The Gutenberg Galaxy by Marshall Mcluhan
Total Page：16
File Type：pdf, Size：1020Kb
Load more
Recommended publications
-
Roth Book Notes--Mcluhan.Pdf
Book Notes: Reading in the Time of Coronavirus By Jefferson Scholar-in-Residence Dr. Andrew Roth Mediated America Part Two: Who Was Marshall McLuhan & What Did He Say? McLuhan, Marshall. The Mechanical Bride: Folklore of Industrial Man. (New York: Vanguard Press, 1951). McLuhan, Marshall and Bruce R. Powers. The Global Village: Transformations in World Life and Media in the 21st Century. (New York: Oxford University Press, 1989). McLuhan, Marshall. The Gutenberg Galaxy: The Making of Typographic Man. (Toronto: University of Toronto Press, 1962). McLuhan, Marshall. Understanding Media: The Extensions of Man. (Cambridge, MA: MIT Press, 1994. Originally Published 1964). The Mechanical Bride: The Gutenberg Galaxy Understanding Media: The Folklore of Industrial Man by Marshall McLuhan Extensions of Man by Marshall by Marshall McLuhan McLuhan and Lewis H. Lapham Last week in Book Notes, we discussed Norman Mailer’s discovery in Superman Comes to the Supermarket of mediated America, that trifurcated world in which Americans live simultaneously in three realms, in three realities. One is based, more or less, in the physical world of nouns and verbs, which is to say people, other creatures, and things (objects) that either act or are acted upon. The second is a world of mental images lodged between people’s ears; and, third, and most importantly, the mediasphere. The mediascape is where the two worlds meet, filtering back and forth between each other sometimes in harmony but frequently in a dissonant clanging and clashing of competing images, of competing cultures, of competing realities. Two quick asides: First, it needs to be immediately said that Americans are not the first ever and certainly not the only 21st century denizens of multiple realities, as any glimpse of Japanese anime, Chinese Donghua, or British Cosplay Girls Facebook page will attest, but Americans first gave it full bloom with the “Hollywoodization,” the “Disneyfication” of just about anything, for when Mae West murmured, “Come up and see me some time,” she said more than she could have ever imagined. -
Works on Giambattista Vico in English from 1884 Through 2009
Works on Giambattista Vico in English from 1884 through 2009 COMPILED BY MOLLY BLA C K VERENE TABLE OF CON T EN T S PART I. Books A. Monographs . .84 B. Collected Volumes . 98 C. Dissertations and Theses . 111 D. Journals......................................116 PART II. Essays A. Articles, Chapters, et cetera . 120 B. Entries in Reference Works . 177 C. Reviews and Abstracts of Works in Other Languages ..180 PART III. Translations A. English Translations ............................186 B. Reviews of Translations in Other Languages.........192 PART IV. Citations...................................195 APPENDIX. Bibliographies . .302 83 84 NEW VICO STUDIE S 27 (2009) PART I. BOOKS A. Monographs Adams, Henry Packwood. The Life and Writings of Giambattista Vico. London: Allen and Unwin, 1935; reprinted New York: Russell and Russell, 1970. REV I EWS : Gianturco, Elio. Italica 13 (1936): 132. Jessop, T. E. Philosophy 11 (1936): 216–18. Albano, Maeve Edith. Vico and Providence. Emory Vico Studies no. 1. Series ed. D. P. Verene. New York: Peter Lang, 1986. REV I EWS : Daniel, Stephen H. The Eighteenth Century: A Current Bibliography, n.s. 12 (1986): 148–49. Munzel, G. F. New Vico Studies 5 (1987): 173–75. Simon, L. Canadian Philosophical Reviews 8 (1988): 335–37. Avis, Paul. The Foundations of Modern Historical Thought: From Machiavelli to Vico. Beckenham (London): Croom Helm, 1986. REV I EWS : Goldie, M. History 72 (1987): 84–85. Haddock, Bruce A. New Vico Studies 5 (1987): 185–86. Bedani, Gino L. C. Vico Revisited: Orthodoxy, Naturalism and Science in the ‘Scienza nuova.’ Oxford: Berg, 1989. REV I EWS : Costa, Gustavo. New Vico Studies 8 (1990): 90–92. -
What Cant Be Coded Can Be Decorded Reading Writing Performing Finnegans Wake
ORBIT - Online Repository of Birkbeck Institutional Theses Enabling Open Access to Birkbecks Research Degree output What cant be coded can be decorded Reading Writing Performing Finnegans Wake http://bbktheses.da.ulcc.ac.uk/198/ Version: Public Version Citation: Evans, Oliver Rory Thomas (2016) What cant be coded can be decorded Reading Writing Performing Finnegans Wake. PhD thesis, Birkbeck, University of London. c 2016 The Author(s) All material available through ORBIT is protected by intellectual property law, including copyright law. Any use made of the contents should comply with the relevant law. Deposit guide Contact: email “What can’t be coded can be decorded” Reading Writing Performing Finnegans Wake Oliver Rory Thomas Evans Phd Thesis School of Arts, Birkbeck College, University of London (2016) 2 3 This thesis examines the ways in which performances of James Joyce’s Finnegans Wake (1939) navigate the boundary between reading and writing. I consider the extent to which performances enact alternative readings of Finnegans Wake, challenging notions of competence and understanding; and by viewing performance as a form of writing I ask whether Joyce’s composition process can be remembered by its recomposition into new performances. These perspectives raise questions about authority and archivisation, and I argue that performances of Finnegans Wake challenge hierarchical and institutional forms of interpretation. By appropriating Joyce’s text through different methodologies of reading and writing I argue that these performances come into contact with a community of ghosts and traces which haunt its composition. In chapter one I argue that performance played an important role in the composition and early critical reception of Finnegans Wake and conduct an overview of various performances which challenge the notion of a ‘Joycean competence’ or encounter the text through radical recompositions of its material. -
Metaphor and Metanoia: Linguistic Transfer and Cognitive Transformation in British and Irish Modernism
Western University Scholarship@Western Electronic Thesis and Dissertation Repository 8-20-2013 12:00 AM Metaphor and Metanoia: Linguistic Transfer and Cognitive Transformation in British and Irish Modernism Andrew C. Wenaus The University of Western Ontario Supervisor Dr. Jonathan Boulter The University of Western Ontario Graduate Program in English A thesis submitted in partial fulfillment of the equirr ements for the degree in Doctor of Philosophy © Andrew C. Wenaus 2013 Follow this and additional works at: https://ir.lib.uwo.ca/etd Part of the Continental Philosophy Commons, Literature in English, British Isles Commons, Modern Languages Commons, Modern Literature Commons, Other Arts and Humanities Commons, and the Philosophy of Mind Commons Recommended Citation Wenaus, Andrew C., "Metaphor and Metanoia: Linguistic Transfer and Cognitive Transformation in British and Irish Modernism" (2013). Electronic Thesis and Dissertation Repository. 1512. https://ir.lib.uwo.ca/etd/1512 This Dissertation/Thesis is brought to you for free and open access by Scholarship@Western. It has been accepted for inclusion in Electronic Thesis and Dissertation Repository by an authorized administrator of Scholarship@Western. For more information, please contact [email protected]. Metaphor and Metanoia: Linguistic Transfer and Cognitive Transformation in British and Irish Modernism (Thesis Format: Monograph) by Andrew C. Wenaus Graduate Program in English A thesis submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy The School of Graduate and Postdoctoral Studies The University of Western Ontario London, Ontario, Canada © Andrew C. Wenaus 2013 ABSTRACT This dissertation contributes to the critical expansions now occurring in what Douglas Mao and Rebecca L. -
Abbott, C.S. 1978. Marianne Moore: a Reference Guide
Abbott, C.S. 1978. Marianne Moore: A Reference Guide. Boston: G.K. Hall & Co. Abrams, M.H. 1953. The Mirror and the Lamp: Romantic Theory and the Critical Tradition. Oxford: Oxford U P. Abrams, M.H. 1971. Natural Supernaturalism: Tradition and Revolution in Romantic Literature. New York: W.W. Norton. Abrams, M.H. 1984. The Correspondent Breeze: Essays on English Romanticism. New York: W.W. Norton. Abrams, M.H. 1989. Doing Things With Texts: Essays in Criticism and Critical Theory. Ed. M. Fischer. New York: W.W. Norton. Ackerman, D. 1990. A Natural History of the Senses. New York: Random House. Adams, H. 1928. The Tendency of History. New York: MacMillan. Adams, H. 1964. The Education of Henry Adams. Two Volumes. New York: Time Incorporated. Adams, H. 1983. Philosophy of the Literary Symbolic. Tallahassee, FL: University Presses of Florida. Adams, H. 1971, ed. Critical Theory Since Plato. New York: Harcourt, Brace Jovanovich. Adams, H., ed. 1986. Critical Theory Since 1965. Tallahassee, FL: University Presses of Florida. Adams, H.P. 1935. The Life and Writings of Giambattista Vico. London: George Allen & Unwin. Adams, J. 1984. Yeats and the Masks of Syntax. New York: Columbia U P. Adams, S. 1997. Poetic Designs: An Introduction to Meters, Verse Forms, and Figures of Speech. Peterborough, ONT: Broadview Press. Addonizio, K. 1999. Ordinary Genius: A Guide for the Poet Within. New York: W.W. Norton. Addonizio, K. and D. Laux. 1997. The Poet's Companion: A Guide to the Pleasures of Writing Poetry. New York: W.W. Norton. Aland Jr., A. 1973. Evolution and Human Behavior: An Introduction to Darwinian Anthropology. -
Was Mcluhan a Semiotician?
MediaTropes eJournal Vol I (2008): 113–126 ISSN 1913-6005 THE MEDIUM IS THE SIGN: WAS MCLUHAN A SEMIOTICIAN? MARCEL DANESI That the world is being threatened more and more by those who hold the levers of “media power,” i.e., by those who control television networks, movie production studios, and computer media, is obvious to virtually everyone. It was, of course, Marshall McLuhan who was among the first to emphasize this fact, showing how the “meaning structures” that the media produce shape human cognition. The interesting thing for a semiotician is that he did so in a way that is consistent with semiotic ideas and, above all else, semiotic method. Was McLuhan a semiotician? Of course, he never claimed to be one, and, whether he knew anything about semiotic theory as such is beside the point. It is not commonly known outside of semiotics proper that the “science of signs” grew out of attempts by the first physicians of the Western world to understand how the body and the mind interact within specific cultural domains. Indeed, in its oldest usage, the term semiotics was applied to the study of the observable pattern of physiological symptoms induced by particular diseases. Hippocrates (460?–377? BCE)—the founder of Western medical science—viewed the ways in which an individual in a specific culture would manifest and relate the symptomatology associated with a disease as the basis upon which to carry out an appropriate diagnosis and then to formulate a suitable prognosis. The physician Galen of Pergamum (130?–200? CE) similarly referred to diagnosis as a process of semiosis. -
Marshall Mcluhan and Higher Music Education Glen Carruthers
Document generated on 09/27/2021 5:34 p.m. Intersections Canadian Journal of Music Revue canadienne de musique --> See the erratum for this article Marshall Mcluhan and Higher Music Education Glen Carruthers Volume 36, Number 2, 2016 Article abstract The way in which Marshall McLuhan’s theories relate to teaching and learning URI: https://id.erudit.org/iderudit/1051593ar broadly has garnered scholarly attention. It is surprising, though, given his DOI: https://doi.org/10.7202/1051593ar impact on Schafer and others, that there is scant critical commentary on the implications of McLuhan’s theories for either mass music or higher music See table of contents education. The present study is a step towards redressing this gap. The study concludes that McLuhan’s iconoclastic views have direct bearing on formal learning environments, like music schools, that struggle with notions of Publisher(s) inclusivity and exclusivity, community music and concert music, improvisation and textual interpretation, even as they embrace timely and Canadian University Music Society / Société de musique des universités sweeping curricular reform. canadiennes ISSN 1911-0146 (print) 1918-512X (digital) Explore this journal Cite this article Carruthers, G. (2016). Marshall Mcluhan and Higher Music Education. Intersections, 36(2), 3–11. https://doi.org/10.7202/1051593ar Copyright © Canadian University Music Society / Société de musique des This document is protected by copyright law. Use of the services of Érudit universités canadiennes, 2018 (including reproduction) is subject to its terms and conditions, which can be viewed online. https://apropos.erudit.org/en/users/policy-on-use/ This article is disseminated and preserved by Érudit. -
Helixtrolysis by Louis Armand
HELIXTROLYSIS CYBEROLOGY & THE JOYCEAN “TYRONDYNAMON MACHINE” LOUIS ARMAND Prague 2014 Litteraria Pragensia Books www.litterariapragensia.com Copyright © Louis Armand, 2014 Published 2014 by Univerzita Karlova v Praze Filozofická Fakulta Litteraria Pragensia Books Centre for Critical & Cultural Theory, DALC Náměstí Jana Palacha 2 116 38 Praha 1, Czech Republic All rights reserved. This book is copyright under international copyright conventions. No part of this book may be reproduced, stored in a retrieval system, or transmitted in any form, electronic, mechanical, photocopying, recording or otherwise, without prior written permission from the copyright holders. Requests to publish work from this book should be directed to the publishers. The research & publication of this book have been supported from the ‘Program rozvoje vědních oblastí na Univerzitě Karlově,’ no. 9: ‘Literature & Art in Intercultural Relationships,’ subproject: ‘Transformations of Cultural Histories of Anglophone Countries: Identities, Periods, Canons.’ Cataloguing in Publication Data HELIXTROLYSIS: Cyberology and the Joycean “Tyrondynamon Machine,” by Louis Armand.—1st ed. p. cm. ISBN 978-80-7308-539-1 1. Critical Theory. 2. James Joyce. 3. Literary Theory. I. Armand, Louis. II. Title Printed in the Czech Republic by PB Tisk Cover, typeset & design © lazarus i.m. Donald F. Theal & Alan R. Roughley Contents Joycean Machines LITERATE TECHNOLOGIES 5 ABSTRACTION 8 EXPERIMENTAL LOGIC 10 TECHNĒ 12 Experimental Machines ENTROPOLOGY 15 MAXWELL’S DEMON 21 MACHINIC PERIODICITY -
{PDF} Mechanical Bride: Folklore of Industrial Man Ebook Free Download
MECHANICAL BRIDE: FOLKLORE OF INDUSTRIAL MAN PDF, EPUB, EBOOK Marshall McLuhan | 160 pages | 18 Oct 2008 | Gingko Press, Inc | 9781584232438 | English | Corte Madera, United States Mechanical Bride: Folklore of Industrial Man PDF Book Return to Book Page. Shelf Wear. The modern mind, whether in its subconscious collective dream or in its intellectual citadel of vivid awareness, is a stage on which is contained and re-enacted the entire experience of the human race. Like his later book The Gutenberg Galaxy , The Mechanical Bride is unique and composed of a number of short essays that can be read in any order — what he styled the "mosaic approach" to writing a book. Limited hardbound edition of this "underground" classic, McLuhan's first book. More information about this seller Contact this seller Books by Marshall McLuhan. Fine condition book in near Fine condition dust wrapper with one small tear to the bottom edge of the front cover. When I read this book I was working in the advertising industry as a young art director. The net result of the cult of literary violence, supported as it is by other media and excitements, has been to reduce the reading public to a common level of undiscriminating helplessness" The nihilist "is born now, of the violent meeting and woundings which occur when different cultures converge. No thank you, we are fine thanks and McLuhan prints a really old advertisement then gives his opinions on it on the same or opposite page. Sep 08, J L rated it it was amazing. Mechanical Bride indeed! The ads are hideous, the opinions trite, and the book worthless. -
Joycemedia James Joyce, Hypermedia & Textual
joyceMedia James Joyce, Hypermedia & Textual Genetics edited by Louis Armand þ Litteraria Pragensia Prague 2006 Copyright © Louis Armand, 2004, 2006 Copyright © of individual works remains with the authors. First edition published 2004 by Litteraria Pragensia Second edition published 2006 Faculty of Philosophy, Charles University Náměstí Jana Palacha 2, 116 38 Prague 1 Czech Republic www.litterariapragensia.com All rights reserved. This book is copyright under international copyright conventions. No part of this book may be reproduced, stored in a retrieval system, or transmitted in any form, electronic, mechanical, photocopying, recording or otherwise, without prior written permission from the copyright holders. Requests to publish work from this book should be directed to the publishers. The publication of this book has been supported by: research grant MSM0021620824 “Foundations of the Modern World as Reflected in Literature and Philosophy” awarded to the Faculty of Philosophy, Charles University, Prague, by the Czech Ministry of Education; and by a grant from the Cultural Relations Committee of Ireland / Comhar Cultúra Éireann of the Ministry of Foreign Affairs, Ireland. Cataloguing in Publication Data Joyce Media” James Joyce, Hypermedia & Textual Genetics, edited by Louis Armand.—2nd ed. p. cm. ISBN 80-239-2266-1 (pb) 1. James Joyce. 2. Literary Theory. 3. Hypermedia. 4. Textual Genetics. I. Armand, Louis. II. Title Typeset & design by Lazarus Printed in the Czech Republic by PB Tisk CONTENTS Abbreviations vii Preface ix Louis Armand -
A Selected Bibliography of Herbert Marshall Mcluhan
DOCUMENT RESUME ED 093 022 CS 500 770 AUTHOR Katula, Richard, Comp. TITLE A Selected Bibliography of Herbert Marshall McLuhan (1911-1973). PUB DATE 73 NOTE 24p. EDRS PRICE MF-$0.75 HC-$1.50 PLUS POSTAGE DESCRIPTORS *Bibliographies; Book Reviews; Communication (Thought Transfer); Literature; *Mass Media IDENTIFIERS *McLuhan (Marshall) ABSTRACT Spanning Herbert Marshall McLuhants writing career, this selected bibliography covers hix development as a scholar, beginning with his education and scholarly growth in the classical and literary traditions, continuing with his turning toward society and more popular concerns--especially communication, and concluding with his synthesizing of these two traditions into a new style, sometimes referred to as McLuhanisms.fl Included are articles, books, and one movieall listed separately but chronologically--both by and about McLuhan, as well as reviews of his books. (JM) S OEPAtiTMENT OF HaLtoi 4.4 EN REPRO E OLJ<ATION &AELFARE L tAr ^,,RECE FRO": NATIONAL INSTITUTE OF ,.0 E , t'4 CP EDUCATION E 004 CPINGNS F ,0,4i4q 0:CPWF SE :0 0 0,.AL %00t0IUtE 0.`k PL1, A SELECTED BIBLIOGRAPHY OF HERBERT MARSHALL MCLUHAN (1911-1973) Compiled by Richard Katula, Ph.D. eN1 University of Rhode Island Biographical Highlights: CD Richard Katula iNe'\ CYN Born: July 21, 1911 - Edmonton, Alberta, Canada CD E"7,j Parents: Herbert Ernest Real Estate and Insurance Salesman C:3 Els*e Naomi Actress Education: B.A. Manitoba University -1933 Literature M.A. Manitoba University 1934 - Literature B.A.- Trinity Hall, Cambridge University 1936 Literature M.A. Trinity Hall, Cambridge University 1940 - Medieval Education Rennaisance Literature PhD.- Trinity Hall, Cambridge University 1942 Elizabethan Rhetoric Dissertation: "The Place of Thomas Nashe in the Learning of his Time" Book Awards: 1963 Governor-General's Award for Prose Literature for Gutenberg Galaxy (Canada's top literary award) Teaching Positions: 1937 - St. -
The Making of Typographic Man
the utenberg galaxy the uten,berg galaxy the making of typographic man by Marshall McLuhan University of Toronto Press Copyright, Canada, 1962 / UNIVERSITY OF TORONTO PRESS / Printed in Canada Reprinted 1962 Contents Prologue 1 The Gutenberg Galaxy 11 The Galaxy Reconfigured 265 Bibliographic Index 281 Index of Chapter Glosses 291 The Gutenberg Galaxy develops a mosaic or field approach to its problems. Such a mosaic image of numerous data and quotations in evidence offers the only practical means of revealing causal operations in history. The alternative procedure would be to offer a series of views of fixed relationships in pictorial space. Thus the galaxy or constellation of events upon which the present study concentrates is itself a mosaic of perpetually interacting forms that have undergone kaleidoscopic transformation— particularly in our own time. With reference to the current transformation, the reader may find the end of the book, "The Galaxy Reconfigured," the best prologue. Prologue * The present volume is in many respects complementary to The Singer of Tales by Albert B. Lord. Professor Lord has continued the work of Milman Parry, whose Homeric studies had led him to consider how oral and written poetry naturally followed diverse patterns and functions. Convinced that the poems of Homer were oral compositions, Parry "set himself the task of proving incontrovertibly if it were possible, the oral character of the poems, and to that end he turned to the study of the Yugoslav epics." His study of these modern epics was, he explained, "to fix with exactness the form of oral story poetry. Its method was to observe singers working in a thriving tradition of unlettered song and see how the form of their songs hangs upon their having to learn and practice their art without reading and writing."' Professor Lord's book, like the studies of Milman Parry, is quite natural and appropriate to our electric age, as The Gutenberg Galaxy may help to explain.