Gloomsbury: Series 1-3 : 18 Episodes of the Bbc Radio 4 Sitcom Pdf, Epub, Ebook
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Reminder List of Productions Eligible for the 90Th Academy Awards Alien
REMINDER LIST OF PRODUCTIONS ELIGIBLE FOR THE 90TH ACADEMY AWARDS ALIEN: COVENANT Actors: Michael Fassbender. Billy Crudup. Danny McBride. Demian Bichir. Jussie Smollett. Nathaniel Dean. Alexander England. Benjamin Rigby. Uli Latukefu. Goran D. Kleut. Actresses: Katherine Waterston. Carmen Ejogo. Callie Hernandez. Amy Seimetz. Tess Haubrich. Lorelei King. ALL I SEE IS YOU Actors: Jason Clarke. Wes Chatham. Danny Huston. Actresses: Blake Lively. Ahna O'Reilly. Yvonne Strahovski. ALL THE MONEY IN THE WORLD Actors: Christopher Plummer. Mark Wahlberg. Romain Duris. Timothy Hutton. Charlie Plummer. Charlie Shotwell. Andrew Buchan. Marco Leonardi. Giuseppe Bonifati. Nicolas Vaporidis. Actresses: Michelle Williams. ALL THESE SLEEPLESS NIGHTS AMERICAN ASSASSIN Actors: Dylan O'Brien. Michael Keaton. David Suchet. Navid Negahban. Scott Adkins. Taylor Kitsch. Actresses: Sanaa Lathan. Shiva Negar. AMERICAN MADE Actors: Tom Cruise. Domhnall Gleeson. Actresses: Sarah Wright. AND THE WINNER ISN'T ANNABELLE: CREATION Actors: Anthony LaPaglia. Brad Greenquist. Mark Bramhall. Joseph Bishara. Adam Bartley. Brian Howe. Ward Horton. Fred Tatasciore. Actresses: Stephanie Sigman. Talitha Bateman. Lulu Wilson. Miranda Otto. Grace Fulton. Philippa Coulthard. Samara Lee. Tayler Buck. Lou Lou Safran. Alicia Vela-Bailey. ARCHITECTS OF DENIAL ATOMIC BLONDE Actors: James McAvoy. John Goodman. Til Schweiger. Eddie Marsan. Toby Jones. Actresses: Charlize Theron. Sofia Boutella. 90th Academy Awards Page 1 of 34 AZIMUTH Actors: Sammy Sheik. Yiftach Klein. Actresses: Naama Preis. Samar Qupty. BPM (BEATS PER MINUTE) Actors: 1DKXHO 3«UH] %LVFD\DUW $UQDXG 9DORLV $QWRLQH 5HLQDUW] )«OL[ 0DULWDXG 0«GKL 7RXU« Actresses: $GªOH +DHQHO THE B-SIDE: ELSA DORFMAN'S PORTRAIT PHOTOGRAPHY BABY DRIVER Actors: Ansel Elgort. Kevin Spacey. Jon Bernthal. Jon Hamm. Jamie Foxx. -
TV & Radio Script
WELCOME TO OUR VILLAGE, PLEASE INVADE CAREFULLY EPISODE 2.3: QUESTIONING LOYALTIES BY EDDIE ROBSON Lawrence/ Scottish Doctor Michael Bertenshaw Richard Peter Davison Uljabaan Charles Edwards Margaret Jan Francis Ron Dave Lamb Kat Hattie Morahan Lucy Hannah Murray Computer / Graham John-Luke Roberts Producer: Ed Morrish Reh/Rx: 14:00-22:00, 27/06/14 Venue: BBC Radio Theatre, Broadcasting House, London W1W 1AA Charge Code: PAH – 4231 – VILL Tape/ Prog No: PLN 425 14 LJ 0029 LH0 SMs: Marc Wilcox and Victoria Prandle PC: Matthew Oldham TX: BBC Radio 4, 11:30, 29/10/14 1 1 GRAMS SWARM OF EVIL (UNDER) 2 INTRO: Welcome To Our Village, Please Invade Carefully, by Eddie Robson. Episode three: Questioning Loyalties. 3 GRAMS OUT 2 SCENE 1 EXT. PARK 1 F/X: LAWRENCE, THE PARK KEEPER (40s), JANGLES HIS KEYS AS HE PREPARES TO UNLOCK A SHED. 2 KATRINA: Lawrence! Don’t open that shed! 3 LAWRENCE: Hello Katrina. How’s your mum and dad? 4 KATRINA: Normal. Just like everything else. Completely normal. 5 LAWRENCE: Must be a bit funny, living with them again, staying in your old bedroom, now you’re 34! 6 KATRINA: Yes, it’s hilarious. In fact it’s one of the most amusing things about being trapped in a village that’s been invaded by aliens and cut off from the outside world. 7 LAWRENCE: Isn’t it strange how life turns out. 8 KATRINA: It’s stranger than I expected, I’ll grant you that. 9 LAWRENCE: I need to get on and mow this grass, so if you could just let me get into the shed – 10 KATRINA: Don’t look in the shed! 11 LAWRENCE: Why not? 3 1 KATRINA: Take a break. -
2014 Winter/Spring Season MAR 2014
2014 Winter/Spring Season MAR 2014 Bill Beckley, I’m Prancin, 2013, Cibachrome photograph, 72”x48” Published by: BAM 2014 Winter/Spring Sponsor: BAM 2014 Winter/Spring Season #ADOLLSHOUSE Brooklyn Academy of Music Alan H. Fishman, Chairman of the Board William I. Campbell, Vice Chairman of the Board Adam E. Max, Vice Chairman of the Board A Karen Brooks Hopkins, President Doll’s Joseph V. Melillo, Executive Producer House By Henrik Ibsen English language version by Simon Stephens Young Vic Directed by Carrie Cracknell BAM Harvey Theater Feb 21 & 22, 25—28; Mar 1, 4—8, 11—15 at 7:30pm Feb 22; Mar 1, 8 & 15 at 2pm Feb 23; Mar 2, 9 & 16 at 3pm Approximate running time: two hours and 40 minutes, including one intermission BAM 2014 Winter/Spring Season sponsor: Set design by Ian MacNeil Costume design by Gabrielle Dalton Lighting design by Guy Hoare Music by Stuart Earl BAM 2014 Theater Sponsor Sound design by David McSeveney Leadership support for A Doll’s House provided by Choreography by Quinny Sacks Frederick Iseman Casting by Julia Horan CDG Associate director Sam Pritchard Leadership support for Scandinavian Hair, wigs, and make-up by Campbell Young programming provided by The Barbro Osher Pro Suecia Foundation Literal translation by Charlotte Barslund Major support for theater at BAM provided by: The Gladys Krieble Delmas Foundation The Fan Fox & Leslie R. Samuels Foundation, Inc. Donald R. Mullen Jr. Presented in the West End by Young Vic, The Morris and Alma Schapiro Fund The SHS Foundation Mark Rubinstein, Gavin Kalin, Neil Laidlaw The Shubert Foundation, Inc. -
The Story of China
Q2 3 Program Guide KENW-TV/FM Eastern New Mexico University June 2017 THETHETHETHE STORYSTORYSTORYSTORY OFOFOFOF CHINACHINACHINACHINA 1 When to watch from A to Z listings for 3-1 are on pages 18 & 19 Channel 3-2 – June 2017 New Fly Fisher – Wednesdays, 11:00 a.m. New Mexico True TV – Sundays, 6:30 p.m. (except 4th, 11th) American Woodshop – Saturdays, 6:30 a.m.; Thursdays, 11:00 a.m. Nightly Business Report – Weekdays, 5:30 p.m. America’s Heartland – Saturdays, 6:30 p.m. (except 10th) Nova – Wednesdays, 8:00 p.m.; Saturdays, 10:00 p.m.; America’s Test Kitchen – Saturdays, 7:30 a.m.; Mondays, 11:30 a.m. Sundays, 12:00 midnight Antiques Roadshow – Mondays, 7:00 p.m. (except 5th)/8:00 p.m. “Troubled Waters” – 3rd, 4th (except 5th, 26th)/11:00 p.m.; Sundays, 7:00 a.m. “Creatures of Light” – 10th, 11th Are You Being Served? Again! – “Why Sharks Attack” – 14th, 17th, 18th Saturdays, 8:00 p.m. (except 3rd, 10th) “Making North America: Origins” – 21st (9:00 p.m.), 24th, 25th Ask This Old House – Saturdays, 4:00 p.m. (except 10th) “Making North America: Life” – 28th (9:00 p.m.), July 1st, 2nd Austin City Limits – P. Allen Smith’s Garden Home – Saturdays, 10:00 a.m. (except 3rd) Saturdays, 9:00 p.m. (except 3rd, 10th)/12:00 midnight Paint This with Jerry Yarnell – Saturdays, 11:00 a.m. Barbecue University – Thursdays, 11:30 a.m. (ends 1st) PBS NewsHour – Weekdays, 6:00 p.m./12:00 midnight BBC World News – Weekdays, 6:30 a.m./4:30 p.m.; Fridays, 5:00 p.m. -
(De)Constructing Jane: Converting Austen in Film Responses Karen Gevirtz, Seton Hall University
Seton Hall University From the SelectedWorks of Karen Bloom Gevirtz Winter 2010 (De)Constructing Jane: Converting Austen in Film Responses Karen Gevirtz, Seton Hall University Available at: https://works.bepress.com/karen_gevirtz/3/ Karen B. Gevirtz PERSUASIONS ON-LINE V.31, NO.1 (Winter 2010) (De)Constructing Jane: Converting “Austen” in Film Responses KAREN B. GEVIRTZ Karen B. Gevirtz (email: [email protected]) is an Assistant Professor of English at Seton Hall University. She is the author of Life After Death: Widows and the English Novel, Defoe to Austen (University of Delaware Press, 2005) and articles on eighteenth-century women novelists. YOU SORT OF FEEL LIKE YOU OWN HER,” Keira Knightley says of Jane Austen in an interview, adding, “And I’m sure everybody feels the same way” (“Jane Austen”). Certainly if the last two decades are any indication, just about “everybody” does feel a claim or connection not just to the works but to Austen herself. Suzanne R. Pucci and James Thompson describe an explosion of Austen-related materials in an impressive array of media, from traditional print to cyberspace, during the end of the twentieth and the beginning of the twenty-first century (1). Phases appear within this effusion, however, particularly in film responses to her work. In the 1990s, films were occupied with the novels themselves. Gradually, however, film responses have shifted their focus so that by the end of the first decade of the new millennium, a large number of Austen films present the novels not as the result of brilliant literary endeavor, but as the inevitably limited product of a historically-bound being, Austen the woman. -
Reminder List of Productions Eligible for the 88Th Academy Awards
REMINDER LIST OF PRODUCTIONS ELIGIBLE FOR THE 88TH ACADEMY AWARDS ADULT BEGINNERS Actors: Nick Kroll. Bobby Cannavale. Matthew Paddock. Caleb Paddock. Joel McHale. Jason Mantzoukas. Mike Birbiglia. Bobby Moynihan. Actresses: Rose Byrne. Jane Krakowski. AFTER WORDS Actors: Óscar Jaenada. Actresses: Marcia Gay Harden. Jenna Ortega. THE AGE OF ADALINE Actors: Michiel Huisman. Harrison Ford. Actresses: Blake Lively. Kathy Baker. Ellen Burstyn. ALLELUIA Actors: Laurent Lucas. Actresses: Lola Dueñas. ALOFT Actors: Cillian Murphy. Zen McGrath. Winta McGrath. Peter McRobbie. Ian Tracey. William Shimell. Andy Murray. Actresses: Jennifer Connelly. Mélanie Laurent. Oona Chaplin. ALOHA Actors: Bradley Cooper. Bill Murray. John Krasinski. Danny McBride. Alec Baldwin. Bill Camp. Actresses: Emma Stone. Rachel McAdams. ALTERED MINDS Actors: Judd Hirsch. Ryan O'Nan. C. S. Lee. Joseph Lyle Taylor. Actresses: Caroline Lagerfelt. Jaime Ray Newman. ALVIN AND THE CHIPMUNKS: THE ROAD CHIP Actors: Jason Lee. Tony Hale. Josh Green. Flula Borg. Eddie Steeples. Justin Long. Matthew Gray Gubler. Jesse McCartney. José D. Xuconoxtli, Jr.. Actresses: Kimberly Williams-Paisley. Bella Thorne. Uzo Aduba. Retta. Kaley Cuoco. Anna Faris. Christina Applegate. Jennifer Coolidge. Jesica Ahlberg. Denitra Isler. 88th Academy Awards Page 1 of 32 AMERICAN ULTRA Actors: Jesse Eisenberg. Topher Grace. Walton Goggins. John Leguizamo. Bill Pullman. Tony Hale. Actresses: Kristen Stewart. Connie Britton. AMY ANOMALISA Actors: Tom Noonan. David Thewlis. Actresses: Jennifer Jason Leigh. ANT-MAN Actors: Paul Rudd. Corey Stoll. Bobby Cannavale. Michael Peña. Tip "T.I." Harris. Anthony Mackie. Wood Harris. David Dastmalchian. Martin Donovan. Michael Douglas. Actresses: Evangeline Lilly. Judy Greer. Abby Ryder Fortson. Hayley Atwell. ARDOR Actors: Gael García Bernal. Claudio Tolcachir. -
God Loves Uganda | the Hooping Life | Tim’S Vermeer | the Address | Life According to Sam | the Story of the Jews Scene & He D
July-August 2014 VOL. 29 THE VIDEO REVIEW MAGAZINE FOR LIBRARIES N O . 4 IN THIS ISSUE God Loves Uganda | The Hooping Life | Tim’s Vermeer | The Address | Life According to Sam | The Story of the Jews scene & he d LET BAKER & TAYLOR’S SCENE & HEARD TEAM HELP MAKE BUILDING AND MAINTAINING YOUR A/V COLLECTION EASIER WITH OUR PROFESSIONAL DIGITAL MEDIA PROCESSING (DMP) SERVICES! DMP off s a v iety of key benefi ts and feat es including: ■ Digitally reproduced original cover artwork ■ Personalized library contact information ■ Detailed content checklists and messaging ■ Circulation-tough polyvinyl CD and DVD cases ■ Single, double, multiple and locking security cases available ■ Large assortment of customized, embedded labels — genre, spine and more! To learn about DMP and other A/V products and services, contact your Sales Consultant today to discuss a custom-tailored solution for all your needs! 800-775-2600 x2050 [email protected] www.baker-taylor.com STAY CONNECTED: Spotlight Review God Loves Uganda streets, LGBT activists identified in newspa- HHH1/2 pers, and finally to a killing. Williams seems (2013) 83 min. DVD: to be everywhere with his camera (although $24.95. First Run he also makes assiduous use of archival and Publisher/Editor: Randy Pitman Features (avail. from other material): on buses with young Ameri- most distributors). Closed can ministers in Uganda, in parliamentary Associate Editor: Jazza Williams-Wood captioned. session, and at town hall-like meetings where Copy Editor: Kathleen L. Florio Stunning in its rev- gay pornography is shown (even to children) elations about the ways Editorial Assistant: Chris Pitman with the intent of fomenting intolerance. -
Twelfth Night by William Shakespeare and Anatomy of a Suicide by Alice Birch Performance Review
Miranda Revue pluridisciplinaire du monde anglophone / Multidisciplinary peer-reviewed journal on the English- speaking world 15 | 2017 Lolita at 60 / Staging American Bodies Twelfth Night by William Shakespeare and Anatomy of a Suicide by Alice Birch Performance Review William C. Boles Electronic version URL: http://journals.openedition.org/miranda/11025 DOI: 10.4000/miranda.11025 ISSN: 2108-6559 Publisher Université Toulouse - Jean Jaurès Electronic reference William C. Boles, “Twelfth Night by William Shakespeare and Anatomy of a Suicide by Alice Birch”, Miranda [Online], 15 | 2017, Online since 06 October 2017, connection on 16 February 2021. URL: http://journals.openedition.org/miranda/11025 ; DOI: https://doi.org/10.4000/miranda.11025 This text was automatically generated on 16 February 2021. Miranda is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License. Twelfth Night by William Shakespeare and Anatomy of a Suicide by Alice Birch 1 Twelfth Night by William Shakespeare and Anatomy of a Suicide by Alice Birch Performance Review William C. Boles Factual information about the shows 1 Play : Twelfth Night by William Shakespeare 2 Place : Globe Theatre (London) 3 Running time : May 18th, 2017-August 5th, 2017 4 Director : Emma Rice 5 Designer : Lez Brotherston 6 Composer : Ian Ross 7 Choreographer : Etta Murfitt 8 Lighting Designer : Malcolm Rippeth 9 Sound Designer : Simon Baker 10 Fight Directors : Rachel Bown-Williams & Ruth Cooper Brown of RC-Annie Ltd. 11 Cast : Marc Antolin, Carly -
Exploring the Influence of Increased Representation in Film on Society and Presidential Candidates
Exploring the Influence of Increased Representation in Film on Society and Presidential Candidates by Jonathan D. Atkinson B.A. in Political Science, August 2008, Florida State University A Thesis submitted to The Faculty of College of Professional Studies of The George Washington University in partial fulfillment of the requirements for the degree of Master of Professional Studies January 8, 2021 Thesis directed by Michael Cornfield Associate Professor of Political Management © Copyright 2021 by Jonathan D. Atkinson All rights reserved ii Acknowledgments The author wishes to acknowledge classmates, former faculty, and the Office of Student Affairs for encouragement. I am incredibly grateful to my family for the financial and emotional support through this process. I am indebted to the Gelman Library and especially Dr. David Ettinger for continued guidance and resources even through the difficulties and restrictions to the library due to Covid-19. A special thank you to Dr. Ralph L. Piedmont for assisting with NEO PI-R literature and guidance during Covid-19 when resources were limited. To my dear friend and academic sounding board, Dr. Stephen Rush, I cannot thank you enough for blazing the path before me and your constant willingness to talk me through the process. Finally, I could not have accomplished this research without the assistance of my advising committee, Dr. Kerric Harvey and Dr. Michael Cornfield. Dr. Harvey, I have been blessed by your subject matter insight and incredible encouragement in the field which continues to make me look at the power of film in exciting and new ways. Dr. Cornfield, your due diligence and counsel through this journey has been the guiding light to help me cross the finish line. -
Miranda, 15 | 2017, « Lolita at 60 / Staging American Bodies » [En Ligne], Mis En Ligne Le 18 Septembre 2017, Consulté Le 16 Février 2021
Miranda Revue pluridisciplinaire du monde anglophone / Multidisciplinary peer-reviewed journal on the English- speaking world 15 | 2017 Lolita at 60 / Staging American Bodies Édition électronique URL : http://journals.openedition.org/miranda/10470 DOI : 10.4000/miranda.10470 ISSN : 2108-6559 Éditeur Université Toulouse - Jean Jaurès Référence électronique Miranda, 15 | 2017, « Lolita at 60 / Staging American Bodies » [En ligne], mis en ligne le 18 septembre 2017, consulté le 16 février 2021. URL : http://journals.openedition.org/miranda/10470 ; DOI : https:// doi.org/10.4000/miranda.10470 Ce document a été généré automatiquement le 16 février 2021. Miranda is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License. 1 SOMMAIRE Les 60 ans de Lolita Introduction Marie Bouchet, Yannicke Chupin, Agnès Edel-Roy et Julie Loison-Charles Nabokov et la censure Julie Loison-Charles Lolita, le livre « impossible » ? L'histoire de sa publication française (1956-1959) dans les archives Gallimard Agnès Edel-Roy Fallait-il annoter Lolita? Suzanne Fraysse The patterning of obsessive love in Lolita and Possessed Wilson Orozco Publicités, magazines, et autres textes non littéraires dans Lolita : pour une autre poétique intertextuelle Marie Bouchet Solipsizing Martine in Le Roi des Aulnes by Michel Tournier: thematic, stylistic and intertextual similarities with Nabokov's Lolita Marjolein Corjanus Les « Variations Dolores » - 2010-2016 Nouvelles lectures-réécritures de Lolita Yannicke Chupin Staging American Bodies Staging American Bodies – Introduction Nathalie Massip Spectacle Lynching and Textual Responses Wendy Harding Bodies of War and Memory: Embodying, Framing and Staging the Korean War in the United States Thibaud Danel Singing and Painting the Body: Walt Whitman and Thomas Eakins’ Approach to Corporeality Hélène Gaillard “It’s so queer—in the next room”: Docile/ Deviant Bodies and Spatiality in Lillian Hellman’s The Children’s Hour Sarah A. -
Amy | ‘Tis the Season | Meru | the Wolfpack | the Jinx | Big Men | Caring for Mom & Dad | Walt Disney | the Breach | GTFO Scene & He D
November-December 2015 VOL. 30 THE VIDEO REVIEW MAGAZINE FOR LIBRARIES NO. 6 IN THIS ISSUE Amy | ‘Tis the Season | Meru | The Wolfpack | The Jinx | Big Men | Caring for Mom & Dad | Walt Disney | The Breach | GTFO scene & he d BAKER & TAYLOR’S SPECIALIZED A/V TEAM OFFERS ALL THE PRODUCTS, SERVICES AND EXPERTISE TO FULFILL YOUR LIBRARY PATRONS’ NEEDS. Le n more about Bak & Taylor’s Scene & He d team: ELITE Helpful personnel focused exclusively on A/V products and customized services to meet continued patron demand PROFICIENT Qualified entertainment content buyers ensure frontlist and backlist titles are available and delivered on time SKILLED Supportive Sales Representatives with an average of 15 years industry experience DEVOTED Nationwide team of A/V processing staff ready to prepare your movie and music products to your shelf-ready specifications KNOWLEDGEABLE Full-time staff of A/V catalogers, backed by their MLS degree and more than 43 years of media cataloging expertise 800-775-2600 x2050 [email protected] www.baker-taylor.com Spotlight Review Amy HHH 2011, she died of alcohol toxicity at the age of Lionsgate, 128 min., R, 27. Drawing on early home movies, newsreel DVD: $19.98, Blu-ray: footage, and recorded audio interviews, Amy $24.99, Dec. 1 serves up a sorrowful portrait of an artist’s Publisher/Editor: Randy Pitman This disturbing, dis- deadly downward spiral. Extras include au- concerting, booze ‘n’ dio commentary by the director, previously Associate Editor: Jazza Williams-Wood drugs documentary unseen performances by Winehouse, and Copy Editor: Kathleen L. Florio about British song- deleted scenes. -
The Nineteenth-Century Home Theatre: Women and Material Space
The Nineteenth-Century Home Theatre: Women and Material Space Ann Margaret Mazur Pittsburgh, Pennsylvania B.S. Mathematics and English, University of Notre Dame, 2007 M.A. English and American literature, University of Notre Dame, 2009 A Dissertation presented to the Graduate Faculty of the University of Virginia in Candidacy for the Degree of Doctor of Philosophy Department of English University of Virginia May, 2014 © 2014 Ann M. Mazur Table of Contents Acknowledgments…………...…………………………………………………………..…..……i Dedication…………...……………………………………………………………………………ii Chapter 1 Introduction: The Home Theatre in Context……………………………………...………………1 Chapter 2 A Parlour Education: Reworking Gender and Domestic Space in Ladies’ and Children’s Theatricals...........................63 Chapter 3 Beyond the Home (Drama): Imperialism, Painting, and Adaptation in the Home Theatrical………………………………..126 Chapter 4 Props in Victorian Parlour Plays: the Periperformative, Private Objects, and Restructuring Material Space……………………..206 Chapter 5 Victorian Women, the Home Theatre, and the Cultural Potency of A Doll’s House……….….279 Works Cited………………………………………………………………………………....…325 Acknowledgements I am deeply grateful to the American Association of University Women for my 2013-2014 American Dissertation Fellowship, which provided valuable time as well as the financial means to complete The Nineteenth-Century Home Theatre: Women and Material Space over the past year. I wish to thank my dissertation director Alison Booth, whose support and advice has been tremendous throughout my entire writing process, and who has served as a wonderful mentor during my time as a Ph.D. student at the University of Virginia. My dissertation truly began during an Independent Study on women in the Victorian theatre with Alison during Spring 2011. Karen Chase and John O’Brien, the two supporting members of what I have often called my dream dissertation committee, offered timely encouragement, refreshing insight on chapter drafts, and supported my vision for this genre recovery project.