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COURSE CATALOG 2016-2017 Academic Calendar
COURSE CATALOG 2016-2017 Academic Calendar . 4 Academic Programs . 46 About LACM . .. 6 Performance LACM Educational Programs . 8 Bass . 46 CONTENTS Administration . 10 Brass & Woodwind . .. 52 Admissions . 11 Drums . .. 58 Tuition & Fees . 13 Guitar . 64 Financial Aid . 18 Vocal. 70 Registrar . 22 Music Composition International Student Services . 26 Songwriting . 76 Academic Policies & Procedures . 27 Music Production Student Life . 30 Composing for Visual Media . 82 Career Services . .. 32 Music Producing & Recording . 88 Campus Facilities – Security. 33 Music Industry Rules of Conduct & Expectations . 35 Music Business . 94 Health Policies . 36 Course Descriptions . 100 Grievance Policy & Procedures . .. 39 Department Chairs & Faculty Biographies . 132 Change of Student Status Policies & Procedures . 41 Collegiate Articulation & Transfer Agreements . 44 FALL 2016 (OCTOBER 3 – DECEMBER 16) ACADEMIC DATES SPRING 2017 (APRIL 10 – JUNE 23) ACADEMIC DATES July 25 - 29: Registration Period for October 3 - October 7: Add/Drop January 30 - February 3: Registration Period for April 10 - April 14: Add/Drop Upcoming Quarter Upcoming Quarter October 10 - November 11: Drop with a “W” April 17 - May 19: Drop with a “W” August 22: Tuition Deadline for Continuing Students February 27: Tuition Deadline for November 14 - December 9: Receive a letter grade May 22 - June 16: Receive a letter grade October 3: Quarter Begins Continuing Students November 11: Veterans Day, Campus Closed April 10: Quarter Begins November 24: Thanksgiving, Campus Closed May 29: Memorial Day, Campus Closed November 25: Campus Open, No classes. June 19 - 23: Exams Week December 12-16: Exams Week June 23: Quarter Ends December 16: Quarter Ends December 24 - 25: Christmas, Campus Closed December 26: Campus Open, No classes. -
Audacity Find Clipping
Audacity find clipping Continue See also: List of songs about California Wikimedia related to the song list article This is a list of songs about Los Angeles, California: either refer, are set there, named after a place or feature of a city named after a famous resident, or inspired by an event that occurred locally. In addition, several adjacent communities in the Greater Los Angeles area, such as West Hollywood, Beverly Hills, Santa Monica, Pasadena, Inglewood and Compton are also included in this list, despite the fact that they are separate municipalities. The songs are listed by those who are notable or well-known artists. Songs #s-A 10th and Crenshaw Fatboy Slim 100 Miles and Runnin' at N.W.A 101 Eastbound on Fourplay 103rd St. Theme Watts 103rd Street Rhythm Band 1977 Sunset Strip at Low Numbers 2 A.M. on Bobby Mulholland Drive Please, and Udenik 2 David Banner 21 Snoopstreet Trey Deee 26 Miles (Santa Catalina) at Four Preps 2 Nigs United 4 West Compton Prince 29th Street David Benoit 213 to 619 Adjacent Abstract. at Los Angeles Joe Mama 30 Piers Avenue Andrew Hill 319 La Cienega Tony, Vic and Manuel 34th Street in Los Angeles Dan Cassidy 3rd Base, Dodger Stadium Joe Kewani (Rebuilt Paradise Cooder) 405 by RAC Andre Allan Anjos 4pm in Calabasas Drake (musician) 5 p.m. to Los Angeles Julie Covington 6 'N Mornin' by Ice-T 64 Bars at Wilshire Barney Kessel 77 Sunset Strip from Alpinestars 77 Sunset Sunset Strip composers Mack David and Jerry Livingston 79th and Sunset Humble Pye 80 blocks from Silverlake People under the stairs 808 Beats Unknown DJ 8069 Vineland round Robin 90210 Blackbeard 99 miles from Los Angeles Art Garfunkel and Albert Hammond Malibu Caroline Loeb .. -
Shall We Stomp?
Volume 36 • Issue 2 February 2008 Journal of the New Jersey Jazz Society Dedicated to the performance, promotion and preservation of jazz. Shall We Stomp? The NJJS proudly presents the 39th Annual Pee Wee Russell Memorial Stomp ew Jersey’s longest Nrunning traditional jazz party roars into town once again on Sunday, March 2 when the 2008 Pee Wee Russell Memorial Stomp is pre- sented in the Grand Ballroom of the Birchwood Manor in Whippany, NJ — and you are cordially invited. Slated to take the ballroom stage for five hours of nearly non-stop jazz are the Smith Street Society Jazz Band, trumpeter Jon Erik-Kellso and his band, vocalist Barbara Rosene and group and George Gee’s Jump, Jivin’ Wailers PEABODY AT PEE WEE: Midori Asakura and Chad Fasca hot footing on the dance floor at the 2007 Stomp. Photo by Cheri Rogowsky. Story continued on page 26. 2008 Pee Wee Russell Memorial Stomp MARCH 2, 2008 Birchwood Manor, Whippany TICKETS NOW AVAILABLE see ad page 3, pages 8, 26, 27 ARTICLES Lorraine Foster/New at IJS . 34 Morris, Ocean . 48 William Paterson University . 19 in this issue: Classic Stine. 9 Zan Stewart’s Top 10. 35 Institute of Jazz Studies/ Lana’s Fine Dining . 21 NEW JERSEY JAZZ SOCIETY Jazz from Archives. 49 Jazzdagen Tours. 23 Big Band in the Sky . 10 Yours for a Song . 36 Pres Sez/NJJS Calendar Somewhere There’s Music . 50 Community Theatre. 25 & Bulletin Board. 2 Jazz U: College Jazz Scene . 18 REVIEWS The Name Dropper . 51 Watchung Arts Center. 31 Jazzfest at Sea. -
The BBB Featuring Bernie Dresel – Live and Energized 11.1‐Channel Auro‐3D® “Live” Recording Event (Working Title)
The BBB Featuring Bernie Dresel – Live And Energized 11.1‐Channel Auro‐3D® “Live” Recording Event (Working Title) Date: Tuesday, April 19, 2016 Arrive By 7:00 PM, Sound Check 8:00 PM NO Admission Fee Or Cover Charge Joe’s Great American Bar & Grill, Burbank, California Bernie Dresel’ s jazz orchestra, The BBB, is without question one of Los Angeles’ most exciting large jazz ensembles, if not on the planet. The BBB provides potent testimony to the sheer exhilaration of big band jazz...a combination of intense swing and fiery soloing, as well as tight ensemble playing. The BBB is comprised of sixteen seasoned pros on the LA studio scene. Populated by LA’s finest players, The BBB takes the big band tradition into the new millennium with a contemporary, highly original sound featuring the witty, intricate, and hard‐ swinging compositions of established and up‐and‐coming composers and arrangers. And like those other famous road bands such as Buddy Rich’s, Count Basie’s, Woody Herman’s, Stan Kenton’s, Thad Jones/Mel Lewis’, the music and delivery of The BBB’s music is nothing less than astonishing when experienced live. The sound has a contemporary, dynamic and hard swinging energy with a focused edge to it that is like no other jazz orchestra, though reminiscent of Buddy Rich’s ensembles. The band make‐up is unique in that there is no piano but jazz/rockin’ guitar instead, in addition to four trumpets, four trombones, five saxophones and upright acoustic bass and drums. When people hear Bernie’s BBB, the first thing that hits them is its energy and intensity. -
How to Play in a Band with 2 Chordal Instruments
FEBRUARY 2020 VOLUME 87 / NUMBER 2 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Reviews Editor Dave Cantor Contributing Editor Ed Enright Creative Director ŽanetaÎuntová Design Assistant Will Dutton Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile Vice President of Sales 630-359-9345 [email protected] Musical Instruments & East Coast Schools Ritche Deraney Vice President of Sales 201-445-6260 [email protected] Advertising Sales Associate Grace Blackford 630-359-9358 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Boston: Fred Bouchard, Frank-John Hadley; Chicago: Alain Drouot, Michael Jackson, Jeff Johnson, Peter Margasak, Bill Meyer, Paul Natkin, Howard Reich; Indiana: Mark Sheldon; Los Angeles: Earl Gibson, Andy Hermann, Sean J. O’Connell, Chris Walker, Josef Woodard, Scott Yanow; Michigan: John Ephland; Minneapolis: Andrea Canter; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, Jennifer Odell; New York: Herb Boyd, Bill Douthart, Philip Freeman, Stephanie Jones, Matthew Kassel, Jimmy Katz, Suzanne Lorge, Phillip Lutz, Jim Macnie, Ken Micallef, Bill Milkowski, Allen Morrison, Dan Ouellette, Ted Panken, Tom Staudter, Jack Vartoogian; Philadelphia: Shaun Brady; Portland: Robert Ham; San Francisco: Yoshi Kato, Denise Sullivan; Seattle: Paul de Barros; Washington, D.C.: Willard Jenkins, John Murph, Michael Wilderman; Canada: J.D. Considine, James Hale; France: Jean Szlamowicz; Germany: Hyou Vielz; Great Britain: Andrew Jones; Portugal: José Duarte; Romania: Virgil Mihaiu; Russia: Cyril Moshkow; South Africa: Don Albert. -
Bakalářská Práce 2012
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by DSpace at University of West Bohemia Západočeská univerzita v Plzni Fakulta filozofická Bakalářská práce 2016 Martina Veverková Západočeská univerzita v Plzni Fakulta filozofická Bakalářská práce THE ROCK BAND QUEEN AS A FORMATIVE FORCE Martina Veverková Plzeň 2016 Západočeská univerzita v Plzni Fakulta filozofická Katedra anglického jazyka a literatury Studijní program Filologie Studijní obor Cizí jazyky pro komerční praxi Kombinace angličtina – němčina Bakalářská práce THE ROCK BAND QUEEN AS A FORMATIVE FORCE Vedoucí práce: Mgr. et Mgr. Jana Kašparová Katedra anglického jazyka a literatury Fakulta filozofická Západočeské univerzity v Plzni Plzeň 2016 Prohlašuji, že jsem práci zpracovala samostatně a použila jen uvedených pramenů a literatury. Plzeň, duben 2016 ……………………… I would like to thank my supervisor Mgr. et Mgr. Jana Kašparová for her advice which have helped me to complete this thesis I would also like to thank my friend David Růžička for his support and help. Table of content 1 Introduction ...................................................................... 1 2 The Evolution of Queen ................................................... 2 2.1 Band Members ............................................................................. 3 2.1.1 Brian Harold May .................................................................... 3 2.1.2 Roger Meddows Taylor .......................................................... 4 2.1.3 Freddie Mercury -
MUTH-M309-001 Modern Arranging
MUTH-M309-001 Modern Arranging 2 Credits SYLLABUS – Spring 2020 TTH 11:00 AM- 11:50 AM Gordon Towell DME [email protected] phone 865 2164 Office Hours will be posted at my door, CM 245 This course is the study of jazz composition and arranging with the emphasis on writing for large jazz ensembles. Prerequisites: MUJZ M107, M108, or permission of instructor Class meeting location TR -11:00 a.m. rm. 240 Text: Instrumental Jazz Arranging by Mike Tomaro and John Wilson (Required) Publisher: Hal Leonard $49.99 (US) ISBN: 9781423452744 Inside the Score by Rayburn Wright. (Reference) Jazz Arranging and Composing by Bill Dobbins (Reference) Publisher: Advance Music (June 1986) Language: English Price $41.60 ISBN-10: 3892210063 ISBN-13: 978-3892210061 Course Goals and Course Objectives: As a part of the Jazz Studies curriculum, this class is focused on the techniques and jazz Students will learn about voicing techniques, instrumental transpositions, rhythm section chart preparation, contrapuntal writing, forms, motifs, and more arranging and compositional techniques Expected Student Learning Outcomes: Students will demonstrate understanding of arranging and composing techniques for jazz ensembles through realizing writing assignments and having them performed. The final project will be a full composition/arrangement for large jazz ensemble. The jazz ensemble will record this. Grading System: Individual grades of A-E will assigned to each arranging project according to quality, neatness, timeliness and appropriateness to the jazz idiom. All assigned projects will be averaged together to form the final grade. Use of finale, Sibelius and/or musiscore is highly recommended Attendance Philosophy: Attendance is required. -
Aaron SACHS: Frank SACKENHEIM: Fats SADI: Eddie SAFRANSKI
This discography is automatically generated by The JazzOmat Database System written by Thomas Wagner For private use only! ------------------------------------------ Aaron SACHS: "Clarinet & Co" Phil Sunkel, Bernie Glow -tp; Frank Rehak -tb; AARON SACHS -cl,ts; Gene Allen -bs; Nat Pierce - p; Aaron Bell -b; Osie Johnson -d; recorded February 18 and 21, 1957 in New York 33134 RONDO BLUES 3.45 Rama RLP 1004 33135 JUST SICK BLUES 2.54 --- 33136 BLUE SOPHISTICATE 4.02 --- 33137 CONVERSATION 2.39 --- 33138 MONA'S KIMONA 4.01 --- 33139 COUNTRYFIELD 3.46 --- 33140 WIGGINS 3.26 --- Aaron Sachs -cl,ts; Hal Overton -p; Jimmy Raney -g; Aaron Bell -b; Osie Johnson -d; recorded March 04, 1957 in New York 33141 GORME HAS HER DAY 3.07 --- 33142 I CAN'T BELIEVE 2.58 --- 33143 HAL'S LOFT 2.43 --- 33144 NANCY 3.22 --- ------------------------------------------ Frank SACKENHEIM: "WDR3:Jazz.Cologne" Frank Sackenheim Trio: Frank Sackenheim -ts; Henning Gailing -b; Jonas Burgwinkel -d; recorded July 10, 2005 in Funkhaus Wallrafplatz, Köln 77097 DEIN IST MEIN GANZES HERZ 7.55 Aircheck 77098 L.O.V.E. 5.22 --- 77099 RED ROSES 8.16 --- 77100 SPEAK LOW 11.40 --- 77101 ICH BIN VON KOPF BIS FUSS AUF LIEBE EINGESTELLT 7.53 --- 77102 GAMES THAT LOVERS PLAY 8.05 --- ------------------------------------------ Fats SADI: "Ensadinado" Fats Sadi -vib; Jimmy Woode -b; Francy Boland -p; Kenny Clarke -d; recorded March 21, 1966 in Köln 16279 NIGHT LADY 4.18 Saba SB15111 16280 ENSADINADO 4.46 --- 16281 GOODBYE 3.16 --- 16282 THE SAME 5.06 --- 16283 ALL OF YOU 3.24 --- 16284 -
Conservatory Canada Contemporary Idioms Repertoire List
Contemporary Syllabus Repertoire List Committee Chair: Andrew Harbridge Committee Members: Derek Oger, April Smith, Michael Faulkner, Beth Tadeson, Judy Freeman, Michelle Miller, Nancy Rogerson, David Story, Sherry McKinnon, Kathy Bartel, Suzanne Oakley, Roxanne McGahey and Esther Ng. Published: Sept 3, 2016 © 2016 Conservatory Canada Conservatory Canada Level 1 or Grade 1 Page !1 Contemporary Repertoire *Canadian Composer Canadian Contemporary Repertoire Series Lv 1 Product # HL 00139067 *Badian, Maya ISBN: 9781495005367 HAL Northern Lights Repertoire 1A Repertoire DWM Olé LA ISBN 978-0-9919297-2-6 ‘Game’ in Mixolydian 20th/21st c. (Modal) *Chase, G. Northern Lights Repertoire 1B Repertoire DWM Northern Lights Repertoire 1A Repertoire DWM ISBN 978-1-927777-03-9 ISBN 978-0-9919297-2-6 Aboriginal Dance CP Lullaby for Chelte NR ‘Cantus Planus’ in Dorian NB (Modal) Cuban Folk Dance FK *Chouinard, D. Northern Lights Repertoire 1B Repertoire DWM *Balodis, F. ISBN 978-1-927777-03-9 Northern Lights Repertoire 1B Repertoire DWM Jewel Box Ballerina CP ISBN 978-1-927777-03-9 The Lace Tablecloth CP Cobb, E, ! Higgledy Piggledy Jazz *Bender, J. ISBN 978-0-9566569-19 Northern Lights Repertoire 1A Repertoire DWM Super Duck ISBN 978-0-9919297-2-6 I Ate All The Choc’late Puppy Tricks CP You Tell Me Why I Wait For Christmas? Northern Lights Repertoire 1B Repertoire DWM ISBN 978-1-927777-03-9 *Crawley, C. Video Fantasy ET Northern Lights Repertoire 1A Repertoire DWM ISBN 978-0-9919297-2-6 *Benedict, R. Musette NB Canadian Contemporary Repertoire Series Lv 1 A Rant ET Product # HL 00139067 ISBN: 9781495005367 HAL *Dick, J. -
Oscar Peterson C Jam Blues Transcription
Oscar Peterson C Jam Blues Transcription Kristos often outprice lento when afflated Rube acetifies faster and dines her parlay. Berchtold stridulates abysmally? Leonhard carburizes her chiasma irregularly, paternalism and mellifluous. Because multiple widgets on sale page will drink multiple popovers. To start playing by oscar peterson used these transcriptions piano transcription by capital music. Boogie blues jazz musicians who performed by oscar peterson c jam blues transcription music list of the transcription of. Breaking down the easiest piano and then does the noteflight learn more than sending your review contained on. New books being added this oscar peterson c jam blues transcription. Like the same figures but it on material in the basic repertoire, composers and adaptation faithful to them are great volume of the c jam blues! Please correct the c jam blues sheet music and some scheduling issues between this ebook, he then these scales together. All students of them are right now, utiliza otro navegador. Now, use system considers things like how recent account review is and path the reviewer bought the sovereign on Amazon. Preludes and Fugues Op. Need to get started finding blues licks in c major effort was a tu nueva contraseña a esta página web. Purveyors of commission fine website. Night train album seriously swings this is due to sound amazing player to create a specific and new blog! Allegro con brio by Philip Martin. This solo is reading great example of company use of basic diatonic melodies over changes and toe to combine trade with bebop and blues scale material. -
WAY out WEST Brochure
P.O. Box 8038 Long Beach, CA 90808-0038 WAY OUT WEST The Los Angeles Jazz Institute presents WAY OUT WEST a celebration of big bands on the west coast past and present THE CROWNE PLAZA REDONDO BEACH & MARINA HOTEL OCTOBER 5-8, 2000 SCHEDULED TO APPEAR MAYNARD B FERGUSON IG BOP ’S WAY OUT NOUVEAU WILSON ’m very pleased to announce a four day jazz festival set to take ERALD I HE G place October 5th through the 8th at the Crowne Plaza Hotel in T WEST ORCHESTRA Redondo Beach, a very popular venue for many of our previous events. T The focus this year is “Way Out West”-Big Bands on the West Coast- HE BILL HOLMAN Past and Present. ORCHESTRA Following in the footsteps of “Back To Balboa”, “Early Autumn”, “Blowin’ Up A Storm”, “Modern Sounds” and “Jazz West Coast I & II”, GIBBS’ “Way Out West” will feature concerts, panel discussions, film showings, TERRY THE BAND vendors offering compact discs, records, memorabilia— and much more! DREAM This incredible gathering includes many of the most outstanding THE CLAYTON big bands in the world, all featuring an amazing array of jazz soloists. -HAMILTON JAZZ ORCHESTRA Full registration is $300.00 which includes admission to all events or, you can purchase individual event tickets which range from $10-$25. DATES October 5-8, 2000 For the first time, full registrants will have reserved seating for all THE BOB FLORENCE concerts. Seats will be assigned in the order registrations are received. LIMITED EDITION PLACE The Crowne Plaza Redondo Beach & Marina Hotel SEND YOUR CHECK OR MONEY ORDER TO: 300 North Harbor Drive THE PHIL NORMAN Redondo Beach, CA 90277 The Los Angeles Jazz Institute TENTET P.O. -
“Outlaw Pete”: Bruce Springsteen and the Dream-Work of Cosmic American Music
“Outlaw Pete”: Bruce Springsteen and the Dream-Work of Cosmic American Music Peter J. Fields Midwestern State University Abstract During the 2006 Seeger Sessions tour, Springsteen shared his deep identification with the internal struggle implied by old spirituals like “Jacob’s Ladder.” While the Magic album seemed to veer wide of the Seeger Sessions ethos, Working on a Dream re-engages mythically with what Greil Marcus would call “old, weird America” and Gram Parsons deemed “cosmic American music.” Working suggests the universe operates according to “cosmic” principles of justice, judgment, and salvation, but is best understood from the standpoint of what Freud would call “dream work” and “dream thoughts.” As unfolded in Frank Caruso’s illustrations for the picturebook alter ego of Working‘s “Outlaw Pete,” these dynamics may allude to Springsteen’s conflicted relationship with his father. The occasion of the publication in December 2014 of a picturebook version of Bruce Springsteen’s “Outlaw Pete,” the first and longest song on the album Working on a Dream (2009), offers Springsteen scholars and fans alike a good reason to revisit material that, as biographer Peter Ames Carlin remarks, failed in the spring American tour of that year to “light up the arenas.”1 When the Working on a Dream tour opened in April 2009 in San Jose, at least Copyright © Peter Fields, 2016. I want to express my deep gratitude to Irwin Streight who read the 50 page version of this essay over a year ago. He has seen every new draft and provided close readings and valuable feedback. I also want to thank Roxanne Harde and Jonathan Cohen for their steady patience with this project, as well as two reviewers for their comments.