DOCSLIB.ORG

INDEX 252 © in This Web Service Cambridge

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
INDEX 252 © in This Web Service Cambridge Cambridge University Press 978-1-107-00614-0 - The Cambridge Companion to Petrarch Edited by Albert Russell Ascoli and Unn Falkeid Index More information INDEX Abizzi, Franceschino degli, 161 premature consecration of, 88 Accursio, Mainardo, 27, 30 Rome’s war with Carthage in, 95–96 adynaton, 157, 158 Secretum and, 104, 108, 123, 148 Africa,xvi,2–3, 7, 14, 17, 18–21, 25, 56, Triumphi and, 21, 25, 29, 84 75, 85–86, 87–98 passim, 104, 108, work begun on, xvi, 87–88, 93 123, 125, 132, 134–135, 145, Agricola, Rudolf, 185 147–148, 150, 180, 182, 184, 189, Albanzani, Donato, 172 222 (see also Scipio Africanus) Alberti, Leon Battista, 186, 188 Book III, 93 On the Family, 187 Book IV, 94 Refuges from Hardships, 187 Book V, 94 Theogenius, 187, 188 Book VI, 94 allegory 885–918, 93 allegorical canzoni of Dante, 165, 183 Book VII, 94 in Bucolicum carmen, 91–92 Book VIII, 95 fictional veil, 93–94 Book IX, 95 of laurel, 91–92 60–64, 97 Petrarch’s allegorization of Griselda tale, 98–103, 145 226–227, 231 (see also Seniles, 101, 145 Book XVII) 217–19, 98 in Secretum, 100–101, 107 235–36, 93 in Triumphi, 77–78, 83, 161–162 275–6, 98 “Ambrosian Virgil” (Petrarch’s copy of 279–80, 85, 98 Virgil), 50, 85, 87, 93, 98, 142–143 Bucolicum carmen and, 87, 89, 91, 125 amicitia vera, 31 (see also friendship) Christian style in, 150 Amor triumphans (topos), 80 De viris and, xvi, 14, 17–20 anti-Petrarchism, 196–197 (see also Ennius’ prophetic vision in, 98 Petrarchism) epic tradition in, 17, 21, 93–94, 96, 125 Apollo, 41–42, 55, 160, 198 (see also Epystole and, 87, 93, 125 Daphne; Laura; laurel, myth of; fictional veil in, 94 laurel crown/laureation) historical basis of, 93–94 Appenninigena, Donato, 130 Humanist views on, 182 Aretino, Pietro incompletion of, 19, 56, 86, 88, 123, 125, La Cortigiana, 194, 196 134 Ragionamenti, 194 influence of, 2, 180, 182, 184, 189 Ariosto, Ludovico, 194 inspiration for, 87 Aristotle, 144, 146, 150, 172–173, 222 Massinissa episode in, 97 History of Animals, 188 praise of Rome and Scipio in, 95 Nicomachean Ethics, 230 252 © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-1-107-00614-0 - The Cambridge Companion to Petrarch Edited by Albert Russell Ascoli and Unn Falkeid Index More information index Aristotelianism (see Aristotle, De ignorantia, Bersuire, Pierre, 93 Scholasticism) Bidelli, Giulio, 195 Atanagi, Dionigi, 199 Biondo, Flavio, 183 Augustine, Saint, 20, 56, 143 (see also Black Death, xvii, xviii, 29–31, 34, 38, Secretum; will) 56–67, 90, 121, 124, 127, 133, 146, City of God, 169 151, 170, 234 Commentaries on the Psalms, 149 Blumenberg, Hans, 1 Confessions, 20, 41, 56, 101, 103, 106, Legitimacy of the Modern Age, 102 109, 226, 228 Boccaccio, Giovanni, 22, 23, 30–31, De vera religione, 101, 103–104, 106, 130–131 (see also Familiaries, 109, 115–116 Boccaccio in; Petrarch, friends of; Soliloquia, 103, 112 Seniles, Boccaccio in) Augustinus (character in Secretum)(see Amorosa visione, 80 Secretum) De casibus virorum illustrorum, 2 author’s book, 51, 161, 165 De claris mulieribus, 2 Avignon Decameron, xviii, 30, 51, 133, 227 as cultural and political center, 4, 27–28 book 10,story10 (Griselda), xviii, 122, Papacy and the (see Papacy, in Avignon; 132–134, 152, 185, 226 Petrarch, Francesco, and the Exposition on Dante’s Comedy, 180 Avignonese Papacy) Genealogy of the Pagan Gods, 180 Petrarch’s residence in, xv–xvii, 3–6, in Familiares, 124, 127, 129, 130, 162 14–15, 17, 94, 112, 127, 132, 135, in Seniles, xviii, 5, 126, 128, 130–131, 141–142, 154 (see also Petrarca, 132–134, 141–142, 181, 227–228 Francesco, residence in Vaucluse) Life of Petrarch, 132, 134, 180 modernity and, 226–227 Babylonian captivity of the Church (see visit to Padua, xvii Church, Babylonian Captivity of; Boscan,´ Juan, 210–211 Papacy, in Avignon; Petrarch, Bracciolini, Poggio, 175, 181, 186 Francesco, and the Avignonese Misery of the Human Condition, The, 188 Papacy) Unhappiness of Princes, The, 182 Baranski,´ Zygmunt, 38 Brandt, Sebastian, 185 Barbato da Sulmona, xvi, 28, 88, 90, 93 (see Brucioli, Antonio, 199, 210 also Petrarch, friends of) Bruni, Leonardo, 100, 182–183, 186 Barolini, Teodolinda, 72, 163 Dialogi, 182–186, 187 Baron, Hans, 5 Brutus (Cicero), 182 Barrili, Giovanni, 28, 89 Buck, August, 186 Battiferri, Laura, 199 Bucolicum carmen, xvii–xviii, 2, 7, 17, 21, Belisario da Cingoli, 195 22, 25, 85, 87–88, 89–92, 123, 125, Bembo, Pietro, 184, 192 226 De Imitatione, 62 Apicius (character), 91 Gli Asolani, 193 composition of Le cose volgari di messer Francesco final manuscript copying of, 17 Petrarcha, 192 work begun on, xvii and Petrarchism, 192–200 passim, 211, years written, 90–91 216–217 conclusion of, xviii Prose della volgar lingua, 52–53, 184, continuous narrative in, 92 192, 193, 210 Dane (character), 91 Rime, 193 individual eclogues role in editing RVF, 52–53 I Parthenias, 90–92, 148, 149 Bembo, Torquato, 53 II, 90–92 Bernard of Clairvaux III Amor pastorious, 90–92 On Consideration, 175 IV, 90–91, 92 Berni, Francesco, 196–197 V Pieta pastoralis, 90–92 253 © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-1-107-00614-0 - The Cambridge Companion to Petrarch Edited by Albert Russell Ascoli and Unn Falkeid Index More information index Bucolicum carmen (cont.) Charles V, King of France, 173 VI, 90–92 Chaucer, Geoffrey VII, 90–91 Troilus and Criseyde, 210 IX, 90–91, 92 Church, 115–116, 146–148, 175 (see also X, 90–92 Avignon, Popes and Papacy) XI, 90–91, 92 Babylonian captivity of, 86, 173 XII, 90–92 Cicero, 3, 5, 28, 29, 31, 32, 56, 79, 85, 100, influence of, 2 109, 113, 125–129 passim, 142–152 inspiration for, 87 passim, 170–175 passim, 180–181, Martius (character), 91 183–184, 193, 222, 237 number of eclogues in, 21 Ad Quintus, 146–147 Silvius in, 148–149 Brutus, 182 structure of, 91–92 De amicitia, 27, 31–34 Stupeus (character), 91 De officiis, 31 summaries of three individual eclogues, 91 De oratore, 144 Triumphi and, 22 De re publica (lost dialogue), 99 (see also Virgilian pastoral in, 92 Macrobius) Volucer (character), 91 dialogues, as model for Petrarch, 100, Burckhardt, Jacob, 1 112, 180, 183 discovery of letters, by Petrarch, 3, 7, 29, Cabassoles, Philippe de, xvi, 20, 28, 111, 121, 141 112, 116 (see also Petrarch, friends discovery of orations by Petrarch, xvii of) Hortensius, 172 Calmeta, Vincenzo, 194 letters of, as model for Petrarch, 7, 29, 85, Camillo, Giulio, 198 121, 125, 129, 141, 152 Camoes,˜ Luıs´ de Letters to Atticus, 7, 141 Os Lusıadas´ , 211–212 On the Nature of the Gods, 172 canson, 156, 157, 158 Petrarch’s letter to, 29, 121, 141, 152 cansos, 154–155 Pro Archia,xvi,96 Canzoniere (see Rerum vulgarium Pro Plancio, 112 fragmenta) Tusculan Disputations, 104, 142, 188 capfinidas, 163–164 Cielo d’Alcamo, 163 Caraman, Jean de, 170–171 Cino da Pistoia, 161 care, philosophy of, 142–151 passim (see Cinquecento (16th century), 52–53 also ethics) Clement V, Pope, 4 Caro, Annibal, 197 Clement VI, Pope, 168, 170, 221, 222, 235, Carrara family, 3, 5 (see also Patrons) 236 Francesco da Carrara, 19, 122, 126 coblas singulars (poetic form), 155 Jacopo da Carrara, 132 Collalto, Collaltino di, 206 Casini, Francesco, 168 Collatio laureationis (Coronation Oration), Castellani, Tommaso, 198 xvi, 86, 96, 179, 180, 223 (see also Castelvetro, Lodovico, 199, 210 laurel crown/laureation) Castiglione, Baldassare Colonna, Giacomo, xv, xvii, 27 Book of the Courtier, The, 194 Colonna, Giovanni, xvi, 4–5, 27–29, 44, Cathedral Library of Verona, 29, 121 122, 124, 167, 195 (see also patrons; Cavalcanti, Guido, 56, 161 Petrarch, friends of) Celenza, Christopher, 186 death of, xvii, 29 Celestine V, Pope, 114–115 Petrarch’s appointment as chaplain to, centone, 195–196 4 Cetina, Gutierre de, 211 Colonna, Vittoria, 199, 200, 202–204, 206 Charles IV, Emperor, xvii, xviii, 4, 33, 115, Il trionfo della Croce, 203–204 122, 126–127 (see also Patrons) Rime, 199, 203 Charles V, Emperor, 211 Rime spirituali, 200, 203 254 © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-1-107-00614-0 - The Cambridge Companion to Petrarch Edited by Albert Russell Ascoli and Unn Falkeid Index More information index Colonna family, 3, 15, 27, 29–30, 91 on RVF, 41, 44–45, 47, 55, 56, 72–73, Petrarch’s conflict with, 29 155, 161 commentaries on Petrarch’s works, 184, on Triumphi, 23, 38, 74–76, 80–84, 193–197 passim, 200, 202, 210, 159, 161–162, 203 212, 217 Monarchia, 4, 238 congedo (poetic device), 156, 157, 159, Petrarch’s attitude toward, 3, 4, 22–23, 160–161 122, 127, 130, 145, 159, 162, 223, Contarini, Zaccaria, 171 225, 227–228, 232, 238 contempus mundi (“contempt of worldly Petrarch’s letters about, 22, 82, 122, things”; topos), 117 162 Contini, Gianfranco, 44 rime petrose, 159–161, 166 Contra eum (see Invectives) “Al poco giorno,” 156, 158, 159 Contra medicum (see Invectives) “Cosı` nel mio parlar,” 159 Contra quendam (see Invectives) Vita nova, 41, 44–45, 47, 155, 225 “Corona of Love Casuistry” (poem), 164 Daphne, 41–42, 55–56, 136, 160 (see also Correggio (city), 15 Apollo; Laura; laurel, myth of; RVF, Correggio, Azzo da, xvi, 21, 22, 28, 57 (see myth of Apollo and Daphne in) also patrons) d’Aragona, Tullia Correggio form of RVF, 21, 22, 48–49, Rime, 199 57–58 (see also RVF) Davanzati, Chiaro, 161 Corso, Rinaldo de Baıf,¨ Jean-Antoine Tutte le Rime di Vittoria Colonna, 202 Amour de Francine, 214 Cortesi, Paolo De ignorantia (On His Own Ignorance and Dialogue on Learned Men, 184 That of Many Others)(see Council of Trent, 237 Invectives)
Load more

Recommended publications
  • Petrarch and Boccaccio Mimesis
    Petrarch and Boccaccio Mimesis Romanische Literaturen der Welt Herausgegeben von Ottmar Ette Band 61 Petrarch and Boccaccio The Unity of Knowledge in the Pre-modern World Edited by Igor Candido An electronic version of this book is freely available, thanks to the support of libraries working with Knowledge Unlatched. KU is a collaborative initiative designed to make high quality books Open Access. More information about the initiative and links to the Open Access version can be found at www.knowledgeunlatched.org. The Open Access book is available at www.degruyter.com. ISBN 978-3-11-042514-7 e-ISBN (PDF) 978-3-11-041930-6 e-ISBN (EPUB) 978-3-11-041958-0 ISSN 0178-7489 This work is licensed under the Creative Commons Attribution NonCommercial-NoDerivatives 4.0 license. For more information, see http://creativecommons.org/licenses/by-nc-nd/4.0/. Library of Congress Cataloging-in-Publication Data A CIP catalog record for this book has been applied for at the Library of Congress. Bibliographic information published by the Deutsche Nationalbibliothek The Deutsche Nationalbibliothek lists this publication in the Deutsche Nationalbibliografie; detailed bibliographic data are available on the Internet at http://dnb.dnb.de. © 2018 Igor Candido, published by Walter de Gruyter GmbH, Berlin/Boston Typesetting: Konvertus, Haarlem Printing and binding: CPI books GmbH, Leck ♾ Printed on acid-free paper Printed in Germany www.degruyter.com Dedicated to Ronald Witt (1932–2017) Contents Acknowledgments IX Igor Candido Introduction 1 H. Wayne Storey The
    [Show full text]
  • «Vero Omnia Consonant». Ideologia E Politica Di Petrarca Nel Liber Sine Nomine
    Paolo Viti «Vero omnia consonant». Ideologia e politica di Petrarca nel Liber sine nomine Parole chiave: Petrarca, 'Liber sine nomine', Cola di Rienzo, Curia avignonese, Denuncia Keywords: Petrarca, 'Liber sine nomine', Cola di Rienzo, Avignon Curia, Condemnation Contenuto in: Le carte e i discepoli. Studi in onore di Claudio Griggio Curatori: Fabiana di Brazzà, Ilvano Caliaro, Roberto Norbedo, Renzo Rabboni e Matteo Venier Editore: Forum Luogo di pubblicazione: Udine Anno di pubblicazione: 2016 Collana: Tracce. Itinerari di ricerca/Area umanistica e della formazione ISBN: 978-88-8420-917-7 ISBN: 978-88-3283-054-5 (versione digitale) Pagine: 67-98 DOI: 10.4424/978-88-8420-917-7-07 Per citare: Paolo Viti, ««Vero omnia consonant». Ideologia e politica di Petrarca nel Liber sine nomine», in Fabiana di Brazzà, Ilvano Caliaro, Roberto Norbedo, Renzo Rabboni e Matteo Venier (a cura di), Le carte e i discepoli. Studi in onore di Claudio Griggio, Udine, Forum, 2016, pp. 67-98 Url: http://forumeditrice.it/percorsi/lingua-e-letteratura/tracce/le-carte-e-i-discepoli/vero-omnia-consonant-ideologia-e- politica-di FARE srl con socio unico Università di Udine Forum Editrice Universitaria Udinese via Larga, 38 - 33100 Udine Tel. 0432 26001 / Fax 0432 296756 / forumeditrice.it «VERO OMNIA CONSONANT». IDEOLOGIA E POLITICA DI PETRARCA NEL LIBER SINE NOMINE Paolo Viti Pur non potendo isolare parti troppo limitate all’interno dell’intera produzione petrarchesca, mi sembra utile selezionare alcuni passi contenuti nel Liber sine nomine – collezione di lettere in stretta corrispondenza con le Familiares1 – so- prattutto in rapporto all’altezza cronologica in cui tali lettere furono composte, fra il 1342 e il 1359, ma con alcuni nuclei ben precisi: nel 1342 la I a Philippe de Cabassole, nel 1347 la II e la III a Cola di Rienzo, nel 1357 e nel 1358 le ultime tre (XVII-XIX) a Francesco Nelli.
    [Show full text]
  • Francesco Petrarch, Some Love Songs of Petrarch (14Thc)
    Petrarch_0558 http://oll.libertyfund.org/Home3/EBook.php?recordID=0558 [XLVCCXLVCLXXXIXCLXXVICXXVCXLVCLXCCXVCCXLIXCCLCCCCCLXXVCCLXIXCCCXCCCXXCCCXVCCLXXCCCXXXICCCXXVCCCXLCCCXLICCCXLVICCCLXVCCCLXVICXVLXXXIXCXXXVICXXXIVLXXXICCCXICCLXVIICXXIXCXXVICLVICLIXXCCCCXXXIIICCCXLIIICXIXCXXIXCIXCCCXIICCXXXVIIILCCXXIICCCLIIILIVLXXIICCXCIIICCCIILXXVIIICXCIICCXIICXXVIIICVICXIXCIXXXVIIIXXIXXXIILXVIIILXIICXXIIIXXXIIIXXIILXIIIXILIILIIIXIIIIIII]]]]]]]]]]]]]]]]]]]]]]] ] THE ONLINE LIBRARY OF LIBERTY Chaucer.Hisfriendships.HisSeeksEditionsTheLove religiousfollowers.loveloveHumanist. of Italian fame.ofof hisLaura.antiquity.fame. feeling. unity. works. Netherlands.Channel.Vaucluse.1338.court.Cicero.secretaryship.Petrarch.Tribune.forFlorence.physicians.returnremonstrate.Viscontithemanuscripts.poems.Venetians.toAvignon.Literature. Rome. Italy.succession. to dies. Italy. © Liberty Fund, Inc. 2005 http://oll.libertyfund.org/Home3/index.php FRANCESCO PETRARCH, SOME LOVE SONGS OF PETRARCH (14THC) URL of this E-Book: http://oll.libertyfund.org/EBooks/Petrarch_0558.pdf URL of original HTML file: http://oll.libertyfund.org/Home3/HTML.php?recordID=0558 ABOUT THE AUTHOR Francesco Petrarca was an Italian scholar and poet who is regarded by many scholars as being among the first humanists. He contributed to the Renaissance flowering of lyric poetry and literature through his poems addressed to Laura, his idealized beloved. Petrarch’s love of classical authors and learning inspired him to visit men of learning and search monastic libraries for classical texts. His discovery
    [Show full text]
  • Petrarch and Boccaccio Mimesis
    Petrarch and Boccaccio Mimesis Romanische Literaturen der Welt Herausgegeben von Ottmar Ette Band 61 Petrarch and Boccaccio The Unity of Knowledge in the Pre-modern World Edited by Igor Candido An electronic version of this book is freely available, thanks to the support of libraries working with Knowledge Unlatched. KU is a collaborative initiative designed to make high quality books Open Access. More information about the initiative and links to the Open Access version can be found at www.knowledgeunlatched.org. The Open Access book is available at www.degruyter.com. ISBN 978-3-11-042514-7 e-ISBN (PDF) 978-3-11-041930-6 e-ISBN (EPUB) 978-3-11-041958-0 ISSN 0178-7489 This work is licensed under the Creative Commons Attribution NonCommercial-NoDerivatives 4.0 license. For more information, see http://creativecommons.org/licenses/by-nc-nd/4.0/. Library of Congress Cataloging-in-Publication Data A CIP catalog record for this book has been applied for at the Library of Congress. Bibliographic information published by the Deutsche Nationalbibliothek The Deutsche Nationalbibliothek lists this publication in the Deutsche Nationalbibliografie; detailed bibliographic data are available on the Internet at http://dnb.dnb.de. © 2018 Igor Candido, published by Walter de Gruyter GmbH, Berlin/Boston Typesetting: Konvertus, Haarlem Printing and binding: CPI books GmbH, Leck ♾ Printed on acid-free paper Printed in Germany www.degruyter.com Dedicated to Ronald Witt (1932–2017) Contents Acknowledgments IX Igor Candido Introduction 1 H. Wayne Storey The
    [Show full text]
  • Avignon Vs. Rome: Dante, Petrarch, Catherine of Siena
    [Expositions 4.1&2 (2010) 47-62] Expositions (online) ISSN: 1747-5376 Avignon vs. Rome: Dante, Petrarch, Catherine of Siena THOMAS RENNA Saginaw Valley State University ABSTRACT In the fourteenth century the image of ancient Rome as Babylon was transformed into the positive idea of Rome as both a Christian and a classical ideal. Whereas Dante disassociated Augustine‟s Babylon from imperial Rome, Petrarch turned Avignon into Babylon, a symbol of an avaricious papacy. For Catherine of Siena Avignon was not evil, but a distraction which prevented the pope from reforming the Italian clergy, bringing peace to Italy, and launching the crusade. “There is only one hope of salvation in this place! Here, Christ is sold for gold!”1 And so Francesco Petrarch denounced the Avignon of the popes as the most evil place on earth since the days of ancient Babylon. This view of the Holy See should have disappeared when the papacy returned to Rome in 1377, but it did not. On the contrary, the castigation of the sins of pontiffs intensified, as subsequent ages used this profile to vilify the papacy, the clergy, the French monarchy, and the French nation.2 Not to be outdone, some French historians in the twentieth century sought to correct this received tradition by examining the popes‟ worthy qualities.3 It is curious that this depiction of Avignon as the Babylon Captivity has enjoyed such longevity, even in college textbooks.4 “Corruption” is of course a value judgment as much as a description of actual behavior. Doubtless Pope Clement VI did not think of his curia as “corrupt.” Contemporary citizens of Mongolia do not see Genghis Khan as the monster of the medieval Christian chronicles.
    [Show full text]
  • Francesco Petrarca Travelling and Writing to Prague’S Court*
    Verbum Analecta Neolatina XII/1, pp. 27–40 DOI: 10.1556/Verb.12.2010.1.2 FRANCESCO PETRARCA TRAVELLING AND WRITING TO PRAGUE’S COURT* Jiˇrí Špiˇcka Palacký University, Olomouc Katedra romanistiky FF UP Kˇrížkovského 10 771 80 Olomouc Czech Republic [email protected] Abstract: This paper deals with the cultural and political contacts between Francesco Petrarca and the imperial court in Prague. Leaving aside the political motivation of the epistolary ex- change between Petrarca and the Emperor Charles IV, we firstly focus on the history of Pe- trarca’s journey(s) to Prague as a curious experience in his life, and secondly on the nature of the “friendship” between Petrarca and the imperial chancellorJan ze Stredy,ˇ which we interpret as an obstinate and idle endeavour of self-promotion. Keywords: Petrarca, Jan ze Stredy,ˇ Prague, humanism, epistolography When Petrarca, enthusiastic patriot and bard of Italic primacy, wished to ap- proach the highest exponents of his contemporary society, he had to write letters abroad. Although the Pope and the Emperor boasted to be head of the Roman Church (the former), and of the Roman Empire (the latter), nei- ther of them was settled in Rome. For this reason Petrarca was in touch with Prague and its imperial court, i.e., with a city so far from his Antiquity focus- ing view. Petrarca’s correspondence with the Emperor Charles IV is generally known and we do not want to examine his exhortation to Charles to go to Rome and assume the power, nor the rebukes he made to him for not having ¶ This paper was written within the framework of Research Development Project (2009, support of young scholars) accorded by MŠMT to Faculty of Arts, Palacký University of Olo- mouc.
    [Show full text]
  • Il Modello Autobiografico Delle Familiares Di Petrarca
    Antognini- fronte-396-5 22-12-2008 10:18 Pagina 1 STUDI E RICERCHE Roberta Antognini IL PROGETTO AUTOBIOGRAFICO DELLE FAMILIARES DI PETRARCA ISBN 978-88-7916-396-5 Copyright 2008 Via Cervignano 4 - 20137 Milano Catalogo: www.lededizioni.com - E-mail: [email protected] I diritti di traduzione, di memorizzazione elettronica e pubblicazione con qualsiasi mezzo analogico o digitale (comprese le copie fotostatiche e l’inserimento in banche dati) sono riservati per tutti i paesi. _________________________________________________________________________ Le fotocopie per uso personale del lettore possono essere effettuate nei limiti del 15% di ciascun volume o fascicolo di periodico dietro pagamento alla SIAE del compenso previsto dall’art. 68, commi 4 e 5, della legge 22 aprile 1941 n. 633. Le riproduzioni effettuate per finalità di carattere professionale, economico o commerciale o comunque per uso diverso da quello personale possono essere effettuate a seguito di specifica autorizzazione rilasciata da: AIDRO, Corso di Porta Romana n. 108 – 20122 Milano E-mail [email protected] - sito web www.aidro.org __________________________________________________________________________________________ In copertina: Francesco Petrarca, Epistolae familiares (editio princeps), a cura di Sebastiano Manilio Venezia, Giovanni e Gregorio de Gregori, 13 settembre 1492 (Milano, Biblioteca Ambrosiana, Inc. 604 c. 1r) Diritti Biblioteca Ambrosiana. Vietata la riproduzione. Aut. F 146/08ce Videoimpaginazione e redazione grafica: Claudio Corvino Stampa: Digital Print Service SOMMARIO Premessa 11 1. Fortuna e sfortuna delle ‘Familiares’ 15 1.1. Storia editoriale delle ‘Familiares’ (p. 15) – 1.2. La questione del titolo (p. 18) – 1.3. La critica e le ‘Familiares’ (p. 21) – 1.4. Autobiografi a nel Medioevo? (p. 24) 2.
    [Show full text]
  • Bibliografia Analitica Petrarchesca, 1877-1904, in Continuazione A
    H^-^jgpil . fi ijai. Bibliografia analitica PETRARCHESCA 1877-I9Ó4 IN CONTINUAZIONE A QUELLA fJEL FERRÀZZT COMPILATA EMILIO CALVI Fonti Bibliografiche - Opere intorno al Petrarca Edizioni- Autografi e manoscritti petrarcheschi Conferenze # ROMA ERMANNO LOESCHER E Co {Bretschnéider & Regenberg) 1904 Cil Roma 190} - Forzani e C. tipografi del Senato. PREFAZIONE EL 1874 l'Italia - costituita da poco tempo in unità indissolubile, dopo una secolare odissea di politici rivolgimenti - celebrò il quinto j 3 j -ji Centenario della morte di Francesco Petrarca. E solenni riuscirono le ' iff onoranze tributate a quel Grande, che cinquecentotrent' anni prima " r\ aveva osato lanciare il fatidico grido: Che fan qui tante peregrine spade ? ", divinando in un sogno radioso - lo stesso già concepito dall' Alighieri, acca- rezzato poi dal Valentino e dal Machiavelli - l' unità e l' indipendenza d'Italia. Due effetti di somma importanza, ma di natura diversa, produsse quella lieta ricorrenza. In politica si ebbe un notevole ravvicinamento tra l'Italia e la Francia; al magico nome del Petrarca le due sorelle di latin sangue gentile, per opera di uomini insigni, quali Costantino Nigra, A. Conti, U. Peruzzi, Mezières, ecc., si riconciliarono, scordando urti ed attriti, ciascuna di esse intesa soltanto a rivendicare a sé il genio e l' ispirazione di quell' Immortale. « Poiché se l' Italia diede al Petrarca la nascita, la lingua e la tomba, la Francia gì' ispirava il Caii'oniere ed il " lungo sospir della più dolce Musa"»/ 1 ) Nel campo letterario avvenne un fatto di maggiore entità: un risveglio vivissimo negli studi petrarcheschi, il quale si esplicò in letture, in confe- renze e nella pubblicazione di numerose monografie, di articoli, di opere biografiche e critiche, alcune delle quali di non comune valore.
    [Show full text]
  • Der Petrarkismus – Ein Europäischer Gründungsmythos
    Gründungsmythen Europas in Literatur, Musik und Kunst Band 4 herausgegeben von Uwe Baumann, Michael Bernsen und Paul Geyer Michael Bernsen / Bernhard Huss (Hg.) Der Petrarkismus – ein europäischer Gründungsmythos Mit 9 Abbildungen V&R unipress Bonn University Press Bibliografische Information der Deutschen Nationalbibliothek Die Deutsche Nationalbibliothek verzeichnet diese Publikation in der Deutschen Nationalbibliografie; detaillierte bibliografische Daten sind im Internet über http://dnb.d-nb.de abrufbar. ISBN 978-3-89971-842-3 ISBN 978-3-86234-842-8 (E-Book) Veröffentlichungen der Bonn University Press erscheinen im Verlag V&R unipress GmbH. 2011, V&R unipress in Göttingen / www.vr-unipress.de Alle Rechte vorbehalten. Das Werk und seine Teile sind urheberrechtlich geschützt. Jede Verwertung in anderen als den gesetzlich zugelassenen Fällen bedarf der vorherigen schriftlichen Einwilligung des Verlages Printed in Germany. Titelbild: Andrea del Sarto: »Dama col Petrarchino«, ca. 1528, Florenz, Galleria degli Uffizi, Wikimedia Commons. Druck und Bindung: CPI Buch Bücher.de GmbH, Birkach Gedruckt auf alterungsbeständigem Papier. Inhalt Vorwort der Herausgeber . ................... 7 Michael Bernsen Der Petrarkismus, eine lingua franca der europäischen Zivilisation . 15 Stefano Jossa Petrarkismus oder Drei Kronen? Die Ursprünge eines Konfliktes . 31 Catharina Busjan Franciscus Petrarca posteritati salutem: Petrarcas Selbstentwurf und sein Widerhall in den Petrarca-Biographien der Frühen Neuzeit . ...... 51 Martina Meidl »Benedetto sia ’l
    [Show full text]
  • Quaderni D'italianistica : Revue Officielle De La Société Canadienne
    ROBERTA MOROSINI 'POLYPHONIC PARTHENOPE: BOCCACCIO'S LETTER XIII AND HIS 'PLEBEIAN' NAPLES, ACCORDING TO DOMENICO REA "E chiaro che preferisco il Boccaccio realistico e napoletano, quello scrittore che non riesce a staccarsi dalla realtà e che invano tenterà d'imitare il venerato Dante e l'adorato amico Petrarca" (Rea, "Boccaccio a Napoli" 264). In 1960, Domenico Rea wrote "Boccaccio a Napoli" (// re e il lustrascarpe 252-274). In this article, he passionately but, alas, unsuccessfully tries to prove that Boccaccio had a sincere desire to describe realistically the con- dition of the Neapolitan poor. In any case, Rea's article allows us to recon- sider the impact that both courtly and plebeian Naples had on Boccaccio's imagination: What was Naples for the young Boccaccio? A peaceful, ele- gant court or a "falling forest"? Was it aristocratic or exclusively plebeian? At different times, Boccaccio expresses different feelings toward this city: he speaks highly of it, but also condemns it as a "selva, perché come nelle selve dimorano gli animali bruti, così nelle città abitano gli uomini bruti, i quali nello stile predetto talora si chiamano pecore, talora capretti e buoi" ("Naples is a forest, for just as wild animals live in the woods, so do men in the cities, and, similarly, I sometimes call men sheep, goats, and oxen" Letter XXIII,9 ed. Auzzas). 1 In the attempt to provide, if not an answer, then a further considera- tion of these questions, I will examine two of Boccaccio's letters, XIII to Francesco Nelli, which is at the focus of Rea's article, and the so-called Neapolitan Letter to Franceschino.
    [Show full text]
  • Italiani Di Milano Studi in Onore Di Silvia Morgana
    Italiani di Milano Studi in onore di Silvia Morgana a cura di Massimo Prada e Giuseppe Sergio ledizioni CONSONANZE Collana del Dipartimento di Studi Letterari, Filologici e Linguistici dell’Università degli Studi di Milano diretta da Giuseppe Lozza 8 Comitato scientifico Benjamin Acosta-Hughes (The Ohio State University), Giampiera Arrigoni (Università degli Studi di Milano), Johannes Bartuschat (Universität Zürich), Alfonso D'Agostino (Università degli Studi di Milano), Maria Luisa Doglio (Università degli Studi di Torino), Bruno Falcetto (Università degli Studi di Milano), Alessandro Fo (Università degli Studi di Siena), Luigi Lehnus (Università degli Studi di Milano), Maria Luisa Meneghetti (Università degli Studi di Milano), Michael Metzeltin (Universität Wien), Silvia Morgana (Università degli Studi di Milano), Laurent Pernot (Université de Strasbourg), Simonetta Segenni (Università degli Studi di Milano), Luca Serianni (Sapienza Università di Roma), Francesco Spera (Università degli Studi di Milano), Renzo Tosi (Università degli Studi di Bologna) Comitato di Redazione Guglielmo Barucci, Francesca Berlinzani, Maddalena Giovannelli, Cecilia Nobili, Stefano Resconi, Luca Sacchi Comitato promotore del volume Maurizio Vitale, Ilaria Bonomi, Gabriella Cartago, Fabrizio Conca, Alfonso D’Agostino, Mario Piotti, Giuseppe Polimeni, Marzio Porro, Massimo Prada, Giuseppe Sergio ISBN 978-88-6705-672-9 © 2017 Ledizioni – LEDIpublishing Via Alamanni, 11 20141 Milano, Italia www.ledizioni.it INDICE Saluto di Maurizio Vitale Premessa di Massimo Prada e Giuseppe Sergio 11 Tabula gratulatoria 1. Maurizio Vitale, Ermes Visconti e la questione della lingua italiana 21 2. Vittorio Spinazzola, La trilogia della gioventù milanese 27 3. Fabrizio ConCa, Gli amori di Briseida, dall’Occidente a Bisanzio 4. Carla CaStelliLettera a Marcella 47 5. MaSSiMo Vai, Il clitico a nella storia del milanese 6.
    [Show full text]
  • The Cambridge Companion to Petrarch Edited by Albert Russell Ascoli and Unn Falkeid Frontmatter More Information
    Cambridge University Press 978-1-107-00614-0 - The Cambridge Companion to Petrarch Edited by Albert Russell Ascoli and Unn Falkeid Frontmatter More information the cambridge companion to petrarch Petrarch (Francesco Petrarca, 1304–1374), best known for his influential collec- tion of Italian lyric poetry dedicated to his beloved Laura, was also a remarkable classical scholar, a deeply religious thinker, and a philosopher of secular ethics. In this wide-ranging study, chapters by leading scholars view Petrarch’s life through his works, from the epic Africa to the “Letter to Posterity,” from the Canzoniere to the vernacular epic Triumphi. Petrarch is revealed as the heir to the converging influences of classical cultural and medieval Christianity, but also to his great vernacular precursor, Dante, and his friend, collaborator, and sly critic, Boccaccio. Particular attention is given to Petrach’s profound influence on the Humanist movement and on the courtly cult of vernacular love poetry, while raising important questions as to the validity of the distinction between medieval and modern, and what is lost in attempting to classify this elusive figure. albert russell ascoli is Gladyce Arata Terrill Distinguished Professor at the University of California, Berkeley. His publications include Ariosto’s Bitter Harmony: Crisis and Evasion in the Italian Renaissance (1987); Making and Remaking Italy: The Cultivation of National Identity around the Risorgimento (co-edited with Krystyna von Henneberg, 2001); Dante and the Making of a Modern Author (Cambridge, 2008); and A Local Habitation and a Name: Imagining Histories in the Italian Renaissance (2011). He is co-founder and volume editor of the electronic journal, California Italian Studies.
    [Show full text]