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Petrarch and Boccaccio Mimesis
Petrarch and Boccaccio Mimesis Romanische Literaturen der Welt Herausgegeben von Ottmar Ette Band 61 Petrarch and Boccaccio The Unity of Knowledge in the Pre-modern World Edited by Igor Candido An electronic version of this book is freely available, thanks to the support of libraries working with Knowledge Unlatched. KU is a collaborative initiative designed to make high quality books Open Access. More information about the initiative and links to the Open Access version can be found at www.knowledgeunlatched.org. The Open Access book is available at www.degruyter.com. ISBN 978-3-11-042514-7 e-ISBN (PDF) 978-3-11-041930-6 e-ISBN (EPUB) 978-3-11-041958-0 ISSN 0178-7489 This work is licensed under the Creative Commons Attribution NonCommercial-NoDerivatives 4.0 license. For more information, see http://creativecommons.org/licenses/by-nc-nd/4.0/. Library of Congress Cataloging-in-Publication Data A CIP catalog record for this book has been applied for at the Library of Congress. Bibliographic information published by the Deutsche Nationalbibliothek The Deutsche Nationalbibliothek lists this publication in the Deutsche Nationalbibliografie; detailed bibliographic data are available on the Internet at http://dnb.dnb.de. © 2018 Igor Candido, published by Walter de Gruyter GmbH, Berlin/Boston Typesetting: Konvertus, Haarlem Printing and binding: CPI books GmbH, Leck ♾ Printed on acid-free paper Printed in Germany www.degruyter.com Dedicated to Ronald Witt (1932–2017) Contents Acknowledgments IX Igor Candido Introduction 1 H. Wayne Storey The -
«Vero Omnia Consonant». Ideologia E Politica Di Petrarca Nel Liber Sine Nomine
Paolo Viti «Vero omnia consonant». Ideologia e politica di Petrarca nel Liber sine nomine Parole chiave: Petrarca, 'Liber sine nomine', Cola di Rienzo, Curia avignonese, Denuncia Keywords: Petrarca, 'Liber sine nomine', Cola di Rienzo, Avignon Curia, Condemnation Contenuto in: Le carte e i discepoli. Studi in onore di Claudio Griggio Curatori: Fabiana di Brazzà, Ilvano Caliaro, Roberto Norbedo, Renzo Rabboni e Matteo Venier Editore: Forum Luogo di pubblicazione: Udine Anno di pubblicazione: 2016 Collana: Tracce. Itinerari di ricerca/Area umanistica e della formazione ISBN: 978-88-8420-917-7 ISBN: 978-88-3283-054-5 (versione digitale) Pagine: 67-98 DOI: 10.4424/978-88-8420-917-7-07 Per citare: Paolo Viti, ««Vero omnia consonant». Ideologia e politica di Petrarca nel Liber sine nomine», in Fabiana di Brazzà, Ilvano Caliaro, Roberto Norbedo, Renzo Rabboni e Matteo Venier (a cura di), Le carte e i discepoli. Studi in onore di Claudio Griggio, Udine, Forum, 2016, pp. 67-98 Url: http://forumeditrice.it/percorsi/lingua-e-letteratura/tracce/le-carte-e-i-discepoli/vero-omnia-consonant-ideologia-e- politica-di FARE srl con socio unico Università di Udine Forum Editrice Universitaria Udinese via Larga, 38 - 33100 Udine Tel. 0432 26001 / Fax 0432 296756 / forumeditrice.it «VERO OMNIA CONSONANT». IDEOLOGIA E POLITICA DI PETRARCA NEL LIBER SINE NOMINE Paolo Viti Pur non potendo isolare parti troppo limitate all’interno dell’intera produzione petrarchesca, mi sembra utile selezionare alcuni passi contenuti nel Liber sine nomine – collezione di lettere in stretta corrispondenza con le Familiares1 – so- prattutto in rapporto all’altezza cronologica in cui tali lettere furono composte, fra il 1342 e il 1359, ma con alcuni nuclei ben precisi: nel 1342 la I a Philippe de Cabassole, nel 1347 la II e la III a Cola di Rienzo, nel 1357 e nel 1358 le ultime tre (XVII-XIX) a Francesco Nelli. -
Peripheral Packwater Or Innovative Upland? Patterns of Franciscan Patronage in Renaissance Perugia, C.1390 - 1527
RADAR Research Archive and Digital Asset Repository Peripheral backwater or innovative upland?: patterns of Franciscan patronage in renaissance Perugia, c. 1390 - 1527 Beverley N. Lyle (2008) https://radar.brookes.ac.uk/radar/items/e2e5200e-c292-437d-a5d9-86d8ca901ae7/1/ Copyright © and Moral Rights for this thesis are retained by the author and/or other copyright owners. A copy can be downloaded for personal non-commercial research or study, without prior permission or charge. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the copyright holder(s). The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the copyright holders. When referring to this work, the full bibliographic details must be given as follows: Lyle, B N (2008) Peripheral backwater or innovative upland?: patterns of Franciscan patronage in renaissance Perugia, c. 1390 - 1527 PhD, Oxford Brookes University WWW.BROOKES.AC.UK/GO/RADAR Peripheral packwater or innovative upland? Patterns of Franciscan Patronage in Renaissance Perugia, c.1390 - 1527 Beverley Nicola Lyle Oxford Brookes University This work is submitted in partial fulfilment of the requirelnents of Oxford Brookes University for the degree of Doctor of Philosophy. September 2008 1 CONTENTS Abstract 3 Acknowledgements 5 Preface 6 Chapter I: Introduction 8 Chapter 2: The Dominance of Foreign Artists (1390-c.1460) 40 Chapter 3: The Emergence of the Local School (c.1450-c.1480) 88 Chapter 4: The Supremacy of Local Painters (c.1475-c.1500) 144 Chapter 5: The Perugino Effect (1500-c.1527) 197 Chapter 6: Conclusion 245 Bibliography 256 Appendix I: i) List of Illustrations 275 ii) Illustrations 278 Appendix 2: Transcribed Documents 353 2 Abstract In 1400, Perugia had little home-grown artistic talent and relied upon foreign painters to provide its major altarpieces. -
Francesco Petrarch, Some Love Songs of Petrarch (14Thc)
Petrarch_0558 http://oll.libertyfund.org/Home3/EBook.php?recordID=0558 [XLVCCXLVCLXXXIXCLXXVICXXVCXLVCLXCCXVCCXLIXCCLCCCCCLXXVCCLXIXCCCXCCCXXCCCXVCCLXXCCCXXXICCCXXVCCCXLCCCXLICCCXLVICCCLXVCCCLXVICXVLXXXIXCXXXVICXXXIVLXXXICCCXICCLXVIICXXIXCXXVICLVICLIXXCCCCXXXIIICCCXLIIICXIXCXXIXCIXCCCXIICCXXXVIIILCCXXIICCCLIIILIVLXXIICCXCIIICCCIILXXVIIICXCIICCXIICXXVIIICVICXIXCIXXXVIIIXXIXXXIILXVIIILXIICXXIIIXXXIIIXXIILXIIIXILIILIIIXIIIIIII]]]]]]]]]]]]]]]]]]]]]]] ] THE ONLINE LIBRARY OF LIBERTY Chaucer.Hisfriendships.HisSeeksEditionsTheLove religiousfollowers.loveloveHumanist. of Italian fame.ofof hisLaura.antiquity.fame. feeling. unity. works. Netherlands.Channel.Vaucluse.1338.court.Cicero.secretaryship.Petrarch.Tribune.forFlorence.physicians.returnremonstrate.Viscontithemanuscripts.poems.Venetians.toAvignon.Literature. Rome. Italy.succession. to dies. Italy. © Liberty Fund, Inc. 2005 http://oll.libertyfund.org/Home3/index.php FRANCESCO PETRARCH, SOME LOVE SONGS OF PETRARCH (14THC) URL of this E-Book: http://oll.libertyfund.org/EBooks/Petrarch_0558.pdf URL of original HTML file: http://oll.libertyfund.org/Home3/HTML.php?recordID=0558 ABOUT THE AUTHOR Francesco Petrarca was an Italian scholar and poet who is regarded by many scholars as being among the first humanists. He contributed to the Renaissance flowering of lyric poetry and literature through his poems addressed to Laura, his idealized beloved. Petrarch’s love of classical authors and learning inspired him to visit men of learning and search monastic libraries for classical texts. His discovery -
Petrarch and Boccaccio Mimesis
Petrarch and Boccaccio Mimesis Romanische Literaturen der Welt Herausgegeben von Ottmar Ette Band 61 Petrarch and Boccaccio The Unity of Knowledge in the Pre-modern World Edited by Igor Candido An electronic version of this book is freely available, thanks to the support of libraries working with Knowledge Unlatched. KU is a collaborative initiative designed to make high quality books Open Access. More information about the initiative and links to the Open Access version can be found at www.knowledgeunlatched.org. The Open Access book is available at www.degruyter.com. ISBN 978-3-11-042514-7 e-ISBN (PDF) 978-3-11-041930-6 e-ISBN (EPUB) 978-3-11-041958-0 ISSN 0178-7489 This work is licensed under the Creative Commons Attribution NonCommercial-NoDerivatives 4.0 license. For more information, see http://creativecommons.org/licenses/by-nc-nd/4.0/. Library of Congress Cataloging-in-Publication Data A CIP catalog record for this book has been applied for at the Library of Congress. Bibliographic information published by the Deutsche Nationalbibliothek The Deutsche Nationalbibliothek lists this publication in the Deutsche Nationalbibliografie; detailed bibliographic data are available on the Internet at http://dnb.dnb.de. © 2018 Igor Candido, published by Walter de Gruyter GmbH, Berlin/Boston Typesetting: Konvertus, Haarlem Printing and binding: CPI books GmbH, Leck ♾ Printed on acid-free paper Printed in Germany www.degruyter.com Dedicated to Ronald Witt (1932–2017) Contents Acknowledgments IX Igor Candido Introduction 1 H. Wayne Storey The -
Avignon Vs. Rome: Dante, Petrarch, Catherine of Siena
[Expositions 4.1&2 (2010) 47-62] Expositions (online) ISSN: 1747-5376 Avignon vs. Rome: Dante, Petrarch, Catherine of Siena THOMAS RENNA Saginaw Valley State University ABSTRACT In the fourteenth century the image of ancient Rome as Babylon was transformed into the positive idea of Rome as both a Christian and a classical ideal. Whereas Dante disassociated Augustine‟s Babylon from imperial Rome, Petrarch turned Avignon into Babylon, a symbol of an avaricious papacy. For Catherine of Siena Avignon was not evil, but a distraction which prevented the pope from reforming the Italian clergy, bringing peace to Italy, and launching the crusade. “There is only one hope of salvation in this place! Here, Christ is sold for gold!”1 And so Francesco Petrarch denounced the Avignon of the popes as the most evil place on earth since the days of ancient Babylon. This view of the Holy See should have disappeared when the papacy returned to Rome in 1377, but it did not. On the contrary, the castigation of the sins of pontiffs intensified, as subsequent ages used this profile to vilify the papacy, the clergy, the French monarchy, and the French nation.2 Not to be outdone, some French historians in the twentieth century sought to correct this received tradition by examining the popes‟ worthy qualities.3 It is curious that this depiction of Avignon as the Babylon Captivity has enjoyed such longevity, even in college textbooks.4 “Corruption” is of course a value judgment as much as a description of actual behavior. Doubtless Pope Clement VI did not think of his curia as “corrupt.” Contemporary citizens of Mongolia do not see Genghis Khan as the monster of the medieval Christian chronicles. -
The Augustinian Vol VII
Online Supplement The Augustinian Vol VII . Issue I Fall 2012 Volume VII . Issue I The Augustinian Fall 2012 - Online Supplement Augustinian Cardinals Fr. Prospero Grech, O.S.A., was named by Pope Benedict XVI to the College of Cardinals on the Feast of the Epiphany, January 6, 2012. On February 18, 2012, when he received the red biretta, he joined the ranks of twelve other Augustinian Friars who have served as Cardinals. This line stretches back to 1378, when Bonaventura Badoardo da Padova, O.S.A., was named Cardinal, the first Augustinian Friar so honored. Starting with the current Cardinal, Prospero Grech, read a biographical sketch for each of the thirteen Augustinian Cardinals. Friars of the Province of Saint Thomas of Villanova Sebastiano Martinelli, O.S.A., the most recent Augustinian Cardinal prior to Cardinal Prospero Grech, O.S.A., served as Apostolic Delegate to the United States (1896 - 1902). While serving in this position, he made several trips to visit Augustinian sites. In 1897, while visiting Villanova, he was pho- tographed with the professed friars of the Province. Among these men were friars who served in leader- ship roles for the Province, at Villanova College, and in parishes and schools run by the Augustinians. Who were these friars and where did they serve? Read a sketch, taken from our online necrology, Historical information for Augustinian Cardinals for each of the 17 friars pictured with Archbishop supplied courtesy of Fr. Michael DiGregorio, O.S.A., Sebastiano Martinelli. Vicar General of the Order of St. Augustine. On the Cover: Thomas Eakins To read more about Archbishop Martinelli and Portrait of Sebastiano Cardinal Martinelli, 1902 Cardinal Grech, see the Fall 2012 issue of The Oil on panel Augustinian magazine, by visiting: The Armand Hammer Collection http://www.augustinian.org/what-we-do/media- Gift of the Armand Hammer Foundation room/publications/publications Hammer Museum, Los Angeles Photo by Robert Wedemeyer Copyright © 2012, Province of St. -
Francesco Petrarca Travelling and Writing to Prague’S Court*
Verbum Analecta Neolatina XII/1, pp. 27–40 DOI: 10.1556/Verb.12.2010.1.2 FRANCESCO PETRARCA TRAVELLING AND WRITING TO PRAGUE’S COURT* Jiˇrí Špiˇcka Palacký University, Olomouc Katedra romanistiky FF UP Kˇrížkovského 10 771 80 Olomouc Czech Republic [email protected] Abstract: This paper deals with the cultural and political contacts between Francesco Petrarca and the imperial court in Prague. Leaving aside the political motivation of the epistolary ex- change between Petrarca and the Emperor Charles IV, we firstly focus on the history of Pe- trarca’s journey(s) to Prague as a curious experience in his life, and secondly on the nature of the “friendship” between Petrarca and the imperial chancellorJan ze Stredy,ˇ which we interpret as an obstinate and idle endeavour of self-promotion. Keywords: Petrarca, Jan ze Stredy,ˇ Prague, humanism, epistolography When Petrarca, enthusiastic patriot and bard of Italic primacy, wished to ap- proach the highest exponents of his contemporary society, he had to write letters abroad. Although the Pope and the Emperor boasted to be head of the Roman Church (the former), and of the Roman Empire (the latter), nei- ther of them was settled in Rome. For this reason Petrarca was in touch with Prague and its imperial court, i.e., with a city so far from his Antiquity focus- ing view. Petrarca’s correspondence with the Emperor Charles IV is generally known and we do not want to examine his exhortation to Charles to go to Rome and assume the power, nor the rebukes he made to him for not having ¶ This paper was written within the framework of Research Development Project (2009, support of young scholars) accorded by MŠMT to Faculty of Arts, Palacký University of Olo- mouc. -
Cardinal Numbers: Changing Patterns of Malaria and Mortality in Rome
Journal of Interdisciplinary History, XLIX:3 (Winter, 2019), 397–417. Benjamin Reilly Cardinal Numbers: Changing Patterns of Malaria and Mortality in Rome, 494–1850 For the past two millennia, Rome has probably attracted more foreign visitors from Europe than any other European city. As the seat of an ancient empire, and the theoretical capital of the revived Holy Roman Empire founded by Charlemagne in 800, Rome was for centuries highly coveted by German monarchs seeking the imperial crown, not to mention territory, influence, and revenue south of the Alps. Pilgrims came to Rome in a steady stream from at least the eighth century; after 1300, these streams swelled into rivers during the years of the holy Jubilees. Moreover, as the mother city of the mother church, Rome attracted a parade of litigants, job-seekers, envoys, and diplomats from every corner of Europe, as well as newly elected bishops and archbishops who were encouraged, or required, to have their offices validated by the pope. Rome was also a city of the arts, not just because of the still-standing ves- tiges of antiquity but also because of the Church’s patronage of resident colonies of painters, artists, and scholars, who attracted “Grand Tourists” from the seventeenth to nineteenth centuries. Many roads, and many motives, carried Europeans to Rome.1 Unfortunately, these roads led to a destination rendered dan- gerous by endemic malarial fevers. Rome lies within the northern Benjamin Reilly is Associate Teaching Professor of History, Carnegie Mellon University, Qatar. He is the author of Slavery, Agriculture, and Malaria in the Arabian Peninsula (Athens, 2015); Man and Disaster: Case Studies in Nature, Society, and Catastrophe ( Jefferson, N.C., 2009); Tropical Surge: Ambition and Disaster on the Edge of America, 1831–1935 (Sarasota, 2005). -
Il Modello Autobiografico Delle Familiares Di Petrarca
Antognini- fronte-396-5 22-12-2008 10:18 Pagina 1 STUDI E RICERCHE Roberta Antognini IL PROGETTO AUTOBIOGRAFICO DELLE FAMILIARES DI PETRARCA ISBN 978-88-7916-396-5 Copyright 2008 Via Cervignano 4 - 20137 Milano Catalogo: www.lededizioni.com - E-mail: [email protected] I diritti di traduzione, di memorizzazione elettronica e pubblicazione con qualsiasi mezzo analogico o digitale (comprese le copie fotostatiche e l’inserimento in banche dati) sono riservati per tutti i paesi. _________________________________________________________________________ Le fotocopie per uso personale del lettore possono essere effettuate nei limiti del 15% di ciascun volume o fascicolo di periodico dietro pagamento alla SIAE del compenso previsto dall’art. 68, commi 4 e 5, della legge 22 aprile 1941 n. 633. Le riproduzioni effettuate per finalità di carattere professionale, economico o commerciale o comunque per uso diverso da quello personale possono essere effettuate a seguito di specifica autorizzazione rilasciata da: AIDRO, Corso di Porta Romana n. 108 – 20122 Milano E-mail [email protected] - sito web www.aidro.org __________________________________________________________________________________________ In copertina: Francesco Petrarca, Epistolae familiares (editio princeps), a cura di Sebastiano Manilio Venezia, Giovanni e Gregorio de Gregori, 13 settembre 1492 (Milano, Biblioteca Ambrosiana, Inc. 604 c. 1r) Diritti Biblioteca Ambrosiana. Vietata la riproduzione. Aut. F 146/08ce Videoimpaginazione e redazione grafica: Claudio Corvino Stampa: Digital Print Service SOMMARIO Premessa 11 1. Fortuna e sfortuna delle ‘Familiares’ 15 1.1. Storia editoriale delle ‘Familiares’ (p. 15) – 1.2. La questione del titolo (p. 18) – 1.3. La critica e le ‘Familiares’ (p. 21) – 1.4. Autobiografi a nel Medioevo? (p. 24) 2. -
Section-175-G-H.Pdf
IPI name number Rights holder 52846 GIANFRANCO GABBANI 5390510 NATALE CARUSO 13809303 TIZIANO CANTATORE 14725404 FABIO FERRIANI 16633794 SALVATORE PUMO 16671294 RAFFAELE RENNA 16722992 GIANNI ROVERSI 17101044 GIUSEPPE ZAMMITTI 26363594 ROSARIO RODILOSSO 37309391 LUCIO FABBRI 37313206 LUIGI FINIZIO 37404300 RICCARDO SPRECACENERE 38662367 MARCO FALAGIANI 38818555 FABRIZIO FRAIOLI 38984130 ANDREA BIANCHINI 41150826 ANTONIO NARDONE 42711215 FLORINDO CIMEI 42867175 ALESSANDRO MARUSSO 42897261 MARCO ZANINI 42953774 GIANFRANCO LUGANO 44990657 IVANO BORGAZZI 45014517 GENNARO FIORILLO 46146197 DANIELE SAVELLI 46247581 GIANNI SALAORNI 46305301 ROBERTO RUGGERI 47356961 FULVIO MUZIO 47398155 CLAUDIO GIOVANNINI 47437569 GIANNI TONELLO 47507282 ALBERTO GIACALONE 47519272 LUCA MORI 47526571 ROBERTO RIVA 47531876 BRUNO STELLA 47555268 NICOLA LAISO 47573952 ANGELO OLIVA 47578055 ROBERTO AITA 47632084 GIUSEPPE FARACE 50391897 CLAUDIO CASTELLANI 50469684 VINCENZO LIBERTI 51620218 FABRIZIO ALESSANDRINI 51645786 FULVIO GUIDARELLI 51649382 ROBERTO ROSSI 51706990 GENNARO IPPOLITO 51713208 MARIO CAMILLETTI 51785079 ARTURO GIACOMO OLIVIERI 51805694 MAURIZIO CASOLI 51818093 STEFANO IATOSTI 52237305 MILOS STANKOVIC 57920660 PELLEGRINO DAVID 57972144 MAURO LICONTE 58064279 ENRICO RUGGERI 58094561 MAURIZIO SECONDI 59558828 GUIDO POLITI 59565833 MAURIZIO FABRIZIO 59565931 SALVATORE FABRIZIO 71958156 GIANCARLO DI ROCCO 82428866 JAMES RITCHIE 84751554 GIANNA ALBINI 84757830 TOMMASO ARICO' 84845737 MATTEO BONSANTO 84952933 WALTER COLOMBO 84964923 PASQUALE DAVIDE 84974331 -
Sant Agostino
(078/31) Sant’Agostino in Campo Marzio Sant'Agostino is an important 15th century minor basilica and parish church in the rione Sant'Eustachio, not far from Piazza Navona. It is one of the first Roman churches built during the Renaissance. The official title of the church is Sant'Agostino in Campo Marzio. The church and parish remain in the care of the Augustinian Friars. The dedication is to St Augustine of Hippo. [2] History: The convent of Sant’Agostino attached to the church was founded in 1286, when the Roman nobleman Egidio Lufredi donated some houses in the area to the Augustinian Friars (who used to be called "Hermits of St Augustine" or OESA). They were commissioned by him to erect a convent and church of their order on the site and, after gaining the consent of Pope Honorius IV, this was started. [2] Orders to build the new church came in 1296, from Pope Boniface VIII. Bishop Gerard of Sabina placed the foundation stone. Construction was to last nearly one and a half century. It was not completed until 1446, when it finally became possible to celebrate liturgical functions in it. [2] However, a proposed church for the new convent had to wait because of its proximity to the small ancient parish church of San Trifone in Posterula, dedicated to St Tryphon and located in the Via della Scrofa. It was a titular church, and also a Lenten station. In 1424 the relics of St Monica, the mother of St Augustine, were brought from Ostia and enshrined here as well.