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Umbria from the Iron Age to the Augustan Era
UMBRIA FROM THE IRON AGE TO THE AUGUSTAN ERA PhD Guy Jolyon Bradley University College London BieC ILONOIK.] ProQuest Number: 10055445 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest. ProQuest 10055445 Published by ProQuest LLC(2016). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code. Microform Edition © ProQuest LLC. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 Abstract This thesis compares Umbria before and after the Roman conquest in order to assess the impact of the imposition of Roman control over this area of central Italy. There are four sections specifically on Umbria and two more general chapters of introduction and conclusion. The introductory chapter examines the most important issues for the history of the Italian regions in this period and the extent to which they are relevant to Umbria, given the type of evidence that survives. The chapter focuses on the concept of state formation, and the information about it provided by evidence for urbanisation, coinage, and the creation of treaties. The second chapter looks at the archaeological and other available evidence for the history of Umbria before the Roman conquest, and maps the beginnings of the formation of the state through the growth in social complexity, urbanisation and the emergence of cult places. -
Dottorato in Scienze Storiche, Archeologiche E Storico-Artistiche
DOTTORATO IN SCIENZE STORICHE, ARCHEOLOGICHE E STORICO-ARTISTICHE Coordinatore prof. Francesco Caglioti XXX ciclo Dottorando: Luigi Oscurato Tutor: prof. Alessandro Naso Tesi di dottorato: Il repertorio formale del bucchero etrusco nella Campania settentrionale (VII – V secolo a.C.) 2018 Il repertorio formale del bucchero etrusco nella Campania settentrionale (VII – V secolo a.C.) Sommario Introduzione ........................................................................................................................................... 6 Storia degli studi sul bucchero rinvenuto in Campania ...................................................................... 8 1. I siti e i contesti ............................................................................................................................ 16 1.1 Capua .................................................................................................................................... 18 1.2 Calatia ................................................................................................................................... 28 1.3 Cales ...................................................................................................................................... 31 1.4 Cuma ..................................................................................................................................... 38 1.5 Il kolpos kymaios ................................................................................................................... 49 2. Catalogo -
HAY-DISSERTATION-2017.Pdf
Copyright by Paul Jerome Hay 2017 The Dissertation Committee for Paul Jerome Hay certifies that this is the approved version of the following dissertation: Time, Saecularity, and the First Century BCE Roman World Committee: Andrew Riggsby, Supervisor Penelope Davies Karl Galinsky Ayelet Haimson Lushkov Molly Pasco-Pranger Time, Saecularity, and the First Century BCE Roman World by Paul Jerome Hay, B.A.; M.A. Dissertation Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin May 2017 To my loving and supportive family Acknowledgements Throughout my career, I have had many sources of encouragement and guidance whose influence helped me reach this stage and to whom I will always be grateful. First of all, my deepest and sincerest thanks go to Andrew Riggsby, whose support has had a profound effect not only on this dissertation, but on my scholarly interests, my approach to research, and my enthusiasm for this field. His patience and thoughtful advice were deeply instrumental to the success of this project, and one of the great joys of my time in this program was the opportunity to work closely with him for the last three years. He has truly served as a role model for how I hope to engage with my own students in the future. I would also like to thank Karl Galinsky and Ayelet Haimson Lushkov, whose mentorship throughout my time in Austin was enormously influential. I spent many hours in their offices discussing my research ideas, as well as my career path in the future as a member of the professoriate. -
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Phasis 8, 2005 Ekaterine Kobakhidze (Tbilisi) THE ISSUE OF DESCENT OF THE DEITY MARS An attempt to identify the functions of Roman deity Mars has been made in many research works.1 Particular interest towards this god is motivated by his participation in so-called Roman genealogical myths. The father of Romulus and Remus, the main character of one of the earliest patterns of the surviving folk poetry, has for a long time remained in science in the shade of the Greek god of war Ares, and was perceived as his Roman interpretation. Now "justice is restored", and under the influence of Greek mythology, he re-acquired the role of the god of war for the second time, though his primary function has not been definitely identified. I believe that obtaining further insight into the essence of the problem is impossible without taking into consideration the "Italian context" of the Ro- man deity. In this case I mean the pantheon of the peoples living on the Apennines peninsula and participation of Mars‟ namesake gods in the forma- tion of functions of the Roman deity. These mythological characters and gods are: of Marsians – Marsia, Mar- sos, of Auzons – Mares, and Etruscan – Maris. Let us consider the existing information on each of the deities, which in first two cases is fully based on literary sources. 1 Georg Wissowa, Religion u. Kultur d. Römer, 2. Auflage, München, 1912, U. W. Scholz, Studien z. altitalischen u. altrömischen Marskult u. Marsmythos, Heidelberg, 1970, E. Simon, Il dio Marte nell‟arte dell‟ Italia Centrale, Studi Etruschi, XLVI, 1978, 135-74, G. -
Downloaded from Brill.Com09/27/2021 12:23:27PM Via Free Access 12 Chapter One
CHAPTER ONE CONSTITUENT CONCEPTS 1. Space Since they were conceptualized as human beings, Roman gods had a place in this world, in which they moved freely. This conclusion is unavoidable, if we consider that all Roman gods could be invoked, and that invocation implied spatial proximity to the invocator.1 Apart from this, at least the major gods were conceptualized as connected to speci c locations, normally marked as such by an altar, a temple, or in some other way. These locations I will call ‘spatial foci’. They are mostly represented by archaeological remains. However, by relying on archaeology, we unduly overemphasize the spatiality of major of cial divine concepts, which were more likely than private cults to be per- manently conceptualized by speci cally marked space. The sacred landscape of Rome was complex, time-bound and noto- riously anachronistic. It was complex because its parameters were not absolute and necessarily recognizable as such. Rather, it was intrinsi- cally relative and existent only within the full semiotic system of the topography of the city. Furthermore, it was time-bound, because the city itself developed rapidly, especially during the peak of urbanization from ca. 200 B.C.–200 A.D. It was notoriously anachronistic because the semiotic system underlying it was highly conservative and did not keep pace with the actual urban development (for instance, the pomerium was still remembered, when it had long become obsolete in the imperial period in terms of urban development; and the festival of the Septimontium was still celebrated separately by the communities that had long since merged into the city of Rome). -
Villas and Agriculture in Republican Italy
CHAPTER 20 Villas and Agriculture in Republican Italy Jeffrey A. Becker 1 Introduction The iconicity of the “Roman villa” affords it a rare status in that its appeal easily cuts across the boundaries of multiple disciplines. This is perhaps because the villa has always stimulated our imagination about the ancient world and cultivated a longing for that realm of convivial, pastoral bliss that the villa conjures up for us. Just as Seneca contem- plated Roman virtues in the context of the villa of Scipio Africanus (Sen. Ep. 86), mod- ern (and post-modern) thinkers continue to privilege the villa both as place and space, often using its realm as one in which to generate reconstructions and visions of the ancient past. In the nineteenth century the Roman villa appealed to the Romantics and the exploration of Vesuvian sites, in particular, fueled a growing scholarly interest in the architecture and aesthetics of the Roman villa (most recently, Mattusch, 2008). Often guided by ancient texts, villas were divided into typological groups, as were the interior appointments from wall paintings to floor mosaics. Villas seemed to be a homogeneous type, representative of a “Roman” cultural norm. The fascination with villa life began in antiquity, not only with the likes of Seneca but also poets and scholars such as Virgil and Varro. In spite of the iconic status of the villa from antiquity to modernity, a good deal of uncertainty remains with respect to the archaeology of Roman villas of the latter half of the first millennium. The scholarly approach to the Roman villa finds itself at something of a crossroads, particularly with respect to the villas of the Republican period in Italy. -
CONSIDERAZIONI Di Storia Ed Archeologia 2021
CONSIDERAZIONI di Storia ed Archeologia 2021 CONSIDERAZIONI DI STORIA ED ARCHEOLOGIA DIRETTORE GIANFRANCO DE BENEDITTIS Comitato di redazione Rosalba ANTONINI Paolo MAURIELLO Maria Assunta CUOZZO Antonella MINELLI Cecilia RICCI Gianluca SORICELLI Comitato Scientifico BARKER Graeme CAMBRIDGE, BISPHAM Edward OXFORD, CAPPELLETTI Loredana VIENNA. CORBIER Cecilia PARIGI , CROWFORD Michael LONDRA, D’ERCOLE Cecilia PARIGI, ESPINOSA David OVIEDO, ISAYEV Elena EXETER, LETTA Cesare PISA, OAKLEY Stephen CAMBRIDGE, PELGROM Jeremia GRONINGEN, STECK Tesse LEIDEN, TAGLIAMONTE Gianluca LECCE Segreteria Gino AMOROSA Marilena COZZOLINO Federico RUSSO Autorizzazione del Tribunale di Campobasso nr. 6/08 cr. n. 2502 del 17.09.2008 La rivista è scaricabile gratuitamente dal sito www.samnitium.com ISSN 2039-4845 (testo a stampa) ISSN 2039-4853 (testo on line) INDICE p. 3 CARTA ARCHEOLOGICA DEL MUNICIPIUM DEI LIGURES BAEBIANI (MACCHIA DI CIRCELLO, BN) Paola Guacci p. 34 ASPETTI LETTERARI DI UNA CONTROVERSA ISCRIZIONE (CIL IX 2689) Laura Fontana p. 48 NOTE SUI QUAESTORES ENTRO COLONIE LATINE Federico Russo p. 57 PER UN DOSSIER SULLA LINGUA SANNITICA DI TEANUM APULUM Gianfranco De Benedittis p. 72 FRUSTULA BARANELLENSIA 2 TESSERAE IN TERRACOTTA DAL MUSEO CIVICO “GIUSEPPE BARONE” Jessica Piccinini p. 83 FORTIFICAZIONI MEGALITICHE NEL VALLO DI DIANO CUOZZO DELLA CIVITA - TEGGIANUM LUCANA E LE SUE FORTIFICAZIONI SATELLITI DI CUOZZO DELL’UOVO E DI CIMA 760 SAGGIO DI FOTOINTERPRETAZIONE ARCHEOLOGICA Domenico Caiazza NOTE SUI QUAESTORES ENTRO COLONIE LATINE Federico Russo 1. I quaestores locali Alcune fra le più antiche testimonianze epigrafiche restituiteci dalla colonia latina di Paestum per- mettono di affrontare un problema di carattere storico-istituzionale da lungo tempo dibattuto in dot- trina, quello della funzione e del profilo giuridico dei quaestores locali dell’Italia antica, con particolare riferimento a quelli attestati nelle colonie latine. -
Ancient Rome, by Mary Agnes Hamilton 1
Ancient Rome, by Mary Agnes Hamilton 1 Ancient Rome, by Mary Agnes Hamilton The Project Gutenberg EBook of Ancient Rome, by Mary Agnes Hamilton This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.net Title: Ancient Rome The Lives of Great Men Ancient Rome, by Mary Agnes Hamilton 2 Author: Mary Agnes Hamilton Release Date: October 3, 2010 [EBook #34025] Language: English Character set encoding: ISO-8859-1 *** START OF THIS PROJECT GUTENBERG EBOOK ANCIENT ROME *** Produced by Louise Hope, D Alexander, Juliet Sutherland, Håkon Hope and the Online Distributed Proofreading Team at http://www.pgdp.net [This e-text comes in three forms: UTF-8, Latin-1 and ASCII. Use the one that works best on your text reader. --In the UTF-8 version, quotation marks and apostrophes are "curly" or angled. --In the Latin-1 version, the word "interréd" has an accent on the "e"; citations use the "section" mark (always in pairs); and the names on the title page are separated by raised dots · at mid-line. --In the ASCII-7 or rock-bottom version, section marks are rendered as the word "Secs.", and the raised dots will display as a simple period. Typographical errors are listed at the end of the e-text.] [Illustration: RUINS OF A ROMAN TOWN--POMPEII] [Illustration: ROME AND THE TIBER] ANCIENT ROME The Lives of Great Men told by Ancient Rome, by Mary Agnes Hamilton 3 MARY AGNES -
Editorial Board
Editorial Board: Rismag Gordeziani – Editor-in-Chief Dimitris Angelatos (Nicosia) Valeri Asatiani Irine Darchia Tina Dolidze Levan Gordeziani Sophie Shamanidi Nana Tonia Jürgen Werner (Berlin) Marika Erkomaishvili – Executive Secretary fazisi 8, 2005 ivane javaxiSvilis saxelobis Tbilisis saxelmwifo universitetis klasikuri filologiis, bizantinistikisa da neogrecistikis institutis berZnuli da romauli Studiebi © programa `logosi~, 2005 ISSN 1512-1046 ACKNOWLEDGEMENTS Those who wish to publish papers in Phasis, please send your contribu- tions on a floppy disk or by E-mail (formatted in Microsoft Word for Win- dows, using font Times New Roman, with no more than 60 000 characters) and a laser-printed copy. If a paper requires specific signs, please give them on the left margin, next to the corresponding line. Notes should be numbered all from 1... till the last one, and given at the bottom of the corresponding page (as footnotes). We suggest the following way of giving bibliography: In case of a periodical or of a collection of papers: author (initials and surname in full), the title of the paper, the title of the periodical, number, year, pages (without p.); In case of monographs: author (initials and surname in full), the title of the work, publisher (name and city), year, pages (without p.). The papers will be appriciated in the following languages: English, French and German. Materials approved by reviewers will be published in the subsequent issue without any editorial, stylistic or orthographic corrections to the original text. Authors will be duly informed on the date of publication, and will afterwards receive one copy of the volume each. Please send us your exact whereabouts: address, telephone number, fax number and E- mail. -
Map 44 Latium-Campania Compiled by N
Map 44 Latium-Campania Compiled by N. Purcell, 1997 Introduction The landscape of central Italy has not been intrinsically stable. The steep slopes of the mountains have been deforested–several times in many cases–with consequent erosion; frane or avalanches remove large tracts of regolith, and doubly obliterate the archaeological record. In the valley-bottoms active streams have deposited and eroded successive layers of fill, sealing and destroying the evidence of settlement in many relatively favored niches. The more extensive lowlands have also seen substantial depositions of alluvial and colluvial material; the coasts have been exposed to erosion, aggradation and occasional tectonic deformation, or–spectacularly in the Bay of Naples– alternating collapse and re-elevation (“bradyseism”) at a staggeringly rapid pace. Earthquakes everywhere have accelerated the rate of change; vulcanicity in Campania has several times transformed substantial tracts of landscape beyond recognition–and reconstruction (thus no attempt is made here to re-create the contours of any of the sometimes very different forerunners of today’s Mt. Vesuvius). To this instability must be added the effect of intensive and continuous intervention by humanity. Episodes of depopulation in the Italian peninsula have arguably been neither prolonged nor pronounced within the timespan of the map and beyond. Even so, over the centuries the settlement pattern has been more than usually mutable, which has tended to obscure or damage the archaeological record. More archaeological evidence has emerged as modern urbanization spreads; but even more has been destroyed. What is available to the historical cartographer varies in quality from area to area in surprising ways. -
Representing Roman Female Suicide. Phd Thesis
GUILT, REDEMPTION AND RECEPTION: REPRESENTING ROMAN FEMALE SUICIDE ELEANOR RUTH GLENDINNING, BA (Hons) MA Thesis submitted to the University of Nottingham for the degree of Doctor of Philosophy DECEMBER 2011 Abstract This thesis examines representations of Roman female suicide in a variety of genres and periods from the history and poetry of the Augustan age (especially Livy, Ovid, Horace, Propertius and Vergil), through the drama and history of the early Principate (particularly Seneca and Tacitus), to some of the Church fathers (Tertullian, Jerome and Augustine) and martyr acts of Late Antiquity. The thesis explores how the highly ambiguous and provocative act of female suicide was developed, adapted and reformulated in historical, poetic, dramatic and political narratives. The writers of antiquity continually appropriated this controversial motif in order to comment on and evoke debates about issues relating to the moral, social and political concerns of their day: the ethics of a voluntary death, attitudes towards female sexuality, the uses and abuses of power, and traditionally expected female behaviour. In different literary contexts, and in different periods of Roman history, writers and thinkers engaged in this same intellectual exercise by utilising the suicidal female figure in their works. ii Acknowledgments I would like to thank the Arts and Humanities Research Council for providing the financial assistance necessary for me to carry out this research. The Roman Society also awarded a bursary that allowed me to undertake research at the Fondation Hardt pour I'etude de I'antiquite classique, in Geneva, Switzerland (June 2009). I am also grateful for the CAS Gender Histories bursary award which aided me while making revisions to the original thesis. -
Cneve Tarchunies Rumach
Classica, Sao Paulo, 718: 101-1 10, 199411995 Cneve Tarchunies Rumach R.ROSS HOLLOWAY Center for Old World Archaeology and Art Brown University RESUMO: O objetivo do Autor neste artigo e realizar um leitura historica das pinturas da Tumba Francois em Vulci, detendo-se naquilo que elas podem elucidar a respeito da sequencia dos reis romanos do seculo VI a.C. PALAVRAS CHAVE: Tumba Francois; realeza romana; uintura mural. The earliest record in Roman history, if by history we mean the union of names with events, is preserved in the paintings of an Etruscan tomb: the Francois Tomb at Vulci. The discovery of the Francois Tomb took place in 1857. The paintings were subsequently removed from the walls and became part of the Torlonia Collection in Villa Albani where they remain to this day. The decoration of the tomb, like much Etruscan funeral art, draws on Greek heroic mythology. It also included a portrait of the owner, Vel Saties, and beside him the figure of a woman named Tanaquil, presumably his wife (this figure has become almost completely illegible). In view of the group of historical personages among the tomb paintings, this name has decided resonance with better known Tanaquil, in Roman tradition the wife of Tarquinius Priscus. The historical scene of the tomb consists of five pairs of figures drawn from Etruscan and Roman history. These begin with the scene (A) Mastarna (Macstma) freeing Caeles Vibenna (Caile Vipinas) from his bonds (fig.l). There follow four scenes in three of which an armed figure dispatches an unarmed man with his sword.