An 'Eteocretan'
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Organigramma Distrettuale 2016-2017 Governatore Nunzio Scibilia Organigramma Distrettuale 2016-2017
Distretto 2110 IL ROTARY AL SERVIZIO DELL’UMANITÀ ORGANIGRAMMA DISTRETTUALE 2016-2017 GOVERNATORE NUNZIO SCIBILIA ORGANIGRAMMA DISTRETTUALE 2016-2017 GOVERNATORE NUNZIO SCIBILIA INDICE Il Rotary International Lo scopo, la Missione e i Valori fondamentali del Rotary 7 Missione della Fondazione Rotary 7 Rotaract, Interact e Gruppi Community Rotary 8 Diffusione del Rotary International nel Mondo 9 Piano strategico 10 Codice deontologico del Rotary 11 Prova delle QUATTRO DOMANDE 12 Le cinque vie d’Azione 12 Segreteria del Rotary International 13 Segreteria per l’Europa e l’Africa 14 Supporto Club e Distretti (CDS) 14 Presidente Internazionale Curriculum del Presidente Internazionale 18 Messaggio del Presidente Internazionale 20 Governatore del Distretto 2110 Curriculum del Governatore 24 Relazione programmatica del Governatore 29 Il Rotary in Italia I tredici distretti Rotary Italia-Malta-San Marino 46 I Governatori dei tredici distretti d’Italia, Malta e San Marino 48 Il Distretto Associazione Distretto 2110 Sicilia e Malta del Rotary International 52 Segreteria distrettuale 52 c/c Rotary International, Distretto 2110 e Fondazione Rotary 52 Evoluzione dei Distretti italiani 54 Le origini del Distretto 2110 dalla fondazione del Rotary in Italia 55 L’Organigramma del Distretto 2110 Consiglio Consultivo dei Past Governor 60 Staff distrettuale 61 Coadiutori dello Staff 66 La Squadra Distrettuale Assistenti del Governatore 70 Commissioni distrettuali: Formazione 77 Rotary Foundation, Sottocommissioni e Delegati d’Area 78 Espansione e Sviluppo -
TRADITIONAL POETRY and the ANNALES of QUINTUS ENNIUS John Francis Fisher A
REINVENTING EPIC: TRADITIONAL POETRY AND THE ANNALES OF QUINTUS ENNIUS John Francis Fisher A DISSERTATION PRESENTED TO THE FACULTY OF PRINCETON UNIVERSITY IN CANDIDACY FOR THE DEGREE OF DOCTOR OF PHILOSOPHY RECOMMENDED FOR ACCEPTANCE BY THE DEPARTMENT OF CLASSICS SEPTEMBER 2006 UMI Number: 3223832 UMI Microform 3223832 Copyright 2006 by ProQuest Information and Learning Company. All rights reserved. This microform edition is protected against unauthorized copying under Title 17, United States Code. ProQuest Information and Learning Company 300 North Zeeb Road P.O. Box 1346 Ann Arbor, MI 48106-1346 © Copyright by John Francis Fisher, 2006. All rights reserved. ii Reinventing Epic: Traditional Poetry and the Annales of Quintus Ennius John Francis Fisher Abstract The present scholarship views the Annales of Quintus Ennius as a hybrid of the Latin Saturnian and Greek hexameter traditions. This configuration overlooks the influence of a larger and older tradition of Italic verbal art which manifests itself in documents such as the prayers preserved in Cato’s De agricultura in Latin, the Iguvine Tables in Umbrian, and documents in other Italic languages including Oscan and South Picene. These documents are marked by three salient features: alliterative doubling figures, figurae etymologicae, and a pool of traditional phraseology which may be traced back to Proto-Italic, the reconstructed ancestor of the Italic languages. A close examination of the fragments of the Annales reveals that all three of these markers of Italic verbal art are integral parts of the diction the poem. Ennius famously remarked that he possessed three hearts, one Latin, one Greek and one Oscan, which the second century writer Aulus Gellius understands as ability to speak three languages. -
The Roman Army's Emergence from Its Italian Origins
CORE Metadata, citation and similar papers at core.ac.uk Provided by Carolina Digital Repository THE ROMAN ARMY’S EMERGENCE FROM ITS ITALIAN ORIGINS Patrick Alan Kent A dissertation submitted to the faculty of the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of History. Chapel Hill 2012 Approved by: Richard Talbert Nathan Rosenstein Daniel Gargola Fred Naiden Wayne Lee ABSTRACT PATRICK ALAN KENT: The Roman Army’s Emergence from its Italian Origins (Under the direction of Prof. Richard Talbert) Roman armies in the 4 th century and earlier resembled other Italian armies of the day. By using what limited sources are available concerning early Italian warfare, it is possible to reinterpret the history of the Republic through the changing relationship of the Romans and their Italian allies. An important aspect of early Italian warfare was military cooperation, facilitated by overlapping bonds of formal and informal relationships between communities and individuals. However, there was little in the way of organized allied contingents. Over the 3 rd century and culminating in the Second Punic War, the Romans organized their Italian allies into large conglomerate units that were placed under Roman officers. At the same time, the Romans generally took more direct control of the military resources of their allies as idea of military obligation developed. The integration and subordination of the Italians under increasing Roman domination fundamentally altered their relationships. In the 2 nd century the result was a growing feeling of discontent among the Italians with their position. -
DIDASKALIA Volume 12 (2015)
! ! ! Didaskalia is an electronic journal dedicated to the study of all aspects of ancient Greek and Roman performance.!! DIDASKALIA Volume 12 (2015) http://didaskalia.net ISSN 1321-485 1! DIDASKALIA 12 (2015 ) ! About Didaskalia Didaskalia (!"!#$%#&ί#) is the term used since ancient times to describe the work a playwright did to teach his chorus and actors the play. The official records of the dramatic festivals in Athens were the !"!#$%#&ί#". Didaskalia now furthers the scholarship of the ancient performance. Didaskalia is an English-language, online publication about the performance of Greek and Roman drama, dance, and music. We publish peer-reviewed scholarship on performance and reviews of the professional activity of artists and scholars who work on ancient drama. We welcome submissions on any aspect of the field. If you would like your work to be reviewed, please write to [email protected] at least three weeks in advance of the performance date. We also seek interviews with practitioners and opinion pieces. For submission guidelines, go to didaskalia.net. 2015 Staff Editor-in-Chief: Amy R. Cohen [email protected] +1 434 947-8117 Didaskalia Randolph College 2500 Rivermont Avenue Lynchburg, VA 24503 USA Associate Editor: C.W. (Toph) Marshall Assistant Editor: Jay Kardan [email protected] Interns: Grace Gardiner [email protected] Kiaorea Wright Sophia Dill Advisory Board Caterina Barone Oliver Taplin John Davidson Peter Toohey Gary Decker J. Michael Walton Mark Griffith David Wiles Mary Hart Paul Woodruff Kenneth Reckford Editorial Board Dorota Dutsch Dan McCaffrey Allison Futrell Marianne McDonald Mary-Kay Gamel Peter Meineck John Given Paul Menzer Mike Lippman Tim Moore Fiona Macintosh Nancy Rabinowitz Willie Major Brett Rogers John Starks Copyright Readers are permitted to save or print any files from Didaskalia as long as there are no alterations made in those files. -
Vasemania: Neoclassical Form and Ornament
VOLUME: 4 WINTER, 2004 Vasemania: Neoclassical Form and Ornament: Selections from The Metropolitan Museum of Art at the Bard Graduate Center for Studies in the Decorative Arts, Design, and Culture Review by Nancy H. Ramage 1) is a copy of a vase that belonged to Ithaca College Hamilton, painted in Wedgwood’s “encaustic” technique that imitated red-figure with red, An unusual and worthwhile exhibit on the orange, and white painted on top of the “black passion for vases in the 18th century has been basalt” body, as he called it. But here, assembled at the Bard Graduate Center in Wedgwood’s artist has taken all the figures New York City. The show, entitled that encircle the entire vessel on the original, Vasemania: Neoclassical Form and and put them on the front of the pot, just as Ornament: Selections from The Metropolitan they appear in a plate in Hamilton’s first vol- Museum of Art, was curated by a group of ume in the publication of his first collection, graduate students, together with Stefanie sold to the British Museum in 1772. On the Walker at Bard and William Rieder at the Met. original Greek pot, the last two figures on the It aims to set out the different kinds of taste — left and right goût grec, goût étrusque, goût empire — that sides were Fig. 1 Wedgwood Hydria, developed over a period of decades across painted on the Etruria Works, Staffordshire, Britain, France, Italy, Spain, and Germany. back of the ves- ca. 1780. Black basalt with “encaustic” painting. The at the Bard Graduate Center. -
Volume 14 Winter 2012 the Etruscans in Leiden and Amsterdam: “Eminent Women, Powerful Men” Double Exhibition on Ancient Italian Culture Perspective
Volume 14 Winter 2012 The Etruscans In Leiden and Amsterdam: “Eminent Women, Powerful Men” Double Exhibition on Ancient Italian culture perspective. The exhibition in Leiden tombs still adorn the romantic land- focuses on Etruscan women, the exhibi- scapes of Umbria and Tuscany. tion in Amsterdam on Etruscan men. Etruscan art, from magnificent gold On display will be more than 600 jewels to colorful tomb paintings, con- pieces from the museums’ own collec- tinues to fire the imagination of lovers tions and from many foreign museums. of Italy and art. “Etruscans: Eminent The ruins of imposing Etruscan Women, Powerful Men,” provides a October 14 - March 18, 2012 detailed introduction to Etruscan civi- The National Museum of lization in a visually delightful exhibi- Antiquities in Leiden and the Allard tion. Pierson Museum in Amsterdam pres- The Etruscans flourished hundreds ents the fascinating world of the of years before the Romans came to Etruscans to the public in a unique dou- power in Italy. Their civilization ble exhibition. The two museums tell reached its height between 750 and 500 the tale of Etruscan wealth, religion, BC, Etruscan society was highly devel- power and splendor, each from its own Left & Right: Brolio bronzes. Center: Replica of the Latona at Leiden. oped; women continued on page 15 Scientists declare the XXVIII Convegno di tions with Corsica and featured specific studies of Etruscan material found in the Fibula Praenestina and its engraved with the earliest archaic Latin Studi Etruschi ed Italici inscription. The matter of its authentic- Corsica and Populonia excavations at Aleria. Rich in minerals inscription to be genuine ity has been a question for a long time. -
Apollo and the Mundus of Caere Naomi Laura Neufeld
APOLLO AND THE MUNDUS OF CAERE NAOMI LAURA NEUFELD APOLLO AND THE MUNDUS OF CAERE: AN INTERPRETATION OF THE PALM TREE FRESCOES OF THE HYPOGAEUM OF CLEPSINA By NAOMI LAURA NEUFELD, B.A. A Thesis Submitted to the School of Graduate Studies in Partial Fulfilment of the Requirements for the Degree Master of Arts McMaster University © Copyright by Naomi Laura Neufeld, August 2015 DESCRIPTIVE NOTE: McMaster University MASTER OF ARTS (2015) Hamilton, Ontario (Classics) TITLE: Apollo and the Mundus of Caere: An Interpretation of the Palm Tree Frescoes of the Hypogaeum of Clepsina AUTHOR: Naomi Laura Neufeld, B.A. (McMaster University) SUPERVISORS: Dr. Spencer Pope and Dr. Fabio Colivicchi NUMBER OF PAGES: xi, 141 ii LAY ABSTRACT: The Hypogaeum of Clepsina is an underground ritual chamber in Caere, which scholars theorize to be a mundus, a liminal space where chthonic rituals were enacted in honour of the infernal gods. The mundus was tied to notions of civic foundation, which suggests that the hypogaeum’s construction (or renovation) around the year 273 BC, the time when the city of Caere was officially converted into a Roman praefectura, was a statement of Rome’s re-establishment of Caere. Thus, gaining a deeper understanding of the hypogaeum, especially the cults worshiped within it, contributes to our knowledge of the role that religion played in Roman expansion during the Republican period. The palm tree frescoes decorating the niche of the hypogaeum provide important clues as to the identity of the deity worshiped in the mundus. They are a reference to the god, Apollo Soranus, or Śuri, who was a chthonic deity fitting to preside over the mundus of Caere. -
Dizionario Della Nomenclatura Classica Di Marte
C.O.D.A.S. Centro Osservazione e Divulgazione Astronomica Siracusa www.codas.it Dizionario della Nomenclatura Classica di Marte di Vincenzo Garofalo Vincenzo Garofalo Copyright © 2005 2 PREFAZIONE Ho cominciato a occuparmi di nomenclatura marziana per semplice dovere d’amicizia. L’interesse per l’argomento è nato in seguito. Confesso infatti che come osservatore del pianeta rosso non sono mai andato al di là della semplice sbirciatina. Ciò che invece mi ha subito appassionato è stata la toponomastica, misteriosa e affascinante. La mitologia, la bibbia, la geografia antica (soprattutto quest’ultima) mi hanno svelato un mondo stuzzicante e meraviglioso. Per soddisfare la mia curiosità ho cercato su libri, riviste e internet lavori dedicati all’areografia, trovandovi solo informazioni lacunose, striminzite o comunque inadeguate. In particolare ero stanco di leggere a fianco di molte voci la dicitura classical albedo feature name, senza ulteriori particolari, perciò ho pensato di compiere una ricerca (inizialmente a esclusivo uso personale) che definire peregrina ai più sembrerà fin troppo generoso. Guida alla consultazione Ho ricavato le varie denominazioni da due carte di Marte realizzate da Schiaparelli nel 1877 e nel 1890. Poi ho utilizzato gli elenchi sterminati di Percival Lowell (1894), quindi una carta di Antoniadi del 1909 e infine quella recente (1960) e dettagliatissima di Ebisawa. Di carte posteriori a questa ho preferito fare a meno. Naturalmente ho sempre tenuto sott’occhio la mappa ufficiale IAU. Qualche nome l’ho derivato da Mario Frassati e da altri. Ma ecco l’elenco nei dettagli. • Giovanni Virginio Schiaparelli Mappa di Marte, 1877 (abbreviato in S. 1877) • Giovanni Virginio Schiaparelli, Mappa di Marte, 1890 (abbreviato in S. -
La Squadra Distrettuale
LA SQUADRA DISTRETTUALE 81 Distretto 2110 Coordinatore Assistenti per i club della Sicilia occidentale Maria Grazia FALZONE (San Cataldo) ASSISTENTI DEL GOVERNATORE Area Akragas Giovanna Maria CRAPARO (Sciacca) Club di competenza: Agrigento; Aragona - Colli Sicani; Bivona "Montagna delle Rose - Magazzolo"; Menfi "Belice - Carboj" Domenico LICATA (Aragona-Colli Sicani) Club di competenza: Canicattì; Licata; Ribera; Sciacca Area Drepanum Marcello LINARES (Marsala Lilibeo - Isole Egadi) Club di competenza: Pantelleria; Trapani; Trapani - Erice 83 Distretto 2110 Franco Maria Sergio SACCÀ (Trapani) Club di competenza: Castelvetrano - Valle del Belice; Partanna; Salemi; Trapani - Birgi - Mozia Erina VIVONA (Castelvetrano - Valle del Belice) Club di competenza: Alcamo; Marsala; Marsala Lilibeo - Isole Egadi; Mazara del Vallo Area Nissena Salvatore CAMILLERI (San Cataldo) Club di competenza: Caltanissetta; Niscemi; Valle del Salso Salvatore PASQUALETTO (Valle del Salso) Club di competenza: Gela; Mussomeli - Valle del Platani; San Cataldo 84 Area Panormus Santo CARACAPPA (Palermo “Agorà”) Club di competenza: Palermo Baia dei Fenici; Palermo Est; Palermo Mediterranea; Piana degli Albanesi - Hora e Harbereshevet Livan FRATINI (Palermo Est) Club di competenza: Corleone; Palermo; Palermo Agorà; Palermo - Teatro del Sole Giuseppe GENOVESE (Palermo Mondello) Club di competenza: Bagheria; Cefalù; Palermo Sud; Termini Imerese Roberto LO NIGRO (Palermo Sud) Club di competenza: E-Club Colonne d'Ercole; Lercara Friddi; Palermo - Parco delle Madonie; Palermo -
Sanctuary and Society in Central-Southern Italy (3Rd to 1St Centuries BC) : a Study Into Cult Places and Cultural Change After the Roman Conquest of Italy
UvA-DARE (Digital Academic Repository) Sanctuary and society in central-southern Italy (3rd to 1st centuries BC) : a study into cult places and cultural change after the Roman conquest of Italy Stek, T.D. Publication date 2008 Document Version Final published version Link to publication Citation for published version (APA): Stek, T. D. (2008). Sanctuary and society in central-southern Italy (3rd to 1st centuries BC) : a study into cult places and cultural change after the Roman conquest of Italy. General rights It is not permitted to download or to forward/distribute the text or part of it without the consent of the author(s) and/or copyright holder(s), other than for strictly personal, individual use, unless the work is under an open content license (like Creative Commons). Disclaimer/Complaints regulations If you believe that digital publication of certain material infringes any of your rights or (privacy) interests, please let the Library know, stating your reasons. In case of a legitimate complaint, the Library will make the material inaccessible and/or remove it from the website. Please Ask the Library: https://uba.uva.nl/en/contact, or a letter to: Library of the University of Amsterdam, Secretariat, Singel 425, 1012 WP Amsterdam, The Netherlands. You will be contacted as soon as possible. UvA-DARE is a service provided by the library of the University of Amsterdam (https://dare.uva.nl) Download date:09 Oct 2021 Sanctuary and Society in Central-Southern Italy (3rd to 1st centuries BC) A Study into Cult Places and Cultural Change after the Roman Conquest of Italy ACADEMISCH PROEFSCHRIFT ter verkrijging van de graad van doctor aan de Universiteit van Amsterdam op gezag van de Rector Magnificus prof. -
Cultural Change in the Religious Sphere of Ancient Umbria Between the Sixth and the First Century BCE by Arianna Zapelloni Pavia
Cultural Change in the Religious Sphere of Ancient Umbria between the Sixth and the First century BCE by Arianna Zapelloni Pavia A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Classical Art and Archaeology) in the University of Michigan 2020 Doctoral Committee: Professor Nicola Terrenato, Chair Professor Elaine Gazda Professor Christopher J. Ratté Professor Celia Schultz Professor Tesse Stek, Leiden University Professor Greg Woolf, University of London Arianna Zapelloni Pavia [email protected] ORCID iD: 0000-0003-0536-704X © Arianna Zapelloni Pavia 2020 “Eppure resta che qualcosa è accaduto, forse un niente che è tutto” (E. Montale) To my mother and father ii Acknowledgments When I finished my master’s thesis, I knew that I was not done with ancient Umbria and that some of the research questions that my work on the Large Substructure of Ocriculum had raised still needed to be addressed. My first thanks go to Professor Marco Galli, who encouraged me to take action and to realize that my desire to continue my studies abroad was not just a whim but a necessity in order to accomplish my dreams/goals. This research project was born when my interest in the sacred landscape of Umbria intersected with the intellectual vivacity of the faculty and students of the Interdepartmental Program in Classical Art and Archaeology and the Department of Classics at the University of Michigan. I would like to thank first and foremost my advisor Prof. Nicola Terrenato, who over the years has been a professor, advisor, colleague, and friend. Our conversations on Roman expansionism have been an inspiration for my research and those on how to cook a pizza have kept me sane. -
Callimachus and Martial on Social and Sexual Behavior
Macalester College DigitalCommons@Macalester College Classics Honors Projects Classics Department 5-4-2020 Opinionated Poets, Opinionated Lovers: Callimachus and Martial on Social and Sexual Behavior Charlotte Houghton Macalester College, [email protected] Follow this and additional works at: https://digitalcommons.macalester.edu/classics_honors Part of the Classics Commons Recommended Citation Houghton, Charlotte, "Opinionated Poets, Opinionated Lovers: Callimachus and Martial on Social and Sexual Behavior" (2020). Classics Honors Projects. 27. https://digitalcommons.macalester.edu/classics_honors/27 This Honors Project is brought to you for free and open access by the Classics Department at DigitalCommons@Macalester College. It has been accepted for inclusion in Classics Honors Projects by an authorized administrator of DigitalCommons@Macalester College. For more information, please contact [email protected]. Opinionated Poets, Opinionated Lovers: Callimachus and Martial on Social and Sexual Behavior Charlotte Houghton Honors in the Department of the Classical Mediterranean and Middle East Advisor: Professor Nanette Goldman May 4, 2020 Table of Contents Chapter I—An Introduction to the Epigrammatic World ...........................................1 A History of Epigram...............................................................................................4 Epigram and Ptolemaic Alexandria .......................................................................10 Epigram and the Roman Empire ............................................................................13