Turin City Guide
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Article Description EAN/UPC ARTIC ZERO TOFFEE CRUNCH 16 OZ 00852244003947 HALO TOP ALL NAT SMORES 16 OZ 00858089003180 N
Article Description EAN/UPC ARTIC ZERO TOFFEE CRUNCH 16 OZ 00852244003947 HALO TOP ALL NAT SMORES 16 OZ 00858089003180 NESTLE ITZAKADOOZIE 3.5 OZ 00072554211669 UDIS GF BREAD WHOLE GRAIN 24 OZ 00698997809302 A ATHENS FILLO DOUGH SHEL 15 CT 00072196072505 A B & J STRW CHSCK IC CUPS 3.5 OZ 00076840253302 A F FRZN YGRT FRCH VNLL L/FAT 64 OZ 00075421061022 A F I C BLACK WALNUT 16 OZ 00075421000021 A F I C BROWNIES & CREAM 64 OZ 00075421001318 A F I C HOMEMADE VANILLA 16 OZ 00075421050019 A F I C HOMEMADE VANILLA 64 OZ 00075421051016 A F I C LEMON CUSTARD 16 OZ 00075421000045 A F I C NEAPOLITAN 16 OZ 00075421000038 A F I C VANILLA 16 OZ 00075421000014 A F I C VANILLA 64 OZ 00075421001011 A F I C VANILLA FAT FREE 64 OZ 00075421071014 A F I C VANILLA LOW FAT 64 OZ 00075421022016 A RHODES WHITE DINN ROLLS 96 OZ 00070022007356 A STF 5CHS LASAGNA DBL SRV 18.25 OZ 00013800447197 ABSOLUTELY GF VEG CRST MOZZ CH 6 OZ 00073490180156 AC LAROCCO GRK SSM PZ 12.5 OZ 00714390001201 AF SAVORY TKY BRKFST SSG 7 OZ 00025317694001 AGNGRN BAGUETE ORIGINAL GF 15 OZ 00892453001037 AGNST THE GRAIN THREE CHEESE PIZZA 24 OZ 00892453001082 AGNST THE GRN PESTO PIZZA GLTN FREE 24OZ 00892453001105 AJINOMOTO FRIED RICE CHICKEN 54 OZ 00071757056732 ALDENS IC FRENCH VANILLA 48 OZ 00072609037893 ALDENS IC LT VANILLA 48 OZ 00072609033130 ALDENS IC SALTED CARAMEL 48 OZ 00072609038326 ALEXIA ARBYS SEASND CRLY FRIES 22 OZ 00043301370007 ALEXIA BTRNT SQSH BRN SUG SS 12OZ 00034183000052 ALEXIA BTRNT SQSH RISO PARM SS 12OZ 00034183000014 ALEXIA CLFLWR BTR SEA SALT 12 OZ 00034183000045 -
Lettera Da San G Iorgio
CONTACTS PROGRAMMES (MARCH – AUGUST 2016) PATRONS FRIENDS OF SAN GIORGIO Fondazione Virginio Bruni Tedeschi Giorgio Lettera da San Marco Brunelli Pentagram Stiftung Rolex Institute Year XVIII, number 34. Six-monthly publication. March – August 2016 Giannatonio Guardi, Neptune, detail, private collection Spedizione in A.P. Art. 2 Comma 20/c Legge 662/96 DCB VE. Tassa pagata / Taxe perçue CONTACTS PROGRAMMES (MARCH – AUGUST 2016) PATRONS FRIENDS OF SAN GIORGIO Fondazione Virginio Bruni Tedeschi Giorgio Lettera da San Marco Brunelli Pentagram Stiftung Rolex Institute Year XVIII, number 34. Six-monthly publication. March – August 2016 Giannatonio Guardi, Neptune, detail, private collection Spedizione in A.P. Art. 2 Comma 20/c Legge 662/96 DCB VE. Tassa pagata / Taxe perçue 16 FEB VENICE, ISLAND OF SAN GIORGIO MAGGIORE 23 APR, 21 MAY, 25 JUN VENICE, ISLAND OF SAN GIORGIO MAGGIORE LETTERA DA SAN GIORGIO CONTACTS International Conference Paolo Venini and His Furnace Concert Series e Complete Beethoven String Quartets PUBLISHED BY SECRETARY’S OFFICE ISTITUTO DI STORIA DELL’ARTE INTERNATIONAL ADVISORY BOARD 1 MAR – 31 DIC VENICE, ISLAND OF SAN GIORGIO MAGGIORE 25 – 30 APR VENICE, ISLAND OF SAN GIORGIO MAGGIORE Fondazione Giorgio Cini onlus tel. +39 041 2710229 – fax +39 041 5223563 Luca Massimo Barbero, director Maurice Aymard e Replica Project International Workshop and Symposium Accademia Monteverdi Isola di San Giorgio Maggiore, 1 [email protected] Secretary’s oce: tel. +39 041 2710230 – +39 041 2710239 Brenno Boccadoro 30124 Venezia fax +39 041 5205842 Steven Feld PRESS OFFICE 3-10-17 MAR VENICE, ISLAND OF SAN GIORGIO MAGGIORE 2 – 4 MAY VENICE, ISLAND OF SAN GIORGIO MAGGIORE tel. -
Teaching Geomatics
TEACHING GEOMATICS G. Tucci *, V. Bonora University of Florence, Dept. of Restoration and Conservation of Architectural Heritage, 50121 Florence, Italy [email protected] [email protected] KEY WORDS: Teaching, Education, Orthorectification, Knowledge Base, Laser scanning, Photogrammetry ABSTRACT: In the study programmes offered by the Italian Architecture Faculties there is often little time dedicated to the teaching of Geomat- ics. On the other hand there is an ever-increasing awareness that the correct management of the cultural heritage requires that the importance of reliable graphic documentation be recognized; such documentation can be used for elaborating further analyses and for designing conservation projects. This paper presents the results of practical work carried out during the Topography/Surveying and surveying methodology/Survey au- tomation course held in the 2005-2006 academic year at the Faculty of Architecture of the Turin Polytechnic. This work consisted in the metrical survey of the facades of the Valentino Castle at Turin. The castle therefore, not only hosted the classrooms where theoretical lessons were held but also provided the material for practical experience. 1. GEOMATICS AND ARCHITECTURE “Geomatics” is the term used to define all the activities linked survey describes the object being analysed and can be used to to acquisition, processing, analysis, modelling, visualization represent different themes as required. The theoretical content of and management of metric data, which are part of the study the discipline is tested, albeit with the limitations of time and and research process carried out in the fields of remote sensing, the large numbers of students involved, by groups of students cartography, GIS and survey. -
Glass Verrerie Européenne 1920-2000 from One Property
Glass Verrerie Européenne 1920-2000 from one property MERCREDI 7 FÉVRIER 2018 PIASA Contact du département Design Contact presse PIASA Cécile Demtchenko Woringer Frédéric Chambre Tél. : +33 1 53 34 12 95 [email protected] [email protected] Nicolas Denis [email protected] Tél. : +33 1 45 44 43 54 Martin Jalabert [email protected] Tél. : +33 1 53 34 10 06 Alix de Saint-Hilaire Tél. : +33 1 45 44 12 71 [email protected] Pascale Humbert Tél. : +33 1 53 34 10 19 [email protected] Estelle Laporte Tél. : +33 1 53 34 12 80 [email protected] Clémence Paris [email protected] Tél. : +33 1 45 44 43 53 Glass Verrerie Européenne 1920-2000 from one property one from Notre consultant en Belgique pour le département Commissaires-priseurs Arts Décoratifs et Design habilités Thierry Belenger Frédéric Chambre Tél : +32 4 75 98 40 38 Carole Siméons [email protected] Enchérissez en direct sur www.piasa.fr Glass Verrerie Européenne 1920-2000 from one property Vente : mercredi 7 février 2018 à 18h PIASA 118 rue Faubourg Saint-Honoré 75 008 Paris Exposition publique Vendredi 2 février 2018 de 10 à 18 heures Samedi 3 février 2018 de 11 à 18 heures Lundi 5 février 2018 de 10 à 18 heures Mardi 6 février 2018 de 10 à 18 heures Mercredi 7 février 2018 de 10 à 12 heures Téléphone pendant l’exposition et la vente +33 1 53 34 10 10 Enchérissez en direct sur www.piasa.fr France • Gabriel Argy Rousseau (1885-1953) • Georges Chevalier (1894-1987) pour la manufacture de Baccarat • Aristide Colotte (1885-1959) • Paul Daum (1888-1944) pour la Manufacture Daum Nancy France • Pierre Gaillard (XXème) • Jean Luce (1895-1964) • André Thuret (1898-1965) VERRERIE EUROPÉENNE : D.R. -
Public Engagement in Urban Innovation: Towards the Concept of Inclusive Mobility
ORIGINAL ARTICLE CERN IdeaSquare Journal of Experimental Innovation, 2019; 3(1): 16-21 DOI: https://doi.org/10.23726/cij.2019.875 Public engagement in urban innovation: towards the concept of inclusive mobility Xiaoxu Liang,1* Michele Lopez,2 Jacopo Aiello,2 Nicola Langone,2 Simone Vottari,2 Yuri Ardesi3 1Politecnico di Torino, Castello del Valentino, Viale Mattioli, 39, Turin, Italy 2Collège des Ingèneurs, Via Giuseppe Giacosa, 38, Turin, Italy 3Politecnico di Torino, Corso Duca degli Abruzzi, 24, Turin, Italy *Corresponding author: [email protected] ABSTRACT In the process towards smart city, the concept of public transportation has evolved as a set of socio-material entanglements by highlighting the social impacts. This research offers a community-based approach to identify criteria for the design towards inclusive mobility by setting a validation model to measure and extract collected stakeholders’ data. The study provides a thematization of optimizing strategies to address mobility in future smart city actions towards sustainable community development, aiming to inspire further research in Italy and beyond. Keywords: Public engagement; smart city; validation. Received: May 2019. Accepted: June 2019. 2010). ICT is one of the crucial instruments aimed at INTRODUCTION involving citizens to participate in city governance, obviously plays an important role in the process of public With the emerging academic concentration on the transportation towards smart mobility (Clara, 2016). “Smart City” planning, the application of big data and Challenge of smart mobility innovations might lay the Information and Communication Technology (ICT) is a groundwork for strengthening coordination to enhance more popular way to arm spaces with smart functions governance capacity (Diane, 2018). -
POLITECNICO DI TORINO Repository ISTITUZIONALE
POLITECNICO DI TORINO Repository ISTITUZIONALE The Study on Main Issues of Chinese and Italian Historic Centers’ Conservation Based on A Comparative Perspective Original The Study on Main Issues of Chinese and Italian Historic Centers’ Conservation Based on A Comparative Perspective / Jia, Yanfei. - (2014). Availability: This version is available at: 11583/2537913 since: Publisher: Politecnico di Torino Published DOI:10.6092/polito/porto/2537913 Terms of use: Altro tipo di accesso This article is made available under terms and conditions as specified in the corresponding bibliographic description in the repository Publisher copyright (Article begins on next page) 11 October 2021 Chapter 3 Conservation issues: comparing Italy and China 198 “The rage of repairing….will be less fatal to our magnificent edifices than the reformation and the Civil war.” written by Thomas Gray in 1785 to J. Bentham 3 Conservation issues: comparing Italy and China Conservation thoughts began to be introduced to China in the end of 1900s, mainly from the Japan’s research results, then from the Western directly from 1930s. Owing to two world wars and internal political turbulent situation, it leaded to little gains. The huge quick urbanization from 1980s has swept away existing built environment extensively and annihilated national-wild identity. Professionals shed great attention on the historic heritage conservation since then. Massive international laws, charters and international cases began to be introduced, and China started to involve in international historic conservation movements actively. Though basic hierarchy conservation system was established, ideal methods was plotted, specific planning program was outlined, limited projects was performed successfully. Actually, the current system cannot prevent large-scale violation and destruction, misinterpretation and aberrant interventions. -
This Book Is a Compendium of New Wave Posters. It Is Organized Around the Designers (At Last!)
“This book is a compendium of new wave posters. It is organized around the designers (at last!). It emphasizes the key contribution of Eastern Europe as well as Western Europe, and beyond. And it is a very timely volume, assembled with R|A|P’s usual flair, style and understanding.” –CHRISTOPHER FRAYLING, FROM THE INTRODUCTION 2 artbook.com French New Wave A Revolution in Design Edited by Tony Nourmand. Introduction by Christopher Frayling. The French New Wave of the 1950s and 1960s is one of the most important movements in the history of film. Its fresh energy and vision changed the cinematic landscape, and its style has had a seminal impact on pop culture. The poster artists tasked with selling these Nouvelle Vague films to the masses—in France and internationally—helped to create this style, and in so doing found themselves at the forefront of a revolution in art, graphic design and photography. French New Wave: A Revolution in Design celebrates explosive and groundbreaking poster art that accompanied French New Wave films like The 400 Blows (1959), Jules and Jim (1962) and The Umbrellas of Cherbourg (1964). Featuring posters from over 20 countries, the imagery is accompanied by biographies on more than 100 artists, photographers and designers involved—the first time many of those responsible for promoting and portraying this movement have been properly recognized. This publication spotlights the poster designers who worked alongside directors, cinematographers and actors to define the look of the French New Wave. Artists presented in this volume include Jean-Michel Folon, Boris Grinsson, Waldemar Świerzy, Christian Broutin, Tomasz Rumiński, Hans Hillman, Georges Allard, René Ferracci, Bruno Rehak, Zdeněk Ziegler, Miroslav Vystrcil, Peter Strausfeld, Maciej Hibner, Andrzej Krajewski, Maciej Zbikowski, Josef Vylet’al, Sandro Simeoni, Averardo Ciriello, Marcello Colizzi and many more. -
Talluto's Tortellini the Authentic
Talluto’s Tortellini the Authentic Way POSTED BY PHILLY FOOD GIRL on February 9, 2016 Leave a Comment I noticed something while shopping for pasta: some are significantly more expensive than the others! I attributed this to the quality of the product, but it turns out to be so much more than that. I decided to sit down with Joe Talluto of Talluto’s Authentic Italian Foods to hear what he had to say. If anyone was able to clarify, he was the man for the job! First, a bit about the history. Tortellini was founded in Northern Italy (Bologna). There are a few versions of how this pasta shape came-to-be; most of which involve navels (gasp!); you can read more about here. Tortellini are small, intricate, folded, and pinched pastas filled with a variety of ingredients such as meat, cheese, and/or herbs. Because there is only a very small amount of space for filling, the ingredients MUST shine! Americans generally eat tortellin in pasta salad, or with heavy tomato-based or cream sauces. This is a stark contrast to how they’re served in Italy: “in brodo” (broth). That’s right, broth! Talluto’s mirrors the Italian tradition, and fills the pasta with the best-of-the-best ingredients, allowing them to stand center-stage in beef or chicken stock. Unbeknownst to me, most manufacturers buy from other tortellini suppliers. Talluto’s makes all of their products in-house (see my previous post about ravioli) to maintain the integrity of the product. Locally, there is only one major supplier that pumps out tortellini to various companies. -
World Heritage 32 COM
World Heritage 32 COM Distribution Limited WHC-08/32.COM/8D Paris, 22 May 2008 Original: English/French UNITED NATIONS EDUCATIONAL, SCIENTIFIC AND CULTURAL ORGANIZATION CONVENTION CONCERNING THE PROTECTION OF THE WORLD CULTURAL AND NATURAL HERITAGE WORLD HERITAGE COMMITTEE Thirty-second Session Quebec City, Canada 2 – 10 July 2008 Item 8D of the Provisional Agenda: Clarifications of property boundaries and sizes by States Parties in response to the Retrospective Inventory Clarifications of property boundaries and sizes by States Parties in response to the Retrospective Inventory SUMMARY This document presents the results of the Retrospective Inventory of Nomination dossiers of European World Heritage properties inscribed in the period 1978- 1998 (conducted in coordination with the European Periodic Reporting Exercise) and Arab World Heritage properties inscribed between 1978 and 2004 (in view of the launching of the second cycle of Periodic Reporting). Forty States Parties have responded to the letters dispatched following the review of the individual dossiers in order to clarify the original intention of their Nominations (or to submit appropriate cartographic documentation) for 124 World Heritage properties. A summary of other follow-up activities to the Periodic Report for the European Region is contained in document WHC-08/32COM/11C. Draft Decision: 32 COM 8D, see Point IV I. The Retrospective Inventory 1. The Retrospective Inventory, an in-depth examination of the Nomination dossiers available at the World Heritage Centre, ICOMOS and IUCN, was initiated in 2004, in parallel with the launching of the Periodic Reporting Exercise in Europe, involving European properties inscribed on the World Heritage List in the period 1978-1998. -
Download New Glass Review 21
NewG lass The Corning Museum of Glass NewGlass Review 21 The Corning Museum of Glass Corning, New York 2000 Objects reproduced in this annual review Objekte, die in dieser jahrlich erscheinenden were chosen with the understanding Zeitschrift veroffentlicht werden, wurden unter that they were designed and made within der Voraussetzung ausgewahlt, dass sie in- the 1999 calendar year. nerhalb des Kalenderjahres 1999 entworfen und gefertigt wurden. For additional copies of New Glass Review, Zusatzliche Exemplare der New Glass please contact: Review konnen angefordert werden bei: The Corning Museum of Glass Buying Office One Corning Glass Center Corning, New York 14830-2253 Telephone: (607) 974-6479 Fax: (607) 974-7365 E-mail: [email protected] All rights reserved, 2000 Alle Rechte vorbehalten, 2000 The Corning Museum of Glass The Corning Museum of Glass Corning, New York 14830-2253 Corning, New York 14830-2253 Printed in Frechen, Germany Gedruckt in Frechen, Bundesrepublik Deutschland Standard Book Number 0-87290-147-5 ISSN: 0275-469X Library of Congress Catalog Card Number Aufgefuhrt im Katalog der Library of Congress 81-641214 unter der Nummer 81-641214 Table of Contents/In halt Page/Seite Jury Statements/Statements der Jury 4 Artists and Objects/Kunstlerlnnen und Objekte 16 1999 in Review/Ruckblick auf 1999 36 Bibliography/Bibliografie 44 A Selective Index of Proper Names and Places/ Ausgewahltes Register von Eigennamen und Orten 73 Jury Statements Here is 2000, and where is art? Hier ist das Jahr 2000, und wo ist die Kunst? Although more people believe they make art than ever before, it is a Obwohl mehr Menschen als je zuvor glauben, sie machen Kunst, "definitionless" word about which a lot of people disagree. -
Agnolotti Del Plin
PASTA SHOWSTOPPER with Domenica Cooks AGNOLOTTI DEL PLIN AGNOLOTTI DEL PLIN These tiny, distinct ravioli are a specialty of Italy’s Piedmont region. Delicate egg pasta dough is stuffed with a rich meat filling and cut into small pockets. The filling for agnolotti is typically made from leftover roasted meat; here I’m substituting a rich mixture of ground pork and veal flavored with wine, nutmeg, and Parmigiano cheese. The “sauce” is simple: browned butter and plenty of freshly grated Parmigiano, though you can also toss in some sage leaves if you like. Makes about Ingredients 300 g “00” flour, pasta flour, or all-purpose flour; or 280 g flour plus 20 g (2 tablespoons) semola rimacinata or semolina flour 3 extra-large eggs, at room temperature; or 3 large eggs plus 1 extra, lightly beaten; or 3 large eggs and 1-3 tablespoons water 1/4 teaspoon fine salt (optional) Semola rimacinata or semolina flour for dusting the work surface Mixed meat Stuffing (see recipe) Browned Butter and Sage Sauce (see recipe) Freshly grated Parmigiano-Reggiano for serving Instructions 1. Measure 280g (2 cups + 2 Tbsp) flour into the work bowl of a food processor fitted with the metal blade. Add the salt and pulse to combine. Break 3 eggs into the work bowl; pulse until the mixture forms crumbs that look like small curds. Pinch together a bit of the mixture; it should form a soft ball. If the mixture seems dry, dribble in a little more egg or water by the tablespoon and pulse until the dough starts to come together. -
Baccio Bandinelli E Il Primo Progetto Di Una Fontana Per Piazza Della Signoria
“QUESTA OPERA ADDUNQUE TOLSE A LUI LA MORTE”. BACCIO BANDINELLI E IL PRIMO PROGETTO DI UNA FONTANA PER PIAZZA DELLA SIGNORIA di Francesco Vossilla A detta del Vasari, Baccio Bandinelli convinse il duca Cosimo ad affidargli la commissione di una fontana per l’esterno di Palazzo Vecchio solo grazie ad abili maneggi: “e fu tanto intorno al duca, che per mezzo della duchessa ottenne di farne un gigante, il quale dovesse mettersi in piazza sul canto dove era il lione; nel quale luogo si facesse una gran fonte che gittasse acqua, nel mezzo della quale fusse Nettunno sopra il suo carro tirato da cavagli marini”.1 In realtà, già negli anni Cinquanta del XVI secolo lo scultore non solo preparò il progetto di una fontana coronata da una gigantesca figura di Poseidone, ma venne a intercettare il desiderio di Cosimo de’ Medici di ornare la piazza ducale con una mostra d’acqua proprio nel luogo dove nel 1565 fu collocata la vasca, seppur realizzata da Bartolomeo Ammannati (fig. 1). In quel sito centralissimo, una fontana dedicata a Nettuno padrone del mare, dei fiumi e delle sorgenti diveniva paradigma di dominio per il Duca, visto che il monumento era il segno eclatante di una nuova rete idrica per Firenze. Cosimo avrebbe portato acqua salubre dove prima mancava e sarebbe apparso come un imperatore romano, vero signore del mare e del territorio. Per il Duca — che amava leggere Svetonio — l’opera evocava l’esempio di Ottaviano Augusto e soprattutto di Claudio che avevano potenziato gli acquedotti romani, mentre il Bandinelli pensava soprattutto all’impiego di un colosso sopra un dispendioso gioco idrico: invenzione che incarnava in corpo moderno il concetto pliniano dello “audaciae exemplum”.2 Grazie a questo progetto, gli edifici della piazza medioevale perdevano parte della loro austera imponenza nel confronto con un landmark fantasioso, dove la grandezza del colosso veniva animata dal provvido getto d’acqua, dono del governante ai fiorentini.