From Object to Performance in Israeli Art a Historiography Dror Harari
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The Dead Sea Scrolls and Gabriel Revelation Stone from the Israel
FOR IMMEDIATE RELEASE Two of the World’s Greatest Archeological Finds – The Dead Sea Scrolls and Gabriel Revelation Stone from the Israel Museum, Jerusalem – go on display for the first time in Hong Kong from tomorrow at the Asia Society Hong Kong Center Hong Kong, November 3, 2014 – Two of the world’s greatest archeological finds – the Gabriel Revelation Stone often called the ‘stone scroll’ and a replica of the Scroll of Isaiah, the only almost complete version of any biblical book among the Dead Sea Scrolls, goes on display in Hong Kong and China for the first time at the Asia Society Hong Kong Center from tomorrow till January 25, 2015, along with some 50 key artefacts from the Israel Museum, Jerusalem. In Temple, Scrolls and Divine Messengers: Archeology of the Land of Israel in Roman Times, the exhibition unravels the secrets and meanings behind the Gabriel Stone and Isaiah Scroll and through them, explores the significance of Jerusalem in the Second Temple Period between the 1st century BCE and the 1st century CE. Through films and by examining the various stone, glass, and pottery vessels on display, the exhibition also looks at the life and times of the city’s inhabitants and the importance of rituals and customs that govern their everyday lives. The lead sponsor of the exhibition is MetLife Foundation. The exhibition opens to the public tomorrow for a strictly limited 11 week season, closing on January 25, 2015. A public and educational program comprising workshops and lectures runs alongside the exhibition. Speaking at today’s opening, Ms. -
Analyzing the Barometer of Responses
Chapter 6 Don’t Touch My Holocaust – Analyzing the Barometer of Responses Israeli Artists Challenge the Holocaust Taboo Tami Katz-Freiman The national museum in the eternal capital of the Jewish people should encourage many exhibitions attesting that we are indeed liberated from the traumas of the past. If the Israel Museum could get hold of the bones of Holocaust victims, they could invite kindergarten children to build castles. Perhaps the Israel Museum should also import hair from Auschwitz to hang on it postmodern works.1 This sarcastic and radical response, published in Maariv on January 19, 1997, by Holocaust survivor, Knesset member, and journalist Joseph Lapid, following the controversial exhibition of Israeli artist Ram Katzir at the Israel Museum, reflects the problematic nature, the hypersensitivity, and the intricacy of the current Holocaust discourse in Israel. In this essay, I delve into the pressing issues of this highly delicate discourse. I attempt to locate the very root of its problematic nature, wherefrom all taboos and paradoxes stem pertaining to the discourse of Holocaust representation in 188 contemporary Israeli art. The Zionist ethos is informed by two fundamental notions: Holocaust and Heroism and Negation of Exile that are crucial to the understanding of the problematic nature inherent in Holocaust representation in Israel. In the following paragraphs, I trace the implications of these two perceptions on Holocaust representation in art, and attempt to categorize and classify modes of Holocaust representation in contemporary Israeli art in light of, or in relation to, the public sensitivity toward the manipulative use of the Holocaust. In order to elucidate some basic concepts relating to the Israeli black hole, I examine some strategies employed by current Israeli artists who are communicating Auschwitz2 in their work. -
Aliya Chalutzit from America, 1939-48
1 Aliya of American Pioneers By Yehuda Sela (Silverman) From Hebrew: Arye Malkin A) Aliya1 Attempts During WW II The members of the Ha‟Shomer Ha‟Tzair2 Zionist Youth Movement searched a long time for some means to get to the shores of the Land of Israel (Palestine). They all thought that making Aliya was preferable to joining the Canadian or the American Army, which would possibly have them fighting in some distant war, unrelated to Israel. Some of these efforts seem, in retrospect, unimaginable, or at least naïve. There were a number of discussions on this subject in the Secretariat of Kibbutz Aliya Gimel (hereafter: KAG) and the question raised was whether individual private attempts to make Aliya should be allowed. The problems were quite complicated, and rather than deciding against the effort to make Aliya, it was decided to allow these efforts in special cases. Later on the Secretariat decided against these private individual efforts. The members attempted several ways to pursue this goal, but none were successful. Some applied for a truck driver position with a company that operated in Persia, building roads to connect the Persian Gulf and the Caspian Sea. Naturally, holding a driving license that did not qualify one for heavy vehicles did not help. Another way was to volunteer to be an ambulance driver in the Middle East, an operation that was being run by the Quakers; this was a pacifist organization that had carried out this sort of work during the First World War. An organization called „The American Field Service‟ recruited its members from the higher levels of society. -
Project Aim and Objectives
1 MICROZONING OF THE EARTHQUAKE HAZARD IN ISRAEL PROJECT 9 SITE SPECIFIC EARTHQUAKE HAZARDS ASSESSMENT USING AMBIENT NOISE MEASUREMENTS IN HADERA, PARDES HANNA, BINYAMINA AND NEIGHBORING SETTLEMENTS November, 2009 Job No 526/473/09 Principal Investigator: Dr. Yuli Zaslavsky Collaborators G. Ataev, M. Gorstein, M. Kalmanovich, D. Giller, I. Dan, N. Perelman, T. Aksinenko, V. Giller, and A. Shvartsburg Submitted to: Earth Sciences Research Administration National Ministry of Infrastructures Contract Number: 28-17-054 2 CONTENT LIST OF FIGURES .......................................................................................................................... 3 LIST OF TABLES ........................................................................................................................... 4 ABSTRACT ..................................................................................................................................... 5 INTRODUCTION ............................................................................................................................ 7 Empirical approaches implemented in the analysis of site effect ................................................ 8 GEOLOGICAL OUTLINE ............................................................................................................ 10 Quaternary sediments ................................................................................................................. 12 Tertiary rocks ............................................................................................................................ -
When You Join IFIM, You Will Enjoy a Wide Range of Benefits, Depending on the Membership Option You Choose
When you join IFIM, you will enjoy a wide range of benefits, depending on the membership option you choose All options include the following Membership categories: benefits: Four Association membership cards Friend (annual donation of NIS 1,500; valid for a year from day of payment, 80% tax deductible) granting free admission to the Israel All of the benefits listed at left Museum, Shrine of the Book, Rockefeller Archaeological Museum, Israeli Patron (annual donation of NIS and Ticho House 4,000; 90% tax deductible) All of the above benefits, plus listing Invitation to curator-led guided tours in the internationally distributed Israel of new exhibitions after regular Museum Journal Museum hours – for members only Invitation to special cultural trips International Patron (annual donation abroad, including viewings of private of NIS 12,000; 95% tax deductible) collections (supplementary fee) All of the above benefits, plus listing Group visits to private collections in the internationally distributed Israel and museums in Israel Museum Journal. International Patrons also receive a Guggenheim Art Pass Meetings with Israeli artists granting free admission for two to Invitation to the Museum’s several major museums abroad. International Council (supplementary fee) Guardian (annual donation of NIS 30,000; 100% tax deductible) Discounts for performances, lectures, Guardians sponsor a week in honor of and other cultural events at the the person or occasion of their choice. Museum Their contribution subsidizes admission Discounts at Museum shops, cafés, fees for children, students, soldiers, and restaurants, including Anna the disabled, and senior citizens. The Italian Café at Ticho House Guardian’s name appears on a plaque in the Museum’s Entrance Pavilion for Invitations to exhibition openings the duration of the sponsored week, Use of the Israel Museum Art Library as well as in the Israel Museum Journal. -
Israel in 1982: the War in Lebanon
Israel in 1982: The War in Lebanon by RALPH MANDEL LS ISRAEL MOVED INTO its 36th year in 1982—the nation cele- brated 35 years of independence during the brief hiatus between the with- drawal from Sinai and the incursion into Lebanon—the country was deeply divided. Rocked by dissension over issues that in the past were the hallmark of unity, wracked by intensifying ethnic and religious-secular rifts, and through it all bedazzled by a bullish stock market that was at one and the same time fuel for and seeming haven from triple-digit inflation, Israelis found themselves living increasingly in a land of extremes, where the middle ground was often inhospitable when it was not totally inaccessible. Toward the end of the year, Amos Oz, one of Israel's leading novelists, set out on a journey in search of the true Israel and the genuine Israeli point of view. What he heard in his travels, as published in a series of articles in the daily Davar, seemed to confirm what many had sensed: Israel was deeply, perhaps irreconcilably, riven by two political philosophies, two attitudes toward Jewish historical destiny, two visions. "What will become of us all, I do not know," Oz wrote in concluding his article on the develop- ment town of Beit Shemesh in the Judean Hills, where the sons of the "Oriental" immigrants, now grown and prosperous, spewed out their loath- ing for the old Ashkenazi establishment. "If anyone has a solution, let him please step forward and spell it out—and the sooner the better. -
Israel: Growing Pains at 60
Viewpoints Special Edition Israel: Growing Pains at 60 The Middle East Institute Washington, DC Middle East Institute The mission of the Middle East Institute is to promote knowledge of the Middle East in Amer- ica and strengthen understanding of the United States by the people and governments of the region. For more than 60 years, MEI has dealt with the momentous events in the Middle East — from the birth of the state of Israel to the invasion of Iraq. Today, MEI is a foremost authority on contemporary Middle East issues. It pro- vides a vital forum for honest and open debate that attracts politicians, scholars, government officials, and policy experts from the US, Asia, Europe, and the Middle East. MEI enjoys wide access to political and business leaders in countries throughout the region. Along with information exchanges, facilities for research, objective analysis, and thoughtful commentary, MEI’s programs and publications help counter simplistic notions about the Middle East and America. We are at the forefront of private sector public diplomacy. Viewpoints are another MEI service to audiences interested in learning more about the complexities of issues affecting the Middle East and US rela- tions with the region. To learn more about the Middle East Institute, visit our website at http://www.mideasti.org The maps on pages 96-103 are copyright The Foundation for Middle East Peace. Our thanks to the Foundation for graciously allowing the inclusion of the maps in this publication. Cover photo in the top row, middle is © Tom Spender/IRIN, as is the photo in the bottom row, extreme left. -
Hagar: the Association for the Advancement of Cultural Pluralism
Dr. Tal Ben Zvi CURRICULUM VITAE AND LIST OF PUBLICATIONS 1. Personal Details Dr. Tal Ben Zvi MA Policy and Theory of Arts Bezalel Academy of Arts and Design, Jerusalem 972-54-7696810 [email protected] 2. Education 2010-2011 Post-doc, Truman Institute for the Advancement of Peace The Hebrew University of Jerusalem 2010 PhD Doctoral thesis at Tel Aviv University on "Representations of the Nakba in the Palestinian art of the 1970s and 1980s, as reflected in the work of artists who belong to the Palestinian minority in Israel" [Supervisors: Profs. Hanna Taragan and Moshe Zuckermann] 1999-2004 MA Summa Cum Lauda, The Yolanda and David Katz Faculty of the Arts - Graduate School, Tel Aviv university. her thesis was titled: “Between Nation and Gender: The Representation of the Female Body in Palestinian Art". 1995-1997 The new seminar for visual culture: Criticism and Curatorship program, Camera Obscura College, Tel Aviv. 1989-1992 B.A. fine arts and art history, Art department , Haifa university. 3. Employment History (a) Positions in academic 2015 Lecturer, MA Policy and Theory of Arts Bezalel Academy of Arts and Design, Jerusalem Senior lecturer (Tenured position) [Hebrew: "Martze Bakhir"] 2012-2015 Vice President for Academic Affaires Bezalel Academy of Arts and Design, Jerusalem 2009-2010 Head of the School of Arts, Kibbutzim College of Education Kibbutzim College of Education is the largest teaching college in Israel. The School of Arts includes the fields of theatre, dance, media and cinema, design and art. The school is attended by 600 B.Ed and diploma students. -
Details of Aquaculture Fish Farms in the Desert and Arid Lands of Israel
85 An overview on desert aquaculture in Israel Gideon Hulata Department of Poultry and Aquaculture Institute of Animal Science Agricultural Research Organization Bet Dagan, Israel E-mail: [email protected] Yitzhak Simon Ministry of Agriculture Extension Service Aquaculture Division Bet Dagan, Israel E-mail: [email protected] Hulata, G. & Simon, Y. 2011. An overview on desert aquaculture in Israel. In V. Crespi & A. Lovatelli, eds. Aquaculture in desert and arid lands: development constraints and opportunities. FAO Technical Workshop. 6–9 July 2010, Hermosillo, Mexico. FAO Fisheries and Aquaculture Proceedings No. 20. Rome, FAO. 2011. pp. 85–112. SUMMARY The State of Israel has a very diverse climate. Most of the country is in a semi-arid zone, with distinct short winter (wet) and long summer (dry) seasons, and a low annual rainfall of around 500 mm (an overall multi-annual average). The country can be divided into two climatic regions: (1) the southern arid/semi-arid areas have very low annual precipitation (<100 mm) and consist of the Negev Desert and the Arava Valley; this arid zone extends also to the Jordan Valley where annual rainfall is below 300 mm; (2) the central-north of the country that has a temperate, Mediterranean climate and a relatively high annual rainfall (>600 mm). Israel has suffered from a chronic water shortage for years. In recent years, however, the situation has developed into a severe crisis; since 1998, the country has suffered from drought, and the annual rainfall was short of the multi-annual average in most of the years. -
Parries Hanna
637 Parries Hanna Horvitz & Horvitz Book & Nwsppr Agcy Leitner Benjamin Hadar Ins Co Ltd Mossenson Zipora & Amos Ricss Shalom (near Egged Bus Stn) . .70 97 Derech Karkur 74 83 56 Talmei Elazar 73 82 5 Shikun Rassco 72 26 Rifer Hana & Yehoshua Hospital Neve Shalvah Ltd 70 58 Lcnshitzki Shelomo Butchershop.. .72 67 Motro Samuel Car Dealer Rehov Harishonim Karkur 74 33 Levi Hermann & Lucie Rehov Harishonim 74 69 Robeosohn Dr Friedrich Rehov Ha'atzmaut Karkur 73 51 Mozes Walter Farmer Shekhunat Meged 70 30 Levit Abraham Devora & Thiya Rehov Habotnim 71 93 Robinson Abraham Derech Hanadiv71 18 Invalids Home Tel Alon Karkur 73 94 Mueller Sbelomit Rehov Hadekalim .70 34 Roichman Bros (Shomron) Ltd (near Meged) 72 83 Mahzevet Iron 74 43 Inwald F A Rehov Hanassi 73 95 Levy Otto Farmer Rehov Habotnim .72 09 Rosenau Chana Rehov Habotnim .74 79 Inwentash Josef Metal Wks Levy Tclma & Gad N Rosenbaum Dr Julius Phys Rehov Harishonim 74 36 Shechunat Rassco 21 74 24 Nachimovic Hava & Lipa Gan Hashomron 71 75 Iron Co-op Bakery Ltd Karkur .. .70 72 Lewi David Pension Kefar Pines . .73 40 Rehov Hapalmah 73 61 Rotenberg Abraham Agric Machs Lewin Ernst Jehuda Ishaky Dov Fuel & Lubr Stn Nadaf Rashid Mussa Farmer Moshav Talmei Elazar 71 12 Shekhunat Meged 72 56 Shikun Ammami 23 Karkur 73 29 Baqa El Gharbiya 71 53 Rubinstein Ami-Netzah Bet Olim D' .72 58 Liptscher Katricl & Menahem Crpntry Itin Shoshana & Ben-Zion Nattel Jacob Agcy of Carmei Oriental Rubinstein Hayim Derech Hanadiv . .71 50 Rehov Gilad 71 89 Rehov Hadekalim 70 94 Wines & Nesher Beer Lishkat Hammas Karkur 72 94 Itzkovits Aharon Car Elecn Rehov Haharuvim 72 69 S Pardes Hanna Rehov Hadkalim .70 73 Main Rd 74'40 Neumann Miriam & Kurt Local Council Baqa El Gharbiya 72 23 Sachs Dr Yehuda Gan Hashomron. -
Women, Theater, and the Holocaust FOURTH RESOURCE HANDBOOK / EDITION a Project Of
Women, Theater, and the Holocaust FOURTH RESOURCE HANDBOOK / EDITION A project of edited by Rochelle G. Saidel and Karen Shulman Remember the Women Institute, a 501(c)(3) not-for-profit corporation founded in 1997 and based in New York City, conducts and encourages research and cultural activities that contribute to including women in history. Dr. Rochelle G. Saidel is the founder and executive director. Special emphasis is on women in the context of the Holocaust and its aftermath. Through research and related activities, including this project, the stories of women—from the point of view of women—are made available to be integrated into history and collective memory. This handbook is intended to provide readers with resources for using theatre to memorialize the experiences of women during the Holocaust. Women, Theater, and the Holocaust FOURTH RESOURCE HANDBOOK / EDITION A Project of Remember the Women Institute By Rochelle G. Saidel and Karen Shulman This resource handbook is dedicated to the women whose Holocaust-related stories are known and unknown, told and untold—to those who perished and those who survived. This edition is dedicated to the memory of Nava Semel. ©2019 Remember the Women Institute First digital edition: April 2015 Second digital edition: May 2016 Third digital edition: April 2017 Fourth digital edition: May 2019 Remember the Women Institute 11 Riverside Drive Suite 3RE New York,NY 10023 rememberwomen.org Cover design: Bonnie Greenfield Table of Contents Introduction to the Fourth Edition ............................................................................... 4 By Dr. Rochelle G. Saidel, Founder and Director, Remember the Women Institute 1. Annotated Bibliographies ....................................................................................... 15 1.1. -
Experience of Borders. the Israeli Conceptual Art at the Turn of Sixties and Seventies
doi:10.32020/ARTandDOC/22/2020/17 VARIA ENGENGENG--- LISHLISHLISH SUMSUMSUM--- MAMAMA--- Ewa KĘDZIORA RY EXPERIENCE OF BORDERS. THE ISRAELI RYRY CONCEPTUAL ART AT THE TURN OF THE SIXTIES AND SEVENTIES The topic of the article is Israeli art in the face of geopolitical and social consequences of two wars – Six Days (1967) and Yom Kippur (1973). The article discusses the activity of conceptual artists who have taken up the problems associated with experiencing life in disputed territories, thus, for the first time in Israeli history of art, critically referring to political and social reality. The starting point for the study is the reception of the concept of political boundaries in the artistic creativity of that period. In the first part, the article introduces the political and social situation at the turn of the 1960s and 1970s, i.e. the period in which the ‘map’ of Israel underwent multiple transformations, and the beginning of the occupation of the West Bank and the Gaza Strip affected the polarization of social moods. In the second, the atmosphere of emerging conceptualism in Israel was presented. The exhibition entitled The Borders, which took place at the Israel Museum in Jerusalem (1980), and the performance by Joshua Neustein, Project: Jerusalem River (1970) serve as the context. The third part of the text focuses on the analysis of projects relating to the concepts of maps and demarcation lines, among which were discussed the cartographic ‘games’ of Michael Druks, the performance of Joshua Neustein Territorial Imperative (1974), and Touching the Borders (1974) by Pinchas Cohen Gan. The last part of the study is an analysis of projects related to the topic of the Arab community.