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WDR 3 Jazz & World, 30.10.2017 Crescendo in Blue 22:04-24:00 Stand: 30.10.2017 E-Mail: [email protected] | Web: jazz.wdr.de Moderation: Schaal, Hans-Jürgen Redaktion: Bernd Hoffmann Laufplan 22:04-24:00 1. C-Jam Blues K.: Duke Ellington 5:10 DUKE ELLINGTON ZYX 60036-2, LC 06350 ORCHESTRA CD: Best Of Duke Ellington 2. Happy-Go-Lucky-Local K: Duke Ellington-Billy Strayhorn 5:00 DUKE ELLINGTON ZYX 60036-2, LC 06350 ORCHESTRA CD: Best Of Duke Ellington 3. Happy Reunion K: Duke Ellington 3:28 DUKE ELLINGTON Phoenix Records 131584 QUARTET CD: 4tet, 5tet, 6tet, 7tet 4. Diminuendo And K: Duke Ellington 14:58 Crescendo In Blue CBS 450986 2, LC 00149 DUKE ELLINGTON AND CD: Ellington At Newport HIS ORCH. 5. Festival K: Paul Gonsalves 6:52 PAUL GONSALVES Real Gone Jazz RGJCD 489 QUINTET CD: Seven Classic Albums 6. Dizzy Atmosphere K: Dizzy Gillespie 10:51 DIZZY GILLESPIE Verve MG V-8225, LC 00383 SEPTET CD: Sittin’ In 7. I Cover The Waterfront K: John Green-Edward Heyman 3:27 DUKE ELLINGTON Phoenix Records 131584 QUARTET CD: 4tet, 5tet, 6tet, 7tet 8. Diminuendo And K: Duke Ellington 5:27 Crescendo In Blue Real Gone Jazz RGJCD 489 PAUL GONSALVES CD: Seven Classic Albums QUINTET 9. Body And Soul K: Johnny Green-Edward Sour-Robert 15:24 JOHN LEWIS SEXTET Heyman-Frank Eyton Atlantic 7567-90979-2, LC 00121 Dieses Manuskript ist ausschließlich zum persönlichen, privaten Gebrauch bestimmt. Jede weitere Vervielfältigung und Verbreitung bedarf der ausdrücklichen Genehmigung des WDR. 1 WDR 3 Jazz & World, 30.10.2017 Crescendo in Blue 22:04-24:00 Stand: 30.10.2017 E-Mail: [email protected] | Web: jazz.wdr.de CD: The Wonderful World Of Jazz 22:04-24:00 10. Low Gravy K: Babs Gonzales 7:52 PAUL GONSALVES Real Gone Jazz RGJCD 489 QUINTET CD: Seven Classic Albums 11. Toot Suite: Ready Go! K: Duke Ellington-Billy Strayhorn 6:07 DUKE ELLINGTON AND CBS 460059 2, LC 00149 HIS ORCH. CD: Jazz Party 12. Portrait Of Sidney K: Duke Ellington 3:55 Bechet Atlantic 81227 3670-2, LC 00121 DUKE ELLINGTON AND CD: New Orleans Suite HIS ORCH. 13. Oclupaca K: Duke Ellington 4:20 DUKE ELLINGTON AND Fantasy 00025218646925, LC 15025 HIS ORCH. CD: Latin American Suite 14. Moten Swing K: Bennie Moten 7:12 PAUL GONSALVES Jazz Colours / da Music 874766-2, LC QUARTET 03441 CD: It Don’t Mean A Thing 15. Diminuendo And K: Duke Ellington 7:21 Crescendo In Blue Phoenix Records 131584 DUKE ELLINGTON CD: 4tet, 5tet, 6tet, 7tet QUARTET Dieses Manuskript ist ausschließlich zum persönlichen, privaten Gebrauch bestimmt. Jede weitere Vervielfältigung und Verbreitung bedarf der ausdrücklichen Genehmigung des WDR. 2 .

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Navigating Jazz: Music, Place, and New Orleans by Sarah Ezekiel
Navigating Jazz: Music, Place, and New Orleans by Sarah Ezekiel Suhadolnik A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Musicology) in the University of Michigan 2016 Doctoral Committee: Associate Professor Charles Hiroshi Garrett, Chair Professor David Ake, University of Miami Associate Professor Stephen Berrey Associate Professor Christi-Anne Castro Associate Professor Mark Clague © Sarah Ezekiel Suhadolnik 2016 DEDICATION To Jarvis P. Chuckles, an amalgamation of all those who made this project possible. ii ACKNOWLEDGEMENTS My dissertation was made possible by fellowship support conferred by the University of Michigan Rackham Graduate School and the University of Michigan Institute for the Humanities, as well as ample teaching opportunities provided by the Musicology Department and the Residential College. I am also grateful to my department, Rackham, the Institute, and the UM Sweetland Writing Center for supporting my work through various travel, research, and writing grants. This additional support financed much of the archival research for this project, provided for several national and international conference presentations, and allowed me to participate in the 2015 Rackham/Sweetland Writing Center Summer Dissertation Writing Institute. I also remain indebted to all those who helped me reach this point, including my supervisors at the Hatcher Graduate Library, the Music Library, the Children’s Center, and the Music of the United States of America Critical Edition Series. I thank them for their patience, assistance, and support at a critical moment in my graduate career. This project could not have been completed without the assistance of Bruce Boyd Raeburn and his staff at Tulane University’s William Ransom Hogan Jazz Archive of New Orleans Jazz, and the staff of the Historic New Orleans Collection.
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