Università Ca' Foscari Di Venezia

Total Page:16

File Type:pdf, Size:1020Kb

Università Ca' Foscari Di Venezia UNIVERSITÀ CA’ FOSCARI DI VENEZIA SCUOLA IN CONSERVAZIONE E PRODUZIONE DEI BENI CULTURALI Corso di Laurea magistrale in Storia delle Arti e Conservazione dei Beni Artistici Tesi di Laurea Titolo: L’arte nelle zone ad alta tensione. Israele e Palestina attraverso gli occhi di due artiste contemporanee: Sigalit Landau e Emily Jacir. Relatore: DOTT.SSA SARA MONDINI Correlatore: DOTT.SSA STEFANIA PORTINARI Laureanda CHIARA DALL’ARCHE Matricola 819516 Anno Accademico 2012 / 2013 INDICE INDICE DELLE IMMAGINI 4 INTRODUZIONE 22 CAPITOLO 1: Una panoramica storico–culturale 29 1.1. La geografia 29 1.2. La popolazione 32 1.3. La lingua, la scuola e la cultura 36 1.4. L’economia 39 1.5. La storia e le vicende del conflitto mediorientale 42 CAPITOLO 2: L’artista israeliana Sigalit Landau e le sue opere 53 2.1. Premessa 53 2.2. La vita 54 2.3. I progetti e le performances 58 2.4. Le sculture 76 2.5. I video 95 2.6. Alcune brevi riflessioni sull’opera di Sigalit Landau 115 - 1 - CAPITOLO 3: Il padiglione israeliano alla 54ma Biennale Internazionale di Arte Contemporanea di Venezia del 2011 117 3.1. Premessa 117 3.2. L’architettura del padiglione 120 3.3. Il piano inferiore 126 3.4. Il piano superiore 130 3.5. Il piano intermedio 132 3.6. Alcune brevi riflessioni sull’allestimento del padiglione israeliano del 2011 135 CAPITOLO 4: L’artista palestinese Emily Jacir e le sue opere 138 4.1. Premessa 138 4.2. La vita 139 4.3. I progetti e le opere 141 4.4. Un’intervista con Emily Jacir 166 4.5. Alcune brevi riflessioni sull’opera di Emily Jacir 172 CAPITOLO 5: Le tematiche ricorrenti nella produzione artistica trattata 174 - 2 - 5.1. Premessa 174 5.2. Il ruolo dell’esperienza diretta e del vissuto 177 5.3. La questione del luogo 178 5.4. Poetiche dell’identità: cenni sulla questione del genere, del sé, dell’altro 182 5.5. Un’arte di preoccupazione, un’arte esistenziale: il tema della precarietà e della fragilità 184 5.6. Il tema del conflitto e l’evoluzione dell’immagine del soldato 186 5.7. I temi dell’occupazione e dell’esilio 189 5.8. La visione del futuro 191 5.9. L’incontro con l’Occidente: prestiti e scambi tra culture 193 CONSIDERAZIONI GENERALI E CONCLUSIVE 196 BIBLIOGRAFIA 203 RINGRAZIAMENTI 212 - 3 - INDICE DELLE IMMAGINI Fig. 1 - Mappa del territorio palestinese e israeliano, scansione da AA. VV. (2003), L’Enciclopedia, volume XV Niev–Perim, Grandi Opere di Cultura Utet. Torino: Unione Tipografico Editrice Torinese s.p.a., p. 265. Fig. 2 - Veduta satellitare del territorio palestinese e israeliano, scansione da AA. VV. (2003), L’Enciclopedia, volume XV Niev–Perim, Grandi Opere di Cultura Utet. Torino: Unione Tipografico Editrice Torinese s.p.a., p. 265. Fig. 3 - I confini territoriali, scansione da Karsh, Efraim (2010), La guerra di Palestina e la nascita di Israele. RBA Italia s.r.l., p. 19. Fig. 4 - La Palestina ai tempi di Gesù Cristo, scansione da AA. VV. (2003), L’Enciclopedia, volume XV Niev–Perim, Grandi Opere di Cultura Utet. Torino: Unione Tipografico Editrice Torinese s.p.a., p. 265. Fig. 5 - I Territori Occupati, scansione da Karsh, Efraim (2010), La guerra di Palestina e la nascita di Israele. RBA Italia s.r.l., p. 86. Fig. 6 - Evoluzione e cambiamenti del territorio politico palestinese e israeliano dal 1946 al 2003, scansione da AA. VV. (2003), L’Enciclopedia, volume XV Niev–Perim, Grandi Opere di Cultura Utet. Torino: Unione Tipografico Editrice Torinese s.p.a., p. 265. Fig. 7 - Il Museo d’Arte di Tel Aviv, - 4 - dal sito del Museo d’Arte di Tel Aviv, http://www.tamuseum.org, consultato in data 22/06/2010. Fig. 8 - David Ben Gurion, il Primo Ministro alla nascita di Israele, scansione da Karsh, Efraim (2010), La guerra di Palestina e la nascita di Israele. RBA Italia s.r.l., p. 51. Fig. 9 - Ritratto di Sigalit Landau del Fotografo Eldad Karin, dal sito dell’artista Sigalit Landau, http://www.sigalitlandau.com/, consultato in data 10/08/2013. Fig. 10 – Out in the Ticket, 2013, dal sito dell’artista Sigalit Landau, http://www.sigalitlandau.com/page/projects/The%20Ram%20in%20the%20Thic ket.php, consultato in data 01/10/2013. Fig. 11 – Behold the Fire and the Wood, 2013, dal sito dell’artista Sigalit Landau, http://www.sigalitlandau.com/page/projects/The%20Ram%20in%20the%20Thic ket.php, consultato in data 01/10/2013. Fig. 12 – Behold the Fire and the Wood, 2013, dal sito dell’artista Sigalit Landau, http://www.sigalitlandau.com/page/projects/The%20Ram%20in%20the%20Thic ket.php, consultato in data 01/10/2013. Fig. 13 - Seminterrato della galleria parigina, dal sito dell’artista Sigalit Landau, http://www.sigalitlandau.com/page/projects/salt_sails.php, consultato in data 01/10/2013. Fig. 14 - Tear Fountains, 2008, - 5 - dal sito dell’artista Sigalit Landau, http://www.sigalitlandau.com/page/projects/salt_sails.php, consultato in data 01/10/2013. Fig. 15 – Tear Fountains, 2008, dal sito dell’artista Sigalit Landau, http://www.sigalitlandau.com/page/projects/salt_sails.php, consultato in data 01/10/2013. Fig. 16 - Lampade Spinate di Sale, 2008, dal sito dell’artista Sigalit Landau, http://www.sigalitlandau.com/page/projects/salt_sails.php, consultato in data 01/10/2013. Fig. 17 - Lavastoviglie di un Kibbutz, 2007, dal sito dell’artista Sigalit Landau, http://www.sigalitlandau.com/page/projects/the_dining_hall.php, consultato in data 01/10/2013. Fig. 18 – The Dining Hall, 2007, dal sito dell’artista Sigalit Landau, http://www.sigalitlandau.com/page/projects/the_dining_hall.php, consultato in data 01/10/2013. Fig. 19 – The Dining Hall, 2007, dal sito dell’artista Sigalit Landau, http://www.sigalitlandau.com/page/projects/the_dining_hall.php, consultato in data 01/10/2013. Fig. 20 - Cucina, 2007, - 6 - dal sito dell’artista Sigalit Landau, http://www.sigalitlandau.com/page/projects/the_dining_hall.php, consultato in data 01/10/2013. Fig. 21 - Pasto di Angurie su un Imbuto Salato, 2007, dal sito dell’artista Sigalit Landau, http://www.sigalitlandau.com/page/projects/the_dining_hall.php, consultato in data 01/10/2013. Fig. 22 - Mount Babel, 2005, dal sito dell’artista Sigalit Landau, http://www.sigalitlandau.com/page/projects/the_endless_solution.php, consultato in data 01/10/2013. Fig. 23 - Scatole di Scarpe 1939-1945, sopra il Vano Portabagagli di un Vecchio Furgone, 2005, dal sito dell’artista Sigalit Landau, http://www.sigalitlandau.com/page/projects/the_endless_solution.php, consultato in data 01/10/2013. Fig. 24 - Scatole di Scarpe 1939-1945, sopra il Vano Portabagagli di un Vecchio Furgone, 2005, dal sito dell’artista Sigalit Landau, http://www.sigalitlandau.com/page/projects/the_endless_solution.php, consultato in data 01/10/2013. Fig. 25 – The Country, 2002, dal sito dell’artista Sigalit Landau, http://www.sigalitlandau.com/page/projects/the_country.php, consultato in data 01/10/2013. Fig. 26 - The Country, 2002, - 7 - dal sito dell’artista Sigalit Landau, http://www.sigalitlandau.com/page/projects/the_country.php, consultato in data 01/10/2013. Fig. 27 – Sugar Masks, 2001-2003, dal sito dell’artista Sigalit Landau, http://www.sigalitlandau.com/page/projects/sugar_masks.php, consultato in data 01/10/2013. Fig. 28 - Sugar Masks, 2001–2003, dal sito dell’artista Sigalit Landau, http://www.sigalitlandau.com/page/projects/sugar_masks.php, consultato in data 01/10/2013. Fig. 29 - Orla, 2000, dal sito dell’artista Sigalit Landau, http://www.sigalitlandau.com/page/projects/bauchaus.php, consultato in data 01/10/2013. Fig. 30 - Somnanbulin/Bauchaus, 2002, dal sito dell’artista Sigalit Landau, http://www.sigalitlandau.com/page/projects/bauchaus.php, consultato in data 01/10/2013. Fig. 31 - Somnanbulin/Bauchaus, 2002, dal sito dell’artista Sigalit Landau, http://www.sigalitlandau.com/page/projects/bauchaus.php, consultato in data 01/10/2013. Fig. 32 - Resident Alien I, 1997, - 8 - dal sito dell’artista Sigalit Landau, http://www.sigalitlandau.com/page/projects/resident_alien.php, consultato in data 01/10/2013. Fig. 33 - Resident Alien I, 1997, dal sito dell’artista Sigalit Landau, http://www.sigalitlandau.com/page/projects/resident_alien.php, consultato in data 01/10/2013. Fig. 34 - Territorio Ferito e Occhio–Tamburello, 1995, dal sito dell’artista Sigalit Landau, http://www.sigalitlandau.com/page/projects/tempel_mount.php, consultato in data 01/10/2013. Fig. 35 - Molte Porte Graffiate, 1994, dal sito dell’artista Sigalit Landau, http://www.sigalitlandau.com/page/projects/tranzit.php, consultato in data 01/10/2013. Fig. 36 - Tenda, 1994, dal sito dell’artista Sigalit Landau, http://www.sigalitlandau.com/page/projects/tranzit.php, consultato in data 01/10/2013. Fig. 37 - Pilastro, 2013, dal sito dell’artista Sigalit Landau, http://www.sigalitlandau.com/page/sculpture/Holes%20Roles%20Pillars%20and %20Poles.php, consultato in data 01/10/2013. Fig. 38 - Fori ovali, Pilastro e Cilindri, 2013, - 9 - dal sito dell’artista Sigalit Landau, http://www.sigalitlandau.com/page/sculpture/Holes%20Roles%20Pillars%20and %20Poles.php, consultato in data 01/10/2013. Fig. 39 - Giro di Consegna delle Notizie, 2012, dal sito dell’artista Sigalit Landau, http://www.sigalitlandau.com/page/sculpture/news%20delivery%20round.php, consultato in data 01/10/2013. Fig. 40 - Giro di Consegna delle Notizie, 2012, dal sito dell’artista Sigalit Landau, http://www.sigalitlandau.com/page/sculpture/news%20delivery%20round.php, consultato in data 01/10/2013. Fig. 41 - Shelter, 2012, dal sito dell’artista Sigalit Landau, http://www.sigalitlandau.com/page/sculpture/Shelter.php, consultato in data 01/10/2013. Fig. 42 – Shoes on the Danube Promenade, 2005, scansione dal catalogo De Loisy, Jean, Ilan, Wizgan, Sigalit Landau: One Man’s Floor is another Man’s Feeling, 54th International Art Exihibition La Biennale di Venezia, Israeli Pavillon, p.
Recommended publications
  • Mimesis Journal. Scritture Della Performance
    Mimesis Journal Books collana di «Mimesis Journal. Scritture della performance» ISSN 2283-8783 comitato scientifico Antonio Attisani Università degli Studi di Torino Florinda Cambria Università degli Studi di Milano Lorenzo Mango Università degli Studi L’Orientale di Napoli Tatiana Motta Lima Universidade Federal do Estado do Rio de Janeiro Franco Perrelli Università degli Studi di Torino Antonio Pizzo Università degli Studi di Torino Kris Salata Florida State University Carlo Sini Università degli Studi di Milano Éric Vautrin Université de Caën Mimesis Journal Books ISSN 2283-8783 1. Jerzy Grotowski. L’eredità vivente isbn 978-88-97523-29-1 a cura di Antonio Attisani ebook www.aAccademia.it/grotowski 2. Logiche della performance. isbn 978-88-97523-27-7 Dalla singolarità francescana alla nuova mimesi di Antonio Attisani ebook www.aAccademia.it/performance 3. Neodrammatico digitale. isbn 978-88-97523-37-6 Scena multimediale e racconto interattivo di Antonio Pizzo ebook www.aAccademia.it/neodrammatico 4. Lugné-Poe e l’Œuvre simbolista. isbn 978-88-97523-64-2 Una biografia tea trale (1869-1899) di Giuliana Altamura ebook www.aAccademia.it/lugnepoe 5. Teorie e visioni dell’esperienza “teatrale”. isbn 978-88-97523-87-1 L’arte performativa tra natura e culture di Edoar do Giovanni Carlotti ebook www.aAccademia.it/carlotti 6. Carmelo Bene fra tea tro e spettacolo isbn 978-88-97523-89-5 di Salvatore Vendittelli a cura di Armando Petrini ebook www.aAccademia.it/vendittelli 7. L’attore di fuoco. Martin Buber e il teatro isbn 978-88-99200-39-8 di Marcella Scopelliti ebook www.aAccademia.it/scopelliti 8.
    [Show full text]
  • Israeli) Star of Hope Agamograph 29 X 31 Cm (11 X 12 In.) Signed Lower Right, Numbered '8/25' Lower Left
    1* Yaacov Agam b.1928 (Israeli) Star of Hope agamograph 29 x 31 cm (11 x 12 in.) signed lower right, numbered '8/25' lower left $1,500-1,800 2* Yaacov Agam b.1928 (Israeli) Untitled color silkscreen mounted on panel 57 x 62 cm (22 x 24 in.) signed lower right, numbered 'L/CXLIV' lower left $400-500 3 Menashe Kadishman 1932-2015 (Israeli) Sheep head acrylic on canvas 30 x 30 cm (12 x 12 in.) signed lower left and again on the reverse $450-550 4 Menashe Kadishman 1932-2015 (Israeli) Motherland charcoal on paper 27 x 35 cm (11 x 14 in.) signed lower right $150-220 5 Menashe Kadishman 1932-2015 (Israeli) Valley of sadness pencil on paper 27 x 35 cm (11 x 14 in.) signed lower right $100-150 6* Ruth Schloss 1922-2013 (Israeli) 1 Girl in red dress, 1965 oil on canvas 74 x 50 cm (29 x 20 in.) signed lower right Provenance: Private collection, USA. $3,500-4,000 7 Sami Briss b.1930 (Israeli, French) Doves oil on wood 8 x 10 cm (3 x 4 in.) signed lower center $500-650 8 Nahum Gilboa b.1917 (Israeli) Rural landscape with wooden bridge mixed media on canvasboard 23 x 30 cm (9 x 12 in.) signed lower right, signed and titled on the reverse $1,800-2,200 9 Audrey Bergner b.1927 (Israeli) Flutist oil on canvas 40 x 30 cm (16 x 12 in.) signed lower right, signed and titled on the reverse $4,800-5,500 10 Yohanan Simon 1905-1976 (Israeli) Vegetarian Evolution, 1971 oil on canvas 46 x 54 cm (18 x 21 in.) signed in English lower left, signed in Hebrew and dated lower right, signed, dated and titled on the stretcher $8,000-10,000 11* Yohanan Simon 1905-1976 (Israeli) Wedding, 1969 2 oil on canvas 15 x 23 cm (6 x 9 in.) signed in English lower left and in Hebrew lower right $2,200-2,500 12 Menashe Kadishman 1932-2015 (Israeli) Fallow deer iron cut-out 34 x 30 x 2 cm (13 x 12 x 1 in.) initialled $1,400-1,600 13 Naftali Bezem b.
    [Show full text]
  • ZINGUER CV October 2015
    TAMAR ZINGUER Ph.D., MA, M.Sc., B.Arch c u r r i c u l u m v i t a e ______________________________________________________________________________ The Cooper Union phone: (609) 933-9933 41 Cooper Square [email protected] New York, NY 10003 [email protected] EDUCATION 2006 Ph.D. - Princeton University, School of Architecture, Princeton NJ Doctor of Philosophy in History and Theory of Architecture “Architecture in Play: Intimations of Modernism in Architectural Toys 1836-1952” Ph.D. Advisors: Beatriz Colomina, Hal Foster Ph.D. Committee: Anthony Vidler, Antoine Picon, Spyros Papapetros 2001 MA - Princeton University, School of Architecture, Princeton NJ 1998 M.Sc. - Technion Israel Institute of Technology Faculty of Architecture and Town Planning, Haifa Israel Masters of Science in Architecture, “Minimalism in Architecture” Advisor: Robert Oxman, Committee: Yaakov Rechter 1989 B.Arch. The Cooper Union, Irwin S. Chanin School of Architecture, NYC Thesis advisor: John Hejduk TEACHING EXPERIENCE Spring 2016 Visiting Associate Professor – Princeton University, Princeton, NJ The History of Architectural Theory (ARC 308) 2005-present Associate Professor – The Cooper Union, The Irwin S. Chanin School of Architecture, New York, NY Coordinator of Third Year Design Studio, 2006-2009, 2015-16 Proseminars for M.Arch II: “Invention in American Architecture”, 2012, 2014 “Writing Architecture” 2013, 2105 History of Modern Architecture 1750-1950 (Survey) 2010-Present Advanced Topics Seminars: “Architecture in Play” 2009- 2013 Coordinator of First
    [Show full text]
  • Matanya Sack CV
    June 2018 MATANYA SACK _ R E S U M E Licensed Architect and Landscape Architect ID: 033434044 Email: m@s••r.co Website: www.s••r.co ACADEMIC DEGREES 2008 Masters in Advanced Studies in Landscape Architecture, Department of Architecture, Swiss Federal Institute of Technology (ETH), Zurich. Thesis directed by Professors Christophe Girot and Sebastien Marot. Completed the MAS summa cum laude. 2005 Bachelor of Architecture, Department of Architecture, Bezalel Academy of Arts and Design, Jerusalem. Thesis project tutored by Professor Zvi Efrat and by architect Asaf Lerman. Completed the B.Arch magna cum laude. 2003 Student exchange program, Ecole d’Architecture Paris­Belleville. Tutored by Professor Pierre•Louis Faloci. Ranked first in class. ACADEMIC APPOINTMENTS 2018-Present Assistant Professor, Faculty of Architecture and Town Planning, Technion – Israel Institute of Technology, Haifa. 2015-2017 Adjunct Senior Lecturer, Faculty of Architecture and Town Planning, Technion –Israel Institute of Technology, Haifa. 2014-15 Adjunct Lecturer, Faculty of Architecture and Town Planning, Technion – Israel Institute of Technology, Haifa. 2010-14 Adjunct Lecturer, Department of Architecture, Bezalel Academy of Arts and Design, Jerusalem. 2010-12 Adjunct Instructor, Faculty of Architecture and Town Planning, Technion – Israel Institute of Technology, Haifa. PROFESSIONAL EXPERIENCE 2012-Present Founding Partner, Sack and Reicher Architecture and Landscape, Tel Aviv- Jaffa. 2008 Landscape Architect, Vogt Landscape Architects, Zurich. 2005-07 Architect, Naama Malis Architecture and Town Planning, Givatayim. 2 2004-05 Archival Research, Yaakov Rechter•Amnon Rechter Architects, Tel Aviv•Jaffa. RESEARCH INTERESTS A. Practical and Theoretical relationships between architecture and landscape architecture B. Regional Urbanism C. Performative and ecological aspects in landscape and architectural design D.
    [Show full text]
  • Ben-Gurion University of the Negev the Faculty of Humanities and Social Sciences Department of Politics and Government
    BEN-GURION UNIVERSITY OF THE NEGEV THE FACULTY OF HUMANITIES AND SOCIAL SCIENCES DEPARTMENT OF POLITICS AND GOVERNMENT SECTIONSCAPING In Search for Non-Modern Landscape An Israeli-Palestinian Case Study REQUIREMENTS FOR THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE THE MASTER OF ARTS DEGREE (M.A.) ALON MATOS UNDER THE SUPERVISION OF Prof. HAIM YACOBI 06/2018 S E C T I O N S C A P I N G In Search for Non-Modern Landscape An Israeli–Palestinian Case Study Figure 1: Nachum Gutman, 1934, illustration for the song "On the Beach" from "Children's Songs" by Anda Amir Pinkerfeld i Thanks to my parents, nothing would have happened without them Thanks to Prof. Haim Yacobi for the guidance, support, patience and good spirit Thanks to all the friends I met along this path Special thanks to Prof. Ayala Ronel and Arch. Eytan Mann for their inputs and support Thanks to all my teachers who taught me the landscape, and caught me in love with it ii CONTENT ABSTRACT …………………………………………………………………… i PROLOGUE …………………………………………………………………… ii SUMMARY …………………………………………………………………… iii INTRODUCTION …………………………………………………………………… 1 Imperial Landscape 1 Holy Landscape 5 THEORY …………………………………………………………………… 11 Modern Constitution 11 Non-modern Constitution 17 METHODOLOGY …………………………………………………………………… 24 Sectionscaping 24 CASE STUDY …………………………………………………………………… 31 Hybrid Landscape 31 Research Question 34 1. LANDSCAPE …………………………………………………………………… 39 MATRIX Structural Flows 39 Landscape Folds 41 Landscape Texture 49 Modern Folds 53 2. ZIONIST FLOW …………………………………………………………………… 60 The Modern
    [Show full text]
  • Israel Museum Announces 2016 Exhibition Highlights
    Israel Museum Announces 2016 Exhibition Highlights Exhibitions in Archaeology, Fine Arts, and Architecture Reflect on Cross-Cultural Exchange Spanning Millennia Jerusalem (January 7, 2015) — The Israel Museum, Jerusalem today announced its upcoming program of exhibitions for 2016, following the conclusion of its 50th Anniversary celebrations throughout 2015. From focused presentations of international contemporary artists to exhibitions exploring cross-cultural themes, the Museum’s 2016 program embraces topics spanning continents, genres, and time periods. Opening on March 4 as a centerpiece of the Museum’s 2016 season, Pharaoh in Canaan: The Untold Story marks the first-ever exhibition to explore the cross-cultural ties between Egypt and Canaan during the second millennium BCE through an unprecedented display of more than 650 ancient artifacts. Featuring objects discovered in Egypt and Israel, the exhibition illuminates the cross-fertilization of ritual practices and aesthetic vocabularies between these two distinct ancient cultures. On view beginning July 1, Social Construction: Modern Architecture in British Mandate Palestine extends into the 20th century this same exploration of how distinct cultures can coalesce to inform the development of new cultural expressions by highlighting the transformative impact of early European modernism on the development of architecture in Palestine during the British Mandate. “The notion of cross-cultural dialogue goes right to the heart of everything we do at the Israel Museum, resonating deeply
    [Show full text]
  • Das Erbe in Palästina
    28 Thema In Mendelsohns Meisterwerken Bauwelt 23 | 2014 Bauwelt 23 | 2014 29 Das Erbe in Palästina Unmittelbar nach dem Machtantritt der Nationalsozialisten flüchtet der Architekt aus Deutschland. Seine Bekanntschaft mit Salman Schocken bringt ihm erste Aufträge in Palästina, die, bis zu seiner späteren Flucht in die USA, immer größere Dimensionen annehmen. Heute zeigen sie sich vielfach verändert, teilweise substanziell bedroht Text Keshet Rosenblum Fotos Yael Engelhart Unmittelbar nach Hitlers Einzug in den Reichstag am 21. März Internationalen Stil pflegten. Er entwarf in Jerusalem im Zau- 1933 – der Zufall wollte es, dass es der 46. Geburtstag Men- ber des hellen Lichts der Judäischen Berge Gebäude, die so ganz delsohns war – machte sich der erfolgreiche Architekt aus und gar verschieden sind von denen, die er in Europa gebaut Deutschland auf, sein Heimatland zu verlassen, und wanderte hatte. „In Berlin lebte er in einer Metropole, und beim Entwer- nach England aus. Nachdem er dank mehrerer Projekte in Pa- fen hatte er vor seinem geistigen Auge eine Straßenbahn, aus lästina 1935 ein zweites Büro in Jerusalem eröffnet hatte, ver- der heraus die Fahrgäste seine Gebäude betrachten sollten – legte er schließlich 1939 seinen Wohnsitz komplett dorthin. im Neonlicht der Großstadt“, sagt Alona Nitzan-Shiftan, Pro- Als sich an den Grenzen deutsche Truppen zeigten, verließ er fessorin an der Fakultät für Architektur- und Stadtplanung am 1941 das damals noch britische Mandatsgebiet wieder, in Rich- Technion, dem Israel Institute of Technology. „Für Israel“, er- tung USA. Vermutlich aber war diese Gefahr nicht der einzige klärt sie, „war Mendelsohns urbane Sichtweise nicht mehr Grund für seine Abreise, und ganz sicher erklärt sie nicht, von Belang, und deshalb schuf er seine Gebäude in einem exo- warum er niemals wieder nach Israel zurückkehren sollte.
    [Show full text]
  • Bibliography
    Bibliography Adamson, L. Walter, Avant-Garde Florence: From Modernism to Fascism (Cambridge, MA, 1993). Agamben, Giorgio, Homo Sacer: Sovereign Power and Bare Life (Stanford, CA, 1998). Agamben, Giorgio, The State of Exception, trans. by K. Atell (Chicago, IL, 2005). Almog, Shmuel, ‘Zionism and messianism’, Zionism and Historyy ( Jerusalem, 1982): 42–8 (Hebrew). Alter, Robert, ‘The achievement of Gershom Scholem’, Commentary, 55 (1973): 69–77. Amir, Aharon, ‘Dantz’, Ma’ariv, 29 July 1977 (Hebrew). Amir, Aharon, ‘The expectation of a crystallisation of identity’, Independence Day Supplement, Haaretz, 29 May 1998 (Hebrew). Amir, Aharon, ‘Horon in the Land of the Hebrews’, in Adia G. Horon, East and West: A History of Canaan and the Land of the Hebreww (Tel Aviv, 2000) (Hebrew), pp. 17–27. Aran, Gideon, ‘A mystic–messianic interpretation of modern Israeli his- tory: the Six Day War as a key event in development of the original religious culture of Gush Emunim’, Studies in Contemporary Judaism, 4 (1988): 263–75. Arieli, Yehoshua, History and Meta-History, edited by David Ohana ( Jerusalem, 2003) (Hebrew). Aschheim, Steven E., ‘The metaphysical psychologist: on the life and letters of Gershom Scholem’, Journal of Modern History, 76 (2004): 903–33. Aviad, Janet, ‘The messianism of Gush Emunim’, in Jonathan Frankel (ed.), Jews and Messianism in the Modern Era, Series, Studies in Contemporary Jewry, 7 (Oxford, 1991), 197–213. Avineri, Shlomo, ‘The Canaanite episode’, Ha-Po’el Ha-Tsa’ir, 26–7 (25 March 1953): 8–9 (Hebrew). Avineri, Shlomo, The Making of Modern Zionism: The Intellectual Origins of the Jewish State (New York, 1981). Avneri, Arieh, Interview with members of ‘Youth Against the Current Establishment’, Yediot Aharonott, 13 October 1972 (Hebrew).
    [Show full text]
  • An Undergraduate Ejournal 2016. Vol 03
    JerusalemJerusalem Art Art HistoryHistory Journal: Journal: AnAn Undergraduate Undergraduate eJournaleJournal __ HistoireHistoire de de l’art l’art àà Jérusalem Jérusalem : : cyberrevuecyberrevue étudiante étudiante dede premier premier cycle cycle __ 2016. vol 03 2016. vol 03 Jerusalem Art History Journal: An Undergraduate eJournal / Histoire de l’art à Jérusalem : cyberrevue étudiante de premier cycle Editor-in-chief / Redactrice en chef Loren Lerner Guest editors / Directrices de la rédaction Tara Ng and / et Kimberly Glassman Concordia University / Université Concordia 1455, boul. de Maisonneuve West, EV- 3.760 Montréal, Québec, Canada H3G 1M8 (514) 848-2424, ext. 4698 Free e-publication, available via the Department of Art History, Concordia University E-publication en libre accès via Département d’histoire de l’art jerusalemjournal.concordia.ca Design Pata Macedo Copy-editing / Révision des Textes Tara Ng and / et Kimberly Glassman Translation / Traduction Translation Services, Concordia University / Services de traduction, Université Concordia Table of Contents _ Table des matières _ vi Introducing the Guest Editors Présentation des collaboratrices invitées Loren Lerner xi Editorial Éditorial Tara Ng and / et Kimberly Glassman . i . – A Journey to Jerusalem Un voyage à Jérusalem 2 Heavenly Jerusalem as the City of God: Representations through Illuminated Manuscripts of Saint Augustine’s Theology of the Two Cities Georges-Étienne Carrière 23 Muhammad’s Night Journey: Comic Visual Exploration through a Western Perspective Gabby Orellana 42 Armenian Illuminations: Strange Connections between Nations Alyag Malkhassian 57 How to Loot a Work of Art Jasmine Kanter 75 Jerusalem: A Multi-Layered City through the Work of Jay Ginsherman Louis Angot 92 Chronicles of a Naive Backpacker in Jerusalem Florence Seymour-Provencher .
    [Show full text]
  • Memories from Joav Ran Shechori Every
    Memories from Joav Ran Shechori Every Friday evening, as in a sacred ritual, we would gather in Raffi Lavie’s “living room” which was nothing but a former hen house left from the days when the Ramat Gan neighborhood was still a settlement with family farms. There we would sit – Lavie, Joav BarEl and myself – gorging ourselves on pies made by Ilana, Lavie’s wife, and in between two bites, discussed the future of Israeli art. The three of us were behind the “10+ group” and a series of exhibitions. Raffi was the sole member of 10+ who participated in all of the shows. The underlying concept of 10+’s activity was the principle of “doing things differently” showing works that transcended the artists’ signature style, so as to challenge the seriousness and aura usually attached to artistic practice; and with a hint of playfulness, boldness and self-irony, to experiment with new techniques and materials. Raffi negotiated with gallerists, and together we decided on the themes and participants of each show. Joav and I were both art critics writing in “Haaretz”, so we were in charge of formulating their conceptual reasoning. But there was a heavier side to this playfulness. At the end of the 1960’s, Ofakim Hadashim (Hebrew for “New Horizons”, another group of artists operating at the time in Israel) and its ‘lyrical abstraction’ reigned supreme in the local art scene. That was also a time when French influences were the order of the day at the Tel Aviv Museum, then headed by Haim Gamzo. We were a bunch of young artists seeking recognition, and this was the way to do it.
    [Show full text]
  • Simblist Dissertation Dec 2 2015
    Copyright by Noah Leon Simblist 2015 The Dissertation Committee for Noah Leon Simblist certifies that this is the approved version of the following dissertation: DIGGING THROUGH TIME: PSYCHOGEOGRAPHIES OF OCCUPATION Committee: Ann Reynolds, Supervisor Tarek El-Ariss, Co-Supervisor Stephennie Mulder George Flaherty Yoav Di-Capua DIGGING THROUGH TIME: PSYCHOGEOGRAPHIES OF OCCUPATION by Noah Leon Simblist, B.A.; M.F.A. Dissertation Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin December 2015 Acknowledgements I am grateful for the support of my committee, especially my supervisor Ann Reynolds who generously read countless drafts of this dissertation and offered invaluable feedback that helped me to craft my writing to become more clear and precise. My co- supervisor Tarek El Aris was enormously helpful in helping me to conceptualize the relationship between Israel-Palestine and Lebanon, allowing this dissertation to move outside of the common binary of Israel-Palestine. He also was a great help in introducing me to many major figures of the art scene in Beirut. Yoav Di-Capua introduced me to Tarek El-Aris and was the one who suggested that I think about Lebanon as well. But I also learned a great amount from his seminar, especially ways to think through methodologies of historiography. I remember learning some foundational principles about art and architecture of the Islamic and Arab world from a seminar that I took with Stephennie Mulder and have continued to learn from her nuanced look at the legacy of a long and rich cultural history in the region in relation to contemporary art and politics.
    [Show full text]
  • Processes of Urban Design Preservation and Renewal in Tel-Aviv; Habima Square
    Arquitectonics: urban social and physical networks. Processes of urban design preservation and renewal in Tel- Aviv; HaBima Square Michal Silbiger 1 Processes of urban design preservation and renewal in Tel-Aviv; HaBima Square Based on my MA thesis at the Unit of Culture Research, Tel Aviv University (Silbiger, 2012) Urban planning and restoration have at their basis a need to allocate resources to those who build and design. The process of allotting resources is fundamentally of a social nature, combining individual intentions with communal aspirations. The theoretical framework utilized by urban sociologists to describe this process is eclectic and vastly interdisciplinary. Some sociologists of the city draw a connection between urban development and economic forces. Others call upon cultural ties based on interpersonal relationships and the multifaceted fabric that these relationships engender (also but not limited to socio-economic elements) as key points to understanding the urban makeup. The latter school of thought believes that the physical construction of the city bears testament to the beliefs and ambitions of diverse communities within the city who join forces to create the urban landscape. Such conceptualization of the forces operating within the city sees cultural symbols as a collective ideal made possible by a localization process that symbols undergo in order to make them emblematic of a given city. These symbols become hallmarks of the city, generating a local culture and forms of symbolizing it. The present paper will examine the cultural occurrences that have taken place in the case of HaBima Square from this latter multi-systemic approach, as defined by Even-Zohar (2004).
    [Show full text]