Recent Acquisitions Architecture and Design

Total Page:16

File Type:pdf, Size:1020Kb

Recent Acquisitions Architecture and Design THE MUSEUM OF MODERN ART 11 WEST 53 STREET, NEW YORK 19, N. Y. TELEPHONE: CIRCLE 5-8900 531217-89 Vo^oQ -v vrv«VQ &«-<>*,— PRESS PREVIEW t Tuesday, vs^VoJ^o- Cv*¥ * December 22, 1953 2 *bo 5 pc»ffi» FOR RELEASE: Wednesday, December 23, 1953 MUSEUM TO EXHIBIT OBJECTS PROM DESIGN COLLECTION For the first time in its history the Museum of Modern Art, 11 West 53 Street, will present an entire exhibition of beautiful and historically important objects •which have been acquired for its unique Architecture and Design Collection*. Examples of industrial, craft, graphic and architectural design will be included in the exhibition which will be on view from Deoember 23 through February 22# A dramatic baokround for the show has been designed by Philip Co Johnson, Director of the Museum1 s Department of Architecture and Design, who has line£ one of the two first floor galleries with panels of snowlike plastic to make a striking and unusual baokround for the objects* In the main entrance to the Museum Mr* Johnson has placed a stained glass window, "Nuit de Noel", by Henri Matisse. In the main hallway are colored paper maquettes of a chasuble, burse, stole and chalice which Matisse designed for the Chapel at Venoe0 In the galleries will be hung a white silk chasuble decorated with green and yellow satin applique, an example of exquisite needle-work, also designed by Matisse. A walnut handmade beaker by an American designer, crystal brandy and wine glasses from France, a porcelain coffee cup from Germany, a mother-of-pearl and ebony stamp box Irom Vienna, a Finnish wood platter, a silver chess set by an - -American artist, a lamp and chair from the Dutch Stijl movement, a Thonet bentwood ohair manufactured in 1870, an Italian office typewriter, the famous leather and metal "Barcelona" chair by Mies van der Rohe, an English jiewelry box, a model for "The Endless House" by Frederick Kiesler, and letterheads and envelopes, posters and book jackets by American and European graphio designers will all "be on view. This exhibition of 37 objects, all of which have been acquired since June,, 1946, represents only a small fraction of the total Design Collection whioh in­ cludes approximately 2500 items. Architectural models, drawings and three &.n?nrion» al color slides, furniture from the Art Nouveau period of 1900 to recent chairs by American designers suoh as Charles Eames, small objects such as Tiffany glass, lamps, kitohen utensils, fabrics, pottery and glassware, examples of Machine Art5 and posters, signs, letterheads and ether combinations of -word and image from the 189018 to the present day make up thiB highly selective Collection, the only one of its kind in the world* These objects, selected for their intrinsic beauty and importance in the history and development of modern design, are available to students, artists and designers for study and are loaned to other museums and institutions for special displays* A large group from the Collection is now touring Europe in an exhibi­ tion of American design organized "by the Museum for the United States Information Agency* The Design Collection has been formed in part from material exhibited in the Museum* Lobmyer glass, Art Nouveau objects and Thonet chairs, for example, -were first shown in various exhibitions presented by the Department of Architecture and Design and then acquired for the Collection* Other objects have first been shown in annual exhibitions of objects available in America* The Design Collection is one unit of the Museum Collections, under the Direotion of Alfred H* Barr, Jr*# which includes films and photographs as well as painting and sculpture* All the objects in the present exhibition were acquired since 1946, although their date of design ranges from 1870 to 1953* In general this seleotion of recently aoquired objects is planned to give an indication of the breadth of the collection and to show some of the particularly beautiful and elegant things which have been created by American and European designers in our time* THE MUSEUM OF MODERN ART 11 WEST 53 STREET, NEW YORK 19, N. Y. TELEPHONE: CIRCLE 5-8900 (CHECKLIST RECENT ACQUISITIONS 1946 P 1953 Apartment of Architecture and Iteslgn Knife, Fork and Spoon m Sterling silver L© Caooia Dominion! & P©C. Castiglioni 1938 Italian* Manufactured by A^ueona, Italy- Anonymous gift Table Lemp • GlaBS & metal Gerrit Rietveld, Dutch 1924 Gift of Gerrit Rietveld Armohair Painted wood Gerrit Rietveld, Dutch 1917 Anonymous gift Stamp Box • Mother-of-pearl & Josef Hoffman, Austrian cfcony Manufactured by Kunstlerwerkstatten 1946 Verein Vienna (Karl Krehan, crafts- man), Austria Purchase Platter • Laminated plywood Tapio Wirkkala, FinrdeBc 1951 Gift of Georg Jensen, Ine© Mffitftated plywood J&£lo\Wirkkalft, Finnish. 1951 ^-^Gift oVfir^kDan^T Chess Set » Man Ray, American acpjoxr Mrsa John D© Rockefeller, Jr© Purchase ISM Fund Armohair «• Wood Thonet Brothers, Austrian 1870 Gift of Thonet Industries, Ine© Lounge Chair • Chrome-plated steel Ludwig Mies van der Rohe, American, and leather Vorn Germany© 1926 Gift of the manufacturer, Knoll Associates Vera-^fcfsko va}v C seoho s lo vag LUfaotured p^ Je&L^^WSmeyr, Austria Gift of A,J# ran Dugteren & Sons, Ine© Bowl *i Crystal Vera Liskova, Chechoslovakian 1948 Manufactured by J.&L. Lobmeyr, Austria Gift of A.J« vaa Dugteren & Sons, Inoa Jewel Box Sterling silver Charles Knox, English decorated v:ith Manufactured for Liberty & SceOffiilliani mether-of»pearl, Craythorne, craftsman) enamel & turquoise© Gift of the family of Mrs©. John D# 1900 Rockefeller, Jr<> >r -2- Coffee Cup m (modern adaptation Manufactured by A. Giraud & of traditional Brousseau, Limoges, France design) Gift of Mayhew Shop Porcelain Cofc^ee Cup - Porcelain tvwte Petri-Rab^ rican, born li Germany Manufactured by Royal Berlin Porcelain Faotory, Germany Gift of Fraser's, Ino* Vase • Opaque glass Paolo Venini, Italian 1949 Gift of Georg Jensen, Inc. Ice Bucket - Sterling silver & Magnus Stephensen, Danish Raffia Manufactured by Georg Jensen ( G* 1951 Pedersen, fraftsman), Denmark* Anonymous gift £wc: Tumbler^ - Crystal Elis Bergh, Swedish 1939 - 1941 Manufactured by Kosta Ltd*, Sweden Gift of Do Stanley Corcoran Beaker - Walnut Reynold G* Dennis, American 1951 Gift of the manufacturer, Jcmurian CraffcBo Ashtray & Cigarette Austrian jade Morris Zerner, American, born Cup - 1948 Austria. Gift of Georg Jensen^, Inc* Two Stem Glasses - Crystal Josef Hoffmann, Austrian 1920 Manufactured by J«&L« Lobmeyr, Austria Gift of A#J, van Dugtoren & Sons, Inc( Champagne Glass - Crystal Oswa^M^ce^dtl^ Austrian 192V—^ Mprr^fajiurios^J Jj&*& Lobmeyr, A:\a 'Srl&e Gife J.C A»J#«van;Dr.gteron & Sons, Inc> Wine Glass - Crystal Manufactured by Compagnie des 1911 - 1935 Crisifcli.OftOi de ?a„canvbv France* Gifb ox1 Baoaarat & Por*:hault Brandy G]a ss Crystal Mo Thiebault, French 1895 Manufacture6 by Compagnie des Cristfr.'.Ieri^s de Bar^oai c:z, France* Gift of Baccarat & Porthault Offioe Typewriter - Metal MaroeHo Nizaoli,. Italian 1947 Manufactured by tho Olivetti Company., Italyc Gift of the Olivetti Corp* of America 2^ -s- Henri Matisse, French (1869-) Churoh Vestments Silk with velvet & Manufactured at Les Ateliers des Arts silk decorations Appliques, Cannes, France* e# 1950 Purchase Design for red & yellow Gouache on out-and- Henri Matisse, Frenoh (1869-) ohasuble* pasted paper Acquired through the Lillie P» Bliss o. 1950 Be que st Design for "Nuit De Gouache on cut-and- Henri Matisse, French (1869-) Noel" pasted paper Gift of Time, Ino» 1952 "Nuit De Noel" Stained glass Henri Matisse, Frenoh (1869-) window Manufactured at the workshop of Paul 1952 and Adeline Bony, Paris, Franoe. Gift of Time, Inc* ARCHITECTURE! Endless House Terra oofcta Frederick Kieslerp American, born 19&1 Austria Purchase GRAPHIC DESIGN* Poster for Ford Motor 1938 A. M« Cassandre, French Company, Dearborn, Gift of A. M. Cassandre Michigan Page from catalogue 1951 Herbert Matter, American, born for Knoll Associates Switzerland Gift of Herbert Matter Catalogue cover 1951 Leo Lionni, American, born Holland tt8 Automobiles*1 Gift of Leo Lionni Pamphlet for Noonday 1953 Alvin LuBtig, American Press Gift of Alvin Lustig Letterhead o. 1950 Bruno Munari, Italian Gift of Bruno Munari Album Cover 1952 Rudolph de Harak, American "Ralph Sutton at the Gift of Rudolph de Harak Piano11 Magazine Cover 1953 Will Burtin, American, born Germany "Terapia" Gift of Will Burtin Letterheads and 1929 - 1934 From the Jan Tsohiohold Collection Envelopes Anonymous gift .
Recommended publications
  • Lettera Da San G Iorgio
    CONTACTS PROGRAMMES (MARCH – AUGUST 2016) PATRONS FRIENDS OF SAN GIORGIO Fondazione Virginio Bruni Tedeschi Giorgio Lettera da San Marco Brunelli Pentagram Stiftung Rolex Institute Year XVIII, number 34. Six-monthly publication. March – August 2016 Giannatonio Guardi, Neptune, detail, private collection Spedizione in A.P. Art. 2 Comma 20/c Legge 662/96 DCB VE. Tassa pagata / Taxe perçue CONTACTS PROGRAMMES (MARCH – AUGUST 2016) PATRONS FRIENDS OF SAN GIORGIO Fondazione Virginio Bruni Tedeschi Giorgio Lettera da San Marco Brunelli Pentagram Stiftung Rolex Institute Year XVIII, number 34. Six-monthly publication. March – August 2016 Giannatonio Guardi, Neptune, detail, private collection Spedizione in A.P. Art. 2 Comma 20/c Legge 662/96 DCB VE. Tassa pagata / Taxe perçue 16 FEB VENICE, ISLAND OF SAN GIORGIO MAGGIORE 23 APR, 21 MAY, 25 JUN VENICE, ISLAND OF SAN GIORGIO MAGGIORE LETTERA DA SAN GIORGIO CONTACTS International Conference Paolo Venini and His Furnace Concert Series e Complete Beethoven String Quartets PUBLISHED BY SECRETARY’S OFFICE ISTITUTO DI STORIA DELL’ARTE INTERNATIONAL ADVISORY BOARD 1 MAR – 31 DIC VENICE, ISLAND OF SAN GIORGIO MAGGIORE 25 – 30 APR VENICE, ISLAND OF SAN GIORGIO MAGGIORE Fondazione Giorgio Cini onlus tel. +39 041 2710229 – fax +39 041 5223563 Luca Massimo Barbero, director Maurice Aymard e Replica Project International Workshop and Symposium Accademia Monteverdi Isola di San Giorgio Maggiore, 1 [email protected] Secretary’s oce: tel. +39 041 2710230 – +39 041 2710239 Brenno Boccadoro 30124 Venezia fax +39 041 5205842 Steven Feld PRESS OFFICE 3-10-17 MAR VENICE, ISLAND OF SAN GIORGIO MAGGIORE 2 – 4 MAY VENICE, ISLAND OF SAN GIORGIO MAGGIORE tel.
    [Show full text]
  • Glass Verrerie Européenne 1920-2000 from One Property
    Glass Verrerie Européenne 1920-2000 from one property MERCREDI 7 FÉVRIER 2018 PIASA Contact du département Design Contact presse PIASA Cécile Demtchenko Woringer Frédéric Chambre Tél. : +33 1 53 34 12 95 [email protected] [email protected] Nicolas Denis [email protected] Tél. : +33 1 45 44 43 54 Martin Jalabert [email protected] Tél. : +33 1 53 34 10 06 Alix de Saint-Hilaire Tél. : +33 1 45 44 12 71 [email protected] Pascale Humbert Tél. : +33 1 53 34 10 19 [email protected] Estelle Laporte Tél. : +33 1 53 34 12 80 [email protected] Clémence Paris [email protected] Tél. : +33 1 45 44 43 53 Glass Verrerie Européenne 1920-2000 from one property one from Notre consultant en Belgique pour le département Commissaires-priseurs Arts Décoratifs et Design habilités Thierry Belenger Frédéric Chambre Tél : +32 4 75 98 40 38 Carole Siméons [email protected] Enchérissez en direct sur www.piasa.fr Glass Verrerie Européenne 1920-2000 from one property Vente : mercredi 7 février 2018 à 18h PIASA 118 rue Faubourg Saint-Honoré 75 008 Paris Exposition publique Vendredi 2 février 2018 de 10 à 18 heures Samedi 3 février 2018 de 11 à 18 heures Lundi 5 février 2018 de 10 à 18 heures Mardi 6 février 2018 de 10 à 18 heures Mercredi 7 février 2018 de 10 à 12 heures Téléphone pendant l’exposition et la vente +33 1 53 34 10 10 Enchérissez en direct sur www.piasa.fr France • Gabriel Argy Rousseau (1885-1953) • Georges Chevalier (1894-1987) pour la manufacture de Baccarat • Aristide Colotte (1885-1959) • Paul Daum (1888-1944) pour la Manufacture Daum Nancy France • Pierre Gaillard (XXème) • Jean Luce (1895-1964) • André Thuret (1898-1965) VERRERIE EUROPÉENNE : D.R.
    [Show full text]
  • This Book Is a Compendium of New Wave Posters. It Is Organized Around the Designers (At Last!)
    “This book is a compendium of new wave posters. It is organized around the designers (at last!). It emphasizes the key contribution of Eastern Europe as well as Western Europe, and beyond. And it is a very timely volume, assembled with R|A|P’s usual flair, style and understanding.” –CHRISTOPHER FRAYLING, FROM THE INTRODUCTION 2 artbook.com French New Wave A Revolution in Design Edited by Tony Nourmand. Introduction by Christopher Frayling. The French New Wave of the 1950s and 1960s is one of the most important movements in the history of film. Its fresh energy and vision changed the cinematic landscape, and its style has had a seminal impact on pop culture. The poster artists tasked with selling these Nouvelle Vague films to the masses—in France and internationally—helped to create this style, and in so doing found themselves at the forefront of a revolution in art, graphic design and photography. French New Wave: A Revolution in Design celebrates explosive and groundbreaking poster art that accompanied French New Wave films like The 400 Blows (1959), Jules and Jim (1962) and The Umbrellas of Cherbourg (1964). Featuring posters from over 20 countries, the imagery is accompanied by biographies on more than 100 artists, photographers and designers involved—the first time many of those responsible for promoting and portraying this movement have been properly recognized. This publication spotlights the poster designers who worked alongside directors, cinematographers and actors to define the look of the French New Wave. Artists presented in this volume include Jean-Michel Folon, Boris Grinsson, Waldemar Świerzy, Christian Broutin, Tomasz Rumiński, Hans Hillman, Georges Allard, René Ferracci, Bruno Rehak, Zdeněk Ziegler, Miroslav Vystrcil, Peter Strausfeld, Maciej Hibner, Andrzej Krajewski, Maciej Zbikowski, Josef Vylet’al, Sandro Simeoni, Averardo Ciriello, Marcello Colizzi and many more.
    [Show full text]
  • Download New Glass Review 21
    NewG lass The Corning Museum of Glass NewGlass Review 21 The Corning Museum of Glass Corning, New York 2000 Objects reproduced in this annual review Objekte, die in dieser jahrlich erscheinenden were chosen with the understanding Zeitschrift veroffentlicht werden, wurden unter that they were designed and made within der Voraussetzung ausgewahlt, dass sie in- the 1999 calendar year. nerhalb des Kalenderjahres 1999 entworfen und gefertigt wurden. For additional copies of New Glass Review, Zusatzliche Exemplare der New Glass please contact: Review konnen angefordert werden bei: The Corning Museum of Glass Buying Office One Corning Glass Center Corning, New York 14830-2253 Telephone: (607) 974-6479 Fax: (607) 974-7365 E-mail: [email protected] All rights reserved, 2000 Alle Rechte vorbehalten, 2000 The Corning Museum of Glass The Corning Museum of Glass Corning, New York 14830-2253 Corning, New York 14830-2253 Printed in Frechen, Germany Gedruckt in Frechen, Bundesrepublik Deutschland Standard Book Number 0-87290-147-5 ISSN: 0275-469X Library of Congress Catalog Card Number Aufgefuhrt im Katalog der Library of Congress 81-641214 unter der Nummer 81-641214 Table of Contents/In halt Page/Seite Jury Statements/Statements der Jury 4 Artists and Objects/Kunstlerlnnen und Objekte 16 1999 in Review/Ruckblick auf 1999 36 Bibliography/Bibliografie 44 A Selective Index of Proper Names and Places/ Ausgewahltes Register von Eigennamen und Orten 73 Jury Statements Here is 2000, and where is art? Hier ist das Jahr 2000, und wo ist die Kunst? Although more people believe they make art than ever before, it is a Obwohl mehr Menschen als je zuvor glauben, sie machen Kunst, "definitionless" word about which a lot of people disagree.
    [Show full text]
  • Export / Import: the Promotion of Contemporary Italian Art in the United States, 1935–1969
    City University of New York (CUNY) CUNY Academic Works All Dissertations, Theses, and Capstone Projects Dissertations, Theses, and Capstone Projects 2-2016 Export / Import: The Promotion of Contemporary Italian Art in the United States, 1935–1969 Raffaele Bedarida Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/736 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] EXPORT / IMPORT: THE PROMOTION OF CONTEMPORARY ITALIAN ART IN THE UNITED STATES, 1935-1969 by RAFFAELE BEDARIDA A dissertation submitted to the Graduate Faculty in Art History in partial fulfillment of the requirements for the degree of Doctor of Philosophy, The City University of New York 2016 © 2016 RAFFAELE BEDARIDA All Rights Reserved ii This manuscript has been read and accepted for the Graduate Faculty in Art History in satisfaction of the Dissertation requirement for the degree of Doctor of Philosophy ___________________________________________________________ Date Professor Emily Braun Chair of Examining Committee ___________________________________________________________ Date Professor Rachel Kousser Executive Officer ________________________________ Professor Romy Golan ________________________________ Professor Antonella Pelizzari ________________________________ Professor Lucia Re THE CITY UNIVERSITY OF NEW YORK iii ABSTRACT EXPORT / IMPORT: THE PROMOTION OF CONTEMPORARY ITALIAN ART IN THE UNITED STATES, 1935-1969 by Raffaele Bedarida Advisor: Professor Emily Braun Export / Import examines the exportation of contemporary Italian art to the United States from 1935 to 1969 and how it refashioned Italian national identity in the process.
    [Show full text]
  • DU VERRE Architecte : LM
    JE NE ME SUIS JAMAIS SENTI AUSSI BIEN QUE DEPUIS QUE J'AI TOUT PERDU ... GRACE_ A L'ASSISTANCE AIDE-MEMO 24H/24 C'est vrai : chaque jour, en France, des milliers de personnes perdent - ou se font voler- leur portefeuille : plus de cartes de crédit, plus de carte d'identité, plus de permis de conduire, plus d'argent, même pour téléphoner, bref, plus rien! Vous avez des cartes de crédit? (cartes bancaires, de grands magasins, PTT Pastel, AMEX, Diners, La Redoute, 3 Suisses,.. .) Vous savez que la fraude sur ces cartes a lieu dans les premières heures suivant la perte ou le vol, avant que vous n'ayez le temps de contacter les différents centres d'opposition. Savez-vous que ces centres d'opposition vont vous demander le numéro de ces cartes que précisément vous n'avez plus! Et connaissez-vous leurs numéros d'appel? Savez-vous enfin que si vous effectuez vous-même une opposition en cas de perte ou de vol d'une carte, vous ne recevrez en règle générale aucune confirmation écrite de votre appel, vous dégageant de toute responsabilité? Vous avez de l'argent sur vous? Savez-vous comment faire, en cas de perte ou de vol, et que vous êtes loin de votre domicile? Grâce au numéro vert (ou en PCV) et au réseau international d'Europ Assistance, A/DE-MEMO 24H/24 peut vous avancer très vite de l'argent pour rentrer, que vous soyez en France ou à /'étranger Vous avez des bagages? Vous avez donc très probablement des étiquettes bagages avec en clair votre nom et votre adresse.
    [Show full text]
  • Vom Erscheinungsbild Zum „Corporate Design“: Beiträge Zum Entwicklungsprozess Von Otl Aicher
    Vom Erscheinungsbild zum „Corporate Design“: Beiträge zum Entwicklungsprozess von Otl Aicher Nadine Schreiner Als Dissertation eingereicht bei der Bergischen Universität Wuppertal Fachbereich F: Architektur-Design-Kunst Wuppertal, im Juni 2005 Die Dissertation kann wie folgt zitiert werden: urn:nbn:de:hbz:468-20050270 [http://nbn-resolving.de/urn/resolver.pl?urn=urn%3Anbn%3Ade%3Ahbz%3A468-20050270] Mein ausdrücklicher Dank gilt, Prof. Dr. phil. Dr. h. c. Siegfried Maser und Prof. Dr. phil. Burghart Schmidt, für die äußerst wertvolle Unterstützung und Zusammenarbeit. Inhalt Einleitung 1 1. Kapitel Frühe Projekte 1.0 Frühe Projekte 4 1.1 Plakate Ulmer Volkshochschule 1945-62 4 1.2 Firma Max Braun, (Elektrogeräte) 1954-62 12 1.3 Deutsche Lufthansa 1962-64 21 1.4 Resümee 39 2. Kapitel XX. Olympische Spiele 1972 in München 2.0 Einleitung 40 2.1 Farbkodierung 43 2.2 Emblem 48 2.3 Eine humane Schrift – die Univers 54 2.4 Münchner Verkehrsschrift – Traffic 56 2.5 Typografisches System – Ordnungsprinzipien 60 2.6 Plakate 64 2.7 Piktogramme 67 2. 8 Urbanes Gestaltungskonzept – Fahnen 74 2. 9 Einkleidung 77 2.10 Olympia-Souvenirs 78 2.11 Architektur 84 2.12 Resümee 86 3. Kapitel Die Zeit nach Olympia – die 70er Jahre 3.0 Einleitung 89 3.1 Zweites Deutsches Fernsehen 95 3.2 Studioausstattung 95 3.3 Visuelle Konstanten und Elemente – Farbkodierung 98 3.4 Hausschrift und Logogramm 100 3.5 Senderkennzeichen 101 3.6 Bildschirm – Raster und Anwendungen 103 3.7 ZDF-Uhr – analog oder digital 104 3.8 Satzspiegel und Typografie 104 3.9 Beschilderung und Information 106 3.10 Objekte und Fahrzeuge 108 3.11 Resümee über ein neues Selbstverständnis 109 3.12 Re-Design Stufen im Erscheinungsbild ZDF 110 3.13 Zum Vergleich: 112 Das visuelle Erscheinungsbild des Südwestfunks von Herbert W.
    [Show full text]
  • William Golden / Will Burtin
    Rochester Institute of Technology RIT Scholar Works Theses 11-1-1997 An Educational exhibit of two graphic designers: William Golden / Will Burtin Linda Blake Follow this and additional works at: https://scholarworks.rit.edu/theses Recommended Citation Blake, Linda, "An Educational exhibit of two graphic designers: William Golden / Will Burtin" (1997). Thesis. Rochester Institute of Technology. Accessed from This Thesis is brought to you for free and open access by RIT Scholar Works. It has been accepted for inclusion in Theses by an authorized administrator of RIT Scholar Works. For more information, please contact [email protected]. Rochester Institute of Technology a Thesis Submitted to the Faculty of the College of Imaging Arts and Science in Candidacy for the Degree of Master of Fine Arts AN EDUCATIONAL EXHIBIT OF TWO GRAPHIC DESIGNERS WILLIAM GOLDEN I WILL BURTIN by Linda Kay Blake November 1997 APPROVALS Advisor mil '%rv. ~ ~~"'::; PROFESSOR HEINZ KLiNKON Associate Advisor ..AJrN\ (I (9CZI PROFESSOR MARY ANN BEGLAND Associate Advisor PROFESSOR NANCY CIOLEK Department Chairperson I. Linda Kay Blake, hereby grant permission to the Wallace Memorial Library of Rochester Institute of Technology to reproduce my thesis in whole or in part. Any reproduction will not be for commercial use or prof! t. To Beatrice and Herbert PREFACE My thesis project, a Retrospective Exhibit of two pioneers in graphic design, was displayed in February of 1986. At the time, the professional work of William Golden and Will Burtin was on loan to Rochester Institute of Technology. Because of unforeseen personal circumstances, the thesis report was not written until 1997. In addition to my notes, photographs and promotional pieces from 1986, recreating the events and sequence of the thesis project was possible because William Golden's and Will Burtin's professional graphic design work is part of a permanent collection at Rochester Institute of Technology archives at the Wallace Memorial Library The thesis project was a bridge to the acquisition of their work for the College.
    [Show full text]
  • Download New Glass Review 08
    The Corning Museum of Glass NewGlass Review 8 The Corning Museum of Glass Corning, New York 1987 Objects reproduced in this annual review Objekte, die in dieser jahrlich erscheinenden were chosen with the understanding Zeitschrift veroffentlicht werden, wurden unter that they were designed and made within der Voraussetzung ausgewahlt, dal3 sie the 1986 calendar year. innerhalb des Kalenderjahres 1986 entworfen und gefertigt wurden. For additional copies of New Glass Review Zusatzliche Exemplare des New Glass Review please contact: konnen angefordert werden bei: Sales Department The Corning Museum of Glass One Museum Way Corning, New York 14830-2253 (607) 937-5371 All rights reserved, 1987 Alle Rechtevorbehalten, 1987 The Corning Museum of Glass The Corning Museum of Glass Corning, New York 14830-2253 Corning, New York 14830-2253 Printed in Dusseldorf FRG Gedruckt in Dusseldorf, Bundesrepublik Deutschland Standard Book Number 0-: 1-116-5 ISSN: 0275-469X Library of Congress Catalog Card Number Aufgefuhrt im Katalog der Kongref3-Bucherei 81-641214 unter der Nummer 81-641214 Table of Contents/lnhalt Page/Seite Jury Statements and Comments/Statements und Kommentar der Jury 4 Artists and Objects/Kunstler und Objekte 9 Doug Anderson's Finders Creepers 30 Bibliography/Bibliographie 33 A Selective Index of Proper Names and Places/ Verzeichnis der Eigennamen und Orte 35 Countries RepresentedA/ertretene Lander 68 ch mag die Arbeit von Mark Lorenzi - jedenfalls mag ich das, was Jury Statements Imir das Dia davon wiedergibt. Diese Farben passen auffallend gut zu- sammen, und Hohe und Starke der Mauer scheinen erstaunlich, aber genau richtig fur diesen Durchmesser. Das Objekt kann ebenso gut ein like Mark Lorenzi's piece - at least I like what the slide tells me about it.
    [Show full text]
  • Art Los Angeles | October 27, 2019 Bonhams 220 San Bruno Avenue San Francisco, California 94103 © 2019, Bonhams & Butterfields Bond No
    Modern Design | Art Los Angeles | October 27, 2019 Bonhams 220 San Bruno Avenue San Francisco, California 94103 © 2019, Bonhams & Butterfields Bond No. 57BSBGL0808 Auctioneers Corp.; All rights reserved. Modern Design | Art Los Angeles | Sunday October 27, 2019 at 10am BONHAMS BIDS INQUIRIES ILLUSTRATIONS 7601 W. Sunset Boulevard +1 (323) 850 7500 Los Angeles Front Cover: Lot 363 Los Angeles CA 90046 +1 (323) 850 6090 fax Jason Stein Back Cover: Lot 365 bonhams.com Director Inside front cover: Lot 371 To bid via the internet please visit +1 (323) 436 5466 Inside back cover: Lot 51 PREVIEW www.bonhams.com/25458 [email protected] Los Angeles REGISTRATION Wednesday, October 23, Please note that telephone bids David Trujillo IMPORTANT NOTICE 10am to 5pm must be submitted no later than Specialist Please note that all customers, Thursday, October 24, 4pm on the day prior to the +1 (323) 436 5405 irrespective of any previous auction. New bidders must also [email protected] 10am to 5pm activity with Bonhams, are provide proof of identity and Friday, October 25, required to complete the Bidder address when submitting bids. Katherine Miller 10am to 5pm Registration Form in advance of Telephone bidding is only Business Administrator Saturday, October 26 the sale. The form can be found 12pm to 5pm available for lots with a low +1 (323) 436 5445 estimate in excess of $1000. [email protected] at the back of every catalogue and on our website at www. SALE NUMBER: 25458 bonhams.com and should be Lots 1 - 414 Please contact client services New York with any bidding inquiries.
    [Show full text]
  • Turin City Guide
    TURIN CITY GUIDE ® MAY 2020 WWW.WHEREITALIA.COM/TURIN GRAND TOUR Discover & Enjoy Italy BEST DESTINATIONS BEAUTY AND DINING ITALIAN-STYLE GIFT GUIDE SIGHTSEEING | MUSEUMS | SHOPPING | DINING | ENTERTAINMENT | MAPS BENVENUTI IN ITALIA YOUR TRAVELING COMPANION SINCE 1936® WELCOME TO ITALY ® whereMAGAZINE Turin Siamo qui da secoli. Vi aspettiamo. www.whereitalia.com/turin We’ve been here for centuries. We’re waiting for you. PROEDI MEDIA - WHERE Messaggio dal Paese più bello del mondo. Via Ezio Biondi, 1. 20154 Milano A message from the most beautiful country in the world. T: 02 349951 - Fax 02 33107015 [email protected] www.whereitalia.com/turin Il settore del turismo ha sofferto più di tutti The recent pandemic has severely affected one of the linchpins of the PUBLISHER AND EDITOR-IN-CHIEF della recente pandemia. I lockdown, le chiusure Andrea Jarach global economy – the tourism industry. The current lockdown, closing [email protected] of borders and drop in available revenue at the time of writing this Andrea Jarach dei confini, il crollo del reddito disponibile, nel COO Pierfrancesco Coreno editorial could be very depressing, but remember we’re talking about Publisher momento in cui scrivo potrebbero ispirare solo [email protected] Where® Italy: a favourite destination of travelers for centuries. Throughout depressione. Ma stiamo invece parlando dell’Italia. MANAGING EDITOR Galleria Vittorio Emanuele II Alessandra Finzi history, our country has been affected by war, famine and epidemics, La meta preferita per secoli dai viaggiatori. Infinite volte sfidata da [email protected] CONTRIBUTORS and each time it has risen from the ashes to once again become the guerre, carestie, epidemie e infinite volte tornata ad essere il Paese più Carey Bernitz, Simona P.K.
    [Show full text]
  • Interdisciplinary Collaboration in Graphic Design
    Rochester Institute of Technology RIT Scholar Works Theses 2004 Interdisciplinary collaboration in graphic design Jill M. Kepler Follow this and additional works at: https://scholarworks.rit.edu/theses Recommended Citation Kepler, Jill M., "Interdisciplinary collaboration in graphic design" (2004). Thesis. Rochester Institute of Technology. Accessed from This Thesis is brought to you for free and open access by RIT Scholar Works. It has been accepted for inclusion in Theses by an authorized administrator of RIT Scholar Works. For more information, please contact [email protected]. Interdisciplinary Collaboration in Graphic Design Jill M. Kepler May 2004 Graduate Graphic Design MFA Program School of Design College of Imaging Arts and Sciences Rochester Institute of Technology A thesis submitted to the faculty of the College of Imaging Arts and Sciences in candidacy for the degree of Master of Fine Arts Approvals 3 Chief Advisor Bruce Ian Meader Associate Professor School of Design Bruce Ian Meader Signature Date Associate Advisors Deborah Beardslee Associate Professor School of Design Deborah Beardslee Signature Robert Barbato Associate Professor College of Business Robert Barbato ) -/t- [) Y Signature Date Chairperson Patti J. Lachance Associate Professor School of Design Patti J. Lachance .s·;l.~·oy Signature Date MFA Candidate I, Jill M . Kepler hereby grant permission to the Wallace Memorial Library of RIT to reproduce my thesis in whole or in part. Any reproduction will not be for commercial use or profit. Jill M. Kepler Signature Date Acknowledgments Thank you Family and Friends, for their patience, encouragement and support these last two years. Fred and Jeanne Keler,for their love and respect which has given me the confidence and ambition to continually succeed in all of my endeavors.
    [Show full text]