Readings –Biblical & Romantic
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Stories: Maria and Rob
Stories: Maria and Rob English (American) Unit 1: The Cat in the Tree house A girl is reading. She has a dog. The dog is sleeping. The grass is green. The sky is blue. truck There is a red car. A man is driving the car. Who is he? There’s a woman in the car. There’s a boy in the car. Who are they? Now they are walking to the red house. The woman has keys. The house has no chairs, it has no tables, and it has no beds. A big yellow truck is driving to the house. There are three men in the truck. They are wearing yellow shirts and hats. They are walking to the house. ladder “Hello!” “Hello!” The big yellow truck has many chairs, tables, beds, plates, bicycles, and books. One man has a chair. One man has a table. One man has a red bicycle. Who are they? What are the men doing? The boy has a cat. The cat is sleeping. climbs Oh no! The dog is running! The cat is running! The cat is in the tree! The boy is running to a man in a yellow shirt. “The cat is in the tree! The cat is in the tree!” One of the men has a ladder. He climbs the tree. He has the cat! The girl has the dog. The boy is smiling, and the girl is smiling. smiling 2 Rosetta Stone® Storybook – English (American) Level 1 Unit 1: The Cat in the Tree Circle the correct answer. 1. -
Mother's Forgotten Garden
MOTHER'S FORGOTTEN GARDEN by Cory Daniel Zimmerman A Thesis Submitted to the Faculty of The Dorothy F. Schmidt College of Arts and Letters in Partial Fulfillment of the Requirements for the Degree of Master of Fine Arts Florida Atlantic University Boca Raton, Florida December 2008 Copyright by Cory Daniel Zimmerman 2008 ii Abstract Author: Cory Daniel Zimmerman Title: Mother’s Forgotten Garden Institution: Florida Atlantic University Thesis Advisor: Dr. Jason Schwartz Degree: Master of Fine Arts Year: 2008 The thesis proposed for my M.F.A. in creative writing is a collection of conceptual American short stories written in a variety of forms that properly suit their respective subjects. Like a handful of miscellaneous wild seeds scattered over a tilled garden, the goal of the project is to represent the wild asymmetry of Nature via a collection of unlikely companions. For this reason, the conceptual form of each story often takes root in scientific or symbolic representations of Nature (i.e. sine and cosine curves, the yin-yang, etc.). The plot of loose soil holding these collective experiments together is their earthy thematic focus—namely, the way in which Nature has been systematically backgrounded by western ideology. On occasion, a story’s conceptual focus may stray from these ecofeminist principles, but only for the purpose of leveling a more critical or satirical eye upon common American ideologies. iv Table of Contents The cosmis joke redux ...................................................................................................... -
Productor No Identificado 2-2009R
Código Titulo Interprete 1887 I AM NOT IN LOVE 10 CC 90447 CANDY EVERYBODY 10,000 MANIACS 114056 DON T TALK 10,000 MANIACS 110619 BICICLETAS 11 Y 20 100752 LA ULTIMA CENA 12 DISCIPULOS 83485 QUITATE TU PA PONERME YO 12 DISCIPULOS 114057 CONCIENCIA EN BABYLON 12 TRIBUS 111526 SIMON SAYS 1910 FRUITGUM COMPANY 111529 BROKEN WINGS 2 PAC 105717 CHANGES 2 PAC 101756 GET READY FOR THIS 2 UNLIMITED 93146 NO LIMIT 2 UNLIMITED 64847 MR PERSONALITY 20 FINGERS 81734 YOU ARE LIKE 20 FINGERS 99975 YOU GOTTA LIECK IT 20 FINGERS 81199 CUANTO MAS 20/20 114058 PUEDO VOLAR 20/20 110621 DONT TRUST ME 3 OH 3 113280 STARSTRUKK 3 OH 3 FT KATY PERRY 104573 ATTACK 30 SECONDS TO MARS 103505 FROM YESTERDAY 30 SECONDS TO MARS 114059 KINGS AND QUEENS 30 SECONDS TO MARS 100754 THE KILL 30 SECONDS TO MARS 114060 BACK WHERE YOU BELONG 38 SPECIAL 64848 CAUGHT UP IN YOU 38 SPECIAL 100755 Anything 3T 79883 STUCK ON YOU 3T 110622 DONT YOU LOVE ME 49 ERS 87745 CANDY SHOP 50 CENT 103506 AYO TECHNOLOGY 50 CENT FEAT JUSTIN TIMBERLAKE 101759 A NOCHE 5TA ESTACION 112253 DUELE 5TA ESTACION 114010 ENGAÑAME 5TA ESTACION 114028 MIRADAS 5TA ESTACION 97502 PENSANDO EN TI 5TA ESTACION 109580 QUE TE QUIERA 5TA ESTACION 111104 RECUERDAME 5TA ESTACION 114642 SIN FRENOS 5TA ESTACION 112911 TE QUIERO 5TA ESTACION 102701 ACUARIO 5TH DIMENSION THE 81903 CAMINANDO BAJO EL SOL 5TH DIMENSION THE 58853 LAST NIGHT I DID N GET TO 5TH DIMENSION THE 101765 NUNCA MI AMOR 5TH DIMENSION THE 112365 LINDA PRINCESA 5TO PISO 105725 MIRA COMO VA 5TO PISO 76067 DE NUEVO ABRAZAME 6 DEL VALLENATO LOS 104807 LA -
The Dissertation Committee for Richard Neill Hadder Certifies That This Is The
The Dissertation Committee for Richard Neill Hadder certifies that this is the approved version of the following dissertation: Apparitions of Difference: Essays on the Vocation of Reflexive Anthropology Committee: ______________________________ Kathleen Stewart, Supervisor ______________________________ Richard Flores ______________________________ Ward Keeler ______________________________ Elizabeth Keating ______________________________ James Wilce Apparitions of Difference: Essays on the Vocation of Reflexive Anthropology by Richard Neill Hadder, B.A., M.A.I.S., M.A. Dissertation Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the requirements for the Degree of Doctor of Philosophy. The University of Texas at Austin May 2007 Preface Dear Reader(s), Hi, how are you? It has been suggested to me that a few pages of prefatory remarks of the form “dear reader” would help “prepare the reader to be disoriented” in the essays I’ve written. I’m very happy to do so, insofar as corresponding with you in this way somewhat lessens the natural readerly tendency to demand—intentionally or not—that I correspond “to” you. This distinction might be the most important cord running through the essays, which all in some way discuss coping strategies for how to deal with irrevocable, incommunicable difference. The maps by which we tend to conceptualize “diverse” people in familiar or categorical terms are inadequate. Disorienting? Yes, insofar as the reader holds to a protocol that does want some of its categories to remain unquestionable. Common sense tells us that one has to stand on solid ground to swing a hammer effectively; whereas my project has turned out to have more in common with Derrida’s, in that one can’t write about what underwrites meaning without either violating one’s own thesis or else finding some other technique for swinging the hammer—or wielding the scalpel, or unwinding the threads of a fabrication, or any metaphor you choose, so long as it means fundamental anti-foundationalist critique. -
La Mala Rodriguez Live in D.C
For immediate release | June 2012 Contact: Berta Corredor | Olga Mayoral Cultural Office | Embassy of Spain [email protected] | [email protected] 202-567-2138 + Info: www.spainculture.us LA MALA RODRIGUEZ LIVE IN D.C. June 28, 2012 The State Theatre 220 North Washington Street Falls Church, VA 22046Washington, DC 20009 Concert starts@8:30pm Door Opens @7pm Tickets $18 Buy Tickets: www.missiontix.com LA MALA RODRIGUEZ LIVE IN D.C. June 28, 2012 Spain´s unrivaled queen of urban music, Mala Rodríguez, will present a powerful show on her U.S. debut tour starting this June 28th in D.C. with the support of Spain Arts & Culture. Washington, DC – Latin Grammy and MTV Latin America Award-winning artist Mala Rodríguez will present a powerful show with her provocative, demanding, sexy and powerfully-interpreted songs from her latest and fourth album Dirty Ballerina (Universal 2010) as well as her greatest hits. After winning Best Hip Hop Album at the 2011 Premios de La Musica for her album Dirty Ballerina, and a Latin Grammy for Best Urban Song for her first single NoPidasPerdón, La Mala is now poised to take over the United States with her debut tour of the country. Maria Rodríguez was born in Jerez de la Frontera (Cadiz, Spain), but it was not until she moved to Seville that she took an interest in R&B and hip-hop music, and in 1997 made her first demo tape at age 18. Two years later, Maria made her debut as Mala Rodríguez and forever changed the face of Spanish rap with her smash hit Yo Marco El Minuto, becoming the first female to gain respect in a male-dominated genre. -
Proquest Dissertations
INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly fi"om the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely afreet reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these wül be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. Each original is also photographed in one exposure and is included in reduced form at the back of the book. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6” x 9” black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. UMI A Bell & Howell Information Company 300 North 2^ed) Road, Arm Arbor MI 48106-1346 USA 313/761-4700 800/521-0600 EL CULTURALISMO EN LA POESIA DE JUAN GIL-ALBERT DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Maria Paz Moreno ***** The Ohio State University 1999 Dissertation Committee: Professor Stephen Summerhill, Adviser Professor Elizabeth Davis Adviser Professor Salvador Garcia-Castaneda Department of Spanish & Portuguese UMI Number: 9931655 Copyright 1999 by Moreno, Maria Paz All rights reserved. -
Obras De Wesley
OBRAS DE WESLEY Edición auspiciada por Wesley Heritage Foundation, Inc. P.O. Box 76 Henrico, NC 27842 USA TOMO VII LA VIDA CRISTIANA Editor General JUSTO L. GONZÁLEZ CONTENIDO Libros PDF Introducción 5 4 1. Graves reflexiones motivadas por el reciente terremoto de Lisboa 13 12 2. Sinceras reflexiones sobre las presente situación de los asuntos públicos 33 31 3. Reflexiones sobre la libertad 61 59 4. Reflexiones sobre el origen del poder 79 78 5. Reflexiones sobre la presente escasez de comestibles 89 88 6. Reflexiones sobre la esclavitud 99 97 7. Apacibles palabras a nuestras colonias americanas 129 128 8. Algunas observaciones sobre la libertad ocasionadas por un reciente tratado 145 148 9. Apacibles palabras a los habitantes de Inglaterra 187 187 10. Grave discurso al pueblo de Inglaterra respecto al estado de la nación 205 205 11. Un estimado de la conducta contemporánea 219 219 12. A quien no guarda el día reposo 233 232 13. A quien acostumbra hacer juramentos 239 237 14. A un bebedor 243 240 15. A una mujer desdichada 247 244 16. A un contrabandista 251 248 17. A un reo 259 257 18. Una palabra oportuna o consejos a un súbdito inglés 265 262 19. A un protestante 273 269 20. A un votante 281 276 21. Consejos a un soldado 285 280 22. Reflexiones acerca del celibato 293 288 23. Reflexiones acerca del matrimonio 305 300 24. Recomendaciones al pueblo llamado metodista respecto a su manera de vestir 309 303 25. Reflexiones sobre la indumentaria 327 322 26. Reflexiones sobre la disipación 329 323 Introducción En el presente volumen, bajo el encabezado general de «La vida cristiana», incluimos varias obras de Wesley que ilustran su ética. -
SONG CODE and Send to 4000 to Set a Song As Your Welcome Tune
Type WT<space>SONG CODE and send to 4000 to set a song as your Welcome Tune Song Name Song Code Artist/Movie/Album Aaj Apchaa Raate 5631 Anindya N Upal Ami Pathbhola Ek Pathik Esechhi 5633 Hemanta Mukherjee N Asha Bhosle Andhakarer Pare 5634 Somlata Acharyya Chowdhury Ashaa Jaoa 5635 Boney Chakravarty Auld Lang Syne And Purano Sei Diner Katha 5636 Shano Banerji N Subhajit Mukherjee Badrakto 5637 Rupam Islam Bak Bak Bakam Bakam 5638 Priya Bhattacharya N Chorus Bhalobese Diganta Diyechho 5639 Hemanta Mukherjee N Asha Bhosle Bhootader Bechitranusthan 56310 Dola Ganguli Parama Banerjee Shano Banerji N Aneek Dutta Bhooter Bhobishyot 56312 Rupankar Bagchi Bhooter Bhobishyot karaoke Track 56311 Instrumental Brishti 56313 Anjan Dutt N Somlata Acharyya Chowdhury Bum Bum Chika Bum 56315 Shamik Sinha n sumit Samaddar Bum Bum Chika Bum karaoke Track 56314 Instrumental Chalo Jai 56316 Somlata Acharyya Chowdhury Chena Chena 56317 Zubeen Garg N Anindita Chena Shona Prithibita 56318 Nachiketa Chakraborty Deep Jwele Oi Tara 56319 Asha Bhosle Dekhlam Dekhar Par 56320 Javed Ali N Anwesha Dutta Gupta Ei To Aami Club Kolkata Mix 56321 Rupam Islam Ei To Aami One 56322 Rupam Islam Ei To Aami Three 56323 Rupam Islam Ei To Aami Two 56324 Rupam Islam Ek Jhatkay Baba Ma Raji 56325 Shaan n mahalakshmi Iyer Ekali Biral Niral Shayane 56326 Asha Bhosle Ekla Anek Door 56327 Somlata Acharyya Chowdhury Gaanola 56328 Kabir Suman Hate Tomar Kaita Rekha 56329 Boney Chakravarty Jagorane Jay Bibhabori 56330 Kabir Suman Anjan Dutt N Somlata Acharyya Chowdhury Jatiswar 56361 -
Wayne County Public Schools Wayne Collection 2018-2019
Wayne County Public Schools Wayne Collection 2018-2019 Any work/content contributed by WCPS students within this collection is considered the intellectual property of that student; is protected by copyright; and cannot be displayed, reused, reproduced, and/or redistributed without the sole permission of the author. Cover Art Celeste Aguirre Wayne Early Middle College High Twelfth Grade Principal Freda Allen Art Club Adviser Kim McArthur A Special Thank You to all the Faculty & Staff for their assistance and support in bringing the Wayne Collection together. Any work/content contributed by WCPS students within this collection is considered the intellectual property of that student; is protected by copyright; and cannot be displayed, reused, reproduced, and/or redistributed without the sole permission of the author. Forward Being creative is difficult, often terrifying, lonely work. The best writers and artists must dig deep within themselves in order to cre- ate the art that they later share with others. And then, in the sharing, the artist must stand unmasked, alone, and vulnerable while an audience of strangers critiques their work. In many ways, there may be no occupation that requires more bravery than that of the artist. The work you are about to read and view represents the brave and creative efforts of Wayne County Public Schools’ students from every grade level. It is broad in scope and covers a range of topics. Imagination runs wild here, in brilliant thoughts and ideas, colors and images. I hope you will enjoy your journey through the 2018-2019 Wayne Collection. As you browse, please take an extra moment to appreciate not just the talent represented on these pages, but the pure-hearted courage as well. -
El Videoclip De Hip Hop Andaluz: Análisis Audiovisual De Una Cultura
UNIVERSIDAD DE MÁLAGA FACULTAD DE CIENCIAS DE LA COMUNICACIÓN TESIS DOCTORAL El videoclip de Hip hop andaluz: Análisis audiovisual de una cultura. DIRECTORA DE TESIS: Dra. Ana María Sedeño Valdellós DOCTORANDA: Rocío Sibaja Cumplido Octubre de 2015 AUTOR: Rocío Sibaja Cumplido http://orcid.org/0000-0002-1248-3818 EDITA: Publicaciones y Divulgación Científica. Universidad de Málaga Esta obra está bajo una licencia de Creative Commons Reconocimiento-NoComercial- SinObraDerivada 4.0 Internacional: http://creativecommons.org/licenses/by-nc-nd/4.0/legalcode Cualquier parte de esta obra se puede reproducir sin autorización pero con el reconocimiento y atribución de los autores. No se puede hacer uso comercial de la obra y no se puede alterar, transformar o hacer obras derivadas. Esta Tesis Doctoral está depositada en el Repositorio Institucional de la Universidad de Málaga (RIUMA): riuma.uma.es AGRADECIMIENTOS A mis padres, por su apoyo incondicional. A los amigos que siempre están ahí. A mi tutora, por guiarme a lo largo del proyecto. A todos los B-boys que me han ayudado a comprender el Hip hop y formar parte de él, en especial gracias a DJ PPL, de corazón. ÍNDICE: Pág. RESUMEN 9 INTRODUCCIÓN 11 BLOQUE I: DISEÑO DE LA INVESTIGACIÓN 13 1.PLANTEAMIENTO DE LA INVESTIGACIÓN 13 1.1.Concepción de la idea 13 1.2.Antecedentes 14 1.3.Justificación 16 1.4.Objetivos 17 1.5.Hipótesis 17 2.ORGANIZACIÓN DE LA INVESTIGACIÓN 18 2.1.Diseño de la investigación 18 2.2.Metodología 19 2.3.Universo y muestra 20 2.4.Limitaciones 22 BLOQUE II: EL OBJETO DE ESTUDIO Y SU CONTEXTO 25 3.LA CULTURA 25 3.1. -
ED305081.Pdf
DOCUMENT RESUME ED 305 081 IR 052 693 AUTHOR Schneider, Marcia TITLE Book Buddies. Volunteers Bring Stories to San r:ancisco's Hospitalized Children. INSTITUTION San Francisco Public Library, CA. SPONS AGENCY California State Library, Sacramento. PUB DATE Sep 87 NOTE 340p. PUB TYPE Guides - Non-Classroom Use (055) -- Reports - Descriptive (141) EDRS PRICE MFO1 /PC14 Plus Postage. DESCRIPTORS Grants; *Hospitalized Children; Hospital Libraries; *Library Services; *Outreach Programs; *Pediatrics; *Public Libraries; *Reading Aloud to Others; Volunteers ABSTRACT This report describes Book Buddies, a volunteer-based outreach project of the San Francisco Public Library, whose goal is to provide reading services and to promote reading aloud to children and their families in San Francisco hospitals and pediatric clinics. The introduction chronicles the need for such a program; offers background information on the San Francisco Public Library's involvement with hospitals; describes steps taken to set up Book Buddies; and outlines six project objectives. Various facets of the program are then discussed: (1) the implementation of the project; (2) recruitment and training of volunteers to read and tell stories to hospitalized children; (3) the introduction of Dial-a-Story lines in Spanish and Cantonese; (4) the publication of a newsletter as a vehicle of communication among those involved in the project; (5) the evaluation of the program; and (6) the continuation of funding beyond the grant period. Recommendations for setting up similar programs, particularly for other libraries and communities that wish to commit themselves to serving the needs of hospitalized children and their families, conclude the report. The appendixes, which make up the major part of this document, contain sample materials used by the project, including copies of the newsletter, bibliographies, correspondence, forms for evaluating volunteer training, and the "Book Buddies Volunteer Handbook." (CGD) Reproductions supplied by EDRS are the best that can be made * from the original document. -
Obras Completas De D. Esteban Echeverría. Tomo 2. El Ángel Caído
OBRAS COMPLETAS 1> E D.ESTEBAN ECHEVERRÍA ESCRITORES ARGENTINOS. •i • • • i i ¡i OBRAS COMPLETAS D. ESTEBAN ECHEVERRÍA. TOMO S E fi l N D O El Angel Caldo B U E NO S AIRES CABÍAS CAÍ¡ATAI.M;, EnrTort Imprenta y Ijbrork de MAYO, Moreno 241 Tuza Monserrat 18 7 0. INDICE DEL TOMO It El Ángel Caído. Fáj infla Fragmentos de cartas del autor*..,. ,*.;-. 5 Primera Parte—Don Joan á una niña en su día. 9 Segunda « —El baile 63 Tercera « —Don Juan * 141 Cuarta « —Lances y percances 155 Quinta « —Amor en alba y ocaso 253 Sesta « -—Veinte años ......... 287 Séptima « —Una noche............ 343 Octava « —Visiones ... ; 375 Novena « —Otra noche 411 Décima « —Revelación 469 Undécima « —La glorieta del amor 499 Vita Nova 535 Notas 545 Montevideo, Enero de 18-14, Le mando la primera y segunda parte del ÁNGEL CAÍDO. Estoy persuadido que el poema, cuando se pu blique, sublevará censuras de todo jénero: nada me im porta. El que tiene la debilidad de meterse á escribir, debe resignarse de antemano á sufrir todos los inconve nientes del oficio. Ninguna consideración me impedirá entrar de lleno, como lo he resuelto, en el fondo de nuestra sociabilidad. El Don Juan es un tipo en el cual me propongo con cretar y resumir, no solo las buenas y malas propen siones de los hombres de mi tiempo, sino también mis sueños ideales y mis creencias y esperanzas para el porvenir. Asi pues, tipo multiforme, Proteo ameri cano, lo verá Vd. reaparecer bajo otra luz y con distinto relieve, en otros poemas que tengo ideados.