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An Undergraduate Ejournal 2016. Vol 03 JerusalemJerusalem Art Art HistoryHistory Journal: Journal: AnAn Undergraduate Undergraduate eJournaleJournal __ HistoireHistoire de de l’art l’art àà Jérusalem Jérusalem : : cyberrevuecyberrevue étudiante étudiante dede premier premier cycle cycle __ 2016. vol 03 2016. vol 03 Jerusalem Art History Journal: An Undergraduate eJournal / Histoire de l’art à Jérusalem : cyberrevue étudiante de premier cycle Editor-in-chief / Redactrice en chef Loren Lerner Guest editors / Directrices de la rédaction Tara Ng and / et Kimberly Glassman Concordia University / Université Concordia 1455, boul. de Maisonneuve West, EV- 3.760 Montréal, Québec, Canada H3G 1M8 (514) 848-2424, ext. 4698 Free e-publication, available via the Department of Art History, Concordia University E-publication en libre accès via Département d’histoire de l’art jerusalemjournal.concordia.ca Design Pata Macedo Copy-editing / Révision des Textes Tara Ng and / et Kimberly Glassman Translation / Traduction Translation Services, Concordia University / Services de traduction, Université Concordia Table of Contents _ Table des matières _ vi Introducing the Guest Editors Présentation des collaboratrices invitées Loren Lerner xi Editorial Éditorial Tara Ng and / et Kimberly Glassman . i . – A Journey to Jerusalem Un voyage à Jérusalem 2 Heavenly Jerusalem as the City of God: Representations through Illuminated Manuscripts of Saint Augustine’s Theology of the Two Cities Georges-Étienne Carrière 23 Muhammad’s Night Journey: Comic Visual Exploration through a Western Perspective Gabby Orellana 42 Armenian Illuminations: Strange Connections between Nations Alyag Malkhassian 57 How to Loot a Work of Art Jasmine Kanter 75 Jerusalem: A Multi-Layered City through the Work of Jay Ginsherman Louis Angot 92 Chronicles of a Naive Backpacker in Jerusalem Florence Seymour-Provencher . ii . – New Jerusalems and Public Art Interventions : A Changing Landscape Les nouvelles Jérusalem et les interventions en art public : un contexte en pleine évolution 109 The Promised Land: Aksum, Ethiopia and the Ark of the Covenant Shawn Contant 127 The Grand Lodge of Quebec: A Freemasonic Appropriation of Solomon’s Temple as Symbol of Jerusalem Cynthia Catel 161 Stone and Glass: Chihuly in the Light of Jerusalem 2000 Michelle Sones 182 Anish Kapoor: Revealing the Dirty Corners of Society’s Prejudices Sasha Killalea 214 On Liminality and the Performance of Space: Allan Kaprow’s Fluids at the Temple Mount Djamina Victor . iii . – Hirophany : A Return Home La hiérophanie : un retour au bercail 241 Hierophany and Heavenly Jerusalem Nicole Adama 259 Sabr: Mapping Palestinian Memory and Resistance Karen Boyles 277 Culture of the Stone Isabel Devine-Carter 287 I Now Pronounce You God and Jerusalem: An Analysis of the Ketubah and Its Relationship with the Holy City Kimberly Glassman 323 Thoughts on Nostalgia, Melancholia and Mourning in Lifta Amélie Elizabeth Pelly . iv . – A Shared Jerusalem: Commonalities and Differences Une Jérusalem partagée : points communs et différences 345 Jerusalem: Voice of God Santino Ciarma 356 Planting Religions: An Artwork Melodie Ratelle 370 7KH5ROHRI6DFUL¿FHLQ-XGDLVPDQG&KULVWLDQLW\ Doctrine, Ceremony and Art Erin Wilson 388 In between Hope and Lament: Allegories through Modern Art Adélaïde Ménard-Tremblay 400 Sigalit Landau et Raeda Saadeh: Étude écoféministe comparative entre une artiste israélienne et palestinienne Amélie Rondeau Poliquin 428 Peace and Chaos in the Holy Land: Research Creation Deanna Hewitt . v . Introducing the Guest Editors – LOREN LERNER, Editor-in-chief I want to thank Tara Ng and Kimberly Glassman for sharing the responsibility of guest editors for this third volume of theJeru- salem Art History Journal: An Undergraduate eJournal. Tara reviewed, revised and copy-edited the essays, while Kimberly did preliminary editing, organized the texts into sections and wrote the editorial. Tara Ng recently completed her graduate studies in art his- tory along with her master’s thesis, entitled “‘Addicts, Crooks, and Drunks’: Reimagining Vancouver’s Skid Road through the Photography of Fred Herzog, 1957–70.” She is interested in socially engaged photography and the photographic represen- tation of marginalized individuals and communities. Tara’s writing is featured in the CCCA Academy e-publication Global Engagements in Contemporary Canadian Art: Thirty-Nine . vi . Exhibition Essays and Fifty-Five Artists. Most recently she edited essays by students in Dr. Lerner’s undergraduate seminar “Here’s Looking at You Kid”: Picturing Children, Envisioning Childhood for the website Family Works: A Multiplicity of Meanings and Contexts. Kimberly is in her third year of undergraduate studies in art history (co-op) and psychology. Her research interests include investigating art history and visual culture analysis through a psychohistorical lens. Her writing is featured in Concordia undergraduate journals such as the Yiara Magazine and AfterImages Magazine, and has contributed writing to Dr. Lerner’s undergraduate seminar “Here’s Looking at You Kid”: Picturing Children, Envisioning Childhood for the website Family Works: A Multiplicity of Meanings and Contexts. Kim currently holds the position of managing editor for the Concordia Undergraduate Journal of Art History (CUJAH) DQGKDVVHUYHGDVHGLWRUIRUWKH¿UVWArts & Science Federation of Student Associations (ASFA) Academic Journal, Between Arts and Science. She recently completed a summer research fellowship at the Museum of Jewish Montreal. NOTE: This journal has been created for educational purposes. Due diligence has been respected to identify and seek permission from image copyright holders. However, if you are the copyright holder to any of the images contained in the text, you have not been contacted, and you object to their use in this fashion, please contact [email protected]. vii . Présentation des collaboratrices invitées – LOREN LERNER, Rédactrice en chef Je tiens à remercier Tara Ng et Kimberly Glassman, qui ont dirigé conjointement la rédaction de cette troisième édition d’Histoire de l’art à Jérusalem : cyberrevue étudiante de pre- mier cycle. Tara a révisé et corrigé les articles; Kimberly a effectué la révision préliminaire, organisé le recueil de textes en sections et rédigé l’éditorial. Tara Ng a vient de terminer ses études supérieures en histoire de l’art et son mémoire de maîtrise, qui s’intitule ‘Addicts, Crooks, and Drunks’: Reimagining Vancouver’s Skid Road through the . viii . Photography of Fred Herzog, 1957–70 (« toxicomanes, escrocs et ivrognes : réimaginer les quartiers mal famés de Vancouver grâce aux photos de FredHerzog de 1957 à 1970»). Elle s’intéresse à la photographie à portée sociale ainsi qu’à la représentation photographique d’individus et de communautés marginalisés. Ses écrits sont publiés dans la revue électronique Art contem- porain canadien et mobilisation universelle : trente-neuf textes d’exposition; cinquante-cinq artistes / Global Engagements in Contemporary Canadian Art: Thirty-Nine Exhibition Essays and Fifty-Five Artists chapeautée par l’Académie du Centre de l’art contemporain canadien (CACC). Elle a tout récemment révisé des essais rédigés par des étudiants dans le cadre du sémi- naire de premier cycle de la professeure Lerner qui s’intitule «Here’s Looking at You Kid»: Picturing Children, Envisioning Childhood for the website Family Works: A Multiplicity of Meanings and Contexts (« au plaisir de vous regarder, mes pet- its : dépeindre les enfants, imaginer l’enfance pour le site Web portraits de famille : une multiplicité de sens et de contextes »). Kimberly en est à sa troisième année d’un baccalauréat en histoire de l’art (programme coop) et en psychologie. Elle s’in- téresse en outre à l’analyse de l’histoire de l’art et de la culture visuelle sous l’angle de la psychologie historique. Ses textes ¿JXUHQWGDQVGHVUHYXHVpWXGLDQWHVGHO¶8QLYHUVLWp&RQFRUGLD comme le Yiara Magazine et le AfterImages Magazine. Elle a par ailleurs contribué des écrits au séminaire de premier cycle . ix . de la professeure Lerner «Here’s Looking at You Kid»: Picturing Children, Envisioning Childhood for the website Family Works: A Multiplicity of Meanings and Contexts. Elle occupe présentement le poste de directrice de rédaction au Concordia Undergraduate Journal of Art History (« revue d’histoire de l’art des étudiants de premier cycle de Concordia ») et a été rédactrice en chef du premier numéro de la revue spécialisée de la Fédération des associations en arts et sciences (FAAS), Between Arts and Science (« entre l’art et la science »). Elle termine actuellement un stage d’été en recherche au Musée du Montréal juif. 5(0$548(/DUHYXHDpWpFUppHjGHV¿QVSpGDJRJLTXHV/D GLOLJHQFHQpFHVVDLUHDpWpH[HUFpHSRXULGHQWL¿HUOHVWLWXODLUHVGHV droits d’auteur des images qui y sont reproduites et obtenir leur autorisation préalable. Toutefois, si vous êtes le détenteur des droits d’auteur de l’une ou l’autre des images intégrées au texte, que l’on n’a pas communiqué avec vous et que vous vous opposez à la manière dont elles sont utilisées, veuillez contacter Loren Lerner à loren. [email protected]. x . Editorial – TARA NG and KIMBERLY GLASSMAN Guest Co-editors Although the city of Jerusalem is a concrete place with geo- graphical boundaries, it is also a malleable concept that carries a multiplicity of meanings within different cultures, histories and religions. Simultaneously embodying the past, present and future, Jerusalem is perceived on the one hand as a utopia—a placeless, ideal Promised Land—and on the other hand
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