. The Agony of CIARDI, JonN. Doodle Soup: Poems. Alice. DE HAMEL, JOAN. Hami's Pet. NYLANT, CYNTHIA. Night in the Country. FISHER, LEONARD EVIlREIT. The Great Wall of ONEAL. ZtBBY. In Summer Light. China. ONEAL, ZIBBY. The Language of a Goldfish: a FRITZ, JEAN. Make Way for Sam Houston. Novel. GIBBONS, GAn.. From Path to Highway: the ORMEROD, JAN . Reading. Story of the Boston Po'it Road. PAULSEN, GARY. Dogsong: a Novel. HOWKER, JANNI. The Nature of the Beast. SEUSS, DR. You're Only Old Once! IMAGINARY LANDS. STEVENSON, JAMI:S. When I Was Nine. KELLOGG, STEVEN. Best Friends: Story and TITHERINGTON, JEANNE. Pumpkin, Pumpkin Pictures. VENTURA, PmRo. In Search of Ancient Crete. KENNEDY, X. J. The Forgetful Wishing Well: VENTURA, PIERO. In Search of Troy. Poems for Young People. VENTURA, PmRo. In Search of Tutank.hamun. KONIGSBERG, E. L. Up from Jericho TeL WANGERIN, WALTER. The Book of Sorrows. LIVINGSTON, MYRA COHN. Sea Songs. WOOD, AUDREY. King Bidgood's in the Bathtub LOCKER, THOMAS. Where the River Begins.

Fiction ANDERMAN, JANUSZ. Poland Under Black DAVIS, CHRISTOPHER. Joseph and the Old Man. Light. DICKINSON, PETER. Tefuga. ASTLEY, THEA. Beachmasters. ELLIS, ALICE THOMAS. The Other Side of the ASTOR, BROOKE. The Last Blossoms on the Plum Fire. Tree. ELLISON, JANE. A Fine Excess: a Novel. AUSTER, PAUL. City of Glass. FORD, ELATNE. Ivory Bright. AUSTER, PAUL. Ghosts. FRASER, G EORGE MACDONALD. Flashman and BAINBRIDGE, BERYL. Mum and Mr. Armi- the Dragon. tage: Selected Stories of Beryl Bainbridge. FREEMAN, CYNTHIA. Seasons of the Heart. BENCHLEY, PETER. Q Clearance. GARDAM, JANE. Crusoe's Daughter. BINGHAM, CHARLOTTE. Country Life. GAYIN, THOMAS. The Last Film of Emile BROWN, RITA MAE. High Hearts. Vico. BUCKLEY. CHRISTOPHER. The White House GROSE, ZULFIKAR. Figures of Enchantment Mess. GOMEZ-ARCOS, AUGUSTIN. The Carnivorous CADELL, ELIZABETH. The Empty Nest. Lamb. CALISHER, HoRTENSE. The Bobby-Soxer. GROSSMAN, V ASILII SEMENOVICH. Life and CLARK, ELEANOR. Camping Out. Fate: a Novel. CLARKE, ARTHUR CHARLES. The Songs of Dis- HEMINGWAY, ERNEST. The Garden of Eden: a tant Earth. Novel. COLWIN, LAURIE. Another ~tarvelous Thing. HIAASEN, CARL. Tourist Season: a Novel. CONLON, KATHLEEN. Face Values. HOFMANN, GERT. The Parable of the Blind. COOKSON, CATiiERINE. The Moth. HOLDEN, URSULA. Tin Toys. CRANE, JOHN KENNY. The Legacy of Lady- ISHIGURO, K.Azuo. An Artist of the Floating smith: a Novel. World.

[ 11 ] JHABVALA, RUTH PRA WER. Out of India: Se­ RIVERS, CARYL. Girls Forever Brave and True. lected Stories. RUSH, NoRMAN. Whites: Stories. JOHNSON, HAYNES BoNNER. The Landing. SCHOLEFIELD, ALAN. King of the Golden Val- JOHNSON, WILLIS. The Girl Who Would Be ley. Russian and Other Stories. SCIASCIA, LEONARDO. The Wine-Dark Sea. LIVELY, PENELOPE. According to Mark: a SETH, VIKRAM. The Golden Gate: a Novel in Novel. Verse. MAcDONALD, JOHN DANN. Barrier Island. SHAH, fuRIES. Kara Kush: a Novel. MARSHALL, ALEXANDRA. The Brass Bed. SMITH, MARTIN CRUZ. Stallion Gate. v MARTIN, MALACHI. Vatican: a Novel. STEAD, CHRISTINA. Ocean of Story: the Uncol­ MATIHEE, DALENE. Fiela's Child. lected Stories of Christina Stead. v'MILLER, SUE. The Good Mother. STONE, RoBERT. Children of Light. MINOT, SusAN. Monkeys. TREVOR, WILLIAM. The News From Ireland & O'FAOLAIN, JULIA. The Irish Signorina. Other Stories. PAROTTI, PHILLIP. The Greek Generals Talk: TOWNSEND, SuE. The Adrian Mole Diaries. Memoirs of the Trojan War. WEST, REBECCA, DAME. Cousin Rosamund. PLANTE, DAVID. The Catholic. WESTON, SusAN B. Children of the Light. PORTER, ANZ..A. Hidden Agenda. WILLIAMS, WILLIAM CARLOS. The Doctor Sto- POWELL, ANTHONY. The Fisher King: a Novel. nes.• PRICE, REYNOLDS. Kate Vaiden. WOOLF, VIRGINIA. The Complete Shorter Fic­ PROSE, FRANCINE. Bigfoot Dreams. tion of Virginia Woolf. RIVABELLA, 0MAR. Requiem for a Woman's WRIGHT, GLOVER. The Hound of Heaven. Soul.

Mystery and uyhrillers" BARNARD, RoBERT. Political Suicide. HARRISS, WILL. Timor Mortis. BAXT, GEORGE. The Alfred Hitchcock Murder HEALD, TIM. Red Herring. Case: an Unauthorized Novel. HIGGINS, GEORGE V. Imposters: a Novel. BOYER, RICK. The Daisy Ducks. HIGHSMITH, PATRICIA. Found in the Street. BRANDON, RuTH. Left, Right, and Centre. HILTON, JoHN BUXTON. Moondrop to Murder. BREIT, SIMON. Dead Giveaway. HINKEMEYER, MICHAEL T. Fourth Down, BREIT, SIMON. A Nice Class of Corpse. Death. BURLEY, WILLIAM JoHN. Wycliffe and the Quiet KENEALLY, THOMAS. A Family Madness. Virgin. KESEY, KEN. Demon Box. BUTLER, WILLIAM VIVIAN. Gideon's Way. KIENZLE, WILLIAM X. Deathbed. COLLINS, ELIZA C. G. Going, Going, Gone. LAMMING, R. M. In the Dark. COURTER, GAY. Code Ezra. LE CARRE, JOHN. A Perfect Spy. CROSS, AMANDA. No Word From Winifred. LEONARD, ELMORE. Double Dutch Treat: DAY, RICHARD CoRTEZ. When in Florence. Three Novels. DUNLAP, SusAN. The Bohemian Connection: a LESCROART, JOHN T. Son of Holmes: a Fic­ Mystery. tion. FERRARS, E. X. I Met Murder. LINGARD, JOAN. Reasonable Doubts. FROMMER, SARA HOSKINSON. Murder in C LIVINGSTON, NANCY. Fatality at Bath and Major. Wells: a Novel. FULLER, JACK. Mass. LYLE, KATIE LETCHER. The Man Who Wanted GARDNER, JoHN E. Nobody Lives Forever. Seven Wives. GASH, JONATHAN. Pearlhanger. McBAIN, Eo. Cinderella. GASH, JoNATHAN. The Tartan Sell. McGINLEY, PATRICK. Foxprints. GILL, BARTHOLOMEW. McGarr and the Legacy MASPERO, FRANCOIS. Cat's Grin. of a Woman Scorned. MORISON, BErry JANE. Beer and Skittles: a GOLDSBOROUGH, RoBERT. Murder in E Mi­ Little Maine Murder. nor. MORISON, BETTY JANE. Port and a Star Board- GRA~T-ADAMSON, LESLEY. The Face of er: a Little Maine Murder. Death. MULVIHILL, MARGARET. Natural Selection. GRAY, MALCOLM. Look Back on Murder. ORMEROD, RovER. Dead Ringer. HALLERAN, TucKER. Sudden Death Finish. PARKER, RoBERT B. Taming a Sea-Horse.

[ 12 ] PELLETIER, CArum. The Funeral Makers. STEPHAN, LESLIE. Murder Mo~t Distre~sing. PETERS, ELIZABEili. Lion in the Valley: an TOURNEY, LEONARD D. The Bartholomew Fair Amelia Peabody Mystery. Murders. PRONZINI, BILL. Deadfall. TRUMAN, MARGARET. Murder in Georgetown. RAY, RoBI!RT. Bloody Murdock. UNDERWOOD, MICHAEL. Death at Deepwood REED, ISHMAEL. Reckless Eyeballing. Grange. RENDELL, Runi. A Dark-Adapted Eye. UPTON, ROBERT. Dead on the Stick: an Amos RIGGS, JoHN R. Let Sleeping Dogs Lie. McGuffin Mystery. ROSEN, DOROTHY. Death and Blintzes. WESTLAKE, DONALD E. Good Behavior. SHANNON, DORIS. A Death for a Doctor. WOODS, SARA. Most Deadly Hate. SMITH, CHARLES MERRILL. Reverend Randollph WOODS, SARA. Nor Live So Long. and the Splendid Samaritan. YORKE, MARGARET. Safely to the Grave. SPENCER, Ross H. Monastery Nightmare.

History

ARONSON, THEO. Crowns in Conflict. the Great Elizabethan Seafarers Who Won the BECK, EARL P. Under the Bombs. Oceans for England. BIRNBAUM, LOUIS. Red Dawn at Lexington: MONTGOMERY-MASSINGBERD, HuoH. Her ulf They Mean To Have a War, Let It Begin Majesty the Queen. Here." NELSON, ANNC. Murder Under Two Flags. CALDWELL, BILL. Rivers of Fortune: Where NEUSTADT, RICHARD E. Thinking in Time: the Maine Tides and Money Flowed. Uses of History for Decision-makers. CROUCH, DAvm. The Beaumont Twins: the RADICALS, REBELS AND ESTABLISH­ Roots and Branches of Power in the Twelfth MENTS. Century. ROCK, DAVID. Argentina, 1516-1982: from Span­ FINLEY, M. I. Ancient History: Evidence and ish Colonization to the Falklands War. Models. ROEBLING, KARL. Great Myths of World War GOSLINGA, CoRNELIUS CH. The Dutch in the II: a Shattering Revelation That Will Change the Caribbean and in the Guianas, 1680-1791. Way You View the World. HEILBUT, ANTHONY. Exiled in Paradise: Ger­ ROSE, KENNETH. Kings, Queens & Courtiers: man Refugee Artists and Intellectuals in Ameri­ Intimate Portraits of the Royal House of Wind­ ca, From the 1930's to the Present. sor From Its Foundation to the Present Day. HOUGH, RICHARD. The Greatest Crusade: Roose­ SALISBURY, CHARLOITE Y. The Long March velt, Churchill, and the Naval Wars. Diary. JOHNSON, R. W. Shootdown: Flight 007 and SEIGEL, JERROLD E. Bohemian Paris: Culture, the American Connection. Politics, and the Boundaries of Bourgeois Life, KEEP, JOHN L. H. Soldiers of the Tsar: Army 1830-1930. and Society in Russia, 1462-1874. WELLS, TIM. 444 Days: the Hostages Remem­ LIANG, HENG. After the Nightmare: a Survivor ber. of the Cultural Revolution Reports on China To­ WHEELER, RicHARD. Sword Over Richmond: day. an Eyewitness History of McClellan's Peninsula McNEILL, Wn.LIAM H. Mythistory and Other Es­ Campaign. says. Y AZAWA, MELVIN. From Colonies to Common­ MASON, PHn.IP. The Men Who Ruled India. wealth: Familial Ideology and the Begmnings of MILLER, HELEN Hn.L. Captains From Devon: the American Revolution.

Music

A~1ERICAN MUSICAL INSTRUMENTS IN \.fATTHEWS, DENIS. Beethoven. THE METROPOLITAN MUSEUM OF ART. SABLOSKY, IRViNG. What They Heard. THE BOOK OF MUSICAL ANECDOTES. WILEY, RoLAND JoHN. Tchaikovsky's Ballets: BOULANGER, NADIA. Mademoiselle: Conversa­ Swan Lake, Sleeping Beauty, Nutcracker. tions with Nadia Boulanger.

[ 13 ] Philosophy, Psychology and Religion DESPLAND, MicHEL. The Education of Desire: KUSHNER, HAROLD S. When All You've Ever Plato and the Philosophy of Religion. Wanted Isn't Enough. GOODMAN, NELSON. Of Mind and Other Mat­ MATILAL, BIMAL KRisHNA. Perception: an Es­ ters. say on Classical Indian Theories of Knowledge. HARVEY, IRENE E. Derrida and the Economy MOORE, R. LAURENCE. Religious Outsiders and of Difference. the Making of Americans.

Social Issues., Education, Government and Law BOOTH, KEN. Law, Force, and Diplomacy at LEONARD, THoMAS C. The Power of the Press: Sea. the Birth of American Political Reporting. BRANDT, Wn.LY. Arms and Hunger. LISIO, DoNALD J. Hoover, Blacks, & Lily-Whites: BULLOCK, NICHOLAS. The Movement for Hous­ a Study of Southern Strategies. ing Reform in Germany and France, 1840-1914. MAAS, PETER. Manhunt. EVANS, SARA M. Free Spaces: the Sources of MORAN, MICHAEL. Politics and Society in Brit­ Democratic Change in America. ain: an Introduction. FINDLAY, JOHN M. People of Chance: Gam­ PAINTER, DAVIDS. Oil and the American Cen­ bling in American Society From James town to tury: the Political Economy of the U.S. Foreign Las Vegas. Oil Policy, 1941-1954. FOUCAULT, MICHEL. The History of Sexuality. RICE, GERARD T. The Bold Experiment: JFK's FULLER, Wn.LIAM. Civil-Military Conflict in Peace Corps. Imperial Russia, 1881-1914. RULE BRITANNIA: TRADING ON THE GLIMPSES OF THE HARVARD PAST. BRITISH IMAGE. HAAR, CHARLES M. The Wrong Side of the RUSSELL, FRANCIS. Sacco and Vanzetti: the Tracks: a Revolutionary Rediscovery of the Case Resolved. Common Law Tradition of Fairness in the Strug­ SHAMES, LAURENCE. The Big Time: the Har­ gle Against Inequality. vard Business School's Most Successful Class­ HANAWALT, BARBARA. The Ties That Bound: and How It Shaped America. Peasant Families Life in Medieval England. SIDEL, RUTH. Women and Children Last; the HEWLETT, SYLVIA ANN. A Lesser Life: the Plight of Poor Women in Affluent America. Myth of Women's Liberation in America. STOCKMAN, DAVID A. The Triumph of Politics: HIMMELFARB, GERTRUDE. Marriage and Mor­ Why the Reagan Revolution Failed. als Among the Victorians: Essays. WALSH, WILLIAM. The Rise and Decline of the LEITES, EDMUND. The Puritan Conscience and Great Atlantic & Pacific Tea Company. Modem Sexuality. WOMEN: A WORLD REPORT.

Miscellaneous ALEXANDER, CHRISTOPHER. The Production of BUSHNELL, JoHN. Mutiny Amid Repression: Houses. Russian Solcliers in the Revolution of 1905- ALVAREZ, A. Offshore: a North Sea Journey. 1906. BAGROW, LEo. History of Cartography. BUTCHER, SoLOMON D . Solomon D. Butcher: BALL, HowARD. Justice Downwind: America's Photographing the American Dream. Atomic Testing Program in the 1950's. THE CAMBRIDGE ENCYCLOPEDIA OF LAT­ BALMORI, DIANA. Beatrix Ferrand's American IN AMERICA AND THE CARIBBEAN. Landscapes: Her Gardens and Campuses. CHANTELOU, PAUL FREART DE. Diary of the BEACH, EDWARD L. The United States Navy: Cavaliere Bernini's Visit to France. 200 Years. CHASE, ALsTON. Playing God in Yellowstone: BLOOM, ALEXANDER. Prodigal Sons: the New the Destruction of America's First National York Intellectuals and Their World. Park. BORD, JANET. Sacred Waters: Holy Wells and COLLOQUIUM ON CRIME: ELEVEN RE­ Water Lore in Britain and Ireland. NOWNED MYSTERY WRITERS DISCUSS BOW~tA:r\ , SARA. A Fashion For Extravagance: THEIR WORK. Art Deco Fabrics and Fashions. CRITCHLEY, T. A. The Maul and the Pear BRADBURY, JIM. The Meclieval Archer. Tree: the Radcliffe Highway Murders, 1811.

[ 14 ] CROWL, PHILIP AxTELL. The Intelligent Travel­ NYE, JoSEPH S. Nuclear Ethic. . ler's Guide to Historic Britain. PANDAEMONIUM:. THE CO~fiNG OF THE DEAR AMERICA: LEITERS HOME FROM MACHINE AS SEEN BY CONTEMPORARY VIETNAM. OBSERVERS, 1660-1886. EDGERTON, SAMUEL Y. Pictures and Purush­ PARr IT, ~1ICHAEL. South Light: a Journey to ment: Art and Criminal Prosecution During the the Last Continent. Florentine Renaissance. PR\NCE, Gunr P.AN T. Leaves, the Formation, ELDREDGE, NILP.S. Time Frames: the Rethink­ Characteristics, and Uses of Hundreds of Leaves ing of Darwinian Evolution and the Theory of Found in All Parts of the World. Punctuated Equilibria. REILLY, CATHFRINE W. Fnglish Poetry of the rAITH, NICHOLAS. Sold: the Rise and Fall of the Second World War: a Bibliography. House of Sotheby. ROUECHE, Br.RTON. Sea to Shining Sea: Peo­ FINCH, RoBERT. Outlands: Journeys to the Out­ ple, Travels, Places. er Edges of Cape Cod. SASlOW, JAMES M. Ganymede in the Renais­ FORBES, THOMAS RoGFRS. Surgeons at the Bai­ sance: Homosexuality in Art and Society. ley: English Forensic Medicine to 1878. SCARRY, ELAINE. The Body in Pam: the Mak­ FORTY, ADRIAN. Objects of Desire: a History of ing and Unmaking of the World. Commodity Design. SEIBERI lNG, GRAcE. Amateurs, Photography, GREEN, VIVIAN. Love in a Cool Climate: the and the Mid-Victorian Imagination. Letters of Mark Pattison and Meta Bradley, SIMETI, MARY TAYLOR. On Persephone's Island: 1879-1884. a Sicilian Journal. HALL, MAX. Harvard University Press: a His­ SLACK, PAUL. The Impact of Plague in Tudor tory. and Stuart England. HANSON, A. E. An Arcadian Landscape: the SYKES, CHRISTOPHER SIMON. Private Palaces: California Gardens of A. E. Hanson, 1920-1932. Life in the Great London Houses. HOGREFE, JEFFREY. "Wholly Unacceptable": TALL, DEBORAH. The Island of the White Cow. the Bitter Battle for Sotheby's. TRZEBINSKI, ERROL. The Kenya Pioneers. JUNGE, MARK. J. E. Stimson, Photographer of TURNER, GREGG M. Connecticut Railroads: an the West. Illustrated History. KEEGAN, JOHN. Soldiers: a History of Men in VALENSTEIN, ELLIOT S. Great and Desperate Battle. Cures: the Rise and Decline of Psychosurgery KELSEY, HARRY. Juan Rodriguez Cabrillo. and Other Radical Treatments. KNOWLES, AsA S. Shawmut: 150 years of Bank­ VANDERBILT, ARTI!UR T. Treasure Wreck: the ing 1836-1986. Fortunes and Fate of the Pirate Ship Wydah. LANE FOX, ROBIN. Better Gardening. WILDES, KARL L. A Century of Electrical Engi­ LEE, EMANOEL. To the Bitter End: a Photo­ neering and Computer Sciences at MIT. graphic History of the Boer War. WINDSOR, WALLIS W ARPIELD, DUCHESS OF. Wal­ MENNELL, STEPHEN. All Manners of Food: lis and Edward: Letters, 1931-1937: the Intimate Eating and Taste in England and France From Correspondence of the Duke and Duchess of the Middle Ages to the Present. Windsor. MURPHY, DERVLA. Full Tilt: Ireland to India WORLD OF NEW YORK: AN UNCOMMON With a Bicycle. GUIDE TO THE CITY OF FANTASIES. NIGHTINGALE, BENEDICT. Fifth Row Center: a Critic's Year On and Off Broadway.

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