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Contents History and Reconstruction I Interpreting the evidence I Reconstruction of the Globe Professor Andrew Gurr I The Worcester College Drawings Dr Gordon Higgott I The Sheldonian Theatre, Oxford

I Staging the Past I Online Resources The Chamber of I Other Reconstructions I The Globe, I VR Model Demonstrations I The Blackfriars Playhouse, Staunton, Virginia (weblink) Theatre Practice Reconstructing the I Introduction to the Jacobean stage and use of this DVD I Backstage Jacobean Indoor Playhouse I Make-up Dr Farah Karim-Cooper I Costume Jenny Tiramani I Onstage Martin White I Use of Stage I Love’s Sacrifice (use of upper level) I The Duchess of Malfi (male lead actor) I (use of curtain) I The Changeling (different rooms) I Use of Light I 'Tis Pity She’s a Whore (use of lantern) I The Duchess of Malfi (use of torches) I The Guardian (use of candles) I Advice on use of the angle function Devised, directed, written and presented by Martin White Performance and technical support Emily Agnew Fiona Rose Andrew Bate Emma Russell Technical director, Director of Photography Jonny Bower Hannah Saunders and DVD author - Terry Flaxton Andy Daniel Lydia Scott Jessica D’Souza Holly Smart Produced by Alison Sterling Justin Palmer Tom Vickers Christopher Pearse Ben Webb DVD Design Consultant - Caroline Rye Jackson Pentland Corinne Wilkinson John Rolph Michelle Yim All elements of film production and DVD authoring by Ignition Films Also with thanks to Contributors Joanna Parker (Librarian) and the Provost Jon Greenfield Farah Karim-Cooper and Fellows of Worcester College, Oxford Robert Graves, Andrew Gurr Maggie Burge, University of Illinois at Gordon Higgott Sheldonian Theatre, Oxford Urbana-Champaign, USA Jenny Tiramani Shakespeare’s Globe, London Ralph Alan Cohen, Blackfriars John Evans, Playhouse, Staunton, Virginia, USA Theatre production Royal Shakespeare Company Franklin J. Hildy, Theatre reconstruction realised by Jennie Norman Angela Piccini University of Maryland, USA Theatre Production Manager Rod Terry Actors’ Clothing Jenny Tiramani, Shakespeare’s Globe Dresser Fiona Tromans Hair and Make-up Natalie Shepherd Helen Coupe Pam Humpage This project was hosted by the Department of Drama: Theatre, Film, Candles and dark lantern Mary Fisher and Malcolm Fisher Television, University of Bristol and undertaken in collaboration with PARIP. It was financed by a Research Award from the Arts and Humanities Actors Jamie Glover Research Council with further support in kind from Shakespeare’s Globe Michael Brown Michael Matus and Panasonic. Monica Dolan Hattie Morahan

Extras: Nathaniel White, Agnes Davidson, Oliver Levett The AHRC funds postgraduate training and research in the arts and Film Crew humanities, from archaeology and English literature to design and dance. Camera Operators Andy Leonard The quality and range of research supported not only provides social and Rob Llewellyn cultural benefits but also contributes to the economic success of the UK. For Camera Assistants Alex Byng further information on the AHRC, see www.ahrc.ac.uk. Sam Morris Carol Stevens Sound Recordists Miles Harris PARIP (Practice as Research in Performance) was a five-year research project Billy Quinn – 2000-2006 – based in the Department of Drama, University of Bristol and Sound Assistant Nick Allinson funded by the Arts and Humanities Research Council, UK. Part of its Gaffer Colin Holloway investigation of creative research in live performance and screen media in Theatre production shot on Panasonic Varicam High Definition Cameras British universities involved pioneering the uses of ‘new technologies’ for Documentary footage shot on Sony HDV the documentation of creative events, particularly through the making of Edited, graded and authored on Apple G5 Final Cut Pro HD and DVD Studio Pro HD multi-media DVDs.