Oscar Peterson C Jam Blues Transcription
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Shall We Stomp?
Volume 36 • Issue 2 February 2008 Journal of the New Jersey Jazz Society Dedicated to the performance, promotion and preservation of jazz. Shall We Stomp? The NJJS proudly presents the 39th Annual Pee Wee Russell Memorial Stomp ew Jersey’s longest Nrunning traditional jazz party roars into town once again on Sunday, March 2 when the 2008 Pee Wee Russell Memorial Stomp is pre- sented in the Grand Ballroom of the Birchwood Manor in Whippany, NJ — and you are cordially invited. Slated to take the ballroom stage for five hours of nearly non-stop jazz are the Smith Street Society Jazz Band, trumpeter Jon Erik-Kellso and his band, vocalist Barbara Rosene and group and George Gee’s Jump, Jivin’ Wailers PEABODY AT PEE WEE: Midori Asakura and Chad Fasca hot footing on the dance floor at the 2007 Stomp. Photo by Cheri Rogowsky. Story continued on page 26. 2008 Pee Wee Russell Memorial Stomp MARCH 2, 2008 Birchwood Manor, Whippany TICKETS NOW AVAILABLE see ad page 3, pages 8, 26, 27 ARTICLES Lorraine Foster/New at IJS . 34 Morris, Ocean . 48 William Paterson University . 19 in this issue: Classic Stine. 9 Zan Stewart’s Top 10. 35 Institute of Jazz Studies/ Lana’s Fine Dining . 21 NEW JERSEY JAZZ SOCIETY Jazz from Archives. 49 Jazzdagen Tours. 23 Big Band in the Sky . 10 Yours for a Song . 36 Pres Sez/NJJS Calendar Somewhere There’s Music . 50 Community Theatre. 25 & Bulletin Board. 2 Jazz U: College Jazz Scene . 18 REVIEWS The Name Dropper . 51 Watchung Arts Center. 31 Jazzfest at Sea. -
ELLINGTON '2000 - by Roger Boyes
TH THE INTERNATIONAL BULLETIN22 year of publication OEMSDUKE ELLINGTON MUSIC SOCIETY | FOUNDER: BENNY AASLAND HONORARY MEMBER: FATHER JOHN GARCIA GENSEL As a DEMS member you'll get access from time to time to / jj£*V:Y WL uni < jue Duke material. Please bear in mind that such _ 2000_ 2 material is to be \ handled with care and common sense.lt " AUQUSl ^^ jj# nust: under no circumstances be used for commercial JUriG w «• ; j y i j p u r p o s e s . As a DEMS member please help see to that this Editor : Sjef Hoefsmit ; simple rule is we \&! : T NSSESgf followed. Thus will be able to continue Assisted by: Roger Boyes ^ fueur special offers lil^ W * - DEMS is a non-profit organization, depending on ' J voluntary offered assistance in time and material. ALL FOR THE L O V E D U K E !* O F Sponsors are welcomed. Address: Voort 18b, Meerle. Belgium - Telephone and Fax: +32 3 315 75 83 - E-mail: [email protected] LOS ANGELES ELLINGTON '2000 - By Roger Boyes The eighteenth international conference of the Kenny struck something of a sombre note, observing that Duke Ellington Study Group took place in the we’re all getting older, and urging on us the need for active effort Roosevelt Hotel, 7000 Hollywood Boulevard, Los to attract the younger recruits who will come after us. Angeles, from Wednesday to Sunday, 24-28 May This report isn't the place for pondering the future of either 2000. The Duke Ellington Society of Southern conferences or the wider activities of the Ellington Study Groups California were our hosts, and congratulations are due around the world. -
CELEBRATING OSCAR PETERSON Posted on February 16, 2021
BLACK HISTORY MONTH | CELEBRATING OSCAR PETERSON Posted on February 16, 2021 Category: News Oscar Emmanuel Peterson (1925–2007) | Agent of Change | Remembered as a virtuoso jazz pianist and composer of Hymn to Freedom, an international anthem to civil rights. The son of immigrants from the West Indies, Oscar Peterson was born in Montréal, Québec and grew up in Little Burgundy, a predominantly Black neighbourhood of the city where he was immersed in the culture of jazz. He was five years old when he began taking music lessons from his father. He also studied classical piano with his sister, Daisy Peterson Sweeney, who went on to teach other renowned jazz artists. Peterson later attended the Conservatoire de musique du Québec è Montrèal and studied classical piano with Paul de Marky, but with a deep interest in jazz, he also played boogie-woogie and ragtime. At only 14 years old, Peterson won the national Canadian Broadcasting Corporation music competition, after which he dropped out of high school and joined a band with jazz trumpeter and classmate Maynard Ferguson. While still a teenager, Peterson played professionally at hotels and at a weekly radio show. He also joined the Jonny Holmes Orchestra as its only Black musician. From 1945 to 1949, Peterson recorded 32 songs with RCA Victor. Beginning in the 1950s, he released several albums each year while appearing on over 200 albums by other artists including Billie Holiday, Louis Armstrong, Count Basie, Ella Fitzgerald, and Dizzy Gillespie. In 1949, jazz impresario Norman Ganz was on his way to the airport in Montréal, when hearing Peterson playing live on radio, asked the cab driver to take him to the club where the concert was being aired. -
Jazzletter PO Box 240, O)Ai CA 93024-0240
G€rE Lrc Ad Libitwm e" Jazzletter PO Box 240, O)ai CA 93024-0240 of jazz and swing, of Basie and Duke. night-"1 Knights of the London House want this music to connect with that audience and not just other musicians."And again he excoriated the new Swing Part II Groups. The tour was to be called Swing Magic. Almadon Produc- and set an itinerary. The tour was to I remembered the Peterso n albtm Motions turd Emotions, tvith tions printed brochures two days of rehearsal in Ottawa affangements by Claus Ogerman, whose work did not come beginseptember 16, after historic Chateau Laurier hotel ' Then cheap. A large orchestra was assembled in the studio' Oscar urd u p"rfot ance at the Vancouver. San Francisco, tried out the piano, said, "l don't like the box,"and walked it woutd proceed to Toronto, all the performances taking out. leaving all those musicians, who had to be paid under Chicago, ind New York, with An extra performance union contract, sitting there. Hans Georg Bruner-Schwer, who place in historic hotels and ballrooms' New York schedule, with profits was producing the album for his MPS label, was stuck with was eventually added to the fund for the Apollo Theater' the very considerable costs' Fortunately for him, he was able to go to a restoration report on the formation of the to record the orchestra and then overdub Peterson later in N.*.pup".s continued to In The Toronto Star, Germany. But Oscar was capable of such cruel caprices, and tour with almost breathless anticipation' "the event has the musical I remembered it. -
An Evening with the Duke
An Evening with the Duke The University Musical Society presents Duke Ellington and His Orchestra in a Special Benefit Concert SATURDAY EVENING, NOVEMBER 11, 1972, AT 8:30 HILL AUDITORIUM, ANN ARBOR, MICHIGAN Mood Illdigo Mood ltldigo Sophisticatfd Lady Sophisticated Lady Solitllde Solitude I Lei A SOllg Go I Let A Song Go Out of My Hearl Out of My Heart DOIl't Get Around Don't Get Aroulld Milch A Ilymore Much Altymore I Got It Bad I Got It Bad Do N otMltg Til l'au Do Nothing Til You Hear From Me Hear From Me I'm Beginllillg to I'm Begilm ing to See Ihe Ligltt See the Light I'm Just A Lucky The Ann Arbor and University community I'm Just A Lucky So-alld-So welcomes Duke Ellington and his colleagues. So-and-So Just Squeeze Me Just Squeeze Me Satill Doll Their cooperation in making this evening pos Satin Doll Blac k alld Tall sible for the benefit of the University Musical Black ana Tall Fantasy Fantasy Creole Love Call Society is deeply appreciated. Creole Love Call The Mooche The Mooche Rockill' ill Rhythm Rockill' in Rhythm Warm Valley Warm Valley C Jam Bllles C Jam Blues III a Mellotone 111 a Mellotone Happy-Go-Lucky Happy-Go-Lucky Local Special Benefit Committee Local Afro-Bossa Afro-Bossa Black, Browll and Black, Brown alld Beige Sarah G. Power, Chairman Beige The Liberiall Suite Mary S. Palmer, Hazen J. Schumacher, Jr., The Liberian Suite The Perfume Suite The Perfume Suite Deep SOltth Suite Lois U. -
Piano Sheet Music Samples
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EARL HINES PLAYS New World Records 80361 DUKE ELLINGTON
EARL HINES PLAYS New World Records 80361 DUKE ELLINGTON When time pulled the rug from under Earl Hines in 1983, he was still enjoying a comeback that had lasted almost twenty years. That comeback was one of the most important events in recent jazz history and the music included here was recorded when his return to action was in high gear. In 1964, when Stanley Dance talked him into appearing for two performances at the Little Theater in New York, Hines had been in near obscurity and on the verge of retiring. Few at that point understood or valued his position in the development of jazz. Like too many others, Hines had by then begun to experience the dismay of one who had not only been of seminal significance to the language of his instrument but had also been very popular at one time. But as of that engagement in 1964, at fifty-eight, he was working again, and in circumstances that did not reduce him to “bookings with a trio into the kind of after-theater clubs that feature self-effacing music, as an unobtrusive accompaniment to the patrons' conversation,” as Martin Williams wrote of Hines's worst professional period. That episode had been so appalling because Hines was the “seer” of modern piano-playing, in just the same way that Louis Armstrong was the seer of modern trumpet-playing: the solutions found within his approach indelibly influenced his contemporaries, in absolute terms, and the future by implication. To the orchestral style of Afro-American piano formed of ragtime, stride, and blues, Hines added a linear approach that was a counterpoint to what Armstrong was doing on his horn. -
Bb King Solo Transcription
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Conservatory Canada Contemporary Idioms Repertoire List
Contemporary Syllabus Repertoire List Committee Chair: Andrew Harbridge Committee Members: Derek Oger, April Smith, Michael Faulkner, Beth Tadeson, Judy Freeman, Michelle Miller, Nancy Rogerson, David Story, Sherry McKinnon, Kathy Bartel, Suzanne Oakley, Roxanne McGahey and Esther Ng. Published: Sept 3, 2016 © 2016 Conservatory Canada Conservatory Canada Level 1 or Grade 1 Page !1 Contemporary Repertoire *Canadian Composer Canadian Contemporary Repertoire Series Lv 1 Product # HL 00139067 *Badian, Maya ISBN: 9781495005367 HAL Northern Lights Repertoire 1A Repertoire DWM Olé LA ISBN 978-0-9919297-2-6 ‘Game’ in Mixolydian 20th/21st c. (Modal) *Chase, G. Northern Lights Repertoire 1B Repertoire DWM Northern Lights Repertoire 1A Repertoire DWM ISBN 978-1-927777-03-9 ISBN 978-0-9919297-2-6 Aboriginal Dance CP Lullaby for Chelte NR ‘Cantus Planus’ in Dorian NB (Modal) Cuban Folk Dance FK *Chouinard, D. Northern Lights Repertoire 1B Repertoire DWM *Balodis, F. ISBN 978-1-927777-03-9 Northern Lights Repertoire 1B Repertoire DWM Jewel Box Ballerina CP ISBN 978-1-927777-03-9 The Lace Tablecloth CP Cobb, E, ! Higgledy Piggledy Jazz *Bender, J. ISBN 978-0-9566569-19 Northern Lights Repertoire 1A Repertoire DWM Super Duck ISBN 978-0-9919297-2-6 I Ate All The Choc’late Puppy Tricks CP You Tell Me Why I Wait For Christmas? Northern Lights Repertoire 1B Repertoire DWM ISBN 978-1-927777-03-9 *Crawley, C. Video Fantasy ET Northern Lights Repertoire 1A Repertoire DWM ISBN 978-0-9919297-2-6 *Benedict, R. Musette NB Canadian Contemporary Repertoire Series Lv 1 A Rant ET Product # HL 00139067 ISBN: 9781495005367 HAL *Dick, J. -
Sendung, Sendedatum
WDR 3 Jazz & World, 30.10.2017 Crescendo in Blue 22:04-24:00 Stand: 30.10.2017 E-Mail: [email protected] | Web: jazz.wdr.de Moderation: Schaal, Hans-Jürgen Redaktion: Bernd Hoffmann Laufplan 22:04-24:00 1. C-Jam Blues K.: Duke Ellington 5:10 DUKE ELLINGTON ZYX 60036-2, LC 06350 ORCHESTRA CD: Best Of Duke Ellington 2. Happy-Go-Lucky-Local K: Duke Ellington-Billy Strayhorn 5:00 DUKE ELLINGTON ZYX 60036-2, LC 06350 ORCHESTRA CD: Best Of Duke Ellington 3. Happy Reunion K: Duke Ellington 3:28 DUKE ELLINGTON Phoenix Records 131584 QUARTET CD: 4tet, 5tet, 6tet, 7tet 4. Diminuendo And K: Duke Ellington 14:58 Crescendo In Blue CBS 450986 2, LC 00149 DUKE ELLINGTON AND CD: Ellington At Newport HIS ORCH. 5. Festival K: Paul Gonsalves 6:52 PAUL GONSALVES Real Gone Jazz RGJCD 489 QUINTET CD: Seven Classic Albums 6. Dizzy Atmosphere K: Dizzy Gillespie 10:51 DIZZY GILLESPIE Verve MG V-8225, LC 00383 SEPTET CD: Sittin’ In 7. I Cover The Waterfront K: John Green-Edward Heyman 3:27 DUKE ELLINGTON Phoenix Records 131584 QUARTET CD: 4tet, 5tet, 6tet, 7tet 8. Diminuendo And K: Duke Ellington 5:27 Crescendo In Blue Real Gone Jazz RGJCD 489 PAUL GONSALVES CD: Seven Classic Albums QUINTET 9. Body And Soul K: Johnny Green-Edward Sour-Robert 15:24 JOHN LEWIS SEXTET Heyman-Frank Eyton Atlantic 7567-90979-2, LC 00121 Dieses Manuskript ist ausschließlich zum persönlichen, privaten Gebrauch bestimmt. Jede weitere Vervielfältigung und Verbreitung bedarf der ausdrücklichen Genehmigung des WDR. 1 WDR 3 Jazz & World, 30.10.2017 Crescendo in Blue 22:04-24:00 Stand: 30.10.2017 E-Mail: [email protected] | Web: jazz.wdr.de CD: The Wonderful World Of Jazz 22:04-24:00 10. -
The Royal Conservatory Announces the 2010.11 Season at Koerner Hall
Embargoed for 11:30am on Wednesday, April 21, 2010 Please include in your listings/announcements THE ROYAL CONSERVATORY ANNOUNCES THE 2010.11 SEASON AT KOERNER HALL YO-YO MA WILL OPEN THE SECOND SEASON WITH A GALA CONCERT OSCAR PETERSON’S LEGACY WILL BE EXPLORED AMERICAN SUPERSTAR VIOLINIST HILARY HAHN WILL MAKE HER KOERNER HALL DEBUT Following on the immense success of the inaugural Koerner Hall season at the TELUS Centre for Performance and Learning, The Royal Conservatory (The RCM) President, Dr. Peter Simon, is thrilled to announce more inspiring and diverse concerts for 2010.11. Mervon Mehta, Executive Director, RCM Performing Arts, has once again assembled a wide array of artists of different backgrounds, performing a variety of musical genres, in order to present audiences with the highest quality of rich and diverse musical experiences. The journey will go from South Africa through France and Ireland to the Americas, from the earliest Baroque through jazz to Broadway and pop. Along the way we will celebrate an icon, introduce new artists to Toronto, present the next generation of classical artists, focus the attention on the varied aspects of Beethoven and Bach, revel in the solo piano works of Liszt, feast on works from Canadian composers, and offer a chance to hear the best music from Africa. Grand Opening Weekend The 2010.11 Koerner Hall season will open with a very special Grand Opening Weekend of performances and events. On Thursday, October 14, 2010, one of the world’s most beloved cellists and a favourite of Toronto’s audiences, the incomparable Yo-Yo Ma, will give a recital accompanied by pianist Kathryn Stott. -
My Wish Rascal Flatts Sheet Music Free
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