K Kan Nsai I in Th He a Asia Paci Ific
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Notes Toward a Study of Neighborhood Festivals in Modern Tokyo
The Shrine : Notes toward a Study of Neighborhood Festivals in Modern Tokyo By A.W. S a d l e r Sarah Lawrence College When I arrived in Japan in the autumn of 1965, I settled my family into our home-away-from-home in a remote comer of Bunkyo-ku3 in Tokyo, and went to call upon an old timer,a man who had spent most of his adult life in Tokyo. I told him of my intention to carry out an exhaustive study of the annual festivals (taisai) of a typical neighbor hood shrine (jinja) in my area of residence,and I told him I had a full year at my disposal for the task. “Start on the grounds of the shrine/,was his solid advice; “go over every tsubo '(every square foot3 we might say),take note of every stone, investigate every marker.” And that is how I began. I worked with the shrines closest to home so that shrine and people would be part of my everyday life. When my wife and I went for an evening stroll, we invariably happened upon the grounds of one of our shrines; when we went to the market for fish or pencils or raaisnes we found ourselves visiting with the ujiko (parishioners; literally,children of the god of the shrine, who is guardian spirit of the neighborhood) of the shrine. I started with five shrines. I had great difficulty arranging for interviews with the priests of two of the five (the reasons for their reluc tance to visit with me will be discussed below) ; one was a little too large and famous for my purposes,and another was a little too far from home for really careful scrutiny. -
Mother of the Nation: Femininity, Modernity, and Class in the Image of Empress Teimei
Mother of the Nation: Femininity, Modernity, and Class in the Image of Empress Teimei By ©2016 Alison Miller Submitted to the graduate degree program in the History of Art and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Doctor of Philosophy. ________________________________ Chairperson Dr. Maki Kaneko ________________________________ Dr. Sherry Fowler ________________________________ Dr. David Cateforis ________________________________ Dr. John Pultz ________________________________ Dr. Akiko Takeyama Date Defended: April 15, 2016 The Dissertation Committee for Alison Miller certifies that this is the approved version of the following dissertation: Mother of the Nation: Femininity, Modernity, and Class in the Image of Empress Teimei ________________________________ Chairperson Dr. Maki Kaneko Date approved: April 15, 2016 ii Abstract This dissertation examines the political significance of the image of the Japanese Empress Teimei (1884-1951) with a focus on issues of gender and class. During the first three decades of the twentieth century, Japanese society underwent significant changes in a short amount of time. After the intense modernizations of the late nineteenth century, the start of the twentieth century witnessed an increase in overseas militarism, turbulent domestic politics, an evolving middle class, and the expansion of roles for women to play outside the home. As such, the early decades of the twentieth century in Japan were a crucial period for the formation of modern ideas about femininity and womanhood. Before, during, and after the rule of her husband Emperor Taishō (1879-1926; r. 1912-1926), Empress Teimei held a highly public role, and was frequently seen in a variety of visual media. -
Hiroshima Castle
Here is where you can find reliable dining, shopping English / 英語 and lodging! MAP●Ⅱ Map JR Hiroshima Station MAP●Ⅰ MAP●Ⅲ * 4 premises apart from the map of ●Ⅰ are displayed in maps of ●Ⅱ and ●Ⅲ . Yokogawa Station セブレブ ン イ ン Fresta Yokogawa Station MAP●ⅠHiroshima City Center MAP●ⅡAsakita Ward (Asa Zoological Park area) 25 12 (Naka Ward and Minami Ward Fuji area) Yokogawa 1-chome 28 Asakita Ward Mt. Notoro Sanyo Marunaka Hakushima Elementary School Kyojunji Temple 268 Hakushima Hiroshima Chuo Betsuin-mae Motomachi Senior High School Golf Club Hiroshima Teishin Hospital Asaminami Ward Motomachi Tokuoji Temple 269 Elementary School Astram LineHiroshima Castle JR Sanyo Shinkansen Line Ganjoji Temple Katei Saibansho-mae Hiroshima General Hospital Hiroden Yokogawa Line Hiroshima Family Court Kyobashi-gawa River Central Park Johoku-dori Ave. of West Japan Railway Company Yasuda Women's Tera-machi Hiroshima Hiroshima-Kamiyasu University Gokoku Shrine Shukkeien Post Office Hiroshima Green Arena 183 54 6 JR Sanyo Line Max Valu Yasuda Women's College Hiroshima City Kamiyasu Astram Line Shukkeien-mae Express Takatori 38 Children's Library Jonan-dori Ave. Noboricho 37 14 Hiroshima Central Hiroden Hakushima Line Junior High School Shinkansen Exit 29 Jogakuin-mae Chorakuji Youme Town City Library 27 Tourist Information Hiroshima Jogakuin Hiroshima-Higashi Post Office Hiroshima Station Hiroshima City Hospital Center Senior High School Yasuhigashi South Exit Honkawa-cho 15 Yoshijima Hospital Kenchomae 9 Noboricho Elementary School Tourist Information -
Kyoto Confidential
japan // asia K YOTO CONFIDENTIAL From the charming hot spring town of Kinosaki Onsen where visitors dress up to strip down, to a heritage fishing village unchanged in 300 years on the Sea of Japan… Rhonda Bannister veers off the tourist trail to discover the captivating treasures of Kyoto Prefecture 94 holidaysforcouples.travel 95 japan // asia Chilling in a hot spring Delving deeper into the Kyoto Prefecture (an administration area that’s a little like a state or territory), our next stop was around 100 kilometres north, on the Sea of Japan. Kinosaki Onsen is defined by its seven public bathhouses, dozens of ryokans (a traditional Japanese inn) with private hot spring baths, and a warm welcome wherever you wander. The town is adorable at first sight. The further we roamed the streets and laneways, criss-crossing the willow-lined Otani River on little stone bridges, the more enamoured we became – especially in the evening when lanterns bathe the river and trees in their seductive glow. The mystical history of Kinosaki Onsen fter the tourists have left and reaches back 1300 years when a Buddhist priest the streets are quiet, the ancient received a vision from an oracle telling him to area of Gion in Kyoto appears pray for a thousand days for the health of the straight from the pages of Memoirs people. Legend says that in addition to prayer, of a Geisha. This is one of Kyoto’s he fasted the entire time and on the last day, best-preservedA historical areas, and Japan’s most a hot spring shot up from the ground. -
The Otaku Phenomenon : Pop Culture, Fandom, and Religiosity in Contemporary Japan
University of Louisville ThinkIR: The University of Louisville's Institutional Repository Electronic Theses and Dissertations 12-2017 The otaku phenomenon : pop culture, fandom, and religiosity in contemporary Japan. Kendra Nicole Sheehan University of Louisville Follow this and additional works at: https://ir.library.louisville.edu/etd Part of the Comparative Methodologies and Theories Commons, Japanese Studies Commons, and the Other Religion Commons Recommended Citation Sheehan, Kendra Nicole, "The otaku phenomenon : pop culture, fandom, and religiosity in contemporary Japan." (2017). Electronic Theses and Dissertations. Paper 2850. https://doi.org/10.18297/etd/2850 This Doctoral Dissertation is brought to you for free and open access by ThinkIR: The University of Louisville's Institutional Repository. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of ThinkIR: The University of Louisville's Institutional Repository. This title appears here courtesy of the author, who has retained all other copyrights. For more information, please contact [email protected]. THE OTAKU PHENOMENON: POP CULTURE, FANDOM, AND RELIGIOSITY IN CONTEMPORARY JAPAN By Kendra Nicole Sheehan B.A., University of Louisville, 2010 M.A., University of Louisville, 2012 A Dissertation Submitted to the Faculty of the College of Arts and Sciences of the University of Louisville in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in Humanities Department of Humanities University of Louisville Louisville, Kentucky December 2017 Copyright 2017 by Kendra Nicole Sheehan All rights reserved THE OTAKU PHENOMENON: POP CULTURE, FANDOM, AND RELIGIOSITY IN CONTEMPORARY JAPAN By Kendra Nicole Sheehan B.A., University of Louisville, 2010 M.A., University of Louisville, 2012 A Dissertation Approved on November 17, 2017 by the following Dissertation Committee: __________________________________ Dr. -
A Garden in Uji Embodying the Yearning for the Paradise in The
II SUGIMOTO Hiroshi A Garden in Uji Embodying the Yearning for the Paradise in the West – Byôdô-in Garden – SUGIMOTO Hiroshi Sub-Manager, Historic City Planning Promotion Section, Uji City, JAPAN 1. Creation of Byôdô-in (south-facing temple building) and a pond are located on In the Heian period (794 to 1185), Uji was developed the south-north axis extending from the Nan-mon (south in the southern Heian-kyô (present-day Kyôto) as a gate), and the pond is surrounded by the U shaped temple. residential suburb. The preceding building of Byôdô-in was Byôdô-in is significantly different in these features from the originally built in the early Heian period as a private villa for other two temples. The building style of the Phoenix Hall Minamoto no Tôru, which was later purchased by Fujiwara was taken over by Shôkômyô-in in Toba and Muryôkô-in in no Michinaga. After being bequeathed to his son Fujiwara Hiraizumi, exerting a significant impact on the development no Yorimichi, the villa was converted into a temple in 1052, of Jôdo temples in later years. which coincided with the beginning of the mappô, the age of the degeneration of the Buddha’s law. The main hall of the 2. Byôdô-in Garden villa was then renovated into a Buddhist sanctum and the It is obvious, both from records and the layout, that the Phoenix Hall (Hô-oh-dô) was added in the following year. Phoenix Hall is the main building of the Byôdô-in temple The Fujiwara clan continued expanding the building and, by complex. -
Noh Theater and Religion in Medieval Japan
Copyright 2016 Dunja Jelesijevic RITUALS OF THE ENCHANTED WORLD: NOH THEATER AND RELIGION IN MEDIEVAL JAPAN BY DUNJA JELESIJEVIC DISSERTATION Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in East Asian Languages and Cultures in the Graduate College of the University of Illinois at Urbana-Champaign, 2016 Urbana, Illinois Doctoral Committee: Associate Professor Elizabeth Oyler, Chair Associate Professor Brian Ruppert, Director of Research Associate Professor Alexander Mayer Professor Emeritus Ronald Toby Abstract This study explores of the religious underpinnings of medieval Noh theater and its operating as a form of ritual. As a multifaceted performance art and genre of literature, Noh is understood as having rich and diverse religious influences, but is often studied as a predominantly artistic and literary form that moved away from its religious/ritual origin. This study aims to recapture some of the Noh’s religious aura and reclaim its religious efficacy, by exploring the ways in which the art and performance of Noh contributed to broader religious contexts of medieval Japan. Chapter One, the Introduction, provides the background necessary to establish the context for analyzing a selection of Noh plays which serve as case studies of Noh’s religious and ritual functioning. Historical and cultural context of Noh for this study is set up as a medieval Japanese world view, which is an enchanted world with blurred boundaries between the visible and invisible world, human and non-human, sentient and non-sentient, enlightened and conditioned. The introduction traces the religious and ritual origins of Noh theater, and establishes the characteristics of the genre that make it possible for Noh to be offered up as an alternative to the mainstream ritual, and proposes an analysis of this ritual through dynamic and evolving schemes of ritualization and mythmaking, rather than ritual as a superimposed structure. -
Rites of Blind Biwa Players
ASIA 2017; 71(2): 567–583 Saida Khalmirzaeva* Rites of Blind Biwa Players DOI 10.1515/asia-2017-0034 Abstract: Not much is known about the past activities of blind biwa players from Kyushu. During the twentieth century a number of researchers and folklorists, such as Tanabe Hisao, Kimura Yūshō,KimuraRirō,Nomura(Ga) Machiko, Narita Mamoru, Hyōdō Hiromi and Hugh de Ferranti, collected data on blind biwa players in various regions of Kyushu, made recordings of their performances and conducted detailed research on the history and nature of their tradition. However, despite these efforts to document and publicize the tradition of blind biwa players and its representatives and their repertory, it ended around the end of the twentieth century. The most extensively docu- mented individual was Yamashika Yoshiyuki 山鹿良之 (1901–1996), one of the last representatives of the tradition of blind biwa players, who was known among researchers and folklorists for his skill in performing and an abundant repertory that included rites and a great many tales. Yamashika was born in 1901 in a farmer family in Ōhara of Tamana District, the present-day Kobaru of Nankan, Kumamoto Prefecture. Yamashika lost the sight in his left eye at the age of four. At the age of twenty-two Yamashika apprenticed with a biwa player named Ezaki Shotarō 江崎初太郎 from Amakusa. From his teacher Yamashika learned such tales as Miyako Gassen Chikushi Kudari 都合戦筑紫 下り, Kikuchi Kuzure 菊池くづれ, Kugami Gassen くがみ合戦, Owari Sōdō 尾張 騒動, Sumidagawa 隅田川 and Mochi Gassen 餅合戦. After three years Yamashika returned home. He was not capable of doing much farm work because his eyesight had deteriorated further by then. -
The Selected Poems of Yosa Buson, a Translation Allan Persinger University of Wisconsin-Milwaukee
University of Wisconsin Milwaukee UWM Digital Commons Theses and Dissertations May 2013 Foxfire: the Selected Poems of Yosa Buson, a Translation Allan Persinger University of Wisconsin-Milwaukee Follow this and additional works at: https://dc.uwm.edu/etd Part of the American Literature Commons, and the Asian Studies Commons Recommended Citation Persinger, Allan, "Foxfire: the Selected Poems of Yosa Buson, a Translation" (2013). Theses and Dissertations. 748. https://dc.uwm.edu/etd/748 This Dissertation is brought to you for free and open access by UWM Digital Commons. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of UWM Digital Commons. For more information, please contact [email protected]. FOXFIRE: THE SELECTED POEMS OF YOSA BUSON A TRANSLATION By Allan Persinger A Dissertation Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in English at The University of Wisconsin-Milwaukee May 2013 ABSTRACT FOXFIRE: THE SELECTED POEMS OF YOSA BUSON A TRANSLATION By Allan Persinger The University of Wisconsin-Milwaukee, 2013 Under the Supervision of Professor Kimberly M. Blaeser My dissertation is a creative translation from Japanese into English of the poetry of Yosa Buson, an 18th century (1716 – 1783) poet. Buson is considered to be one of the most important of the Edo Era poets and is still influential in modern Japanese literature. By taking account of Japanese culture, identity and aesthetics the dissertation project bridges the gap between American and Japanese poetics, while at the same time revealing the complexity of thought in Buson's poetry and bringing the target audience closer to the text of a powerful and mov- ing writer. -
A POPULAR DICTIONARY of Shinto
A POPULAR DICTIONARY OF Shinto A POPULAR DICTIONARY OF Shinto BRIAN BOCKING Curzon First published by Curzon Press 15 The Quadrant, Richmond Surrey, TW9 1BP This edition published in the Taylor & Francis e-Library, 2005. “To purchase your own copy of this or any of Taylor & Francis or Routledge’s collection of thousands of eBooks please go to http://www.ebookstore.tandf.co.uk/.” Copyright © 1995 by Brian Bocking Revised edition 1997 Cover photograph by Sharon Hoogstraten Cover design by Kim Bartko All rights reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior permission of the publisher. British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library ISBN 0-203-98627-X Master e-book ISBN ISBN 0-7007-1051-5 (Print Edition) To Shelagh INTRODUCTION How to use this dictionary A Popular Dictionary of Shintō lists in alphabetical order more than a thousand terms relating to Shintō. Almost all are Japanese terms. The dictionary can be used in the ordinary way if the Shintō term you want to look up is already in Japanese (e.g. kami rather than ‘deity’) and has a main entry in the dictionary. If, as is very likely, the concept or word you want is in English such as ‘pollution’, ‘children’, ‘shrine’, etc., or perhaps a place-name like ‘Kyōto’ or ‘Akita’ which does not have a main entry, then consult the comprehensive Thematic Index of English and Japanese terms at the end of the Dictionary first. -
Policy of Cultural Affairs in Japan
Policy of Cultural Affairs in Japan Fiscal 2016 Contents I Foundations for Cultural Administration 1 The Organization of the Agency for Cultural Affairs .......................................................................................... 1 2 Fundamental Law for the Promotion of Culture and the Arts and Basic Policy on the Promotion of Culture and the Art ...... 2 3 Council for Cultural Affairs ........................................................................................................................................................ 5 4 Brief Overview of the Budget for the Agency for Cultural Affairs for FY 2016 .......................... 6 5 Commending Artistic and Related Personnel Achievement ...................................................................... 11 6 Cultural Publicity ............................................................................................................................................................................... 12 7 Private-Sector Support for the Arts and Culture .................................................................................................. 13 Policy of Cultural Affairs 8 Cultural Programs for Tokyo 2020 Olympic and Paralympic Games .................................................. 15 9 Efforts for Cultural Programs Taking into Account Changes Surrounding Culture and Arts ... 16 in Japan II Nurturing the Dramatic Arts 1 Effective Support for the Creative Activities of Performing Arts .......................................................... 17 2 -
The Culture of Japanese Fascism Asia-Pacific: Culture, Politics, and Society &EJUPST3FZ$IPX )%)BSPPUVOJBO BOE.BTBP.JZPTIJ the Culture of Japanese Fascism
THE CULTURE OF JAPANESE FASCISM ASIA-PACIFIC: CULTURE, POLITICS, AND SOCIETY &EJUPST3FZ$IPX )%)BSPPUVOJBO BOE.BTBP.JZPTIJ THE CULTURE OF JAPANESE FASCISM &EJUFECZ "MBO5BOTNBO DUKE UNIVERSITY PRESS DURHAM AND LONDON 2009 © 2009 Duke University Press All rights reserved Printed in the United States of America on acid-free paper ♾ Designed by Amy Ruth Buchanan Typeset in Quadraat by Tseng Information Systems, Inc. Library of Congress Cataloging- in-Publication Data appear on the last printed page of this book. Duke University Press gratefully acknowledges the support of Columbia University, which provided funds toward the production of this book. CONTENTS MARILYN IVY Foreword: Fascism, Yet? vii ALAN TANSMAN Introduction: The Culture of Japanese Fascism 1 Part I: Theories of Japanese Fascism KEVIN M. DOAK Fascism Seen and Unseen: Fascism as a Problem in Cultural Representation 31 RICHARD TORRANCE The People’s Library: The Spirit of Prose Literature versus Fascism 56 HARRY HAROOTUNIAN Constitutive Ambiguities: The Persistence of Modernism and Fascism in Japan’s Modern History 80 Part II: Fascism and Daily Life KIM BRANDT The Beauty of Labor: Imagining Factory Girls in Japan’s New Order 115 NORIKO ASO Mediating the Masses: Yanagi Sōetsu and Fascism 138 AARON SkABELUND Fascism’s Furry Friends: Dogs, National Identity, and Purity of Blood in 1930s Japan 155 Part III: Exhibiting Fascism AARON GEROW Narrating the Nation-ality of a Cinema: The Case of Japanese Prewar Film 185 MICHAEL BASKETT All Beautiful Fascists?: Axis Film Culture in Imperial Japan 212 AkIKO TAKENAKA Architecture for Mass-Mobilization: The Chūreitō Memorial Construction Movement, 1939–1945 235 JONATHAN M.