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UNIVERSITY MUSICAL SOCIETY

in association with Edward Surovell Co./Realtors

The Andre Previn Trio

Saturday Evening, Feburary 13, 1993, at 8:00 Hill Auditorium, Ann Arbor, Michigan

Andre Previn, Piano Mundell Lowe, Guitar , Bass

Telarc and Philips Recordings

The Andre Previn Trio is represented be Columbia Artists Management Inc., City.

Mr. Previn plays rhe Bosendorfer piano made available through Evola Music Inc., Bloomfield Hills.

Special thanks are extended to Mr. Edward Surovell for his generous role in making this concert and its related activities possible.

TWENTY-EIGHTH CONCERT OF THE 114TH SEASON 22ND ANNUAL CHOICE SERIES The Andre Previn Trio has cultivated a the best-selling album of its time, and large repertoire of jazz standards. There is no his collection of songs - Over set program for tonight's concert, however, in the Rainbow won a Grammy Award. keeping with the spontaneous nature of the Although became the focus music. The artists will announce and comment of his activities, Mr. Previn never lost his on the pieces as the evening progresses. love for jazz and recently began to record and perform again with jazz bass legend Ray Brown and guitarist Mundell Lowe. 1 he Andre Previn Trio was Mr. Previn has most often appeared as born out of a chance meeting of old friends. guest conductor of the world's major and The Telarc CD, After Hours, Mr. Previn's most recorded orchestras. Mr. Previn be­ first jazz recording in nearly thirty years, came the Conductor Laureate of the Lon­ was intended simply to present three jazz don Symphony Orchestra in 1992, professionals enjoying each other's com­ re-establishing his relationship with the pany in a relaxed setting. The response to orchestra of which he was Principal Con­ the recording was phenomenal. Acclaimed ductor for 10 years. Over the past twenty- by critics, After Hours soon became a five years, he has held the chief artistic bestseller. Encouraged by the popularity of posts with such esteemed ensembles as the the recording, the trio performed its first Los Angeles Philharmonic (1985-89), concert in the summer of 1990 at Tangle- Pittsburgh Symphony (1976-84), Royal wood, where Mr. Previn also conducted the Philharmonic (1985-91), and Houston Boston Symphony Orchestra. The event, Symphony (1967-70), and toured with sev­ Mr. Previn's first jazz concert in twenty- eral of them worldwide. seven years, was greeted enthusiastically by Mr. Previn moved from his native the sold-out crowd, leading to offers to Berlin to California as a child. He studied perform from around the world. The Tan- composition with Joseph Achron and glewood performance was followed by a Mario Castelnuovo-Tedesco and conduct­ benefit performance at the La Jolla Cham­ ing with Pierre Monteux. As a teenager, ber Music Society's SummerFest and an Mr. Previn began to work in the Hollywood appearance at the Caramour Festival. After film studios as conductor, arranger, and Hours led to two more critically acclaimed composer. Innumerable scores and four recordings, Uptown and Old Friends. academy awards later, he began to concen­ Friendship is what the trio is all about. trate his efforts on the symphonic world in Andre Previn, Ray Brown, and Mundell conducting and composition. Lowe have known each other for many A prolific recording artist with all years, living and working in Los Angeles, major labels in symphonic, chamber music, and they approach improvisation with the and jazz, Mr. Previn's recent projects in­ same intelligence, grace and wit. This clude Strauss's symphonic poems with the season, the Andre Previn Trio makes its Vienna Philharmonic, Die Fledermaus with first national tour. Plans are under way for , and the nine Beethoven future performances in Japan. symphonies with the Royal Philharmonic. Andre Previn is perhaps America's In November 1991, Doubleday released best known and most versatile musician. A Mr. Previn's early memoir, No Minor , conductor of the world's most es­ Chords: My Early Days in Hollywood, teemed orchestras, award-winning com­ chronicling his years as composer, ar­ poser of orchestral, chamber, stage and film ranger, and music director at the MGM scores, prolific recording artist, and author Studio. and television host, he is familiar to mil­ Although tonight marks Andre lions around the world. Previn's first local performance as a jazz Mr. Previn achieved an exceptional musician, Ann Arbor audiences are famil­ reputation as a jazz pianist in a series of iar with him from his many previous ap­ recordings he made in the and 1960s pearances as a conductor, most recently for the Contemporary Jazz label. His inter­ with the Los Angeles Philharmonic Or­ pretations of music from My Fair Lady was chestra in the 1990 May Festival. Mundell Lowe has been an interna­ and harmonic foundation for the Andre tionally acclaimed guitarist since he first Previn Trio, as well as a distinctive solo came to prominence in the 1940s with the voice. likes of , Ray McKinley, and Mr. Brown was born in Pittsburgh, and Ellis Larkins. Highlights of his career in­ his first formal training was on piano at age clude performances at the Monterey Jazz eight. He later learned to play bass by ear Festival, Mobile Jazz Festival, and at Rock- and from then on a new world opened up land Palace in New York, as well as collab­ to him. After graduating from high school, orations with jazz greats , he went on the road with a number of , , , groups. Later he went to New York, where , and . his reputation as an accomplished musician During the 1950s and 1960s, Mr. Lowe had preceded him. He had not been in New remained active in the jazz world as a York more than four hours when he was performer while developing his skills as a introduced to . Dizzy asked composer. He wrote music for many years the young bass player to drop by for the as a staff musician at NBC in New York following day's rehearsal. He was hired and City until moving to California in 1965. remained with Dizzy for the next two years. Out west he continued his composing work He was soon collaborating with such jazz in the studios. The guitarist augmented his legends as Charlie Parker, Bud Powell, Max film and television work at this time with Roach, Billie Holiday, and . his own recordings and two successful pro­ Mr. Brown formed his own trio with jects with noted singers pianist and drummer Charlie (After Hours) and Carmen McRae (Bitter­ Smith, and soon he was discovered by sweet). record producer . As a re­ Mundell Lowe's warm, blues-tinged, sult, he was introduced to Oscar Peterson, floating guitar lines are recognized as his thus beginning a fifteen-year musical col­ signature and, as an inventive, harmoni­ laboration and a warm friendship. In 1972 cally rich and mellow jazz guitarist, Mr. he made a recording with , Lowe has few peers. His extensive disco- in which the two men recreated the latter's graphy includes two recordings of the well-known performances of 1939-40 with Mundell Lowe Quartet, as well as Guitar Jimmy Blanton. In 1987, he toured in a Moods, A Grand Night for Swinging, and trio with Gene Harris and . California Guitar. Mr. Brown has won innumerable awards, played on major TV shows, scored motion Ray Brown's inventive playing and pictures and made hundreds of recordings. brilliant sound have made him the ac­ Ann Arbor jazz aficionados have heard knowledged top jazz bass player for some him perform at the Bird of Paradise. To­ forty years. He provides a solid rhythmic night marks his UMS debut.

Musical Society T-Shirts are on sale in the lobby. $10 buys you the fashion statement of UMS. Start Spreading the News — Skitch Henderson and the New York Pops "Go To The Monies" ____i______Tuesday, March 2, 1993, 8:00 p.m., Hill Auditorium

1 he New York Pops performs the best of American Popular and symphonic repertoire. Their Ann Arbor debut performance features "The New York Pops Goes To The Movies," including music selected from works by Irving Berlin, , Frank Loesser, and more . . . Founded in 1983 by Skitch Henderson to give New Yorkers a permanent professional pops orchestra, the ensemble is currently celebrating its tenth exciting year! $16, $22, $26, or $28

For tickets call or visit the University Musical Society of the University of Michigan Burton Memorial Tower, Ann Arbor, Michigan 48109-1270. Tickets also available at the door.