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Chapter 2 Friends, Foes and Frenemies in the South
Cover Page The handle http://hdl.handle.net/1887/48241 holds various files of this Leiden University dissertation. Author: Stoyanov, A. Title: Russia marches South: army reform and battlefield performance in Russia’s Southern campaigns, 1695-1739 Issue Date: 2017-04-26 CHAPTER 2 FRIENDS, FOES AND FRENEMIES IN THE SOUTH If the period from the end of the seventeenth to mid eighteenth century was a chessboard, then opposite Peter’s desire to assert his authority and power over vast territory stood important political and military players who were determined to put an end to his “march”. The following chapter will be divided into several subsections, each dealing with a particular element of the complex geopolitical puzzle that the Pontic region from the first decades of the eighteenth century resembled. Firstly, the focus will be on Russia’s chief adversary – the Ottoman Empire, a foe as determined and as ambitious as the tsarist state itself. Then the main features of the Crimean Khanate, as an element of the overall Ottoman military system, will be defined. However, the Khanate was a player in its own right and pursued its own interests which will also be presented in the current chapter. Next the dissertation will outline the development and the downfall of Safavid’s military and political power, followed by the establishment of a new force under the ambitious and talented Nadir Shah. The subchapter “At the Edge of Empires - the Pontic Frontier and its People” will examine the soldiers of the steppe – Cossacks, Kalmyks, and Nogais, who were an essential element of the social and military ethos of the Pontic frontier and played crucial role in the events, which will be analyzed in detail in the second part of the research. -
Economies of Russian Literature 1830-1850 by Jillian
Money and Mad Ambition: Economies of Russian Literature 1830-1850 By Jillian Elizabeth Porter A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Slavic Languages and Literatures in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Harsha Ram, chair Professor Irina Paperno Professor Luba Golburt Professor Victoria Bonnell Spring 2011 Money and Mad Ambition: Economies of Russian Literature 1830-1850 © 2011 by Jillian Elizabeth Porter 1 Abstract Money and Mad Ambition: Economies of Russian Literature 1830-1850 by Jillian Elizabeth Porter Doctor of Philosophy in Slavic Languages and Literatures University of California, Berkeley Professor Harsha Ram, chair This dissertation offers a sustained examination of the economic paradigms that structure meaning and narrative in Russian literature of the 1830s-1840s, the formative years of nineteenth-century Russian prose. Exploring works by Alexander Pushkin, Nikolai Gogol, Fyodor Dostoevsky, and Faddei Bulgarin, I view tropes such as spending, counterfeiting, hoarding, and gambling, as well as plots of mad or blocked ambition, in relation to the cultural and economic history of Nicholas I’s reign and in the context of the importation of economic discourse and literary conventions from abroad. Furthermore, I consider the impact of culturally and economically conditioned affects—ambition, avarice, and embarrassment—on narrative tone. From the post-Revolutionary French plot of social ambition to -
Le Gouvernement Des Langues
Cacophonies d’empire Juliette Cadiot, Dominique Arel, Larissa Zakharova To cite this version: Juliette Cadiot, Dominique Arel, Larissa Zakharova. Cacophonies d’empire : Russes et Soviétiques face au multilinguisme. CNRS editions, pp.368, 2010. halshs-00694751 HAL Id: halshs-00694751 https://halshs.archives-ouvertes.fr/halshs-00694751 Submitted on 6 May 2012 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Cacophonie d’empire Russes et Soviétiques face au multilinguisme Sous la direction de Juliette Cadiot Dominique Arel Larissa Zakharova Juin 2009 1 Table des matières Remerciements ................................................................................................................... x Notes sur la transcription ................................................................................................... x Introduction: Le gouvernement des langues. Russes, Soviétiques et leurs héritiers face au multilinguisme, Dominique Arel et Juliette Cadiot ............................................... x Première partie: La Russie impériale -
Playing Panpipes in Southern Russia: History, Ethnography, and Performance Practices
INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type o f computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely aflfect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. Each original is also photographed in one exposure and is included in reduced form at the back of the book. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6” x 9” black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. UMI A Bell & Howell Infonnation Company 300 North Zed) Road, Ann Aibor MI 48106-1346 USA 313/761-4700 800/521-0600 NOTE TO USERS The original manuscript received by UMI contains pages witFi slanted print. Pages were microfilmed as received. This reproduction is the best copy available UMI PLAYING PANPIPES IN SOUTHERN RUSSIA: HISTORY, ETHNOGRAPHY, AND PERFORMANCE PRACTICES VOL. -
Svitlana Malykhina Curriculum Vitae
Svitlana Malykhina Curriculum Vitae Office address: World Languages STH 635A and Literatures Department Boston, MA 02215 Boston University 617-358-6898 745 Commonwealth Ave [email protected] EDUCATION Ph.D., Russian Language V.N. Karazin National University, Kharkiv, Ukraine Ph.D. Dissertation: Functions of ‘other’s speech’ in the texts in the Humanities M.A. Russian Studies University at Albany- State University of New York, Russian Literature and Culture, M.A. Dissertation: Linguistic Aspects of Contemporary Russian Print Media Certificate of Advanced Study in Russian Translation, University at Albany-State University of New York, PROFESSIONAL EXPERIENCE BU, Lecturer of Russian and Head of Russian Language program Fall 2016 – present time BU, Boston MA, Part-Time Lecturer Spring 2015- Spring 2016 UMass, Boston MA, Lecturer Fall 2010 – Fall 2015 College of the Holy Cross, Worchester, MA, Visiting Lecturer Fall 2011 – Spring 2013 University of Pittsburg, Summer Language Institute, Instructor, Coordinator, Moscow program Administrator Summers 2007- 2016 Brandeis University, Waltham MA, Lecturer Spring 2010-Fall 2010 University at Albany, State University of New York, 2007-08 Visiting Lecturer University at Albany - State University of New York, 2002-06 Teaching Assistant COURSES TAUGHT at SUNY at ALBANY Beginning Russian (supplemented with video podcasts) Intermediate Russian (Blackboard and online technology) Advanced Russian Grammar (supplemented with film screenings) Advanced Russian Conversation, supplemented with video podcasts http://russianchat.podbean.com/ -
Warfare, State and Society on the Black Sea Steppe, 1500-1700
Warfare, State and Society on the Black Sea Steppe, 1500–1700 In the sixteenth and seventeenth centuries Muscovy waged a costly struggle against the Crimean Khanate, the Ottoman Empire, and the Polish-Lithuanian Commonwealth for control of the fertile steppe above the Black Sea. This was a region of great strategic and economic importance – arguably the pivot of Eurasia at the time. Yet, this crucial period in Russia’s history has, up until now, been neglected by historians. Brian L. Davies’s study provides an essential insight into the emergence of Russia as a great power. The long campaign took a great toll upon Russia’s population, economy, and institutions, and repeatedly frustrated or redefi ned Russian military and diplo- matic projects in the West. The struggle was every bit as important as Russia’s wars in northern and central Europe for driving the Russian state-building process, forcing military reform and shaping Russia’s visions of Empire. Warfare, State and Society on the Black Sea Steppe, 1500–1700 examines the course of this struggle and explains how Russia’s ultimate prevalence resulted from new strategies of military colonization in addition to improvements in army command-and-control, logistics, and tactics. Brian L. Davies is Associate Professor of History at the University of Texas at San Antonio. His publications include State Power and Community in Early Modern Russia: The Case of Kozlov, 1635–1649 (2004). Warfare and History General Editor Jeremy Black Professor of History, University of Exeter Air Power in the Age of Total War Modern Chinese Warfare, Warfare in Atlantic Africa, 1500– John Buckley 1795–1989 1800: Maritime Confl icts and the Bruce A. -
Malebicta INTERNATIONAL JOURNAL of VERBAL AGGRESSION
MAlebicTA INTERNATIONAL JOURNAL OF VERBAL AGGRESSION III . Number 2 Winter 1979 REINHOLD AMAN ," EDITOR -a· .,.'.""",t!. 1'''' ...... ".......... __... CD MALEDICTA PRESS WAUKESHA 196· - MALEDICTA III Animal metaphors: Shit linked with animal names means "I don't believe a word of it," as in pig, buzzard, hen, owl, whale, turtle, rat, cat, and bat shit, as well as the ever-popular horseshit. But bullshit remains the most favored, probably because of the prodigious quantity of functional droppings associated with the beast. On payday the eagle shits. Ill. Insults Shit on YDU!, eat shit!, go shit in your hat!, full ofshit, tough shit, shit-head (recall Lieutenant Scheisskopf in Catch-22), ELEMENTARY RUSSIAN OBSCENITY You shit, little shit, stupid shit, dumb shit, simple shit, shit heel; he don't know shit from Shinola, shit or get offthe pot, ·Boris Sukitch Razvratnikov chickenshit, that shit don't fetch, to be shit on, not worth diddly (or doodly) shit, don't know whether to shit orgo blind, he thinks his shit don't stink, he thinks he's King Shit, shit This article wiII concern itself with the pedagogical problems eating grin. encountered in attempting to introduce the basic concepts of IV: Fear Russian obscenity (mat) to English-speaking first-year students Scared shitless, scare the shit out of, shit green (or blue), shit at the college level. The essential problem is the fact that Rus .v,''' bricks, shit bullets, shit little blue cookies, shit out of luck, sian obscenity is primarily derivational while English (i.e., in 'r" almost shit in his pants (or britches), on someone's shit-list, this context, American) obscenity is analytic. -
Application of Link Integrity Techniques from Hypermedia to the Semantic Web
UNIVERSITY OF SOUTHAMPTON Faculty of Engineering and Applied Science Department of Electronics and Computer Science A mini-thesis submitted for transfer from MPhil to PhD Supervisor: Prof. Wendy Hall and Dr Les Carr Examiner: Dr Nick Gibbins Application of Link Integrity techniques from Hypermedia to the Semantic Web by Rob Vesse February 10, 2011 UNIVERSITY OF SOUTHAMPTON ABSTRACT FACULTY OF ENGINEERING AND APPLIED SCIENCE DEPARTMENT OF ELECTRONICS AND COMPUTER SCIENCE A mini-thesis submitted for transfer from MPhil to PhD by Rob Vesse As the Web of Linked Data expands it will become increasingly important to preserve data and links such that the data remains available and usable. In this work I present a method for locating linked data to preserve which functions even when the URI the user wishes to preserve does not resolve (i.e. is broken/not RDF) and an application for monitoring and preserving the data. This work is based upon the principle of adapting ideas from hypermedia link integrity in order to apply them to the Semantic Web. Contents 1 Introduction 1 1.1 Hypothesis . .2 1.2 Report Overview . .8 2 Literature Review 9 2.1 Problems in Link Integrity . .9 2.1.1 The `Dangling-Link' Problem . .9 2.1.2 The Editing Problem . 10 2.1.3 URI Identity & Meaning . 10 2.1.4 The Coreference Problem . 11 2.2 Hypermedia . 11 2.2.1 Early Hypermedia . 11 2.2.1.1 Halasz's 7 Issues . 12 2.2.2 Open Hypermedia . 14 2.2.2.1 Dexter Model . 14 2.2.3 The World Wide Web . -
Религия И Культура / Religion and Culture
Религия и культура / Religion and Culture Гольцеву вернуть долг позже, после получения отцовского наследства, а в качестве залога предложил икону Смоленской Божьей Матери, преподнесённую М.И. Куту- зову. Пока неясно, как «Кутузовская» икона попала к М.Ф. Кашталинскому [Тимо- феев, 2015, 282–283]. Исследователи отмечают, что «Кутузовская» икона представляет несомнен- ный интерес и с иконографической точки зрения. В частности, Я.Р. Бибарцева ука- зывает, что данная икона является «настоящей революцией в истории иконописи» [Тайна, http://www.smolnews.ru/news/182299]. В.Г. Пуцко называет «Кутузовскую» икону «исключением», исследователь отмечает, что икона представляет собой «ико- нописную вариацию гравюрной композиции» XVIII века. В.Г. Пуцко приводит несколько примеров похожих произведений, например, икона Нила Столбенско- го (1774 год). Художественный стиль иконы исследователь сравнивает со стилем В.Л. Боровиковского (1757–1825 гг.), который в академической живописной манере писал иконы и портреты. В.Г. Пуцко отмечает, что смоленский иконописец «нахо- дился под явным воздействием В.Л. Боровиковского и, может быть, даже отчасти использовал его произведения в качестве моделей». В.Г. Пуцко усматривает сход- ство даже в позах и жестах персонажей, изображённых на иконах [Пуцко, 2000]. Сотрудники Смоленского государственного музея-заповедника также обращают наше внимание на точность прорисовки деталей в нижней части иконы. Мы можем увидеть такие смоленские достопримечательности как Вознесенский монастырь, Нижне-Никольскую церковь, Успенский собор, надвратную церковь Богоматери. Подробно изображена и крепостная стена, окружающая город, а также проломы в ней, появившиеся в 1812 году в результате боя за Смоленск [«Кутузовская икона», http://www.smolensk-museum.ru/novosti/muzeynaya_zhizn/k-130-letiyu-smolenskogo- gosudarstvennogo-muzeya-zapovednika-art-i-e-fakty-130-let-predmetnoj-istorii/]. Таким образом, «Кутузовская икона» была создана в Смоленске зимой 1812–1813 годов по заказу местных жителей в благодар- ность М.И. -
Appendix 1 – Crew Lists of HIMS Vostok and Mirnyi
Appendix 1 – Crew Lists of HIMS Vostok and Mirnyi The crew lists were translated from (CL) but without the pay rates. Five names added from Two Seasons or the post-voyage report on crew status (Moller, 1821) are marked with asterisks. The lists do not give patro- nymics and do not identify any cooks. The statement that Nikita Il’in was of ‘officer rank’ (TS, 1: 9) may simply mean that he was a gentleman but not yet a commissioned officer. The crew status report confirms the presence of a third, unidentified servant on Vostok and so corroborates Bellingshausen’s tally of 189 people without the chaplain (TS, 1: 7–9), in short 190 people. Crew of HIMS Vostok Commanding officer: Junior Captain Bellingshausen Captain Lieutenant: Ivan Zavodovskii Lieutenants: Ivan Ignat’ev; Konstantin Torson; Arkadii Leskov Midshipman: Dmitrii Demidov Astronomer: Ivan Simonov* Artist: Pavel Mikhailov* Clerk: Ivan Rezanov Gardemarine: Roman Adams* Navigator: Yakov Paryadin Warrant officers: Andrei Sherkunov; Pëtr Kryukov Master’s mate: Fëdor Vasil’ev Staff surgeon: Yakov Berkh Surgeon’s mate: Ivan Stepanov Quartermasters: Sandash Aneyev; Aleksei Aldygin; Martyn Stepanov; Aleksei Stepanov Butcher: Grigorii Diyakov Drummer: Leontii Churkin Seamen, 1st Class: Semën Trofimov (helmsman); Gubei Abdulov; Stepan Sazanov; Pëtr Maksimov; Kondratii Petrov; Olav Rangoil’; Paul Yakobson; Leon Dubovskii; Semën 214 Crew Lists 215 Gulyayev; Grigorii Anan’in; Grigorii Yelsukov; Stepan Filipov; Sidor Lukin; Matvei Khandukov; Kondratii Borisov; Yeremei Andreyev; Danil Kornev; Sidor -
“Neither Dead Nor Alive:” Ukrainian Language on the Brink of Romanticism, EWJUS, Vol. 4, No. 2, 2017
“Neither Dead Nor Alive:” Ukrainian Language on the Brink of Romanticism Taras Koznarsky University of Toronto Abstract: At the end of the eighteenth century through the first decades of nineteenth century, as the last vestiges of Ukrainian autonomy were abolished, Ukrainian elites and intelligentsia embarked on a diverse range of projects (addressing geography, history, ethnography, travel writing, journalism, and literature) aimed at privileging and promoting their cultural capital within the Russian imperial field of cultural production. The Ukrainian language and its origins, nature, and status came to the fore in these projects as Ukrainian literati carefully gauged their messages for both Ukrainian and metropolitan audiences in order to engage playfully and polemically with imperial perceptions of Ukraine and to further the cause of the Ukrainian language as a distinctive linguistic system, cultural legacy, and literary medium. These often cautious and purposefully ambiguous characterizations, classifications, and applications prepared the ground for the romantic generation of writers who dramatically expanded the stylistic and generic range of Ukrainian in their literary works and translations, and forcefully argued for the language’s autonomy, dignity, and expressive potential. While early romantic Ukrainian writings were seen as colourful linguistic and ethnographic regional variants useful for the development of Russian imperial and national culture, the growth of Ukrainian literature alarmed both Russian critics and administrators, who began to see in these developments not only unproductive and anachronistic vexations, but also a culturally and ideologically subversive agenda that had to be discouraged. By surveying and examining diverse classifications and discussions of the Ukrainian language by Ukrainian and Russian literati, the article questions the limits of so-called “Ukrainophilia” in Russian imperial culture of the early nineteenth century. -
The Emergence of Literary Ethnography in the Russian Empire: from the Far East to the Pale of Settlement, 1845-1914 by Nadezda B
THE EMERGENCE OF LITERARY ETHNOGRAPHY IN THE RUSSIAN EMPIRE: FROM THE FAR EAST TO THE PALE OF SETTLEMENT, 1845-1914 BY NADEZDA BERKOVICH DISSERTATION Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Slavic Languages and Literature in the Graduate College of the University of Illinois at Urbana-Champaign, 2016 Urbana, Illinois Doctoral Committee: Professor Harriet Murav, Chair and Director of Research Associate Professor Richard Tempest Associate Professor Eugene Avrutin Professor Michael Finke ii Abstract This dissertation examines the intersection of ethnography and literature in the works of two Russian and two Russian Jewish writers and ethnographers. Fyodor Dostoevsky, Vladimir Korolenko, Vladimir Bogoraz, and Semyon An-sky wrote fiction in the genre of literary ethnography. This genre encompasses discursive practices and narrative strategies in the analysis of the different peoples of the Russian Empire. To some extent, and in some cases, these authors’ ethnographic works promoted the growth of Russian and Jewish national awareness between 1845 and 1914. This dissertation proposes a new interpretive model, literary ethnography, for the study of the textualization of ethnic realities and values in the Russian Empire in the late nineteenth-century. While the writers in question were aware of the ethnographic imperial discourses then in existence, I argue that their works were at times in tune with and reflected the colonial ambitions of the empire, and at other times, contested them. I demonstrate that the employment of an ethnographic discourse made possible the incorporation of different voices and diverse cultural experiences. My multicultural approach to the study of the Russian people, the indigenous peoples of the Russian Far East, and the Jews of Tsarist Russia documents and conceptualizes the diversity and multi-voicedness of the Russian Empire during the late nineteenth and early twentieth centuries.