Reflections on Shinto and Budo – 神道と武道に於ける思考
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The Otaku Phenomenon : Pop Culture, Fandom, and Religiosity in Contemporary Japan
University of Louisville ThinkIR: The University of Louisville's Institutional Repository Electronic Theses and Dissertations 12-2017 The otaku phenomenon : pop culture, fandom, and religiosity in contemporary Japan. Kendra Nicole Sheehan University of Louisville Follow this and additional works at: https://ir.library.louisville.edu/etd Part of the Comparative Methodologies and Theories Commons, Japanese Studies Commons, and the Other Religion Commons Recommended Citation Sheehan, Kendra Nicole, "The otaku phenomenon : pop culture, fandom, and religiosity in contemporary Japan." (2017). Electronic Theses and Dissertations. Paper 2850. https://doi.org/10.18297/etd/2850 This Doctoral Dissertation is brought to you for free and open access by ThinkIR: The University of Louisville's Institutional Repository. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of ThinkIR: The University of Louisville's Institutional Repository. This title appears here courtesy of the author, who has retained all other copyrights. For more information, please contact [email protected]. THE OTAKU PHENOMENON: POP CULTURE, FANDOM, AND RELIGIOSITY IN CONTEMPORARY JAPAN By Kendra Nicole Sheehan B.A., University of Louisville, 2010 M.A., University of Louisville, 2012 A Dissertation Submitted to the Faculty of the College of Arts and Sciences of the University of Louisville in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in Humanities Department of Humanities University of Louisville Louisville, Kentucky December 2017 Copyright 2017 by Kendra Nicole Sheehan All rights reserved THE OTAKU PHENOMENON: POP CULTURE, FANDOM, AND RELIGIOSITY IN CONTEMPORARY JAPAN By Kendra Nicole Sheehan B.A., University of Louisville, 2010 M.A., University of Louisville, 2012 A Dissertation Approved on November 17, 2017 by the following Dissertation Committee: __________________________________ Dr. -
Yinger 1983-06.Pdf
, ~" " •. """~" > ACKN OWLEDGE1VIENTS This thesis has been an interna.tional effort, produced with trle cooperation of a grea.t many people in Japan~ Korea, England, and the United States. With no .i.l1tentionof diminishing the cor:tributi.qn of anyone not. mentioned below, I would like to single out a. few people for special thanks. I wish to thank the IJcmgwood Program at the University of Delavv"are for th8 award of the fell.owE}hip which helped to support this project. I am particularly indebted to my thesis committee--Dr. Richard W. Lighty, Mr. William H. Frederick, ,Jr., and Dr. Donald Huttleston-- for their very patient assistance. In Japan I wish to thank Dr. Sumihiko Hatsushima, Dr. FU"TIioMaekawa., Mr. Tadanori 'I'animura, Mr. Eiji Yamaha.ta, and Mr. NIatoshi Yoshida for patiently respondi.ng to my endless questions and for providing much of the research material cited herein. In addition, Mr. Yoshimichi Hirose, Mr. Mikinori Ogisu, Dr. Yotaro rrsuka.moto, and iii Dr. Ma,sato Yokol have earned my gratitude for directing me to useful research material. Among the many people who helped me in Japan, I must single out the efforts of Dr. Toshio Ando who so often arranged my itinerary in Japan and helped me with the translation of Japanese source material. For the privilege of examining herbarium specimens I wish to thank Dr. TchaT1;gBok 1,ee and h.is staff at Seoul. National University, Korea, and Mr. Ian Beier and his staff at the Royal Botanic Gardens, Kew, England. My thanks too to Mr. Yong-,Jun Chang (Korea), Mr. -
A POPULAR DICTIONARY of Shinto
A POPULAR DICTIONARY OF Shinto A POPULAR DICTIONARY OF Shinto BRIAN BOCKING Curzon First published by Curzon Press 15 The Quadrant, Richmond Surrey, TW9 1BP This edition published in the Taylor & Francis e-Library, 2005. “To purchase your own copy of this or any of Taylor & Francis or Routledge’s collection of thousands of eBooks please go to http://www.ebookstore.tandf.co.uk/.” Copyright © 1995 by Brian Bocking Revised edition 1997 Cover photograph by Sharon Hoogstraten Cover design by Kim Bartko All rights reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior permission of the publisher. British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library ISBN 0-203-98627-X Master e-book ISBN ISBN 0-7007-1051-5 (Print Edition) To Shelagh INTRODUCTION How to use this dictionary A Popular Dictionary of Shintō lists in alphabetical order more than a thousand terms relating to Shintō. Almost all are Japanese terms. The dictionary can be used in the ordinary way if the Shintō term you want to look up is already in Japanese (e.g. kami rather than ‘deity’) and has a main entry in the dictionary. If, as is very likely, the concept or word you want is in English such as ‘pollution’, ‘children’, ‘shrine’, etc., or perhaps a place-name like ‘Kyōto’ or ‘Akita’ which does not have a main entry, then consult the comprehensive Thematic Index of English and Japanese terms at the end of the Dictionary first. -
Annual Events in Japan Page 1 / 6
ANNUAL EVENTS IN JAPAN PAGE 1 / 6 Practical Travel Guide - 805 ANNUAL EVENTS IN JAPAN Japan is a land of many festivals. In cities, large and small, as well trip to Japan, you have an opportunity of enjoying a goodly num- as in rural districts, colorful rites and merrymaking—some of ber of these celebrations. And, joining the joyful throng, you will religious significance and others to honor historical personages actually feel the pages of Japanese history being turned back and or occasions—are held throughout the four seasons. will experience the pleasant thrill of peeking into the nation’s No matter what month of the year you may choose for your ancient culture and traditions. Date Event & Site Remarks JANUARY 1st New Year’s Day New Year’s Day, the “festival of the festivals” in Japan, is celebrated with solemnity (national holiday) and yet in a joyful mood. The streets are gay with New Year decorations of pine and plum branches, bamboo stalks and ropes with paper festoons. People pay hom- age to shrines and visit friends and relatives to exchange greetings. 3rd Tamaseseri or Ball-Catching The main attraction of this festival is a struggle between two groups of youths to Festival, Hakozakigu Shrine, catch a sacred wooden ball, which is believed to bring good luck to the winning Fukuoka City team for the year. 6th Dezome-shiki or New Year The parade takes place in Tokyo Big Sight. Agile firemen in traditional attire per- Parade of Firemen, Tokyo form acrobatic stunts on top of tall bamboo ladders. -
Human and Physical Geography of Japan Study Tour 2012 Reports
Five College Center for East Asian Studies National Consortium for Teaching about Asia (NCTA) 2012 Japan Study Tour The Human and Physical Geography of Japan Reports from the Field United States Department of Education Fulbright-Hays Group Project Abroad with additional funding from the Freeman Foundation Five College Center for East Asian Studies 69 Paradise Road, Florence Gilman Pavilion Northampton, MA 01063 The Human and Physical Geography of Japan Reports from the Field In the summer of 2012, twelve educators from across the United States embarked on a four-week journey to Japan with the goal of enriching their classroom curriculum content by learning first-hand about the country. Prior to applying for the study tour, each participant completed a 30-hour National Consortium for Teaching about Asia (NCTA) seminar. Once selected, they all completed an additional 20 hours of pre-departure orientation, including FCCEAS webinars (funded by the US-Japan Foundation; archived webinars are available at www.smith.edu/fcceas), readings, and language podcasts. Under the overarching theme of “Human and Physical Geography of Japan,” the participants’ experience began in Tokyo, then continued in Sapporo, Yokohama, Kamakura, Kyoto, Osaka, Nara, Hiroshima, Miyajima, and finally ended in Naha. Along the way they heard from experts on Ainu culture and burakumin, visited the Tokyo National Museum of History, heard the moving testimony of an A-bomb survivor, toured the restored seat of the Ryukyu Kingdom, and dined on regional delicacies. Each study tour participant was asked to prepare a report on an assigned geography-related topic to be delivered to the group in country and then revised upon their return to the U.S. -
K Kan Nsai I in Th He a Asia Paci Ific
ISBN 978-4-87769-650-4 APIR Published by Asia Pacific Institute of Research Kansai Kansai Kansai iin the Asia Pacific in in Kansai Toward a New Growth Paradigm the the AsiaAsia Pacific 財団法人 Pacific 関西社会経済研究所 as a Regional Hub Kyushu Shinkansen Tokyo Skytree Photo provided by West Japan Railway Co., Ltd. Photo provided by Panasonic Corporation Supported by Tokyo-Hotaru (東京ホタル®) Executive Committee Shooting Date: May 6th, 2012 Asia Pacific Institute of RResearch, Osaka 財団法人 Asia Pacific Institute of Research 関西社会経済研究所 Knowledge Capital Tower C, The Grand Front Osaka, 3-1 Ofuka-chou, Kitaku, Osaka 530-0011 Japan Tel:81-(0)6-6485-7690 Email:[email protected] URL:http://www.apir.or.jp Photo on the cover: Kansai International Airport Photo provided by New Kansai International Airport Co., Ltd. K Kaannssaaii iinn tthhee AAssiiaa PPaacciiffiicc Toward a New Growth Paradigm Asia Pacific Institute of Research, Osaka ISBN 978-4-87769-650-4 Kansai in the Asia Pacific Toward a New Growth Paradigm Copyright ⓒ 2013 by Asia Pacific Institute of Research All rights reserved. Published by Asia Pacific Institute of Research, March 2013. The regional division in this book is as follows unless otherwise noted. Kansai: prefectures of Fukui, Shiga, Kyoto, Osaka, Hyogo, Nara, Wakayama Kanto: prefectures of Ibaraki, Tochigi, Gunma, Saitama, Chiba, Kanagawa, Yamanashi and Tokyo Metropolis Chubu: prefectures of Nagano, Gifu, Shizuoka, Aichi, Mie Japan: all prefectures including Kansai, Kanto and Chubu The abstract maps used herein are for illustration purpose only. They are not taken from official sources and do not necessarily represent territorial claims and boundaries. -
MOUNTAINS of JAPAN May 12 to 26, 2022 FACULTY LEADER
MOUNTAINS OF JAPAN May 12 to 26, 2022 Consider both past and present—from Kanazawa’s feudal past at its 16th-century castle to its ultra- modern 21st Century Museum of Contemporary Art—and gain insights from international policy scholar Daniel Sneider. Tradition blooming. Attend Kyoto’s annual Aoi Matsuri festival, where hundreds of participants proceed in Heian period clothing and ornate ox-drawn carts are decorated with aoi (hollyhock) leaves and blossoms. A cultural cornucopia. Watch an authentic geisha and maiko dance that’s performed only in May, visit a wasabi farm, enjoy a tour of a sake brewery and stroll through a Zen rock garden. Best of Tokyo. Spend three days in this ultramodern city, touring the Edo-Tokyo Museum and the Meiji Shrine, among other highlights. FACULTY LEADER Daniel Sneider Daniel Sneider, a lecturer in international policy and East Asian studies at Stanford, has focused his research on Japanese, Korean and U.S. foreign policy in Northeast Asia. The son of a diplomat, he spent much of his childhood in Asia and witnessed his father’s negotiations for the return of Okinawa to Japanese sovereignty during his college years. Since then, he has traveled to Japan regularly as a journalist and in the last decade as an academic, most recently working on a diplomatic history of the creation and management of the U.S. security alliance with Japan. A former foreign correspondent who has covered Japan, India and the former Soviet Union, Dan is a frequent contributor to several major U.S. periodicals, as well as the widely read online edition of the leading Japanese magazine Weekly Toyo Keizai. -
猿 楽 と 面 — 大和・近江 および 白山の周辺 から — Sarugaku Masks: Shaping the Culture of Noh 陳 列 一 覧 List of Works
MIHO MUSEUM 2018年 春季 さ る が く お も て 猿 楽 と 面 — 大和・近江 および 白山の周辺 から — Sarugaku Masks: Shaping the Culture of Noh 陳 列 一 覧 List of Works 前期:3月10日(土)~4月22日(日) 後期:4月24日(火)~6月 3日(日) Ⅰ期:3月10日(土)~4月 8日(日) Ⅱ期:4月10日(火)~5月 6日(日) Ⅲ期:5月 8日(火)~6月 3日(日) ◎=重要文化財 〇=重要美術品 □=府・県指定文化財 △=市・町指定文化財 ※都合により展示作品や展示期間が変わる場合があります。 Some works may not be on display during the period indicated. 2018/3/10 現在 前期 後期 3/10~4/22 4/24~6/3 No. 指定 作品名 Name 員数 時代 Period 所蔵 Owner Ⅰ期 Ⅱ期 Ⅲ期 3/10 4/10 5/8 ~4/8 ~5/6 ~6/3 一章 猿楽の源流 Chapter 1 The Origins of Sarugaku 1 伎楽面(迦楼羅) 一面 奈良時代 滋賀・MIHO MUSEUM ○ Gigaku Dance Mask: Karura Nara period Miho Museum, Shiga 2 舞楽面(陵王) 一面 室町時代 滋賀・MIHO MUSEUM Bugaku Dance Mask: Ryōō Muromachi period Miho Museum, Shiga 江戸時代 宝暦5年 (1755) 東京藝術大学大学 信西古楽図 原本:宝徳元年 美術館 3 Shinzei kogakuzu (Shinzei’s 一巻 Illustrated Guide to Classical (1449) The University Art Entertainments) Edo period, dated 1755 Museum, Tokyo University (Hōreki 5) Original: of the Arts 1449 (Hōtoku 1) 追儺面(鬼) 鎌倉時代 京都・丹後国分寺 4 二面 Tango Kokubunji Temple, Tsuina Masks: Demons Kamakura period Kyoto 京都・丹後国分寺 宮津市 追儺面(竜天または毘沙門) 鎌倉時代 5 一面 Tango Kokubunji Temple, Tsuina Mask (Ryūten or Bishamon) Kamakura period △ Kyoto 平安時代 久安3年 6 大分県 追儺面(男) 一面 (1147) 大分・富貴寺 □ Tsuina Mask: Male Demon Heian period, dated Fukiji Temple, Oita 1147 (Kyūan 3) 平安時代 久安3年 7 大分県 追儺面(女) 一面 (1147) 大分・富貴寺 □ Tsuina Mask: Female Demon Heian period, dated Fukiji Temple, Oita 1147 (Kyūan 3) 鎌倉〜南北朝時代 岐阜県 追儺面(一角) 岐阜・[小津]白山神社 8 一面 Kamakura to □ Tsuina Mask: Single-horned Demon Hakusan Shrine, Ozu, Gifu Nanbokuchō period 鎌倉〜南北朝時代 岐阜県 追儺面(両角) 岐阜・[小津]白山神社 9 一面 Kamakura to □ Tsuina Mask: Double-horned Demon Hakusan Shrine, Ozu, Gifu Nanbokuchō period 岐阜県 10 追儺面(青鬼) 一面 室町時代 岐阜・[小津]白山神社 □ Tsuina Mask: Blue Demon Muromachi period Hakusan Shrine, Ozu, Gifu 前期 後期 3/10~4/22 4/24~6/3 No. -
Foodforum34-4.Pdf
Vol. 34 No. 4 April 2021 Kikkoman’s quarterly intercultural forum for the exchange of ideas on food 4 THE JAPANESE TABLE CLOSE-UP JAPAN: Miso Soup — Japanese Feasts for 5 JAPANESE STYLE: Japanese Strawberries Special Occasions TASTY TRAVEL: Chiba Futomaki-zushi Food Fit for the Divine — by Ayako Ehara 6 MORE ABOUT JAPANESE COOKING: As Food Forum concludes its series on the special foods of Whitefi sh and Pea Shoots in Egg-Drop Dashi Japan, this fi nal installment explores the signifi cant foods Miso-Marinated Grilled Pork presented at jinja (Shinto shrines) and Buddhist temples, — which underpin religious beliefs. 8 KIKKOMAN TODAY: Online Renewal of the Kikkoman Soy Sauce Museum Japanese Feasts for Special Occasions Food Fit for the Divine From left: Twice daily, Jingu priests offer shinsen to the kami at Ise Jingu; Kanname-sai at Ise Jingu. Japanese religious beliefs are the Meiji era (1868-1912), it has refers to a species of wild ginger), characterized by a duality of become more common to offer an early summer tradition that Shinto and Buddhist traditions. raw and dried foods. takes place at both Kamigamo and Until the recent past, the typical At Japan’s sacred Ise Jingu, Shimogamo Jinja. At Kamigamo, home in Japan had two altars—a twice-daily offerings in the form shinsen offered within the honden Shinto kamidana and a Buddhist of meals have been made to the main sanctuary include steamed butsudan—and today, many still kami in the morning and evening rice, mochi rice cakes, carp, fowl do. Daily prayers are accompanied for some 1,500 years. -
Year KGU Summer School, 2019 Course Title JSC Japanese Culture Program Duration June 11-July 10, 2019 Credits 2 Instructor's Name Dr
Year KGU Summer School, 2019 Course Title JSC Japanese Culture Program Duration June 11-July 10, 2019 Credits 2 Instructor's name Dr. Galia Petkova, Lecturer, Kwansei Gakuin University Is the Japanese festival (matsuri) only fun and entertainment or is there more meaning to it? This course offers an introduction to Japanese culture through major festivals held annually all over Japan, focusing on Kyoto. The goal is to understand these festivals from diverse viewpoints – as Course Objectives religious, cultural, social and economic phenomena. We will explore their origins and significance, their role in preserving traditional Japanese values while also incorporating contemporary features and attracting tourists. Students will gain a comprehensive overview and understanding of Japanese festivals and festival culture (matsuri bunka) and its place in contemporary society, as well as of the issues of gender Attainment Objectives and identity. The students will also deepen their knowledge of the Japanese history and how it formed various festivals. Session 1) Introduction to the course Session 2) New Year Festival - Oshôgatsu Session 3) Driving out the Evil: Setsubun “Change of Seasons” Course Contents of Session 4) Buddhist Festivals Each Session Session 5) Matsuri and Gender: Overview Session 6) Matsuri and Gender: The Girl's Day Festival and The Boy’s Day Festival Session 7) Summer Festivals Session 8) Obon Session 9) Festivals and Traditional Performing Arts Session 10) The Three Big Festivals in Kyoto – Jidai Matsuri “Festival of the Ages” -
JAPAN for FREE PAGE 1/ 5
JAPAN for FREE PAGE 1/ 5 PG-813 JAPAN 10th Fl., Tokyo Kotsu Kaikan Bldg., 2-10-1, Yurakucho, Chiyoda-ku, Tokyo 100-0006 FOR FREE Tel. (03)3201-3331 Japan offers visitors from abroad a lot of worthwhile places to see and things to do for free. The following is only a small number of examples of places and events that you can enjoy for free in Japan. TOKYO Imperial Palace East Garden (皇居東御苑), 3-min. memorial items of Sumo wrestling, such as paintings, walk from Takebashi Sta. on Tozai Line, or 7-min. walk books, photos and the like. Open: 10:00-16:30. Closed: from Otemachi Sta. on Chiyoda, Mita, Hanzomon and Sat., Sun., national holidays & New Year’s holiday. For Marunouchi Line, is a garden adjoining the Imperial more information: http://www.sumo.or.jp/eng/museum/ Palace and a museum. The garden of 210,000 m2 first index.html opened to the public in 1968. Here you can enjoy cherry blossoms and azaleas in spring, various roses in early Currency Museum (貨幣博物館), 2-min. walk from summer, and camellias in winter. Open: 9:00-17:00 (Apr. Mitsukoshi-mae Sta. on Ginza Line & Hanzomon Line or 15-Aug.) 9:00-16:30(Mar.-Apr.14, Sep.-Oct.), 9:00- 10-min. walk from Tokyo Sta., was opened in 1985 by 16:00(Nov.-Feb.): enter 30 min. before closing time. Bank of Japan. It contains about 4,000 representative Closed: Mon. (the following day when Mon. falls on a currency items and exhibits a history of currency. -
PACIFIC WORLD Journal of the Institute of Buddhist Studies
PACIFIC WORLD Journal of the Institute of Buddhist Studies Third Series Number 12 Fall 2010 Special Issue: Buddhisms in Japan FRONT COVER PACIFIC WORLD: Journal of the Institute of Buddhist Studies Third Series, Number 12 Fall 2010 SPINE PACIFIC WORLD Journal of the Institute of Buddhist Studies HALF-TITLE PAGE i Presentation of Doctorate Honoris Causa to Rev. Toshihide Numata at Mitutoyo Sosensai service, Aurora, Illinois, 14 July 2011. Left to right: Rev. Toshihide Numata, President of Mitutoyo Corporation, and of Buk- kyo Dendo Kyokai, Rev. Koshin Ogui, Socho of the Buddhist Churches of America and President of the Institute of Buddhist Studies, and Dr. Richard K. Payne, Dean of the Institute of Buddhist Studes and Yehan Numata Professor of Japanese Buddhist Studies. REVERSE HALF TITLE ii PACIFIC WORLD Journal of the Institute of Buddhist Studies Third Series Number 12 Fall 2010 SPECIAL ISSUE: BUDDHISMS IN JAPAN TITLE iii Pacific World is an annual journal in English devoted to the dissemination of his- torical, textual, critical, and interpretive articles on Buddhism generally and Shinshu Buddhism particularly to both academic and lay readerships. The journal is distributed free of charge. Articles for consideration by the Pacific World are welcomed and are to be submitted in English and addressed to the Editor, Pacific World, 2140 Durant Ave., Berkeley, CA 94704-1589, USA. Acknowledgment: This annual publication is made possible by the donation of BDK America of Berkeley, California. Guidelines for Authors: Manuscripts (approximately twenty standard pages) should be typed double-spaced with 1-inch margins. Notes are to be endnotes with full biblio- graphic information in the note first mentioning a work, i.e., no separate bibliography.