Okinoshima Island and Related Sites in the Munakata Region”
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Consumer Administration in Japan and in Hyogo Prefecture
Consumer Administration in Japan and in Hyogo Prefecture Akemi YAMAGAMl Director Consumer Science Information Department Kobe Life Enhancement Center of Hyogo Prefecture · Consumer Policy in Japan (P1-7) 1 Background (P1) 2 The organization of consumer policy (P1-2) <Fig 1> The System of Consumer Policy (P6) 3 The Consumer Fundamental Act (P2) <Fig. 2> The Structure of the Consumer Protection Fundamental Act (P7) 4 Outline of consumer administration (P3-5) 5 Future food safety policy (P5) · Consumer Administration in Hyogo Prefecture (P8-17) 1 Organization for Promotion of consumer administration in Hyogo Prefecture (P8) 2 Kobe Life Enhancement Center (Consumer Science Information Department) (P9-17) (1) Objective (P9) (2) Background (P9) (3) Organization of Kobe Life Enhancement Center (P10) (4) Promotion of consumer protection measures (P11-13) (5) Trends and Features in Consumer Consultation (FY 2003) (P14-17) Consumer Policy in Japan 1. Background After the era of high economic growth (from mid 1950's through 60's), with the spread of mass-production and rapid progress in industry, consumer problems have been recognized as one of the most important structural problems of Japanese economy and society. The background is as follows: Firstly, it is normally difficult for each consumer to get accurate information on manufacturing process or the quality of products due to the complexity of products and production. It is also difficult to judge the safety of products only by their own knowledge and experiences. Secondly, with the spread of mass-production and mass-consumption, the number of injuries caused by defective of products has been increasing. -
Hyōgo Prefecture
Coor din ates: 3 4 °4 1 ′2 6 .9 4 ″N 1 3 5 °1 0′5 9 .08″E Hyōgo Prefecture Hyōgo Prefecture (兵庫県 Hyōgo-ken) is a prefecture of Japan located in the Kansai region on Hyōgo Prefecture Honshu island.[1] The capital is Kobe.[2] 兵庫県 Prefecture Contents Japanese transcription(s) • Japanese 兵庫県 History • Rōmaji Hyōgo-ken Geography Cities Towns Islands National parks Mergers Flag Future mergers Symbol Economy Culture National Treasures of Japan Important Preservation Districts for Groups of Historic Buildings in Japan Museums Education Universities Amagasaki Takarazuka Sanda Nishinomiya Ashiya Kobe Kato Akashi Kakogawa Country Japan Himeji Region Kansai Akō Island Honshu High schools Capital Kobe Sports Government Tourism • Governor Toshizō Ido Festival and events Area Transportation Rail • Total 8,396.13 km2 People movers (3,241.76 sq mi) Road Area rank 12th Expressways Population (November 1, 2011) National highways Ports • Total 5,582,978 Airport • Rank 7th • Density 660/km2 (1,700/sq mi) Notable people Sister regions ISO 3166 JP-28 code See also Notes Districts 8 References Municipalities 41 External links Flower Nojigiku (Chrysanthemum japonense) Tree Camphor tree History (Cinnamomum camphora) Bird Oriental white stork Present-day Hyōgo Prefecture includes the former provinces of Harima, Tajima, Awaji, and parts (Ciconia boyciana) of Tanba and Settsu.[3] Website web.pref.hyogo.lg.jp/fl /english/ (http://web.pre In 1180, near the end of the Heian period, Emperor Antoku, Taira no Kiyomori, and the Imperial f.hyogo.lg.jp/fl/english/) court moved briefly to Fukuhara, in what is now the city of Kobe. -
Hirohito the Showa Emperor in War and Peace. Ikuhiko Hata.Pdf
00 Prelims H:Master Testpages Enigma 6/6/07 15:00 Page i HIROHITO: THE SHO¯ WA EMPEROR IN WAR AND PEACE 00 Prelims H:Master Testpages Enigma 6/6/07 15:00 Page ii General MacArthur and Emperor Hirohito photographed in the US Embassy, Tokyo, shortly after the start of the Occupation in September 1945. (See page 187) 00 Prelims H:Master Testpages Enigma 6/6/07 15:00 Page iii Hirohito: The Sho¯wa Emperor in War and Peace Ikuhiko Hata NIHON UNIVERSITY Edited by Marius B. Jansen GLOBAL ORIENTAL 00 Prelims H:Master Testpages Enigma 6/6/07 15:00 Page iv HIROHITO: THE SHO¯ WA EMPEROR IN WAR AND PEACE by Ikuhiko Hata Edited by Marius B. Jansen First published in 2007 by GLOBAL ORIENTAL LTD P.O. Box 219 Folkestone Kent CT20 2WP UK www.globaloriental.co.uk © Ikuhiko Hata, 2007 ISBN 978-1-905246-35-9 All rights reserved. No part of this publication may be reproduced or transmitted in any form or by any electronic, mechanical or other means, now known or hereafter invented, including photocopying and recording, or in any information storage or retrieval system, without prior permission in writing from the Publishers. British Library Cataloguing in Publication Data A CIP catalogue entry for this book is available from the British Library Set in Garamond 11 on 12.5 pt by Mark Heslington, Scarborough, North Yorkshire Printed and bound in England by Athenaeum Press, Gateshead, Tyne & Wear 00 Prelims H:Master Testpages Enigma 6/6/07 15:00 Page vi 00 Prelims H:Master Testpages Enigma 6/6/07 15:00 Page v Contents The Author and the Book vii Editor’s Preface -
Afsnet.Org 2014 American Folklore Society Officers
American Folklore Society Keeping Folklorists Connected Folklore at the Crossroads 2014 Annual Meeting Program and Abstracts 2014 Annual Meeting Committee Executive Board Brent Björkman (Kentucky Folklife Program, Western The annual meeting would be impossible without these Kentucky University) volunteers: they put together sessions, arrange lectures, Maria Carmen Gambliel (Idaho Commission on the special events, and tours, and carefully weigh all proposals Arts, retired) to build a strong program. Maggie Holtzberg (Massachusetts Cultural Council) Margaret Kruesi (American Folklife Center) Local Planning Committee Coordinator David Todd Lawrence (University of St. Thomas) Laura Marcus Green (independent) Solimar Otero (Louisiana State University) Pravina Shukla (Indiana University) Local Planning Committee Diane Tye (Memorial University of Newfoundland) Marsha Bol (Museum of International Folk Art) Carolyn E. Ware (Louisiana State University) Antonio Chavarria (Museum of Indian Arts and Culture) Juwen Zhang (Willamette University) Nicolasa Chavez (Museum of International Folk Art) Felicia Katz-Harris (Museum of International Folk Art) Melanie LaBorwit (New Mexico Department of American Folklore Society Staff Cultural Affairs) Kathleen Manley (University of Northern Colorado, emerita) Executive Director Claude Stephenson (New Mexico State Folklorist, emeritus) Timothy Lloyd Suzanne Seriff (Museum of International Folk Art) [email protected] Steve Green (Western Folklife Center) 614/292-3375 Review Committee Coordinators Associate Director David A. Allred (Snow College) Lorraine Walsh Cashman Aunya P. R. Byrd (Lone Star College System) [email protected] Nancy C. McEntire (Indiana State University) 614/292-2199 Elaine Thatcher (Heritage Arts Services) Administrative and Editorial Associate Review Committee Readers Rob Vanscoyoc Carolyn Sue Allemand (University of Mary Hardin-Baylor) [email protected] Nelda R. -
Inland Sea of Ja An
Ancient traditions of the Inland Sea of Ja an Kyoto ◆ Hiroshima ◆ Miyajima ◆ Matsue ◆ Himeji ◆ Osaka A voyage aboard the Exclusively Chartered Small Ship Five-Star M.S. L’AUSTRAL April 30 to May 10, 2017 Dear Bryn Mawr Alumnae/i and Friends, Konnichiwa! Experience the timeless splendor of Japan and South Korea by sea and on land, the best way to see the richness of this beautiful region. During this custom-designed nine-night itinerary enjoy two nights on land and seven nights cruising while you explore enthralling ports steeped in the traditions of ancient Buddhist shoguns and Samurai warriors, and admire landscapes dotted with Shinto shrines, imperial castles and meticulous Japanese gardens. Spend two nights in the enchanting city of Kyoto, its serene landscape brimming with fragrant cherry blossom trees. It was the imperial capital of Japan from A.D. 794 until the mid-19th century and has been the cultural capital of this island nation for more than 1000 years. See its historic UNESCO World Heritage-designated monuments, visit the opulent temples of Ry ¯oan-ji and Kinkaku-ji, the imperial Nij ¯o Castle and stroll through the iconic red-orange torii gates and temple grounds of the Fushimi Inari Shrine. On board the exclusively chartered, Five-Star small ship M.S. L’AUSTRAL, featuring only 110 ocean-view Suites and Staterooms, cruise for seven nights from Himeji, Japan, along the coast of the tranquil Inland Sea and South Korea, and visit captivating port calls that showcase fi ve UNESCO World Heritage sites. See the impressive 14th-century Himeji Castle complex, the oldest surviving feudal structure of medieval Japan; walk through the poignant Peace Memorial Park and Museum in Hiroshima following President Obama’s recent historic visit; and tour picturesque Itsukushima Shrine in Miyajima with its awe-inspiring Great Torii Gate. -
Ceramics Monthly Mar93 Cei03
William Hunt..................................... Editor Ruth C. Butler................. Associate Editor Robert L. Creager...................... Art Director Kim Nagorski..................Assistant Editor Mary Rushley................ Circulation Manager MaryE. Beaver ....Assistant Circulation Manager Connie Belcher.........Advertising Manager Spencer L. Davis............................Publisher Editorial, Advertising and Circulation Offices 1609 Northwest Boulevard Box 12448 Columbus, Ohio 43212 (614) 488-8236 FAX (614) 488-4561 Ceramics Monthly (ISSN 0009-0328) is pub lished monthly except July and August by Profes sional Publications, Inc., 1609 Northwest Bou levard, Columbus, Ohio 43212. Second Class postage paid at Columbus, Ohio. Subscription Rates: One year $22, two years $40, three years $55. Add $10 per year for subscriptions outside the U.S.A. Change of Address: Please give us four weeks advance notice. Send the magazine address label as well as your new address to: Ceramics Monthly, Circulation Offices, Post Office Box 12448, Columbus, Ohio 43212. Contributors: Manuscripts, announcements, news releases, photographs, color separations, color transparencies (including 35mm slides), graphic illustrations and digital TIFF images are welcome and will be considered for publication. Mail submissions to Ceramics Monthly, Box 12448, Columbus, Ohio 43212. We also accept unillustrated materials faxed to (614) 488-4561. Writing and Photographic Guidelines: A book let describing standards and procedures for sub mitting materials is available upon request. Indexing: An index of each year’s articles appears in the December issue. Additionally, Ceramics Monthly articles are indexed in the Art Index. Printed, on-line and CD-ROM (computer) index ing is available through Wilsonline, 950 Univer sity Avenue, Bronx, New York 10452; and from Information Access Company, 362 Lakeside Drive, Forest City, California 94404. -
©Copyright 2012 Sachi Schmidt-Hori
1 ©Copyright 2012 Sachi Schmidt-Hori 2 Hyperfemininities, Hypermasculinities, and Hypersexualities in Classical Japanese Literature Sachi Schmidt-Hori A Dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Washington 2012 Reading Committee: Paul S. Atkins, Chair Davinder L. Bhowmik Tani E. Barlow Kyoko Tokuno Program Authorized to Offer Degree: Department of Asian Languages and Literature 3 University of Washington Abstract Hyperfemininities, Hypermasculinities, and Hypersexualities in Classical Japanese Literature Sachi Schmidt-Hori Chair of the Supervisory Committee: Associate Professor Paul S. Atkins Asian Languages and Literature This study is an attempt to elucidate the complex interrelationship between gender, sexuality, desire, and power by examining how premodern Japanese texts represent the gender-based ideals of women and men at the peak and margins of the social hierarchy. To do so, it will survey a wide range of premodern texts and contrast the literary depictions of two female groups (imperial priestesses and courtesans), two male groups (elite warriors and outlaws), and two groups of Buddhist priests (elite and “corrupt” monks). In my view, each of the pairs signifies hyperfemininities, hypermasculinities, and hypersexualities of elite and outcast classes, respectively. The ultimate goal of 4 this study is to contribute to the current body of research in classical Japanese literature by offering new readings of some of the well-known texts featuring the above-mentioned six groups. My interpretations of the previously studied texts will be based on an argument that, in a cultural/literary context wherein defiance merges with sexual attractiveness and/or sexual freedom, one’s outcast status transforms into a source of significant power. -
Kyoto Sightseeing Route
Imamiya-jinja Nearest bus stop ❾● Nearest bus stop ❾● Eizan Elec. Rwy. Specialty Shrine For Shimogamo-jinja Shrine For Ginkaku-ji Templeダミー銀閣寺の説明。□□□□□□□□□□□□□□□□□□□□□□□□□ Free Wi-Fi on board Operate every 5~10 min. Operate every 5~10 min. ( to Kibune/Kurama) Specialty SSID:skyhopbus_Free PW:skyhopbus ABURI MOCHIダミー金閣寺の説明。□□□□□□□□□□□□□□□□□□ □□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□ 1 2 GOLD LEAF aitokuji 【Kyoto City Bus】 【Kyoto City Bus】 yoto ta. arasuma ojo roasted□□□□□□□□□□□□□□□□□□□□□□□□□□□□D □□□□□□□□□□□□□□□□□ Sky Hop K S K G SOFT CREAM rice cakes Bus route No.203 & No.102 BusKita-Oji route St. No.203 & No.102 □□□□□□□□□□□□□□□□□□□□□□□□□□□□Temple Bus □□□ Koto-in Karasuma Imadegawa Demachiyanagi Sta. Karasuma Imadegawa Ginkakuji-michi Ichijoji Sta. SKYHOP BUS Kyoto With Kyoto as the gateway to Hotel New Kyoto Tower ↑ Nearby Byodo-ji Temple was Temple 8 ※Walking about 3 min. from❾ ※Walking about 12 min. ※Walking about 3 min. from❾ ※Walking about 10 min. ダミー下鴨神社の説明。□□□□□□□□□□□□□□□□□ history, the station features a Hankyu Kyoto Hotel established when a statue of 2 Ryogen-in Temple to Shimogamo-jinja Shrine to Ginkaku-ji Temple (1 trip 99 min./every 30 min.) Kinkakuji 7 廬山寺 □□□□□□□□□□□□□□□□□□□□□□□□□□□□ Japanese Go board tile design. Yakushi Nyorai was drawn from ※A separate fare fromShimei the SkySt. Hop Bus Kyoto ticket is ※A separate fare from the Sky Hop Bus Kyoto ticket is Gojo Shimogamo Hon-dori St. Hon-dori Shimogamo □□□□□□□□□□□□□□□□□□□□□□□□□□□□ required. This fareKarasuma St. is 230 yen (one way). required. This fare is 230 yen (one way). Visitors from abroad will the sea and enshrined in 997. Temple □□□□ 500m 法然院 Subway Karasuma Line ダミー銀閣寺の説明。□□□□□□□□□□□□□□□□□□□□□□□□□ Tomb of Murasaki Shikibu 1 appreciate the large tourist Information 京都The principle image of Yakushi □□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□ Central Gojo St. -
HIRATA KOKUGAKU and the TSUGARU DISCIPLES by Gideon
SPIRITS AND IDENTITY IN NINETEENTH-CENTURY NORTHEASTERN JAPAN: HIRATA KOKUGAKU AND THE TSUGARU DISCIPLES by Gideon Fujiwara A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY in The Faculty of Graduate Studies (Asian Studies) THE UNIVERSITY OF BRITISH COLUMBIA (Vancouver) April 2013 © Gideon Fujiwara, 2013 ABSTRACT While previous research on kokugaku , or nativism, has explained how intellectuals imagined the singular community of Japan, this study sheds light on how posthumous disciples of Hirata Atsutane based in Tsugaru juxtaposed two “countries”—their native Tsugaru and Imperial Japan—as they transitioned from early modern to modern society in the nineteenth century. This new perspective recognizes the multiplicity of community in “Japan,” which encompasses the domain, multiple levels of statehood, and “nation,” as uncovered in recent scholarship. My analysis accentuates the shared concerns of Atsutane and the Tsugaru nativists toward spirits and the spiritual realm, ethnographic studies of commoners, identification with the north, and religious thought and worship. I chronicle the formation of this scholarly community through their correspondence with the head academy in Edo (later Tokyo), and identify their autonomous character. Hirao Rosen conducted ethnography of Tsugaru and the “world” through visiting the northern island of Ezo in 1855, and observing Americans, Europeans, and Qing Chinese stationed there. I show how Rosen engaged in self-orientation and utilized Hirata nativist theory to locate Tsugaru within the spiritual landscape of Imperial Japan. Through poetry and prose, leader Tsuruya Ariyo identified Mount Iwaki as a sacred pillar of Tsugaru, and insisted one could experience “enjoyment” from this life and beyond death in the realm of spirits. -
Supernatural Elements in No Drama Setsuico
SUPERNATURAL ELEMENTS IN NO DRAMA \ SETSUICO ITO ProQuest Number: 10731611 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest ProQuest 10731611 Published by ProQuest LLC(2017). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code Microform Edition © ProQuest LLC. ProQuest LLC. 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 4 8 1 0 6 - 1346 Supernatural Elements in No Drama Abstract One of the most neglected areas of research in the field of NS drama is its use of supernatural elements, in particular the calling up of the spirit or ghost of a dead person which is found in a large number (more than half) of the No plays at present performed* In these 'spirit plays', the summoning of the spirit is typically done by a travelling priest (the waki)* He meets a local person (the mae-shite) who tells him the story for which the place is famous and then reappears in the second half of the.play.as the main person in the story( the nochi-shite ), now long since dead. This thesis sets out to show something of the circumstances from which this unique form of drama v/as developed. -
Q- Munakata Historic Byways
Travel Guide of Scenic Byway Kyushu. Q-❺ Munakata Historic Byways Munakata Region (Munakata City and Fukutsu City) in Fukuoka Pref. ―Historic Road of Karatsu Kaido, and Munakata Taisha Shrine (World Culture Heritage) -- Cities of Munakata and Fukutsu are located between Fukuoka City The Munakata Taisha shrine has remained unchanged since the and Kitakyushu City, and are collectively called the Munakata region. beginning in that it is connected by three shrines, including a shrine of a Looking at the bird's-eye view of the Munakata region, the bow-shaped remote island, but as it is seen later, the style of the ritual has changed in sandy beaches facing the Genkai Nada Sea are connected forming a various ways. Due to their high cultural value, these ruins were small plain between the lush mountains. registered as World Cultural Heritage in 2017 as "The Sacred Island of This area has developed as a residential city and is a commuter area to Okinoshima and Associated Sites in the Munakata Region". two major cities, while keeping the atmosphere of an agricultural and The third is the scenic spots in Tsuyazaki district, a seaside town that fishing village. Looking at this area, there are three interesting scenic developed from the Edo period to the modern period, including Miyajid- spots: "Old Town along the Karatsu Kaido"(A), "Munakata Taisha ake Shrine. Shrine"(B), and "Old Town along Tsuyazaki Beach and areas of These three historical sites in the Munakata area are abbreviated as Miyajidake Shrine"(C). Munakata Taisha, Karatsu Kaido, and Tsuyazaki District respectively, The first is the three old towns of Akama Shukuba-machi, Haru-machi , but they are usually introduced as separate regional assets. -
Rites of Blind Biwa Players
ASIA 2017; 71(2): 567–583 Saida Khalmirzaeva* Rites of Blind Biwa Players DOI 10.1515/asia-2017-0034 Abstract: Not much is known about the past activities of blind biwa players from Kyushu. During the twentieth century a number of researchers and folklorists, such as Tanabe Hisao, Kimura Yūshō,KimuraRirō,Nomura(Ga) Machiko, Narita Mamoru, Hyōdō Hiromi and Hugh de Ferranti, collected data on blind biwa players in various regions of Kyushu, made recordings of their performances and conducted detailed research on the history and nature of their tradition. However, despite these efforts to document and publicize the tradition of blind biwa players and its representatives and their repertory, it ended around the end of the twentieth century. The most extensively docu- mented individual was Yamashika Yoshiyuki 山鹿良之 (1901–1996), one of the last representatives of the tradition of blind biwa players, who was known among researchers and folklorists for his skill in performing and an abundant repertory that included rites and a great many tales. Yamashika was born in 1901 in a farmer family in Ōhara of Tamana District, the present-day Kobaru of Nankan, Kumamoto Prefecture. Yamashika lost the sight in his left eye at the age of four. At the age of twenty-two Yamashika apprenticed with a biwa player named Ezaki Shotarō 江崎初太郎 from Amakusa. From his teacher Yamashika learned such tales as Miyako Gassen Chikushi Kudari 都合戦筑紫 下り, Kikuchi Kuzure 菊池くづれ, Kugami Gassen くがみ合戦, Owari Sōdō 尾張 騒動, Sumidagawa 隅田川 and Mochi Gassen 餅合戦. After three years Yamashika returned home. He was not capable of doing much farm work because his eyesight had deteriorated further by then.