2014 Winter/Spring Season MAR 2014

Home , Dominic Rowan, Hattie Morahan

Bill Beckley, I’m Prancin, 2013, Cibachrome photograph, 72”x48”

Published by: BAM 2014 Winter/Spring Sponsor: BAM 2014 Winter/Spring Season #ADOLLSHOUSE

Brooklyn Academy of Music

Alan H. Fishman, Chairman of the Board

William I. Campbell, Vice Chairman of the Board

Adam E. Max, Vice Chairman of the Board A

Karen Brooks Hopkins, President Doll’s

Joseph V. Melillo, Executive Producer House

By Henrik Ibsen English language version by Simon Stephens Young Vic Directed by Carrie Cracknell

BAM Harvey Theater Feb 21 & 22, 25—28; Mar 1, 4—8, 11—15 at 7:30pm Feb 22; Mar 1, 8 & 15 at 2pm Feb 23; Mar 2, 9 & 16 at 3pm

Approximate running time: two hours and 40 minutes, including one intermission

BAM 2014 Winter/Spring Season sponsor: Set design by Ian MacNeil

Costume design by Gabrielle Dalton Lighting design by Guy Hoare Music by Stuart Earl BAM 2014 Theater Sponsor Sound design by David McSeveney Leadership support for A Doll’s House provided by Choreography by Quinny Sacks Frederick Iseman Casting by Julia Horan CDG Associate director Sam Pritchard Leadership support for Scandinavian Hair, wigs, and make-up by Campbell Young programming provided by The Barbro Osher Pro Suecia Foundation Literal translation by Charlotte Barslund

Major support for theater at BAM provided by: The Gladys Krieble Delmas Foundation The Fan Fox & Leslie R. Samuels Foundation, Inc. Donald R. Mullen Jr. Presented in the West End by Young Vic, The Morris and Alma Schapiro Fund The SHS Foundation Mark Rubinstein, Gavin Kalin, Neil Laidlaw The Shubert Foundation, Inc. A Doll’s House—Cast

Helene Mabel Clements Delivery Man Simon Desborough Nils Krogstad Nick Fletcher Anna Leda Hodgson Kristine Linde Caroline Martin Nora Helmer Hattie Morahan Torvald Helmer Dominic Rowan Dr. Jens Rank Steve Toussaint Child characters: Ivar, Jon, and Emmy Helmer

Mabel Clements Simon Desborough Nick Fletcher

Leda Hodgson Caroline Martin

Hattie Morahan Dominic Rowan Steve Toussaint A Doll’s House—Production Credits

Production Credits

Company stage manager Sarah Tryfan American stage manager R. Michael Blanco Children’s casting (BAM) Carol Blanco Design assistant (set) Jim Gaffney Production manager Matt Noddings Costume supervisor Joanne Hayes Production electrician Nicki Brown Production carpenter Simon Evans Original set built by Miraculous Engineering West End and BAM additions built by Capital Scenery Additional sound equipment Stage Sound Services Costume makers/supply Debo Andrews Karen Griffiths Anna Barcock Zeb Lalijee Gabrielle Dalton Pauline Parker Madeline Fry Debs Tallentire

Photography Johan Persson and Richard Hubert Smith General Management Mark Rubinstein Ltd; Mark Rubinstein, Martina Thompson, Catherine Hooper

This production of A Doll’s House first played at the Young Vic between June 29 and August 4, 2012 and again between March 28 and April 20, 2013, and in the West End at the Duke of York’s Theatre between August 8 and October 26, 2013. The producers would like to thank all those involved in the original performances both on and offstage.

The actors are appearing with the permission of Actors’ Equity Association. The American stage manager is a member of Actors’ Equity Association.

ABOUT IBSEN AND A DOLL’S HOUSE Hedda Gabler (both in 2006), John Gabriel Borkman (2011), and The Master Builder HENRIK IBSEN (1828—1906), the eldest (2013), among others. of five children, was born in the coastal town of Skien, Norway into a family that fell into A Doll’s House was first published in 1879, poverty when he was eight. He worked in an and premiered at Copenhagen’s Royal Theatre. apothecary, writing and painting in his spare Performances of it provoked controversy in time, and wrote his first play, Catilina, in 1850. northern Europe, and a renowned German He was employed in theaters in Christiania actress refused to play Nora as written, requiring (now Oslo) and Bergen, counting among his a disgraced Ibsen to write an alternative ending. jobs poet and director, and began fully focusing In 1881, Ibsen wrote Ghosts (considered on writing in 1862; he spent the next decades the sister play to A Doll’s House), which also in Italy and Germany. After a number of verse provoked argument; some eminent theaters plays, including Brand and Peer Gynt, he wrote declined to present it. A Doll’s House was first 12 monumental prose plays, including many performed in England in 1889, garnering great presented in theaters throughout the world and and ongoing interest. at BAM in recent years—The Wild Duck and A Doll’s House—Synopsis

Act I He leaves Nora to rehearse the tarantella she’s preparing for the party. When Dr. Rank arrives, It’s Christmas and the Helmer household is he confides in Nora that he doesn’t have long busy with preparations. Nora Helmer arrives to live but forbids her to tell Torvald. As Nora home laden with gifts and her husband Torvald considers asking for his financial help, Rank playfully admonishes her for how much she’s reveals that he loves her, only to be rebuffed spent. She encourages him to relax; his new and sent in to see Torvald. Nora locks the study position as head of the Savings Bank means door on the two men so she can see Krogstad, they won’t have to worry about money in the who has arrived to confront her. He has written future. They are interrupted by the unexpected a letter to Torvald detailing her forgery and arrival of Kristine Linde, a childhood friend of demanding a higher job at the bank. As Krogstad Nora’s who has come to Christiania to look for leaves, he posts the letter in Torvald’s locked work. Kristine describes the loveless marriage post box. Nora confesses her crime to Kristine, from which she was freed by the death of her who leaves to ask Krogstad to retrieve the letter. husband. Nora confides in Kristine about the In an attempt to distract him from his post, difficult years they had when Torvald was ill. Nora persuades Torvald to help her practice the She tells her about the trip they took to Italy to tarantella. repair his health and the money she had to borrow without his knowledge, which she has almost paid back. After introducing Kristine to —Intermission— their close friend Dr. Rank and pushing Torvald to offer her a job, Nora is left alone in the house with the children. Her lender, the bank clerk Act III Nils Krogstad, pays an unexpected visit to tell her that he expects Torvald to remove him from It’s the evening of the fancy dress party upstairs. his post at the bank. He reveals to Nora that he Kristine arranges a meeting with Krogstad at the knows she forged her father’s signature to secure Helmers’ house. As they reconnect and revive the loan and threatens to tell Torvald everything a youthful romance, Krogstad offers to ask for unless she intervenes to protect his position at his letter back, but Kristine argues that Nora’s the bank. When Torvald returns, Nora asks him secret must be revealed. After Krogstad leaves, to reconsider Krogstad’s position but he refuses, the Helmers return and Torvald drunkenly citing the clerk’s poor moral character and crimes boasts about his wife to the departing Kristine. that include forgery. Alone, Torvald tries to seduce Nora, only to be interrupted by Dr. Rank who calls in for a Act II nightcap and to let Nora know that tests have confirmed his imminent death. After Rank’s The morning after their Christmas Eve departure, Nora encourages Torvald to open celebrations, Nora is putting together her his letters. He reacts with fury to Krogstad’s costume for a fancy dress party the couple plan revelation, accusing Nora of betraying and to attend. As Kristine helps to repair her dress, bringing ruin onto their household. When Nora comes close to confessing the truth about another letter arrives from Krogstad, returning the loan only for Torvald to arrive home from the contract of debt and repenting his blackmail, the bank. Nora begs him once more to keep Torvald celebrates. However, Nora starts to Krogstad at the bank. Torvald, angry at his wife’s gather her things and to explain to him why she challenge, argues that he has already given the has to leave. job to Kristine. In order to settle the matter, he sends Krogstad a letter containing his dismissal. Who’s Who

Simon Stephens (English language version) Theatre, New York). Opera includes: Wozzeck Plays include: The Curious Incident of the Dog (ENO). Film includes: Nora (Guardian/Young Vic/ in the Night-Time (National Theatre 2012, The Space, directed and co-written with Nick West End current), Morning (Traverse and Lyric Payne). Cracknell trained at the University of Hammersmith, 2012), Three Kingdoms (No99, Nottingham (history), the Royal Scottish Acad- Munich Playhouse, Lyric Hammersmith); emy of Music and Drama (directing) and the The Trial of Ubu (Toneelgroep Amsterdam, National Theatre Studio (directing). In 2004 she Hampstead); Wastwater (Royal Court); I Am won the Bruce Millar Trust Award for directors. the Wind (Young Vic, 2011); T5 (Traverse); A Thousand Stars Explode in the Sky (co-written Ian MacNeil (set design) with Robert Holman and David Eldridge, Lyric Theater designs include: Afore Night Come, Hammersmith); Marine Parade (co-writtern with Vernon God Little (Young Vic); Tintin (Young Mark Eitzel, Brighton Festival); Punk Rock (Lyric Vic, Barbican, Playhouse Theatre); An Inspector Hammersmith, Royal Exchange Manchester); Calls (National, West End, Broadway); Machinal Heaven (Traverse); Seawall (Bush, Traverse); (National); Ariodante (English National Opera); Harper Regan (National); Pornography (Tricycle, Festen (Almeida, West End); In Basildon, A Birmingham Rep, Edinburgh Festival, Deutsches Number, Plasticine, Far Away (Royal Court); Via Schauspielhaus); Motortown (Royal Court); Dolorosa (Royal Court, Broadway, West End); On the Shore of the Big Wide World (Royal Billy Elliot the Musical (West End, Broadway, Exchange Manchester, National); Country Music Australia, and two US tours). Awards include: (Royal Court); Christmas (Bush); One Minute two Oliviers (An Inspector Calls and Ariodante), (Crucible); Port (Royal Exchange Manchester); two Critics’ Circle Awards (Machinal, An Herons, Bluebird (Royal Court). Awards include: Inspector Calls), two Evening Standard Awards Olivier Awards for Best New Play for The Curious (A Number/Plasticine, Festen), and 2006 Olivier Incident of the Dog in the Night-Time and Award nomination for Best Set Design (Billy Elliot). for On the Shore of the Big Wide World; the Pearson Award for Best Play for Port; Theater Gabrielle Dalton (costume design) Heute’s Best Foreign Language Play of the Year Current and recent work: Joshua, La Voix 2007 for Motortown, in 2008 for Pornography, humaine, and Dido and Aeneas (Opera North); and in 2011 for Wastwater, and Best Foreign Carmen (Salzburg summer and Easter festivals); Playwright of the Year 2008 and 2011; What’s Idomeneo (Grange Park Opera); Joe Turner’s On Stage Best New Play Award 2012 for The Come and Gone (Young Vic) and Carmen (Opera Curious Incident of the Dog in the Night-Time. North and Flanders Opera). Previously: Magical Night and The Red Balloon (ROH2 and tour); Carrie Cracknell (director) The Barber of Seville (Savoy Opera); Three Carrie Cracknell is associate director of the Royal Water Plays (Almeida Opera Festival); Turan- Court Theatre and an associate artist at the dot (Nationale Reisopera); Le nozze di Figaro Young Vic. From 2007 until January 2012 she (international tour) and Of Thee I Sing, Let Them was artistic director of the Gate Theatre, London. Eat Cake, and Ruddigore (Opera North). Dalton She was nominated as Best Director in the Eve- will design costumes for La fanciulla del West for ning Standard Awards for her work on A Doll’s Opera North and Don Quichotte, Fiddler on the House. Previous Young Vic: Elektra. At the Gate Roof, and Boris Godunov for Grange Park Opera. Theatre: Electra, Breathing Irregular, Hedda, Shoot/Get Treasure/Repeat, The Sexual Neuroses Guy Hoare (lighting design) of Our Parents, I Am Falling (Gate Theatre and Theater includes: Strange Interlude (National Sadler’s Wells—nominated for Southbank Show Theatre); The Seagull (Headlong); NSFW, In Award). Other theater includes: Blurred Lines Basildon (Royal Court); Be Near Me, Serenading (National Theatre); Rough Cuts: Searched, Louie (Donmar Warehouse); A Delicate Balance, Pigeons (Royal Court); Dolls (National Theatre of Waste (Almeida); And No More Shall We Part Scotland); Stacy (The Tron, Glasgow); A Mobile (Hampstead); Going Dark, Elektra, The Story of Thriller (National Tour and The Harbourfront, an African Farm (Young Vic); Sleeping Beauty Toronto), Winner Herald Angel Award; Broken (Citizens Theatre Glasgow); Electra (The Gate); Road (British Council Showcase), Winner Fringe Peter Pan (NTS); Future Proof (Traverse and First Award; Death and the City (The Tron); The Dundee Rep); Wild Oats, Faith Healer (Bristol Hush (Baryshnikov Arts Center and The Ohio Old Vic); As You Like It, Macbeth (West Yorkshire Who’s Who Hattie Morahan and Dominic Rowan. Photo: Richard Hubert Smith Hattie Morahan and Dominic Rowan.

Playhouse); Amadeus, The Little Fir Tree, Fen, Aspects of Love (UK, South Africa); The Witches Far Away (Sheffield Theatres); Rutherford of Eastwick, All the Fun of the Fair (UK tour); & Sons, Othello (Northern Broadsides); A Annie (West Yorkshire Playhouse); Assassins Christmas Carol (Birmingham Rep); Kes, (Sheffield Crucible); City of Angels (Frankfurt); Season’s Greetings (Liverpool Playhouse). My Fair Lady (Singapore). Dance includes: The Metamorphosis (ROH 2, Joyce Theater); Square Map of Q4, The Land Stuart Earl (music) of Yes, The Land of No (Bonachela Dance Stuart Earl has scored various feature films Company); Frontline (Aterbaletto); Pavlova’s Dogs that have premiered at major international (Scottish Dance Theatre); Dream (NDC Wales); film festivals including My Brother the Devil Mischief (Theatre Rites); Made in Heaven (Sundance Film Festival, London Film Festival, (Mark Bruce Company); Bruise Blood (Shobana 2012 Berlinale) and Artificial Eye’s In Our Jeyasingh Dance Company); Varmints, Havana Name (2010 London Film Festival). Television Rakatan (Sadler’s Wells). Hoare has worked with includes: The Entire History of You, the third Christopher Bruce, Rafael Bonachela, Shobana one-off drama in Charlie Brooker’s International Jeyasingh, Mark Bruce, Ben Wright, Arthur Pita, Emmy Award-winning miniseries Black Mirror Henri Oguike, Laila Diallo, Rachel Lopez, Ben (Zeppotron/Channel 4). Earl was selected as the Ash, Darren Ellis, Robin Dingemans, Robert first composer to be one of Screen International’s Clark, Claire Cunningham and Jose Agudo, Jo Stars of Tomorrow. He received the 2009 Skillset Fong, Sarah Warsop, Anthony Kurt-Gabel, and Trailblazer Award at the Edinburgh Film Festival. Charlotte Eatock. He was the lighting designer He recently scored Mayday (dir. Brian Welsh), a for Henri Oguike Dance Company for six years, major five-part drama for Kudos. designing over 20 new works for the company. Opera includes: Jakob Lenz (ENO); The Cunning David McSeveney (sound design) Little Vixen (Brno); The Lighthouse, Albert David McSeveney trained at the Central School Herring, Der Kaiser von Atlantis, The Barber of of Speech and Drama, completing a BA Hons. in Seville, Il Tabarro, Gianni Schicchi, La Clemenza theater practice (sound design). Sound designs di Tito, Promised End, The Duenna, The Magic include: Blurred Lines (NT Shed); A Doll’s Flute, Katya Kabanova, Don Giovanni, Anna House (West End); The Winter’s Tale (RSC); Bolena, Susannah, Eugene Onegin, Seraglio The Changeling, A Doll’s House (Young Vic); (ETO); American Lulu, The Firework-Maker’s Constellations, Posh (West End); Stones in His Daughter (The Opera Group); The Ring Cycle Pockets (Tricycle); One for the Road/Victoria (Longborough Festival Opera). Musicals include: Station (Print Room, Young Vic); On the Record Who’s Who

(iceandfire); If You Don’t Let Us Dream We Sucker Punch, Ingredient X (Royal Court); The Won’t Let You Sleep, Belong, Vera Vera Vera, Golden Dragon (ATC); Children’s Children, Constellations, The Village Bike, Ingredient X, Filumena, The Knot of the Heart, Through a Posh, Disconnect, Cock, A Miracle, The Stone, Glass Darkly, Measure for Measure, When the Shades, 7 Jewish Children, Contractions, Fear & Rain Stops Falling, In a Dark Dark House, A Misery/War & Peace (Royal Court); The Girlfriend Chain Play, The Homecoming (Almeida Theatre). Experience (Royal Court, Young Vic, Theatre Royal Plymouth); Clybourne Park (Royal Court, Sam Pritchard (associate direction) West End); The Duke in Darkness (Tabard); The As director: There Has Possibly Been An Incident Tin Horizon (Theatre 503); Gaslight (Old Vic); (Royal Exchange, Edinburgh St. Stephen’s, Soho Charley’s Aunt, An Hour and a Half Late (Theatre Theatre); Fireface (Young Vic); Galka Motalka Royal Bath); A Passage to India, After Mrs. (Royal Exchange); Money Matters (nabokov, Rochester, Madame Bovary (Shared Experience); Soho Downstairs); The Parrot House (Liverpool Men Should Weep, Rookery Nook (Oxford Stage Everyman, Everyword Festival). As associate/ Company); Othello (Southwark Playhouse). staff director: Wozzeck (ENO); A Doll’s House (Young Vic); Paper Dolls (Tricycle); The Comedy Quinny Sacks (choreography) of Errors, 1984, Blithe Spirit (Royal Exchange). Theater includes: Mojo (Harold Pinter Theatre), Pritchard was the New Writing Associate at the Dancing at Lughnasa (Northampton Royal and Royal Exchange between 2010 and 2012, where Derngate); Dances of Death (Gate Theatre); he ran the theater’s new writing program and the Hamlet, The Winter’s Tale (RSC); Machinal, Bruntwood Prize for Playwriting. He is the winner Lady in the Dark (National Theatre); Mojo, of the JMK Award for Young Directors 2012. Mouth to Mouth (Royal Court); Threepenny Opera (Donmar Warehouse); Kiss Me Like Campbell Young (hair, wigs, make-up) You Mean It (Soho Theatre); My Fair Lady, Theater includes: The Cripple of Inishmaan, The Boyfriend (British Tours); A Comedy of Passion Play, Peter and Alice, Old Times, A Errors (Regent’s Park); Nijinsky (Chichester); Chorus of Disapproval, The King’s Speech, Hay Salad Days (Riverside Studios); Punch & Fever, South Downs/The Browning Version, Judy (ENO/Young Vic). Film and television Betrayal, The Children’s Hour, The Prisoner includes: Shakespeare In Love, Captain Corelli’s of Second Avenue, Breakfast at Tiffany’s, Mandolin, Who Framed Roger Rabbit, The The Black Rider (West End); The Physicists Singing Detective, Lipstick on My Collar, Troy, (Donmar Warehouse); Filumena, A Delicate Restoration, Captain America, The Importance of Balance (Almeida); Public Enemy, Wild Swans, Being Earnest, Johnny English. Opera includes: Government Inspector, Annie Get Your Gun, The The Voyage (Met Opera); The Fairy Queen, Lady Good Soul of Szechuan, Vernon God Little, Six Macbeth of Mtensk, The Rake’s Progress, Elixir Characters Looking for an Author (Young Vic); of Love (ENO); L’Etoile, La Bohème, Playing Richard III, Inherit the Wind (Old Vic); One Man Away (Opera North). Sacks was a dancer with Two Guvnors, Mary Stuart (Broadway); La Bête, Béjart Ballet and Ballet Rambert and founded her Private Lives, Rock ‘n’ Roll (West End/Broadway). own dance-theater company, Extreme Measures. Opera includes: Elektra (Aix-en-Provence); Der Freischütz (Baden-Baden); Tristan und Isolde (La Julia Horan CDG (casting) Scala); From the House of the Dead (Vienna); Un Theater includes: Chimerica (Harold Pinter Ballo in Maschera, La Bohème (Bregenz); The Theatre, Almeida Theatre); Absent Friends Ring Cycle (Tokyo). Young has also worked with (Harold Pinter Theatre); Wild Swans, After ENO, Scottish Opera, WNO, and Opera North. Miss Julie, Government Inspector, My Dad’s Film includes: How I Live Now, Holy Motors, The a Birdman, Joe Turner’s Come and Gone, The Iron Lady, Adèle Blanc-Sec. Television includes: Glass Menagerie, Annie Get Your Gun, In the The Americans, House of Cards, Smash. Red & Brown Water, The Good Soul of Szechuan (Young Vic); Backbeat (Duke of York’s, Toronto); Charlotte Barslund (literal translation) South Downs/The Browning Version (Harold Charlotte Barslund translates Scandinavian plays Pinter Theatre, Chichester Festival Theatre); and novels. Her translation of Strindberg’s The Clybourne Park (Royal Court, Wyndhams); Pelican was broadcast on BBC Radio 3. She Wastwater, The Heretic, Get Santa, Kin, Red translated Ingmar Bergman’s version of Ghosts Bud, Tribes, Wanderlust, Spur of the Moment, by Henrik Ibsen, which was performed at the Who’s Who

Barbican. Her translation of the Norwegian crime Simon Desborough (Delivery Man) novel Calling Out For You! by Karin Fossum was Theater includes: A Doll’s House (Duke of nominated for the 2005 Gold Dagger Award York’s, West End); Oleanna (tour); The Day They by the British Crime Writers’ Association. Banned Christmas (Courtyard); Is Anything Other translated novels include: Machine and Broken (Tristan Bates Theatre); Romeo & The Brummstein by Peter Adolphsen, and Juliet (Millfield);The White Devil (Greenwich Pierced and Burned by Thomas Enger. Playhouse); Fireworks (Etcetera); Project Snowflake (Jack Studio). Film includes: Baby CAST Blues, The Big Finish, Defining Fay, Into the Silent Land. Television includes: Future Storm, Mabel Clements (Helene) Shakespeare in London. Trained at the Guildhall School of Music and Drama. Film, television, and theater credits Nick Fletcher (Nils Krogstad) include: Doctors (BBC Television); The Window Theater includes: A Doll’s House (Duke of (Adam Morse); Crime and Punishment (Glasgow York’s, West End, and Young Vic); Public Citizens Theatre and UK Tour); A Doll’s House Enemy, The Shawl, (Young Vic); The Country (Young Vic); Angus, Thongs and Even More Wife (Royal Exchange); A Woman Killed with Snogging (West Yorkshire Playhouse). Radio Kindness, The White Guard, The Overwhelming, credits include: Beware of Pity (BBC Radio 4). Once in a Lifetime, Playing with Fire, The UN Drama school credits include: DNA, Kiss Me Inspector (National Theatre); Twisted Tales (Lyric Kate, Iphigenia at Aulis, Badenheim 1939, Hammersmith); May Days (RSC); Dial M for Dear Brutus, Richard III, Oedipus, The Cherry Murder (West Yorkshire Playhouse); Thyestes Orchard. Clements is also a skilled voiceover (Arcola); A Midsummer Night’s Dream, The artist and credits include: Dates (Channel 4); A Two Gentlemen of Verona (Regent’s Park); King Little Chaos (Dir. Alan Rickman); The Invisible Lear (Old Vic); Star Quality (Apollo); Love’s Woman (BBC Films); Anna Karenina (Universal); Labour’s Lost, A Difficult Age (ETT); All’s Well Posh (Blueprint); About Time (Translux); Skyfall That Ends Well (Chicago Shakespeare Theater); (MGM/Columbia); Sherlock Holmes (Warner The Last Thrash, The Way of the World, The Brothers); My Week With Marilyn (Weinstein Cassilis Engagement, Court in the Act, The Company); Harry Potter (Warner Brothers); House Amongst the Stars, A Wife Without a The Brothers Grimm (Dimension Films); The Smile (Orange Tree); Silence, The Slight Witch Chronicles of Narnia (Walt Disney Pictures); St. (Birmingham Rep); Henry V, A Chaste Maid In Trinian’s (Fragile Films). Cheapside (Shakespeare’s Globe); Burdalane (BAC). Television includes: Silk, Harley Street, Steve Toussaint, Dominic Rowan, and Hattie and Hattie Dominic Rowan, Steve Toussaint, Morahan. Photo: Richard Hubert Smith Who’s Who

Midsomer Murders, New Tricks, True Dare Kiss, and The Golden Compass. Morahan won both After the War, Whitechapel, Mutual Friends, the Evening Standard Theatre Award 2012 and Rough Treatment. Film includes: Sherlock the Critics’ Circle Best Actress Award 2013 for her Holmes II, Body of Lies, Hippie Hippie Shake, performance as Nora in A Doll’s House, and a 2007 Bring Me the Head of Mavis Davis, The Visitor. Ian Charleson Award for her role in The Seagull.

Leda Hodgson (Anna) Dominic Rowan (Torvald Helmer) Trained at LAMDA. Theater includes: A Doll’s Theater includes: A Doll’s House (Duke of York’s, House (Duke of York’s, West End, and Young West End, and Young Vic); The Book of Job Vic); Gotcha, Rack Abbey, A Midsummer Night’s (National Theatre); Look Back in Anger, The Dream, Man of Mode (Cheek by Jowl); Shakers, Rivals (Royal Exchange, Manchester); After Dido Cut and Dried (Hull Truck); Back Pay, Business (Young Vic, ENO); Berenice, A Voyage Round as Usual, Drink, Smoking and Toking, Tattoo, My Father, Lobby Hero (Donmar Warehouse); The Terrible Voice of Satan, Workers’ Writes The Village Bike (Royal Court); Henry VIII, (Royal Court); Bed Among the Lentils, Talking A New World, As You Like It (Shakespeare’s Talking Heads, A Lady of Letters, A Woman of Globe); The Misanthrope (West End); The No Importance (Theatre Maketa, Taconic Stage); Spanish Tragedy (Arcola); Under the Blue Sky The Norman Conquests (Birmingham Rep). (West End); Happy Now?, Dream Play, Iphigenia Television includes: Take Three Women, Hamish at Aulis, Mourning Becomes Electra, Three Macbeth, Baddiel’s Syndrome, The Inspector Sisters, The Talking Cure, Private Lives, (National Lynley Mysteries, Perfect World. Film includes: Theatre); Way to Heaven, Forty Winks (Royal Stone Tears, Thursday, Meat. Court); Merchant of Venice, Two Gentlemen of Verona, Talk of the City (RSC); Sexual Perversity Caroline Martin (Kristine Linde) in Chicago (Sheffield), The Importance of Being Trained at RADA. Theater includes: A Doll’s Earnest (Oxford Playhouse). Television includes: House (Duke of York’s, West End); The Merchant Restless, Henry IV, lead regular in Law and of Venice; Macbeth; The Lion, the Witch and Order UK (series 5, 6, 7, 8), Catwalk Dogs, the Wardrobe (RSC); House of Special Purpose, Baby Boom, Trial and Retribution, The Lavender (Chichester Festival Theatre); Othello (Cheek List, The Family Man, Rescue Me, Lost World, By Jowl). Television includes: Five Days, Foyle’s Swallow, North Square, Hearts and Bones, A War, He Knew He Was Right, Byron, Inspector Rather English Marriage, Between the Lines, Lynley Mysteries, and Agatha Christie’s Poirot. Devil’s Advocate, No Bananas, Emma, The Film includes: Happy-Go-Lucky. Martin was Tenant of Wildfell Hall. Film includes The Tulse nominated for the Ian Charleson Award for Luper Suitcases. Othello. Steve Toussaint (Dr. Rank) Hattie Morahan (Nora Helmer) Theater includes: A Doll’s House (Duke of Theater includes: A Doll’s House (Duke of York’s, York’s, West End, and Young Vic); The Riots West End, and Young Vic); The Dark Earth and (Tricycle); Macbeth, Merchant of Venice the Light Sky (Almeida); 66 Books (Bush); (RSC); Twelfth Night (Nottingham Playhouse); Plenty (Sheffield Crucible); The Real Thing Ruined (Almeida); Hapgood (Birmingham Rep, (Old Vic); Time and the Conways, Three More West Yorkshire Playhouse); Flight 5065: The Sleepless Nights, some trace of her, The Seagull, Traducers (London Eye); Fix Up (National); Iphigenia at Aulis (National); Family Reunion Urban Afro-Saxons (Talawa); 20,000 Leagues (Donmar Warehouse); The City (Royal Court); Under the Sea (Theatre Royal Stratford East); See How They Run (West End); Twelfth Night A Servant to Two Masters (RSC); To Kill a (West Yorkshire Playhouse); Singer (Tricycle); Mockingbird (Everyman Palace); Someone and Night of the Soul, Prisoners Dilemma, Who’ll Watch Over Me (West End). Television Hamlet (RSC). Television includes: The Bletchley includes: Silent Witness, Line of Duty Series 2, Circle (series two), Midsomer Murders, Eternal Spooks, Doctors, Skins, New Tricks, CSI: Miami, Law, Outnumbered, Lewis, Money, Marple—A My Dad’s the Prime Minister, Waking the Dead, Pocket Full of Rye, Trial & Retribution, Sense Broken News. Film includes: Asylum, Prince of and Sensibility, Bodies, New Tricks, and Lark Persia: The Sands of Time, Broken Lines, Mutant Rise to Candleford. Film includes: Summer in Chronicles, Flight of Fury, Shooting Dogs, The February, Nora, Having You, The Bank Job, Sin Eater, Dog Eat Dog, Circus, Macbeth, I.D. The Young Vic

Artistic Director | David Lan Executive Director | Alan Stacey

Our shows We present the widest variety of classics, new plays, forgotten works, and music theater. We tour and co-produce extensively within the UK and internationally.

Our artists Our shows are created by some of the world’s great theater people alongside the most adventurous of the younger generation. This fusion makes the Young Vic one of the most exciting theaters in the world.

Our audience …is famously the youngest and most diverse in London. We encourage those who don’t think theater is “for them” to make it part of their lives. We give 10% of our tickets to schools and neighbors irrespective of box office demand, and keep prices low.

Our partners near at hand Each year we engage with 10,000 local people—individuals and groups of all kinds including schools and colleges—by exploring theater on and off stage. From time to time we invite our neighbors to appear on our stage alongside professionals.

Our partners further away By co-producing with leading theater, opera, and dance companies from around the world we create shows neither partner could achieve alone.

The Young Vic is a company limited by guarantee, registered in England No. 1188209. VAT registration No. 236 673 348.

The Young Vic (registered charity number 268876) receives public funding from:

Lead sponsor of the Young Vic’s Funded Ticket Scheme

GET MORE FROM THE YOUNG VIC ONLINE Sign up to receive email updates at youngvic.org/register youngvictheatre youngviclondon @youngvictheatre Blog youngviclondon.wordpress.com Who’s Who Lukas and Leon Rolfe, Julia Eliott-Lockhart, and Lukas and Leon Rolfe, Hattie Morahan. Photo: Richard Hubert Smith

Gavin Kalin (producer) Musicals—The Musical! (Sound Theatre, London Gavin Kalin Productions Ltd is a theatrical and Kings Head Theatre, London); Notes from production company that specializes in Underground (Trafalgar Studios, London); Almost producing theater in the West End, on Blue (Riverside Studios, London). For three years tour throughout the United Kingdom, and Laidlaw was producer for Dumbfounded Theatre internationally. Credits include A Doll’s House with whom he has produced Bread and Butter (Duke of York’s Theatre), The Ladykillers (Scottish Tour and Tricycle Theatre, London) and (Vaudeville Theatre), La Soirée (Union Square The Last Waltz Season (Arcola Theatre, London). Theater, NY), The Pajama Game (Shaftesbury He also specializes in theater production finance Theatre), and the 2014 UK and Ireland tour of and is currently working with Playful Productions Shrek The Musical. Kalin is also the founder as a freelance production accountant. Recent of Totally Theatre Productions, a TV/video work with them includes Wicked, Million Dollar production company that specializes in working Quartet, Onassis, and Flare Path. He is engaged within the theater industry. Retained and by Sadler’s Wells as a financial consultant regular clients include Wicked, Charlie and the for their production and touring department, Chocolate Factory, Leicester Curve, Chichester and has worked for Wicked in New York. He Festival Theatre, and many more. is also head of finance for Glynis Henderson For more information: gavinkalinproductions.com Productions. Recent and future projects include acting as general manager for Catherine Neil Laidlaw (producer) Schreiber Productions on The Scottsboro Boys, Neil Laidlaw is a commercial producer and co-produced with the Young Vic in Autumn general manager. He has most recently produced 2013 and the development of a new musical Mr. the hugely successful Scottish tours of The Timothy based on the book by Louis Bayard. Steamie by Tony Roper and the one-man show Jigsy starring Les Dennis. Other producing credits Mark Rubinstein (executive producer and include Side by Side by Sondheim (Leicester general manager) Square Theatre, London); Beautiful Thing Mark Rubinstein Ltd. is an established theater (Sound Theatre, Leicester Square, London— producing and general managing company Evening Standard Best Newcomer award for the working in the West End and on tour both performance by Andrew Garfield); Hormonal nationally and internationally. Mark Rubinstein Housewives (Scottish tour); The Musical of is the president of the Society of London Who’s Who

Theatre and is a board member of the Theatre from South Africa’s Isango Portobello Company: Development Trust, and Stage One. Projects that The Magic Flute—Impempe Yomlingo (Duke Mark Rubinstein Ltd. is currently producing or of York’s Theatre and International tour; general managing include: The Drowned Man: Olivier Award: Best Musical Revival) and The A Hollywood Fable (Punchdrunk), Jeeves & Mysteries—Yiimimangaliso (Garrick Theatre), Wooster in Perfect Nonsense (Duke of York’s Arturo Brachetti: Change (Garrick Theatre, Theatre), La Soirée (international tour —Europe Olivier Award nominated for Best Entertainment). and Union Square Theater, NY), and the Mark Rubinstein Ltd. has provided consultancy National Theatre’s touring production of War services to the National Theatre, the Royal Opera Horse.Recent projects include: A Doll’s House House, Punchdrunk, the Criterion Theatre, and (Duke of York’s Theatre), The Curious Incident was previously the producer for the main house of the Dog in the Night-Time (West End Transfer, productions at the Young Vic Theatre. mrluk.com Apollo Theatre), Untold Stories (West End Transfer, Duchess Theatre), Blind Date (Charing R. MICHAEL BLANCO (American stage Cross Theatre), Sweeney Todd (Adelphi Theatre), manager) has been the stage manager at BAM La Soirée (Roundhouse, international tour, and for Karole Armitage’s The Predator’s Ball; South Bank Big Top—special installation), Butley Jonathan Miller’s St. Matthew Passion and Così (Duchess Theatre and Brighton Festival), Fela! fan tutte; Playing Shakespeare USA with John (Sadler’s Wells and European tour), The Beauty Barton; Sydney Theater Company’s White Devil Queen of Leenane (UK Tour) and I am the Wind and Hedda Gabler; Donmar Warehouse’s Uncle (European Tour) both for the Young Vic; The Vanya/Twelfth Night; the RSC’s Don Carlos, Three Musketeers a new musical with music A Midsummer Night’s Dream, and Hecuba; by George Stiles (UK première Rose Theatre Watermill/Propeller’s Merchant of Venice; and Kingston, Christmas 2010), La Clique (London Vesturport Theatre’s Metamorphosis and Faust: Hippodrome, Roundhouse, and International A Love Story. At the Metropolitan Opera: Kirov tour—Olivier Award: Best Entertainment), the Ballet, Bolshoi Ballet, and Robert Wilson’s Le West End transfer of the National Theatre’s War Martyre de Saint Sebastian. Horse (New London Theatre), two productions Shining Light into A Doll’sHouse by Carrie Cracknell, the play’s A Doll’sHousebyCarrieCracknell,theplay’s Young VicproductionofHenrikIbsen’s ADoll’s Anglo-Saxon theaterpractitioners, thatitwas Anglo-Saxon A: IwasaskedtodoanewversionofIbsen’s of Norwegian poet/dramatistJonFosse’sof Norwegian IAm conversations between LanandJonFosse, playwrights. Hesaid thatADoll’sHousehas prestigious OlivierAward forBest NewPlay. written anewversionofclassicplayuntilthis director, intheimmediatewakeofmyversion director, andDavidLan, theYoung Vic’sartistic , Mar 16.HisplaysincludeBluebird,Motortown English playwrightSimonStephenshadnever Q: Howdidthisprojectcometobe? the Wind in2011.ThedecisiontoreviveA the ShoreofWide World andTheCurious Incident oftheDoginNight-Time wonthe Doll’s Houseandtore-interrogateitcamefrom Harper Reagan , andThreeKingdoms.BothOn fromFeb 21to House, attheBAMHarvey largely considered oneofEurope’sleadingliving two completelydifferentpositions. One were been widely misinterpreted asafeministtext by

Dark Corners Q&A withSimonStephensbyAliciaDhyanaHouse The second completely contradictory impulse The secondcompletelycontradictory a feministtext.Rather itisaplay aboutcruelty, as ever—thatwestilloperatewithin apatriar arguments concerningtheautonomyofwomen, ceived asbeingfeminist,andthatproductionsin chy, thatwomenarestillmarginalized,and never Ibsen’s intentionfortheplaytobeper much wantedtointerrogate. play—I foundcompletely intriguing andvery firstproduction,play’s remainashotandurgent pressive natureofpatriarchy, the 130yearsafter sense ofself. It’slikeanearlytextofexistential- women still lack agency in contemporary culture. women stilllackagencyincontemporary very bracingandprovocativeidea. very Norway andinScandinaviaareneverstagedas Norway Q: Inadapting thisiconic classic whatwas your So those two starting points—onedenyingitasa So thosetwostarting ism ratherthanoffeminism.Ithoughtthatwasa searchforasensible isolation, andacharacter’s the authenticityoffemalevoice,andop- to thatwasfromCracknellforwhomtheplay’s feminist playandonecelebratingit asafeminist intention inhowyouwere going toapproach it? - -

Hattie Morahan and Dominic Rowan. Photo: Johan Persson #ADOLLSHOUSE

And did your approach shift during the process? female protagonist Nora and the extent to which society and cultural morals define and trap A: There is a tiny semantic point I’d like to us. I am fascinated by our responsibility to our make—the play is a version by me and not an children and to ourselves, and how we reconcile adaptation. I went into the play with the inten- those two conflicting responsibilities. I am fasci- tion of doing something explosively radical and nated by the question about whether it’s possible alarming but the more I worked on the play the to live in a society; whether there is such a thing more I found I didn’t need to unpick the struc- as a society. And whether society is repressive, ture, which was itself was robust and radical; liberating, or repressive to women... or do I just all I needed to do was to find a language that enjoy the notion of it being a liberating force felt present-day without being idiomatic, actable because I am a man? And in fact, if my wife did without being jargonistic. I tried to find a dia- a version of A Doll’s House, maybe she would logue that actors could get their teeth into. I cut write a very different play. I am fascinated by a thousand words. It’s leaner than most versions. that and shining my torch into that particularly But actually it is a tremendously loyal version. cruddy corner.

Q: Are there any particular themes, ideas, Alicia Dhyana House is a freelance theater director relationships, or characters in A Doll’s House based in NYC. She was the stage director for Goldberg’s in which you find yourself confronted with and Variations, part of BAM’s 2013 Next Wave Festival. often wrestle with in your own plays?

A: Again and again I return to the same questions in my plays. I think it’s a myth to suggest that a playwright or any artist invents a new world when they sit down to work afresh. I think we return to those same obsessions that define us. I had an extraordinary experience because I was rehearsing A Doll’s House and The Curi- ous Incident of the Dog in the Night-Time at the same time and I found both plays were considerations of the same thing. How strange is it that in both—two texts I didn’t conceive or initiate—there should be the same word for word line of dialogue which is, “I couldn’t stay a night in a stranger’s house.” There must be a reason I was drawn to both of those plays because thematically they both resonated with what I am trying to do as an artist—to ask the questions, What is it to be at home? What is to leave home? What is it to return home having left? What is it to commit to a family? These themes sit through all my plays and absolutely sit through the heart of A Doll’s House.

Q: I read an interview where you said, “what we do when we tell stories is we try to make sense of things we don’t understand” and that you try and explore things that frighten you as a means of having some ownership of them and that you have an instinctive compulsion to shine a light in dark corners. What specifically frightened you about A Doll’s House? Which dark corners did you shine a light on and what did you discover?

A: I think it was about recognizing myself in the Hattie Morahan. Photo: Johan Persson BAM

BAM 2014 Winter/Spring Season Sponsor

Salutes BAM

BAM 2014 Theater Sponsor

Salutes Mar 2014

Contents

Nonesuch Behind the Scenes—Stephanie Hughley

Carolina Chocolate Drops. Photo: Nonesuch Stephanie Hughley. Photo: Beowulf Sheehan

BAM and Nonesuch celebrate a shared aesthetic Meet BAM’s vice president of Education & in an eclectic series marking the beginning of the Humanities, Stephanie Hughley label’s 50th anniversary festivities by Michael Hill

Cover Artist

Bill Beckley Bill Beckley is a New York-based conceptual artist who garnered recognition in the 1970s for work that combines photographic images and text to form re- petitive, often highly sexualized compositions. Pioneering the use of saturated color photography and overt references to popular advertising tropes, Beckley and contemporaries like William Wegman, John Baldessari, and Gerhard Richter are sometimes referred to as part of the Narrative Art movement, a loosely associated group of artists who influenced the Pictures Generation. In the 1990s Beckley’s conceptual explorations led him to edit a series of academic essays called Aesthetics Today for the School of Visual Arts, where he has taught semiotics since 1970. His most recent solo show, Bill Beckley: Facts (Fuck) I Love You, was on view in Manhattan at Friedman Benda Gal- lery this past fall. Hanging in the Peter Jay Sharp Opera House Lobby, I’m Prancin’ is a photograph of vibrantly colored, swirling ribbons—free of digital manipulation—which takes its inspiration from the energetic lyrics of a Jack White song. It is the perfect complement to BAM’s multidisciplinary offerings, which feature a combination of dance, music, and performing arts. This work is currently available for purchase for $28,000; all proceeds benefit BAM. For more information please contact Holly Shen Chaves, Curator of Visual Arts, at Bill Beckley, I’m Prancin, 2013. Cibachrome [email protected] or 718.636.4101. photograph, 74” x 48”. Image courtesy of the artist. Nonesuch Carolina Chocolate Drops. Courtesy Nonesuch Nonesuch and BAM Partners in Art by Michael Hill

In an era when everyone wants to be a brand, recordings licensed from European sources to the Nonesuch remains, per usual, well ahead of the same young audience that bought classic litera- curve. The name Nonesuch is as recognizable ture in cheap paperback form. His hunch proved these days as “BAM” or “Brooklyn.” And, like to be a profitable one, inspiring other labels to the Brooklyn Academy of Music and its Kings launch their own competing low-priced classical County home, the label proverbially occupied an divisions. He also brought in as label coordina- overlooked outer borough of the music industry, tor the Brooklyn-born Theresa Sterne, a piano but it’s now the place where an increasingly prodigy who’d left the concert world to enter the wide range of artists and savvy listeners want business side of classical music. Preferring to to reside. Nonesuch is one of the rare extant call herself an editor, it was through her initial record labels where its imprimatur alone makes efforts that Nonesuch quickly became a unique an emerging artist or new project worthy of a purveyor of adventurous classical music, new spin. Like leaping into the unknown with a fresh music, and world music, well beyond Holzman’s offering at the BAM Next Wave Festival—where original business plan. She brought a consistency so many Nonesuch artists have presented work of tone to all Nonesuch releases, demanding over the last 32 years—you’re bound to discover high standards of visual presentation for album something challenging, beautiful, even downright artwork, as well as for the audio and aesthetic life-altering. quality of the LPs packed within. (Many a vinyl pressing, legend has it, was trashed if it did not Nonesuch Records has always been distin- meet Sterne’s exacting standards.) guished by a counter-intuitive approach to the record business. Its founder, Jac Holzman—the Among the landmarks of Sterne’s tenure, which head of what was then an esteemed independent ended in 1979, was a recording of composer folk-oriented label, Elektra Records—started George Crumb’s brilliant and challenging Ancient Nonesuch in 1964 as an affordable classical Voice of Children, which sold more than 70,000, label, concurrent with the launch of the Beatles’ and Charles Wuorinen’s Time’s Encomium, an American Invasion. His intent was to market early foray into electronic music commissioned Nonesuch by Sterne that won the Pulitzer Prize for music such. “Talk to me in five years,” he simply in- in 1970. That same year, Sterne protégé Joshua structed the young Hurwitz. It took far less than Rifkin recorded a collection of Scott Joplin rags, five years for the prescient Hurwitz to position the first in a series which sparked a major revival Nonesuch as a leader on the new-music scene of Joplin’s music. In 1967, Sterne established and well beyond. He attracted such American the Nonesuch Explorer Series, which presented maverick artists, up to then ignored by others in indigenous music from around the globe, often the classical world, as Adams, Glass, and Reich, in a pure field-recording form—arguably the first along with Kronos Quartet, John Zorn, the World attempt to seriously cultivate interest in world Saxophone Quartet, and Brazilian Tropicalia music among western classical and pop listen- legend Caetano Veloso—many artists whose ers. One of the earliest Explorer Series record- relationships with BAM have been as lengthy ings, Music from the Morning of the World, and memorable as their tenure at the label. His featuring Balinese gamelan, became a chart suc- talent-scouting instincts immediately yielded cess—thanks in no small part to one celebrated commercial success and critical accolades, with tack, the 22-minute “Monkey Chant,” which, of releases by Kronos Quartet, Glass, and Reich its time, became the accompaniment to many a selling well over 100,000 albums each. hippie’s armchair “trip.” Key Nonesuch releases became bona fide cul- After running the American arm of German jazz tural phenomena as well as million-selllers: the and new music label ECM, Robert Hurwitz as- haunting Eastern European choir music of the sumed leadership of Nonesuch exactly 30 years Mystère de la Voix Bulgare, the sunny Proven- ago, around the time of such iconic BAM produc- çal swing of Gipsy King’s self-titled debut, the tions as Nixon in China (John Adams), The emotionally powerful first recording of Henryk Desert Music (Steve Reich), and Einstein on the Gorecki’s elegiac Symphony No. 3. In 1997, the Beach (Philip Glass/Robert Wilson). The fact that Buena Vista Social Club re-introduced the world these productions were subsequently recorded by to the forgotten stars of Cuban music. More Nonesuch underscores an aesthetic shared with recently, the Black Keys—which purveys its own BAM. Hurwitz had been tapped by then-Elektra brand of minimalism with a propulsive, stripped Records head Robert Krasnow, a freewheeling down blues-rock sound—became one of the label chief who had enough faith in his new hire label’s most unlikely yet ingenious signings. The to take a decidedly hands-off approach to None- duo quickly eclipsed its cult status to reach top- Emmylou Harris. Photo courtesy Vector Management. Emmylou Harris. Photo courtesy Vector Nonesuch of-the-album-charts stardom without sacrificing Daniel Lanois, Steven Nistor, and Jim Wilson. its vision, or needing to hire a full-time backing Harris found renewed inspiration after join- band. (And in true Nonesuch fashion, Black ing Nonesuch. Her final Elektra Records set, Keys guitarist Dan Auerbach has brought to the Wrecking Ball was a breakthrough for the singer, label artists he admires who are deserving of a expanding her stylistic range and winning many wider audience, including desert-blues guitarist new fans in the rock world. She followed up Bombino from Niger and New Orleans legend, with a series of discs for Nonesuch showcasing Dr. John, with whom Auerbach collaborated in a her newfound skill as a songwriter, as well as a set of concerts at BAM in 2012.) consummate interpreter of other writers’ work. Her Nonesuch debut, Red Dirt Girl, garnered her The Black Keys illustrates the breadth of the a Best Contemporary Folk Album Grammy in current Nonesuch roster, which, to name a few, 2000. The praise for her work has been constant includes such contemporary jazz greats as Brad ever since; her most recent set, an album of Mehldau, Pat Metheny, and Joshua Redman; duets with longtime cohort Rodney Crowell, Old multiple Tony Award winner Audra MacDonald; Yellow Moon, recently won the Grammy’s 2013 composer-producer-guitarist Ry Cooder; misan- Best Americana Album award. Nonesuch has thropic pop commentator Randy Newman; vir- reissued an expanded version of Wrecking Ball. tuosic string-band quintet Punch Brothers; classical violinist Gidon Kremer and acclaimed young On April 10, the Carolina Chocolate Drops pianist Jeremy Denk; and new-music composers perform, including a new work by dance legend Timo Andres and Donnacha Dennehy. David By- Twyla Tharp. The group earned a Best Traditional rne, k.d. lang, and Natalie Merchant are on the Folk Album Grammy for its 2010 Nonesuch roster, as is Laurie Anderson, whose reputation debut, Genuine Negro Jig. CCD co-founder was firmly established after her landmarkUnited Rhiannon Giddens studied opera at Oberlin States, Parts 1—4 premiered at BAM’s 1983 Conservatory before turning her focus to the Next Wave Series. traditional music of the Piedmont region of North Carolina, where she was raised. Giddens and As a precursor to Nonesuch’s 50th anniversary her cohorts Hubby Jenkins, Malcolm Parson, celebration, which gears up in earnest this fall, and Rowan Corbett have endeavored to uncover BAM presents two productions this spring in the African-American roots of old-time music. the opera house. On April 12, Emmylou Harris The result is illuminating and exhilarating, and will perform the stunning Wrecking Ball with guaranteed to bring an audience to its feet. Twyla Tharp, renowned for her modern and ballet choreography, has previously inhabited both the stages and studios at BAM. She utilizes the in- fectious rhythms of the Carolina Chocolate Drops in this new collaborative piece, Cornbread Duet, for New York City Ballet stars Tiler Peck and Robert Fairchild, to be performed in addition to a musical set by CCD. It is the kind of genre-cross- ing work that has long been standard operating procedure for both Nonesuch and BAM.

This fall, the 2014 Next Wave Festival will include an exhilarating and historic slate of programs featuring Nonesuch artists to be announced soon, further underscoring the providential partnership between Nonesuch and BAM. Stay tuned... , 2010. Photo: BAM Hamm Archives

Michael Hill frequently writes about music. He also Delusion supervises the music for Showtime’s Nurse Jackie and Sundance Channel’s The Red Road. Laurie Anderson in BAM

Official Zero Calorie Sweetener of BAM

Salutes Art isnotan Art Behind theSceneswithStephanieHughley a missionasitsfirstvicepresidentofEduca A: Themissionistobuildstrongerrelation as criticalthinking,creativeproblem solving,col education community. Thesearetheaudiences call Brooklynhome,especiallyyoungfamilies pare studentsfor jobs thatdon’t existyet. With mission and why it’s an important commitment mission andwhyit’sanimportant strengthen oldrelationshipswithschools andthe ships withthediversecommunitiesthatnow we nowhave aspace/place todomore:family with children. We also wanttobuildnewand Learn moreabout—andwith—Stephanie Humanities. Hughley, vicepresidentofBAMEducation& Q: You joinedBAMtwoyearsago, chargedwith Exposure to the arts develops“lifeskills”such Exposure tothearts tion &Humanities.Canyoutellusaboutthat by BAM? laboration, communication, andempathy—skills the opening oftheRichard B.Fisher Building, transferable toany occupation, andtools to pre for BAM’s future. Art is not an afterthought. isnotanafterthought. for BAM’sfuture.Art Afterthought - - - - 10th season of Eat, Drink & Be Literary Series,a 10th seasonofEat, Drink&BeLiterary A: We justhad aweek-longrunof and teachers,professionaldevelopmentforart and childrenages2to5withJazz@Lincoln at LincolnCenter—aterrificprogram forparents onetas delaEsquina.We hadpackedhousesof children, teachers,parents,andcaregivers. To programs, educationalprogramsforstudents popular. Greenehas It’sbeen saidthatFort withtheNationalBookAwards. The partnership see thosechildrenlaughingandshouting inEng wonderful puppetcompanyfromMexico, Mari wonderful We alsolaunchedWe Bop Q: Canyoutellusaboutsomeofthemostinspir Beauty Dreams lish andSpanishwasavisionofour newworld. ists, andmoreprogramsforlearnersofallages in hours and theentireseries hasprovenhugely inaugural eventwith SalmanRushdie sold out through ourhumanitiesprograms. Center. With humanities,we’velaunched the ing recent BAMkids and Humanities programs? ing recentBAMkidsandHumanitiesprograms? in EnglishandSpanishbya ® , producedbyJazz Sleeping - - - - Stephanie Hughley. Photo: Beowulf Sheehan BAM salutes Members of the Artist Circle for their generosity and commitment to providing a home for adventurous artists, audiences, and ideas

Artist Circle Members Diane & Adam E. Max, The Grodzins Fund Lyon & Hilary Polk Artist Circle Chairs Mr. & Mrs. Henry B. Gutman Maya Polsky Mr. & Mrs. Burton K. Haimes William D. & Susan Kahan Rifkin Linda & Max Addison Cheryl Henson & Ed Finn Max Rifkind-Barron Roger Alcaly & Helen Bodian Sophie Hughes Mr. & Mrs. Theodore C. Rogers Allan Arffa & Kay Matschulllat Richard Hulbert Carley Roney & David Liu Susan L. Baker & Michael R. Lynch Alan Jones & Ashley Garrett Bette & Richard Saltzman The Howard Bayne Fund Miriam Katowitz & Arthur Radin Donna & Marvin Schwartz Roger & Brook Berlind Gene & Terry Kaufman Jon & NoraLee Sedmak Emma Bloomberg & Alexander E. Kipka Susan & Larry Sills Christopher Frissora & Katherine Nintzel In Memory of Robert Sklar Mr. & Mrs. Anthony Bowe The Levine Foundation Mr. & Mrs. Howard Solomon Jim Chervenak Briehan Lynch & Alexander Evis Sam & Ellen Sporn Simon & Sarah Collier Grace Lyu-Volckhausen David & Aliana Spungen Mary Sharp Cronson Mattis Family Foundation Starry Night Fund Joan K. Davidson Hamish Maxwell Jean Stein (The J.M. Kaplan Fund) Scott C. McDonald Wendy vanden Heuvel Beatrice & James Del Favero Constance & H. Roemer McPhee The Robert W. Wilson Carol & Roger Einiger Joyce F. Menschel Charitable Trust Linda & Martin Fell Barbara & Richard Moore Carol Yorke & Gerard Conn David & Susie Gilbert Charles M. Nathan & Alisa F. Levin Barbara & David Zalaznick Elaine Golin The O’Grady Foundation Pia & Jimmy Zankel Pamela Grace Joey O’Loughlin Anonymous (3)

Artist Members Edward Albee William Christie Isabelle Huppert Stephin Merritt Barbet Schroeder Olivier Assayas Patricia Clarkson Jeremy Irons & Meredith Monk Cindy Sherman Donald Baechler Dr. Chuck Davis Sinéad Cusack Mark Morris Laurie Simmons Bob Balaban Anne Teresa Bill Irwin Shirin Neshat Mark Stewart Matthew Barney De Keersmaeker Sir Derek Jacobi Wunmi Olaiya Lily Tomlin Mikhail Baryshnikov Arnaud Desplechin John Jasperse Nicholas Ormerod Maria Tucci Mario Batali Declan Donnellan Bill T. Jones José Parlá John Turturro & Anne Bogart Garth Fagan Harvey Keitel & Estelle Parsons Katherine Borowitz Matthew Bourne Milos Forman Daphna Kastner Jack Pierson Liv Ullmann Iman & David Bowie William Forsythe Guillermo Kuitca Nicolas Refn Ivo van Hove Peter Brook Philip Glass Louise Lawler Steve Reich Suzanne Vega Trisha Brown & Elliott Gould Ralph Lemon Alan Rickman William Wegman Burt Barr Timothy Greenfield- Jonathan Lethem Isabella Rossellini Robert Wilson Michael Cerveris Sanders Susan Marshall David Salle Ping Chong Buck Henry Albert Maysles Susan Sarandon

The BAM Artist Circle provides essential support for mainstage, visual and cinema arts, education, and community programs. Members participate in an ongoing dialogue regarding BAM’s future and have opportunities to attend intimate gatherings with artists—both emerging and iconic—in private settings.

To join the Artist Circle contact Gwendolyn Dunaif at 718.623.7810 x3 or [email protected]. Behind the Scenes Photo: Beowulf Sheehan

more writers per capita than any other neighbor- offer “in-school residencies,” from 12-14 ses- hood in the US, helping it become the creative sions including special needs classes, including capital of the world. Our literary programming Shakespeare, African Dance, and Poetry. has greatly expanded in a few years and the response has been fantastic. Q: You’ve played many roles in the arts in your career: NJPAC’s VP of programming & new Q: Readers may not be aware that in addition to media; theater and dance producer of the Olym- public programs that draw about 21,500 annu- pic Arts Festival in Atlanta; artistic director of ally, your division creates rich artistic programs Atlanta’s National Black Arts Festival; company for 15,500 New York City students each year. and general manager for theatrical produc- What do the students see/do at BAM? tions; professional dancer. How has this array of experiences informed the programs you’re A: They actually see some of the same perfor- implementing at BAM? mances as our adult audiences. For instance, almost 1,000 students and teachers recently A: Some of the most important work in my saw Frank Langella in his amazing performance career was as teacher and teaching artist (in as King Lear. In preparation, we send teaching schools pre-K to college), and, more importantly, artists into the schools to do student workshops, mom and grandmother. I have a deep love for and we post in-depth study guides for teachers children and youth. I’ve also been blessed to on our website for them to review with students have traveled the world in search of the most as well. So even though some of the mainstage innovative, creative, and inspiring artists, and work is extremely challenging, we prepare our so much of the work speaks to young audi- students to be the “best” audiences—so say art- ences. So I’ve seen the best of the best around ists like Mr. Langella and Fiona Shaw. We also the world. Also, having been an artist, I have a Behind the Scenes

creative eye that can keep a focus on the budget as well—both critical perspectives for my current position.

Q: The use of technology is an important aspect of your vision for arts education. Tell us about that, and, if funds were not an issue, what would your dream technology-based program be?

A: It’s hard to imagine we now have at least two, maybe three, generations that don’t know life without some mobile technology, the internet, or Google. I believe soon students will no longer carry textbooks but a tablet with everything you could ever want to know and more. We’re already using distance learning allowing our students here to share with students in Seoul, Korea; Manchester, England; and Trinidad; recently we connected with the Tate Museum in Liverpool, England for students to share experiences on the controversial topic, “Stop and Frisk.” My dream is that BAM stays at the forefront of all the new tech- nologies available to connect students, teachers, families, and life-long learners of all ages and that BAM becomes the premiere go-to resource for classroom- ready curriculum content.

Q: What is Ignite?

A: It’s a three-year, $15 million fundrais- ing campaign to support our Education & Humanities programs and expand them. We’re receiving pledges large and small from donors, for which we’re grateful, as well as video testaments by artists such

as Ethan Hawke and Jodie Foster. The Bard Visit BAM.org to get the latest calendar of E&H events, and to learn more about Ignite. Photo: Beowulf Sheehan in Brooklyn. BAM Youth Summer Programs 2013: Summer Programs BAM Youth Upcoming Events

BAM 2014 WINTER/SPRING SEASON GET IT OUT THERE

WORLD-CLASS THEATER, DANCE, MUSIC & OPERA COMEDY BY BAM & IFC Carolina Chocolate Drops | Cornbread Duet Apr 24 at 9pm | BC Choreographed by Twyla Tharp Danced by Tiler Peck and Robert Fairchild EAT, DRINK & BE LITERARY Apr 10 | OH Chang-rae Lee | Moderated by Deborah Treisman Emmylou Harris Wrecking Ball Tour Apr 9, 6:30pm | BC with Daniel Lanois, Steven Nistor, and Jim Wilson Daniel Alarcón | Moderated by Deborah Treisman Apr 12 | OH Apr 23, 6:30pm | BC

BC=BAMcafé | BRC=BAM Rose Cinemas | FB=Fisher Building FS=BAM Fisher (Fishman Space) | HT=BAM Harvey Theater OH=BAM Howard Gilman Opera House . Photo: Paramount/Photofest The Scarlett Empress Marlene Dietrich and friend in BAM

Official beverage of BAM

Salutes Securing BAM’s Future

BAM Endowment A great institution is built upon on a secure future. At BAM, a growing endowment is the foundation for expansive programming that continues to set new standards for artistic daring and excellence. The BAM Endowment provides the financial underpinning to launch new artistic initiatives, plan for future years, seize opportunities for institutional advancement, and confront unanticipated challenges. BAM sincerely thanks those listed below for their generous support in securing BAM’s future.

$5,000,000 and above $500,000 and above $100,000 and above Richard B. Fisher & Jeanne The Campbell Family Foundation Michael Bailkin, Marvin Levine, Donovan Fisher The Devitre Fund Jesse Masyr, David Stadtmauer The Howard Gilman Foundation Judith R. & Alan H. Fishman Robert & Joan Catell Fund for The Peter Jay Sharp Foundation Charles J. & Irene F. Hamm Education Programs Lila Wallace-Reader’s Digest Maribelle & Stephen Leavitt Neil D. & Kathleen M. Chrisman Endowment Fund for Community, Diane & Adam E. Max Mr. & Mrs. Henry Christensen III Educational, & Mary & Jim Ottaway Jr. in honor of Madison S. Finlay Public Affairs Programs Ruth Blackburne Ottaway Francena T. Harrison Rockefeller Brothers Fund Performance Fund $1,000,000 and above Jonathan F.P. & Diana V.C. Rose Rita K. Hillman Altria Group, Inc./Next Wave Martha A. & Robert S. Rubin HSBC Bank USA, N.A. Forward Fund Nora Ann Wallace & Jack Nusbaum Independence Community Bank BAM Fund to Support Emerging Stephanie & Tim Ingrassia and Local Musicians $250,000 and above Mr. & Mrs. Edgar A. Lampert Brooklyn Community Foundation The Bohen Foundation Annie Leibovitz & Studio The Irene Diamond Fund The Jessica E. Smith and Kevin R. Leo Burnett, USA Doris Duke Charitable Foundation Brine Charitable Trust James McLaren & Lawton Fitt Emily H. Fisher The Charles & Valerie Diker Dance Sarah G. Miller & Frank L. Coulson The Ford Foundation Fund to Endowment Fund The Morgan Stanley Community Support Collaborative Creativity The Horace W. Goldsmith Foundation and Educational Fund Among U.S. Artists Michael Bancroft Goth Endowed J.P. Morgan & Co. Incorporated The Andrew W. Mellon Foundation Annual Performance Fund The Jerome Robbins Foundation, Inc. Fund For Opera & Music-Theater William Randolph Hearst May & Samuel Rudin Family Bruce C. Ratner Endowment for Education and Foundation William Boss Sandberg Humanities Programs Mr. & Mrs. Ame Vennema The Peter Jay Sharp Fund for Opera The Rita & Alex Hillman Foundation Verizon Communications and Theater Carole & Irwin Lainoff The Isak and Rose Weinman The SHS Foundation Maxwell Family Fund in Community Foundation in honor of Madame The Starr Foundation Funds, Inc. Lilliana Teruzzi The Geraldine Stutz Trust, Inc. The Winston Foundation Anonymous

As of July 1, 2013

Photo: Peter Jay Sharp Building, by Ben Cohen Securing BAM’s Future

Planned Giving Another way to help BAM prepare for the future is by making a provision in your estate plans. You create a legacy for many generations to come and ensure BAM’s excellence continues for the next 150 years. Existing options for planned giving include making a bequest in your will, and naming BAM as a beneficiary in your retirement plan or insurance policy, among others. Unless otherwise specified by a donor, it is BAM’s policy to apply planned gifts toward its endowment. Individuals who have made such gifts are recognized in the select group of patrons known as BAM Angels.

Our special thanks to the foresight of the charitable BAM Angels listed below.

BAM Angels Denis Azaro Barbara T. Hoffman Marie D. Powers Bettina Bancroft William Josephson William Boss Sandberg Robert & Joan Catell Charlotte & Stanley Kriegel Louis Sanders Neil D. Chrisman Edgar A. Lampert Harriet L. Senz Mr. & Mrs. Henry Christensen III Harvey Lichtenstein Toni Mendez Shapiro Mallory Factor Phyllis Holbrook Lichtenstein Bella F. Stoll Madison S. Finlay Georgene M. Maxwell Lynn M. Stirrup Richard B. Fisher Scott C. McDonald PaulaMarie Susi Judith R. & Alan H. Fishman Evelyn & Everett Ortner Charlene Magen Weinstein & Barry M. Fox Frank J. & Adeline Pannizzo Laurence Benjamin Molloy Rita Hillman William Winthrop Parsons Judge Franklin R. Weissberg Carol Yorke & Gerard Conn

For more information on the BAM Endowment or on Planned Giving opportunities please contact Denis Azaro at 718.636.4193 or [email protected]. All inquiries will remain strictly confidential. BAM Directory

STAY CONNECTED BAM Box Office (in person) BAMcafé BAM.org Peter Jay Sharp Building Reservations and information Advance sales 718.623.7811 BAM.org/blog Mon–Sat: 12noon–6pm BAMwifi_forBK Lost & Found BAM Harvey Theater box office Facebook.com/BAMstage 718.636.4150, Mon—Fri: 9am—5pm opens 90 minutes prior to curtain @BAM_Brooklyn on performance days. Restrooms youtube.com/BAMorg BAM Howard Gilman Opera House: Group Sales mezzanine and balcony level For ticket orders of 10 or more (handicapped accessible: LOCATIONS 718.623.7885 | [email protected] orchestra level and BAMcafé) PETER JAY SHARP BUILDING BAM Rose Cinemas BAM Harvey Theater: 30 Lafayette Avenue Advance Ticket Sales: lobby and gallery level BAM Howard Gilman Opera House 877.789.MOVIE Lepercq Space/BAMcafé BAM Rose Cinemas BAM.org or movietickets.com BAM Fisher: Hillman Attic Studio Info: 718.636.4100 lower lobby, 4th floor, and 7th floor

Box office opens 30 minutes before Headphones BAM HARVEY THEATER the first screening of the day. BAM offers infra-red listening devices 651 Fulton Street for the hearing impaired; please BAM Rose Cinemas is wheelchair inquire at the coat check. BAM FISHER accessible. Infra-red headsets for 321 Ashland Place the hearing impaired are available; OTHER Fishman Space inquire at the box office. Hillman Studio Administrative Offices Rooftop Terrace and Stutz Gardens Student Rush Info Leavitt Workshop 718.636.4111 http://www.bam.org/student-rush Brooklyn, NY 11217 Rental Information BAM.org | [email protected] SERVICES 718.636.4198 | [email protected] BAM.org/rentals Membership TICKETS 718.636.4194 BAMart BAM Ticket Services (phone) [email protected] 718.636.4101| BAM.org/BAMart Performance tickets and info 718.636.4100 Patron Services BAM.org/tickets | [email protected] For donors who make an annual contribution of $1,000 or more: 718.636.4182 [email protected]

Please Note

Warning The photographing, OF THE HOUSE STAFF. Thoughtless agents are represented by the videotaping, or sound recording of persons annoy patrons and endanger Association of Theatrical Press Agents any performance or the possession the safety of others by lighting and Managers, of any device for such inside this matches or smoking in prohibited Local #18032, theater, without written permission areas during the performances and IATSE, AFL-CIO. of the management, is prohibited intermissions. This violates a New by law. Violators may be punished York City ordinance and is punishable Food and drinks are not permitted by ejection and may be liable for by law. —Fire Commissioner in the BAM Howard Gilman Opera money damages. House or BAM Harvey Theater. BAM backstage employees are Fire Notice The exit indicated by a represented by the BAM is a charter member of the red light and sign nearest to the seat International Alliance of League of Historic American Theaters you occupy is the shortest route to Theatrical Stage Employees and an affiliate member of the League the street. In the event of fire or other (I.A.T.S.E.). of American Theaters and Producers. emergency, please WALK TO THAT Children under five not admitted EXIT, FOLLOWING THE DIRECTIVES BAM theater managers and press unless explicitly noted. Thanks to our Winter/Spring supporters

BAM 2014 Winter/Spring Season and New and expanded programming Eat, Drink & Be Literary sponsor: and capital initiatives at BAM made possible by major operating, capital and endowment support from The Irene BAM 2014 Theater Sponsor Diamond Fund. Programming in the BAM Howard Gilman Winter/Spring Season supporters: Opera House is supported and endowed BAM 2014 Music Sponsor: Rose M. Badgeley Residuary by The Howard Gilman Foundation. Charitable Trust Programming in the BAM Harvey Theater The Gladys Krieble Delmas Foundation is endowed by the Doris Duke Charitable DeWitt Stern Foundation. The Rolex Institute supports emerging Ford Foundation artists at BAM. The Harkness Foundation for Dance Leadership support for King Lear The Rita and Alex Hillman Foundation provided by Betsy and Ed Cohen/Areté Official Zero Calorie Sweetener of BAM: David L. Klein, Jr. Foundation Foundation and Frederick Iseman. Major Leon Levy Foundation support provided by The Corinthian Frederick Loewe Foundation, Inc. Foundation. Additional support for MetLife Foundation King Lear provided by BAM’s Young The Ambrose Monell Foundation Producers. Henry and Lucy Moses Fund, Inc. Diverse Voices at BAM sponsored by: Samuel I. Newhouse Foundation, Inc. Billy Budd is made possible by a The Fan Fox & Leslie R. Samuels generous gift from The Howard Gilman Foundation, Inc. Foundation. Leadership support provided The Morris and Alma Schapiro Fund by Robert L. Turner and Aashish & The Scherman Foundation, Inc. Major support for DanceAfrica 2014 The SHS Foundation Dinyar Devitre. Major support provided provided by: by Mercedes T. Bass, Beth & Gary Allen The Shubert Foundation, Inc. Glynn and Joseph A. Stern. The Skirball Foundation The Starr Foundation The Harold and Mimi Steinberg Leadership support for opera at BAM Endowed funds supporting the Winter/ provided by The Andrew W. Mellon Charitable Trust Spring Season: The Andrew W. Mellon Vital Projects Fund Foundation, The Peter Jay Sharp Foundation Fund for Opera and Music- Foundation and The Robert W. Wilson Charitable Trust Theater; The Peter Jay Sharp Fund The Winston Foundation, Inc. for Opera and Theater; Lila Wallace- Estate of Martha Zalles Reader’s Digest Endowment Fund for Community, Educational, & Public Affairs BAM extends its gratitude to all Major support for opera at BAM provided Programming; The SHS Foundation; Members. by The Francena T. Harrison Foundation Estate of Richard B. Fisher; The Starr Trust. Foundation; and The Devitre Fund. BAM Harvey Theater sponsor:

Steinberg Screen at the BAM Harvey Presenting sponsor of BAMkids and community programs Theater is made possible by: The BAM facilities are owned by the City of New York and benefit from public Title Sponsor of BAM Rose Cinemas and funds provided through the New York City BAMcinématek: Leadership support A Doll’s House Department of Cultural Affairs; the New provided by Frederick Iseman. York City Council, including the Brooklyn Delegation of the Council; and the Office Leadership support for Scandinavian of the Brooklyn Borough President BAM Rose Cinemas are named in programming provided by The Barbro recognition of a major gift in honor of Osher Pro Suecia Foundation. Official beverage of BAM: Jonathan F.P. and Diana Calthorpe Rose, and have been generously supported by Leadership support for Lyon Opera The Peter Jay Sharp Foundation, and the Ballet provided by The Jerome Robbins Estate of Richard B. Fisher. Foundation, Inc. BAM Marquee sponsor: Major sponsor of BAM community Major support for Lyon Opera Ballet programs: provided by:

Major support for BAM 2014 Winter/ Programming in the BAM Lepercq Space Spring Season: is supported by The Lepercq Charitable Foundation. DanceAfrica is made possible by the New York State Council on the Arts with the support of Governor Andrew Cuomo and Your tax dollars make BAM programs the New York State Legislature BAM would like to thank the Brooklyn possible through funding from: Delegations of the New York State Assembly, Joseph R. Lentol, Delegation Leader; and New York Senate, Senator Velmanette Montgomery, Delegation Leader. BAM Supporters & Patrons

BAM wishes to thank our patrons for all the operating, capital, and endowment support you’ve given us over the past year. (List represents gifts between January 1, 2013—January 1, 2014)

$500,000 and above First New York Partners Henry and Lucy Moses Howard Silverman The Levine Foundation Brooklyn Borough Management Fund, Inc. Skadden, Arps, Slate, John Lipsky & Zsuzsanna President’s Office— Charles J. & Irene F. Hamm Donald R. Mullen Jr. Meagher & Flom LLP Karasz Eric Adams Richard Hulbert National Endowment for Joseph and Sylvia Slifka Carley Roney & David Liu Brooklyn Community IFC the Arts Foundation The Lupin Foundation Foundation Stephanie & Timothy Samuel I. Newhouse Brian Stafford Briehan Lynch & Alexander The City of New York— Ingrassia Foundation, Inc. The Harold and Mimi Evis Bill de Blasio, Mayor Frederick Iseman The Barbro Osher Pro Steinberg Charitable M&T Bank The Irene Diamond Fund Kia Motors USA Suecia Foundation Trust MAC Cosmetics Dormitory Authority of the Stephen & Maribelle Leavitt Paul, Weiss, Rifkind, The Geraldine Stutz Mattis Family Foundation State of New York Toby Devan Lewis Wharton & Garrison Trust, Inc. Hamish Maxwell Estate of Richard B. Fisher Mikhail Prokhorov Fund Sarah & Spencer Robertson Vital Projects Fund Scott C. McDonald Jeanne Donovan Fisher The Rita and Alex Hillman Rockefeller Brothers Fund Estate of Martha Zalles Constance & H. Roemer Judith R. & Alan H. Foundation Jonathan F.P. & Diana Ann Ziff McPhee Fishman National Grid Calthorpe Rose Anonymous Medgar Evers College Gifts Ford Foundation Oliver Wyman Anna Kuzmik Sampas & and Grants The Howard Gilman Onassis Foundation (USA) George Sampas $10,000 and above Joyce F. Menschel Foundation Pepsi-Cola Bottling Santander Absolut Vodka, Seagram Mr. & Mrs. Richard L. Goldman Sachs Gives Company of New York The Morris and Alma Americas Menschel Diane & Adam E. Max Pablo Salame Schapiro Fund Linda & Max Addison Merrill Lynch & Co. McKinsey & Company, Inc. May & Samuel Rudin Jennifer Small & Adam The Aeroflex Foundation Foundation, Inc. The New York City Family Foundation, Inc. Wolfensohn Roger Alcaly & Helen Edward S. Moore Foundation Council—Brooklyn The Fan Fox & Leslie R. The Jessica E. Smith and Bodian Morgan Stanley Delegation Samuels Foundation, Inc. Kevin R. Brine Charitable Allan Arffa & Kay Charles M. Nathan & Alisa The New York City The Shubert Foundation, Trust Matschullat F. Levin Council—Melissa Mark- Inc. Dr. Axel Stawski Susan L. Baker & Michael New York State Office of Viverito, Speaker The Skirball Foundation Joseph LeRoy & Ann C. R. Lynch Parks, Recreation and New York City Department The Joseph S. and Diane Warner Fund The Barker Welfare Historic Preservation of Cultural Affairs H. Steinberg Charitable Williams & Connolly LLP Foundation Joey O’Loughlin NYC Economic Trust Anonymous The Howard Bayne Fund Jim & Mary Ottaway Development Corporation Joseph A. Stern Tony Bechara Michael Palm Foundation PASNY Target $25,000 and above Roger & Brook Berlind Lyon & Hilary Polk Martha A. & Robert S. Time Warner Inc. Jody & John Arnhold Best of Brooklyn, Inc Maya Polsky Rubin Toll Brothers Rose M. Badgeley Emma Bloomberg & Estate of Marie D. Powers The Peter Jay Sharp The Virginia B. Toulmin Residuary Charitable Christopher Frissora The Grodzins Fund Foundation Foundation Trust The Bloomingdale’s Fund of William D. & Susan Kahan The SHS Foundation Robert Turner BNY Mellon the Macy’s Foundation Rifkin The Starr Foundation John L. & Eva Usdan Mercedes T. Bass Mr. & Mrs. Anthony Bowe Max Rifkind-Barron Pedro Jose Torres & Cecilia Viacom John Blondel Jim Chervenak Mr. & Mrs. Theodore C. Picon The Winston Foundation, The Brooklyn Brewery Cleary Gottlieb Steen & Rogers United States Department Inc. Goldman Sachs Gives at Hamilton LLP Ropes & Gray LLP of State, Bureau of Anonymous the recommendation of Simon & Sarah Collier Shelley & Donald Rubin Educational and Cultural R. Martin Chavez Credit Suisse Foundation Affairs $50,000 and above Linda & Adam Chinn Beatrice & James Del Favero Bette & Richard Saltzman Frances Bermanzohn & Mr. & Mrs. Henry Diageo The Scherman Foundation, $250,000 and above Alan Roseman Christensen III DLP Pipier Inc. American Express Gordon Bowen Citi Foundation The Educational Foundation Donna & Marvin Schwartz Bank of America Betsy and Ed Cohen/Areté Constans Culver Foundation of America Timothy & Julie Sebunya Bloomberg Foundation DeWitt Stern Carol & Roger Einiger Jon & NoraLee Sedmak brigitte nyc The Corinthian Foundation Mark Diker & Deborah Mallory & Elizabeth Factor The Evelyn Sharp Chase Ide & David Dangoor Colson Samuel Feldman & Marilyn Foundation Robert Sterling Clark The Gladys Krieble Delmas William A. Douglass Meyerhoff Sills Family Foundation Foundation Foundation Dow Jones & Company, Inc. Linda & Martin Fell Susan & Larry Sills Aashish & Dinyar Devitre Charles & Valerie Diker Andre & Stephanie Dua Fribourg Family Foundation Ted Snowdon Fleurs Bella Brendan & Barbara Dugan Epstein Teicher Fried, Frank, Harris, Shriver R. Edward Spilka The Florence Gould Thérèse M. Esperdy & Philanthropies & Jacobson LLP Sam & Ellen Sporn Foundation Robert G. Neborak Forest City Ratner David & Susie Gilbert David & Aliana Spungen The Lepercq Charitable Steven & Susan Felsher Companies Goldman, Sachs & Co. Starry Night Fund Foundation Susan L. Foote & Stephen Barry M. Fox Elaine Golin Jean Stein Leon Levy Foundation L. Feinberg The Grand Marnier Lela Goren John Strasswimmer The Andrew W. Mellon Jacques and Natasha Foundation Pamela Grace Michael Tuch Foundation, Foundation Gelman Foundation Charles Hayden Foundation The Green Fund Inc. Inc. Stavros Niarchos Beth & Gary Allen Glynn Penn & Diane Holsenbeck Mr. & Mrs. Henry B. Gutman Trust for Mutual Foundation The William and Mary Dan & Abbe Klores The Marc Haas Foundation, Understanding New York State Council on Greve Foundation François & Calleen Inc. Wendy vanden Heuvel the Arts Agnes Gund Letaconnoux Mr. & Mrs. Burton K. Madeline Weinrib The Jerome Robbins GGMC Parking, LLC Frederick Loewe Haimes Yamaha Pianos Foundation, Inc. H3 Hardy Collaboration Foundation, Inc. Cheryl Henson & Ed Finn Carol Yorke & Gerard Conn The Wall Street Journal Architecture Gary Lynch & Kate Hall Hughes Hubbard & Barbara & David Zalaznick Nora Ann Wallace & Jack The Harkness Foundation Grace Lyu-Volckhausen Reed LLP Pia & Jimmy Zankel Nusbaum for Dance Goldman Sachs Gives at Sophie Hughes Anonymous The Robert W. Wilson In Memory of Robert Sklar the recommendation of Alan Jones & Ashley Garrett Charitable Trust The Francena T. Harrison David & Susan Marcinek Barbara Haws & William $5,000 and above Anonymous Foundation Trust Morgan, Lewis & Bockius, Josephson Airbnb Hutchins Family Foundation LLP Miriam Katowitz & Arthur Armour Beauty $100,000 and above The Emily Davie & Joseph Nash Family Foundation Radin David Ashen Altman Foundation S. Kornfeld Foundation Pfizer Inc. Gene & Terry Kaufman Nathaniel Beck & Karen William I. Campbell & Gilda & John P. McGarry Jr. Gabriel & Lindsay Pizzi Kaye Scholer LLP Hackett Christine Wächter- James I. McLaren & Lawton The Reed Foundation Alexander E. Kipka & Denise Bernardo & Eddie Campbell W. Fitt Blanchette Hooker Katherine Nintzel Muentes Con Edison MetLife Foundation Rockefeller Fund David L. Klein, Jr. JJ & Michelle Berney Cumberland Packing The Ambrose Monell The David Rockefeller Foundation Paula & Earl Black Della Rosa Family Foundation Fund, Inc. Eileen M. Lach Bill Borrelle Foundation Barbara & Richard Moore Rolex SA Solange Landau BAM Supporters & Patrons

Bradley Arant Boult Tracey & Phillip Riese Robert Davoli & Eileen Christopher Li Greci & Dr. Sylvia Welsh & Dr. Cummings LLP Hon. Annette Robinson, McDonagh Robert Ohlerking Howard Welsh Lawrence Chanen New York State Elizabeth De Cuevas Simon Lipskar & Kate Victoria Westhead & John Timothy & Carol Cole Assembly Trey Ditto Zuckerman Levy The Coolidge Corner E. John & Patricia Frederick N. & Michele Tal Litvin James Wilentz & Robin Theatre Foundation Rosenwald Oka Doner Susan Lorence Maxwell The Aaron Copland Fund Rush Philanthropic Arts Suzan & Fred Ehrman Elizabeth & Matthew Luckett Richard & Mary Anne Yancey for Music, Inc. Foundation Dwight W. and Ann C. Ellis Anne Mackinnon Matthew & Myra Stuart D. Freedman & Carla Jack Sanderson Gail Erickson & Christa Rice Marks Paneth & Shron LLP Zuckerbraun E. Craig Season of Cambodia Teri Everett & Mark Jan Marks Anonymous Crunch Simon Sinek Davidson Richard J. Massey Peter Curran Steinway & Sons Fiona Morgan Fein & Deborah McAlister & $1,500 and above Joan K. Davidson (The J.M. Jeanne & Steven Stellman Harvey Fein Christopher Jones Hon. Peter J. Abbate Kaplan Fund) Stop & Stor Charitable Fund Britton & Melina Fisher William McGinty & Bianca Jr., New York State The Max and Victoria Alvin and Fanny B. David W. Fitts Orlando Assembly Dreyfus Foundation, Inc. Thalheimer Foundation Andrew & Blake Foote Sharon & Curt Mechling Nora Abousteit & Joshua David & Susan Edelstein Michael M. Thomas Robert L. Forbes Norma & Randy Moore Ramo Robert and Mercedes Hon. Roger Tilles Mr. & Mrs. Austin T. New York City Department Brice Acosta Eichholz Foundation Jane M. Timken Fragomen, Jr. of Youth and Community Caroline P. Addison Cristina Enriquez-Bocobo & Alice Tisch M. Derene & Julius Frazier Development Cherylyn & Chris Ahrens Cody J. Smith Jane & Robert Toll Cultural Services of the Michael Newhouse Ronald & June Ahrens Barbara J. Fife Pedro Torres Jr. French Embassy in the Linda Nochlin Pommer Tahsin Alam & Naadia David Geiger Travelers Foundation United States Christopher A. Noey & Quader Ann and Gordon Getty Teresa Tsai Paul A. Gangsei & Susan Ghiora Aharoni Douglas & Carla Albrect Foundation Jo Vanderbeek Herman James C. & Marie Nugent- Alexandra Alger John N. & Gillett A. Gilbert Victor R. Wright Foundation Michael E. & Mary Gellert Head Marlas Jonathan & Jennifer Soros Regina M. Griffin Margo & Anthony Viscusi Nomi Ghez Foundation David & Janet Offensend Tim Allen Dennis & Carrie Gross Patricia Voight & Rachel Lynn Gilbert Cheryl Paradis & Gene Mark Almeida & Theresa Robert Hall & Jane Hritz Wolff Shellie Gillespie McCullough Galvin Hall The Weininger Foundation, MaryAnne Gilmartin Pivot American Endowment Scott & Ellen Hand Inc. Virginia Gliedman John Perkins & Hope Dana Foundation The Jim Henson Foundation Jill Weinstein Rhonna & Ezra Goodman Bill and Patty Dugan Margo Anderson Cecilia & James Herbert Francis H. Williams Gordon & Mary Gould Perlmuth Stephanie Ansin Lois Herzeca Robert G. Wilmers Larry E. Dumont, M.D. & Aleksey Pryadko Janet Aspen & Joseph New Art Dealers Alliance Carolyn & H.L. Wise Martin Gould Marcel Przymusinski Polizzotto John P. & Anne Welsh Elizabeth & Richard Witten Francis Greenburger & Peter & Susan Restler Milton & Sally Avery Arts McNulty Foundation Claire & Curtis Wood Isabelle Autones Mr. & Mrs. David Rockefeller Foundation Linda & Lawton Johnson Anonymous Peter & Monika Greenleaf Seth Rosenberg & Catherine Jonathan Aviv Kabalab LLC Jane & Jean-Marie Grenier Lebow Peter Balis & Brian Goldston Will & Prattana Kennedy $2,500 and above Ronald & Amy Guttman Mace Rosenstein Nancy Barber Christoph & Flora Kimmich Jacqueline & Joseph Hartley & Marks Publishers, Alberto Sanchez & Sonia Andrea Barbieri Katie Kleber Aguanno Inc. Vela Jeffrey & Wendy Barker Debbie Klein Ronald & June Ahrens James G. Croghan & Louis Milton T. Schaeffer Hugo Barreca & Wendy Jay Kriegel & Kathryn Daniel Algrant R. Hedgecock Ira Schreger Schlemm McAuliffe (Tides Donald Allison & Sumiko Ito Molly Heines & Thomas Nancy Schuh Byron Bartlett Foundation) Mark Allison & Stephanie Moloney Gabriel & Jolie Schwartz Whitney Baxter Kusmi Tea Holmquist Jennifer Herman Mr. & Mrs. Richard J. Martine Beamon & Eddie Robin & Edgar Lampert Alvin J. Rockwell 1990 Dr. Arlene Heyman, MD Schwartz Joyce Robert Lehman Foundation Charitable Trust Dr. Natalie J. Hubbard Thomas Scott Kathleen Begala & Yves- Hon. Joseph R. Lentol, New The American Chai Trust Phyllis & Jan Hyde Tatiana Serafin Andre Istel York State Assembly Rina Anoussi & Takis Scott Irwin & Viktoriia Irwin Adi Shamir & Richard D. Anka & Louis Begley John Lichtenstein Anoussis Douglas Jaffe & Kristin Baron Richard & Elizabeth The Liman Foundation Frank & Mary Ann Arisman Heavey Vivien & Michael Shelanski Bellingham The Bertha and Isaac Claude Arpels Mark Jackson & Karen Ted & Mary Jo Shen Alan Berenbaum Liberman Foundation Adrienne Arsht Hagberg Professor Stuart Sherman Judith Berg in memory of Jeffrey Art Amalgamated LLC David & Amy Jaffe Amy Sherman-Palladino Thérèse D. Bernbach P. Klein Felice Forer Axelrod Donna & Carroll Janis Gil Shiva Raphael & Jane Bernstein/ Allison & Joe Magliocco Daniel Baldini Michele & David Joerg Shook, Hardy & Bacon, LLP Parnassus Foundation La Maison Du Papillon David Bank & Jason R. Randy & Mill Jonakait Barbara Simmons Marie-Eve Berty Donna Marshall Stone Julia Kahr & Brian Colton Patricia J. S. Simpson Karen Binder & Victor Ney The McGraw-Hill Companies Leah & Benjamin Barber Ms. Susan B. Kaplan & Mike & Janet Slosberg Stefanie Birkmann & Sunil William Patrick McMullan & Jayne H. Baum Nancy and Mark Belsky Stephen Smith & Ford Savkar Rachel McPherson Martin & Mickey Baumrind J. J. Kasper Jr. Rogers Robert & Adrienne Birnbaum Merck & Co., Inc. Jim & Lisa Bedell Aaron & Jacquie Katzel Joan & Laurence Sorkin Dr. David Biro Martin F. & Selma E. Mertz George E. Berger & Gerri Kay Annie & Elyse Steingold Simon Black Timothy & Virginia Millhiser Associates LLC Philip Kearns & Sid Ray Tom & Wendy Stephenson Jeffrey Blair The Moody’s Foundation Elaine S. Bernstein Kikkerland Dr. Susan Stewart Jennie & Jake Blair Sanford R. Nager & Dianne Susan V. Berresford Helen Kim-Bordes The Dorothy Strelsin Robert & Allison Blinken Abeloff Paul Blackman & Sharon Alan & Susan Kolod Foundation Alison Blood Stephen R. Nelson Rowlands Joan Kreiss Elizabeth F. Stribling Sheldon & Jill Bonovitz New England Foundation Mr. & Mrs. James P. Mark Krueger Charitable Daniel & Toby Talbot Gary N. Boston & Dr. for the Arts’ National Bodovitz Fund of Tides Sukey Tamarkin Charles Lee Dance Project Dr. & Mrs. Jeffrey S. Borer Foundation Alexander Tarakhovsky & Bill Bragin & Lisa Philp New York City Dept. for Matthew & Caryn Bregman Miodrag Kukrika Anne Schaefer Samy Brahimy & Lizanne the Aging Andrew D. Brown Christine La Monica Lunn Kathryn Taras & Anthony Merrill New York State Education Carolina Carvalho-Cross Hugh & Betsy Lamle Elitcher Dominique Bravo & Eric Department Herbert & Beverly Chase Foundation Juliet Taylor & James Walsh Sloan Mark & Lorry Newhouse Amita & Purnendu Melva Bucksbaum & Peter C. Trent Alida Brill Stephen Palmese Chatterjee Raymond Learsy Susan Unterberg Virgina Brody William & Laura Taft Joyce E. Chelberg Roseanne Legrand Vanetta Vancak Brooklyn Gin Paulsen Stuart H. Coleman Jonathan E. Lehman Bernardette Vaskas Donnaldson Brown Peck Stacpoole Foundation Ranny Cooper & David Julius Leiman-Carbia & Patricia Voight & Rachel Jacqueline Bryant Penguin Putnam Inc. Smith Kyle Smith Wolff Noreen & Kenneth Buckfire The Perseus Books Group The Cowles Charitable Trust Hon. Stephen Levin, New Thomas Von Foerster James Burke Diana Elzey Pinover & Kimberly Cox York City Council Lisa Wassong Elizabeth Butson Eugene A. Pinover The Criterion Collection The Family of Wilbur Robert Watt & Dawn Laura E. Butzel & David Rajika & Anupam Puri Tim & Cecelia Crowhurst A. Levin Bradford Berg Bradley Radoff Peter & Katharine Darrow Carol & Joel Levy John R. Wellschlager & William & Regina Cahill Mr. & Mrs. William Rayner Dave’s Coffee Marion Leydier Elizabeth D. McDermott Sol W. & Hermina Cantor Frances A. Resheske Foundation Thanks to the many Ignite campaign donors for supporting innovative arts education at BAM. Ignite campaign co-chairs are Richard Feldman of The SHS Foundation and actor-artist Lucy Liu.

$500,000 and above $25,000 and above The Irene Diamond Fund The Achelis Foundation Goldman Sachs Gives American Express The Leona M. & Harry B. Helmsley Charitable Trust Jody & John Arnhold Stavros Niarchos Foundation Banco Santander S.A. The SHS Foundation The Barker Welfare Foundation Simon & Eve Colin Foundation, Inc. John Blondel The Jessica E. Smith and Kevin R. Brine Charitable Trust $100,000 and above Linda & Adam Chinn Altman Foundation The Corinthian Foundation Barclay’s Nets Community Alliance Constans Culver Foundation Booth Ferris Foundation Mark Diker & Deborah Colson Brooklyn Community Foundation William A. Douglass Chase MaryAnne Gilmartin Della Rosa Family Foundation In Memory of Robert Sklar Judith R. & Alan H. Fishman Goldman Sachs Gives at the recommendation of Goldman Sachs Gives David & Susan Marcinek The Rita and Alex Hillman Foundation Grace Lyu-Volckhausen Stephanie & Timothy Ingrassia James I. McLaren & Lawton W. Fitt The Emily Davie & Joseph S. Kornfeld Foundation Sarah & Spencer Robertson The Rockefeller Foundation New York City Anna Kuzmik Sampas Cultural Innovation Fund Howard Silverman Martha A. & Robert S. Rubin Jennifer Small & Adam Wolfensohn The Peter Jay Sharp Foundation Dr. Axel Stawski Target Nora Ann Wallace & Jack Nusbaum Joseph LeRoy & Ann C. Warner Fund Anonymous $10,000 and above $50,000 and above Bloomingdale’s Fund of the Macy’s Foundation BNY Mellon brigitte nyc Con Edison Donald Capoccia in memory of Felicia Garcia Charles Hayden Foundation Jim Chervenak The William and Mary Greve Foundation Dow Jones & Company, Inc. Pierre and Tana Matisse Foundation Samuel Feldman & Marilyn Meyerhoff Diane & Adam E. Max Barry M. Fox MetLife Foundation John N. & Gillett A. Gilbert National Grid Penn & Diane Holsenbeck The David Rockefeller Fund, Inc. Merrill Lynch & Co. Foundation, Inc. May & Samuel Rudin Family Foundation, Inc. Michael Palm Foundation Joseph and Sylvia Slifka Foundation Tracey & Phillip Riese Surdna Foundation, Inc. Sills Family Foundation Pedro Jose Torres & Cecilia Picon Ted Snowdon Anonymous Sam & Ellen Sporn Joseph A. Stern Time Warner Inc. Michael Tuch Foundation, Inc. Viacom Anonymous

Donate today and your gift will be matched dollar for dollar. Give at BAM.org /Ignite Photo: Nina Mouritzen Robert Watt &DawnBradford Travelers Foundation Adi Shamir&RichardD.Baron Thomas Scott Gabriel &JolieSchwartz Brian &StephanieNigito Peter &JennaNashel &AndreaBozzo John Martinez Marks Paneth &ShronLLP Elizabeth &MatthewLuckett François &CalleenLetaconnoux Christine LaMonicaLunn The KrumholzFoundation Michele &DavidJoerg Hewitt School Justin Haythe Regina M.Grifﬁ n David W. Fitts Jeanne DonovanFisher Tim &CeceliaCrowhurst Alida Brill Emma Bloomberg&ChristopherFrissora $2,500 andabove Victor R. Wright Foundation Jo Vanderbeek Steinway &Sons Rush Foundation PhilanthropicArts E. John&Patricia Rosenwald New York StateCouncilontheArts Robin &EdgarLampert Debbie Klein Katie Kleber John P. AndAnneWelsh McnultyFoundation Agnes Gund Dennis &CarrieGross David Geiger Steven &SusanFelsher Robert andMercedesEichholzFoundation David Edelstein The AlvinAndFanny B.Thalheimer Foundation Lawrence Chanen Paula &EarlBlack $5,000 andabove Matthew &MyraZuckerbraun Cynthia Young &GeorgeEberstadt Michael Whittingham Heather White&MarkProcopio Jill Weinstein John Madsen&DeirdreVon Dornum Vanetta Vancak Sashi &NicholasValtz Raul Suarez Stribling &Associates,LTD. Jeffrey Soref Nancy Smid&JohnKing Timothy &JulieSebunya Joseph &MarilynSchwartz William E.Sanford Thomas &GeorginaRusso L Rodriguez Villa Gabriel &LindsayPizzi ParkerGary Bianca Orlando&BillMcGinty NYC &Company Stephen &MaribelleLeavitt Rocco &DeborahLandesman Jeff Kovach David Kaplan Barbara Julius&MarcSilberberg Mark H. Jackson The William Talbott HillmanFoundation Manuela Herzer Jillian &SamHerschkowitz John Hart Happy Family Elizabeth Haddad Willie Hacker Lorie &ErikGoshin Barnier James Goldfarb&Catheryn Jeff Gates&MichaelMoran Andrew &Blake Foote Katherine &Luke Fichthorn Teri Everett&MarkDavidson Jennie &RichardDescherer Francesca Defeo Catherine C.Cox William I.Campbell&ChristineWächter-Campbell Regina &BillBronson Bill Borrelle Jennie &Jake Blair Simon Black Antonella Bertello Dayle Berke &DavidShapiro Tony Bechara Beamon&EddieJoyce Martine Byron Bartlett Felice Forer Axelrod Douglas &CarlaAlbrect $1,000 andabove Listing asof1/31/2014 ignite BAM Supporters & Patrons

Capezio/Ballet Makers Katharine Gilbert Lauren Langlois Alex Namzoff Kenneth Soehner Dance Foundation, Inc. Michael J. Gillespie Drs. John & Judie LaRosa Tiffany Nowell James Sollins Charles Carberry Susan Goldberg & Simon Andrew Lazarow & Rachel NYC & Company Andrew P. Solomon & Marie Carney Liu Routh Judy Fell & Barry Okun Elizabeth Bartman Natalia Chefer Elaine Goldman Matthew & Sabrina Leblanc Roger W. Oliver Richard & Mimi Somerby Lori Chemla & Shelley Amy Kern & John M. Helena Lee & Richard Jane Ormerod & Peter Sarah & R. Sorenson Sonnenberg Goldsmith Klapper Darrell Annaliese Soros Perry Chen I. Michael Goodman & Bruce Leibstone Brolota Owens Ellen Sorrin Pedro Chomnalez Judith Uman Richard Levy & Lorraine Kathleen Owens Dr. Rogelio Sosnik & Dr. Neil & Kathleen Chrisman Joseph Gordon & Mark Gallard Ilana Pachter & William Irene Cairo Joan Hardy Clark Bauer Jeffrey Lewis & Karin Wynn Barbara Stanton Imogen & William Cline Great Performances Miller-Lewis Susan Paine Shirley Staples & Donald Frederick & Jan Cohen The Green-Wood Cemetery Kitty C. Linder Meredith Palmer Vangel Jill and Irwin Cohen Cynthia Griffin & Stephen Keith Lloyd Gwenevere Parker Gillian Steel Joel Cohen & Karyn Zieve Haller Rachel Loeb & Zachary Estelle Parsons Michael & Marjorie Stern Ofer Cohen & Melissa Terry Grossman & Kathy Block Kirk & Susan Patrick Deborah Stewart & James Dibella Speer Kevin Longrie Amy Perry Mintz John Colborn David Gruber Joseph Lovett & James Alexandra & Frederick Peters Gail Stone & Matt Fishbein Jonathan & Joanna Cole Noa Guy Cottrell Antonia Pew Harvey & Danna Stone Michele & Terry Cone Gunilla Haac Ann M. & Mitchell A. Marnie S. Pillsbury Leila & Mickey Straus Joseph Cosgriff Willie Hacker Lowenthal Carl Podwoski & Virginia Gabrielle Tana Alyn Cosgrove Elizabeth Haddad Lynford Family Charitable Lovejoy Julie Tarney Marina Couloucoundis Patricia Hallstein & Axel Trust Lisa Pollock William & Anne M. Tatlock Catherine C. Cox Kramer Richard Lynn & Joseph Evall Sandra Pierson Prior Josephine & Philip Teverow Caroline & Paul Cronson Kenneth V. Handal & Mary Jane MacAn Project: Worldwide Theatrical Wardrobe Union, Bobbie Crosby F. Golden Ann MacDonald & Charles Leslie & David Puth Local 764 Michele Cubic & Raymond Joan & Douglas B. Hansen Raubicheck The Quebec Government Charlotte L. Thorp Velazquez David Hariton & Thomas John Macintosh Office in New York Catherine K. Tice Sebastian Cucullu Lippy Dianne MacKenzie Martin & Anna Rabinowitz Irena Tocino Ellen & John Curtis Catherine Dumait-Harper & Macro Sea Inc. Maureen Raley Coralie Toevs Justin Daniel & Josh Alan Harper John Madden & Elizabeth Me & Ro Michael Toledano Cogswell The Haupt Foundation, Cooke Richmond Hills High School Manny Torrijos & Jing David Darby Inc., in memory of Stuart Edward Mafoud Juergen Riehm & Jody Shang Tan Sabina & Adam Deaton Haupt Brian & Florence Mahony Oberfelder Valery & Chauncey Upson Scott Delman Douglas & Jessica Healy Dr. Robert Maki Katherine E. Ringer Sashi & Nicholas Valtz Linda Dennery Drew and Amy Hearon Laurie Mallet/Ozone Joumana Rizk Dino Veronese Martha Deright Joanna Hedge Design, Inc. John Rockwell & Linda Diana Viñoly Interiors Marie Derosa & Richard John Heilemann Ronald Daignault & Teresa Mevorach David Wagner McNeil Isaac & Sheila Heimbinder Maloney Connie & Ted Roosevelt Ethan J. Wagner & Thea Rohit & Katherine Desai Jillian & Sam Herschkowitz maps.com Andrea M. Rosen Westreich Jennie & Richard Descherer Samuel & Hagit Hertz Andrea Marber James & Eliza Rossman Cynthia Wainwright & Edwin & Paula DeYoung Charlotte Herzele Phillip Marriott & Susannah Lisa & Jonathan Sack Stephen Berger Diana Diamond & John Manuela Herzer Taylor S. Salisman & Raymond Marcus Wainwright & Alschuler Adam & Sita Hess James R. Marshall Vallejo Glenna Neece Anne & John Dockery Hewitt School Frank Martinez Samuel Samore Kara Walker John Doherty Adria & Donald Hillman Mia Mather Mina Samuels & David Leigh & Robin Walters Jen Douglas The Hoffman Law Firm Nina Matis Foster Howard & Ruth Warshower Dr. Jack Downhill Jr. Lily & Joel Hoffman Jerri & Tom Mayer Nikki Sanditen Seth Washinsky Violet & Christopher Eagan Frank Holozubiec Liese & Peter Mayer Nancy Sands Janet C. Waterhouse PhD Frederick Eberstadt Mark Horowitz Joseph McDonagh Margaret Sarkela & John Kathy & Bill Weigel William S. Ehrlich & Ruth Katherine Hosford & Dale McDonald Curtis Sandra & George Weiksner Lloyds Christopher Welch Kathryn A. McDonald Douglas & Ans Schickler Earl D. & Gina Ingoglia Marty Ellington May K. Houghton Larysa McKenna Ellen Schleifer & Jordan Katz Weiner Erica’s Rugelach Karen Howitt Gordon McLeod & Melanie Anthony Schlesinger & Charlene Magen Weinstein Lorren Erstad & David Lerner Michael Huber & Lauren Grisanti Anne Forward Elaine Weinstein Richard & Florence Fabricant Seikaly Elizabeth McMahon & Lynn Schneider Jonathan & Jane Weld Thomas Faust Betty Lou Hudson Patrick Burns Roberta & Irwin David F. Wertheimer Andrew & Audrey Feiner Jan Inscho & Seymour Miles Ashley & Brittany Melone Schneiderman Harry White & Esther Ronald E. Feiner Esq. Dr. Lois Jackson Claudine & Aeric Meredith- Patricia Schoenfeld Redmount Martin Feinman Steven & Susan Jacobson Goujon Richard Schwartz Heather White & Mark Edith Ferber Christopher Johnson Danny and Audrey Meyer Elisabeth Searles & Richard Procopio Richard Feuring & Charles T. Radey Johnson & Jane Pamela Michaelcheck Friedberg Susan Whiting & Bruce Krewson Platt Franny Milberg Lori Seegers Van Dusen Katherine & Luke Fichthorn Conor Jordan Judith Scofield & David Laura Sejen Michael Whittingham Joan Salwen Fields Barbara Julius & Marc C. Miller Ann Settel Richard Winger FIMF, Inc. Silberberg Hon. Joan Millman, New Rena Shagan The Esther & Morton Christiane Fischer Genevieve Kahr & Dan York State Assembly Shamos Family Foundation Wohlgemuth Foundation, Arthur & Susan Fleischer Freedberg Iliana Mindlin Makeda Shaw Inc. Jeffrey Fleishhacker Kenneth Kail & Ivy Hwang Lucy Mitchell-Innes Elizabeth M. & David M. E.J. Wohlgemuth Lydia Foo Jason Kanos Helen Modie Sherman Nancy Workman & Katherine Franke Charlie Kaplan Donald & Gwen Moffat Olatokumbo & Sheethal Jonathan Miller Katherine Freygang Alex and Ada Katz Adrian Mojica Shobowale Minah Worley & Richard Friars Foundation Aaron & Jacquie Katzel Mary Moloney & Robert Melanie Shugart Breg Worley Effie & Robert Fribourg Kevin Keating Barocci Anne P. Sidamon-Eristoff Peter Wright & Sally Dricks Steven Friedlander Susan Kellman Shauna Monkman Larry & Ashley Silverman Cynthia Young & George Ms. Eleanor Friedman Suzanne Greene & John Michael & Ginger Montel Michele Singer Eberstadt Alexander C. & Tillie S. Kelly Maria Montoya Loren & Marlene Skeist Jennifer Zaslow & Mark Speyer Foundation Jayme Koszyn & Thomas Aaron Morell skinnyskinny Katz Todd & Treacy Gaffney O’Handley John Morning Sasha Slorer Michael & Barbara Duane McLaughlin & M. Joan & Albert Kronick Kathy Morton & David Nancy Smid & John King Zimmerman Salomé Galib The Krumholz Foundation Nadelman Marcia Smith & Ken Frank & Arrien Zinghini Bink Garrison Roberta Krumholz Nancy Abraham & Arnold Andrichik Anonymous Lynda & Marvin Geller George & Liz Krupp Moss Matthew Patrick Smyth Dr. Peter L. Geller Peter & Karen Labbat Sammy & Merle Moultrie Susan Snodgrass January 1, 2014 Patricia Gift Helen & James Lally Edward Nahem Lavinia Branca Snyder

BAM greatly appreciates all contributions in support of our work. We apologize for any inaccuracies. Please contact the Development Department at [email protected] with any corrections. BAM Board

Brooklyn Academy of Music David E.R. Dangoor Sarah C. Robertson Mary Kantor Cheryl Della Rosa Jonathan F.P. Rose John Lipsky Chairman of the Board Dinyar S. Devitre Anna Kuzmik Sampas Laurie Mallet Alan H. Fishman Beth Rudin DeWoody Alberto Sanchez Cathy-Ann Martine-Dolecki Mark Diker Timothy Sebunya Elaine Weinstein Vice Chairmen of the Board Andre Dua Adi Shamir Hon. Franklin R. Weissberg William I. Campbell Brendan J. Dugan Bartholomew A. Sheehan III Vaughn C. Williams, Esq. Adam E. Max Thérèse Esperdy Danny Simmons Teri Everett Jessica Smith BAM Endowment Trust Chair President Mallory Factor Brian Stafford Timothy J. Ingrassia Karen Brooks Hopkins Ronald E. Feiner, Esq. Axel Stawski Richard E. Feldman, Esq. Joseph A. Stern Vice Chair Secretary Steven G. Felsher Pedro J. Torres Norman L. Peck Joseph V. Melillo Jeanne Donovan Fisher John L. Usdan Barry M. Fox Brigitte Vosse Treasurer Treasurer MaryAnne Gilmartin Nora Ann Wallace Keith Stubblefield James I. McLaren Robert M. Greenberg Adam Wolfensohn G. Penn Holsenbeck Claire Wood Members President Emeritus Anne Hubbard Andrew Zolli William A. Douglass III Harvey Lichtenstein Mark H. Jackson Steven G. Felsher Daniel A. Klores Chairmen Emeriti Elizabeth Holtzman Members Edgar A. Lampert Neil D. Chrisman James I. McLaren Jeffrey H. Barker François Letaconnoux Seth S. Faison Gabriel Pizzi Tony Bechara Gary Lynch Bruce C. Ratner Alberto Sanchez René Böttcher Patricia E. Michels Timothy Sebunya Gordon Bowen Ahrin Mishan Honorary Trustees R. Edward Spilka Linda Chinn Donald R. Mullen Jr. Robert L. Forbes Nora Ann Wallace Henry Christensen III William A. Perlmuth Charles J. Hamm Henry Christensen III, Ex Officio Pamela A. Codispoti David L. Ramsay, M.D., M.Ed. Barbara B. Haws, C.A. Thérèse Esperdy, Ex Officio Dr. Rudolph F. Crew Frances A. Resheske William Josephson Alan H. Fishman, Ex Officio

BAM Staff

Karen Brooks Hopkins, President Darrell M. McNeill, Associate Audrey Hoo, Dylan Nachand, BUILDING MAINTENANCE Joseph V. Melillo, Executive Producer, Music Elizabeth Moreau, Production Anthony Shields, Maintenance Producer R. Michael Blanco, DanceMotion Supervisors Supervisor USASM, Project Director Ryan Gastelum, Danielle Colburn, Daniel Curato, Maintainer Alice Bernstein, Executive Vice Tanya Calamoneri, DanceMotion Production Coordinators Carl Blango, Calvin Brackett, Ronald President USASM, Project Manager Katy Atwell, Intern Hunter, Assistant Maintainers Matthew Bregman, Vice President Sophia Shackleton, DanceMotion for Development USASM, Project Coordinator STAGE CREW SECURITY Stephanie S. Hughley, Vice Jacqueline Folville, DanceMotion Thomas Paulucci, Crew Chief Melvin Patterson, Manuel Taveras, President of Education & USASM Intern Cyrus Similly, Head Carpenter, OH Supervising Attendant Guards Humanities Danny Kapilian, Producer, R&B Timothy Fuller, Flyman, OH Kenneth Aguillera, Collie Dean, Soo Pak, Vice President of Festival, MetroTech James D’Adamo, Head Electrician,OH Senior Attendant Guards Marketing & Communications Steven Serafin,Special Consultant Amy Domjan, Assistant Electrician, OH Marlon Desouza, Felix Jusino, Keith Stubblefield,Chief Financial & Editor, BAM: The Complete Bill Horton Jr., Master of Properties, Kevin Lemon, Teonia Smith, Andel Officer and Vice President of Works OH Thomas, Michael Whyte, Attendant Finance & Administration Marc Putz, Sound Engineer, OH Guards ARCHIVES James Kehoe, Head Carpenter, HT PRESIDENT’S OFFICE Sharon Lehner, Director of Archives John Manderbach, Head CUSTODIAL SERVICES Grace Eubank, Project Coordinator Sarah Gentile, Digital Project Archivist Electrician, HT Ramon Cabassa, Custodial Michael Hurst, Administrative Louie Fleck, Archives Coordinator Edward Donohue, Master of Supervisor Assistant Ryan Evans, Joseph Bradshaw, Properties, HT Allan Boyce, Ludlow Chamberlain, Jan Carr, Michael Messina, Alison Dabdoub, Sound Engineer, HT Isaias Flores, Mayra Guillen, Ron BAM ROSE CINEMAS Processing Archivists Joe Werner, Assistant Carpenter, HT Rathan, Akeon Thomas, Custodians Efi Shahar,Cinema Executive Anita Goss, Volunteer Librarian Oscar Gruchalski, Utility Man Manager Anika Paris, Bree Midavaine, Richard Wurzbach, Utility Man DEVELOPMENT Michael Katz, Projectionist Maximilien Letaconnoux, Mary Lou Houston, Wardrobe INDIVIDUAL GIVING Adam Goldberg, Assistant Manager Anika Paris, Ivonne Paredes, Supervisor William Lynch, Director of Andreea Drogeanu, Davina Roberts, Mary Rhymer, Alison Basford, Leadership Gifts Anthony Shields Jr., Shankay Smith, Jessica Lynn Bass, Interns ARTIST SERVICES Barbara Cummings, Director of Head Floor Staff Larysa McKenna, Jonna Pressman, Mary Reilly, Director of Artist Services Development Volunteers Stacey Dinner, Artist Services Glenn Alan Stiskal, Director of BAMCINÉMATEK Manager Major Gifts Gabriele Caroti, Director GENERAL MANAGEMENT Jeannine Baca, Britany Polites, Gwendolyn Dunaif, Associate Nellie Killian, David Reilly, Patrick J. Scully, General Manager Artist Services Representatives Director, Major Gifts & Patron Programmers Sarah Bierenbaum, Assistant Programs Lisa Thomas, Publicist General Manager THEATER MANAGEMENT Richard Serrano, Research Manager Andrew Chan, Marketing Coordinator Kevin Condardo, GM Budget Christine M. Gruder, Theater Manager Holly Shen Chaves, Curator of Jesse Trussell, Programming Assistant Manager John L. Jones, Associate Theater Visual Arts Hannah Thomas, Publicity & Jaclyn Bouton, Sara Danielsen, Manager Mary Gordanier, Visual Arts Assistant Marketing Assistant Project Managers Sonia Clayton, Jacqueline David, Ben Lasser, Major Gifts Coordinator Molly Rodino, GM Coordinator, Leroy Houston, Theater Staff Elizabeth Sarkady, Administrative ARTISTIC PROGRAMMING Budgets & Contracts Supervisors Coordinator Stonie Darling, Department Liana Agredo, Jessica Fairbanks, Travis Calvert, Major Gifts Assistant Manager Project Coordinators BUILDING OPERATIONS Ross Marshall, Manager of Artistic Dakota Scott, Administrative Michael Zanca, Director of Building MEMBERSHIP Planning Assistant Operations Katherine King, Director of Amy Pedulla, Intern Nivia Prescod, BAM Fisher Front Rohan Bhasin, Facilities Manager Membership Programs of House Rep. & Rentals Asst. Darryl Halickman, Project Manager Sarah Mischner, Membership PROGRAMS & CURATORIAL Markee Glover, Mailroom Clerk Manager Nick Schwartz-Hall, Line Producer PRODUCTION Jean Smith, Steve McDowell, Bruce Smolanoff, Telefund Rachel Katwan, Assistant Line Neil Kutner, Director of Production Building Services Associates Manager Producer Don Coleman, Production Manager Alysha Wright, Building Operations Cheryl-Lyn Miller, Membership Amy Cassello, Associate Producer, Josh Escajeda, Associate Coordinator Assistant Next Wave Festival Production Manager Harsh Lochan, Building Operations Catherine Charnov, Patron Paul Bartlett, Jennifer Grutza, Assistant Programs Assistant BAM Staff

Shannon Alexander, Jessica HUMANITIES DIGITAL MEDIA Matthew Baclini, Capital Projects Benton, Allison Bodwell, Violaine Huisman, Director of Stephen Litner, Director of Digital Analyst Justin Gray, Allie Harris, Kimberly Humanities Media Laura Grady, Capital Projects Howard, Samantha Inniss, Melissa Molly Silberberg, Humanities Benjamin Cohen, Associate Coordinator Krzywicki, Anthony Marino, Coordinator Director of Video Emilie McDonald, Joe Mulligan, Daniel Balkin, Humanities Intern Jacob Strauss, Digital Marketing GOVERNMENT & COMMUNITY Colleen Pictor, Adrienne Reynolds, Manager AFFAIRS Amanda Wilder, Saarah Zebede, LEAD INSTRUCTORS Aaron Weibel, Digital Product Tamara McCaw, Director of Membership Representatives Joshua Cabat, Young Film Critics Coordinator Government & Community Michael LoMonico, Shakespeare Nicholas Breul, Digital Production Affairs INSTITUTIONAL GIVING Teaches Teachers Assistant Dewonnie Frederick, Community Clemente Luna, Director of Gwendolyn Kelso, Young Alexander Guns, Catherine Lee, Affairs & Bazaar Coordinator Institutional Giving Shakespeare Video Production Assistants Victor Rodriguez, Government & Bethany Basile, Institutional Jenny Rocha, Dancing into the Community Affairs Assistant Giving Manager Future MARKETING Kailin Husayko, Grants Writer Pat Hall, BAM/Restoration Gillian Fallon, Director of HUMAN RESOURCES Kaitlyn McKeon, Institutional DanceAfrica Coordinator Marketing Seth Azizollahoff, Director of Giving Coordinator Mo Beasley, Arts & Justice Raphaele de Boisblanc, Program Human Resources Program Manager Jenny Rodriguez, Human CORPORATE RELATIONS Claire Frisbie, Marketing Manager Resources Manager Chantal Bernard, Director of TEACHING ARTISTS Joaquin Esteva, Advertising Cynthia Smith, Payroll Manager Corporate Relations Sarah Abrams, Harold Manager Sajal Javid, Benefits Manager Gwendolyn Pointer, Director, Akyeampong, Sékou Alájé, Robert Wood, Copywriter Alexis Boehlmer, Human Corporate Sponsorships/New Jennifer Armas, Melissa Brown, Jenny Choi, Copy Editor Resources Assistant Business Development Mahogany Browne, Chia-Ti Chiu, Lily Friedman, Operations Manager Mimi Meserve, Manager, Corporate Darian Dauchan, Emily Davis, Britt Aronovich, Marketing Analyst INFORMATION TECHNOLOGY Relations Harris Eisenstadt, Imani Faye, Allison Kadin, Marketing Coordinator William Allen Lee III, Director of Mariam Rahmani, New Business Kimani Fowlin, Samara Gaev, Jamie Kraus, Marketing Projects Information Technology Development Coordinator Ana Garcia, Ingrid Gordon, Coordinator Thomas Brown, Tessitura Rebecca Carew, Sponsorship Mel House, Kanene Holder, Morgan Green, Marketing Business Manager Assistant Lauren Keating, Nicole Kempskie, Assistant Ira Sibulkin, Associate Director Nadege Nau, Intern Farai Malianga, Geneva Manley, of IT Hector Morales, Kwesi Nkroma, STRATEGIC MARKETING Chris Tusciuk, Web Development PATRON SERVICES Monica Ortiz-Rossi, Gene Osborne, Molly Meloy, Director of Strategic Manager Ramzi Awn, Director of Patron Pamela Patrick, Katie Issel Pitre, Marketing Timothy Assam, Systems Services Baba Wali Rahman, Mike Ramsey, Melanie Cherry, Justin Monsen, Administrator Michael Kendrick, Manager of Gwenyth Reitz, Najee Ritter, Marketing Managers Svetlana Mikhalevskaya, Database Patron Services & Donor Victor Sanchez, Robby Stamper, Jessica Goldschmidt, Copywriter Developer Relations Rohiatou Siby, Elizabeth Simmons, Rhea Daniels, Volunteer Jason Q. Minnis, IT Project Jessica Hindle, Patron Services Karen Thornton-Daniels, Manager Coordinator Leese Walker, Adia Whitaker TICKET & CUSTOMER SERVICES Matthew Taylor, Web Developer Samantha Shay, Patron Services G. Scott Kubovsak, Director of John Roshen, Jersy Rodriguez, Assistant BROOKLYN INTERNS FOR ARTS Ticket Services Network Analysts Alexander Jofe, Intern AND CULTURE Royda C. Venture, Ticket Services Susan Bishop, Administrative Chaasadyah Charles, Mariama Manager Coordinator SPECIAL EVENTS Diallo, Jadawna Dufont, Malcolm Giovanny Lopez, Ticket Services Lucas Austin, Assistant Desktop Margaret Breed, Director of Jackson, Chase John, Samantha Coordinator Analyst Special Events Lopez, Urdyn Mark, Maricruz Latasha McNeil, Assistant Manager Marissa Neiman, Special Events Morales, Joshua Murphy Ryan Mauldin, Senior Ticket Manager Services Representative Audience Research & Analysis James Vause, Special Events MARKETING & Jonas Angelet, Anaïs Blin, Robert George A. Wachtel Coordinator COMMUNICATIONS Ebanks, Miranda Gauvin, Laura Jessica Hackett, Paloma Wake, BOX OFFICE Grady, Joya Harris, Sindy Jean, Bookseller Special Events Assistants Fred Dorso, Treasurer Katora Matthews, Edgar Mendoza, Greenlight Bookstore Taylor Dafoe, Intern Victor Jouvert, First Assistant Warren Ng, Elsie Pacella, Megan Treasurer Pearson-Mason, Tara Ricasa, European Production ENDOWMENT & PLANNED Kevin McLoughlin, Charlie Dolce, Shanice Tulley, Noel Vega, Althea Representative GIVING Russell Grier, Assistant Treasurers Wilkinson, Ticket Services On Tour Ltd., Roger Chapman Denis Azaro, Endowment & Representatives Planned Giving Director PUBLICITY Film Buyer Alexandra Biss, Board Relations Sandy Sawotka, Director of FINANCE & ADMINISTRATION Adam Birnbaum Coordinator Publicity FINANCE & ADMINISTRATION Joe Guttridge, Associate Director Ellen Leszynski, Administrative Immigration Counsel EDUCATION & HUMANITIES of Publicity Coordinator Jonathan Ginsburg, Fettman, Shana Parker, Director of Susan Yung, Publications Manager Tolchin and Majors, PC Operations for E&H Adriana Leshko, Sarah Garvey, FINANCE Jennifer Leeson, Operations Publicity Managers Kozue Oshiro, Controller Insurance Broker Manager for E&H David Hsieh, Publicist Tameka White, Accounting Dewitt Stern Nathan Gelgud, Box Office Lauren Morrow, Publicity Assistant Manager Manager Baha Ebrahimzadeh, Education & Claudia Bailey, Budget Manager Legal Counsel Cathleen Plazas, Internship Humanities Publicist Samuel Grello, Accounts Ronald E. Feiner PC Coordinator James Sutton, Publications Receivable Coordinator Tamar MacKay, Education Assistant Brian Gee, Accounting Associate Medical Consultants Assistant Ally Greco, Intern David McCullough, Accounting Ahmar Butt, MD Rebekah Gordon, Administrative Coordinator Anders Cohen, MD Assistant DESIGN Adam Sachs, Fiscal Manager Clara Cornelius, Director of Design Douglas Fischer, Fiscal Coordinator Restaurateur EDUCATION Adam Hitt, Patrick Morin, Senior Barbara Ely, Fiscal Assistant Great Performances Steven McIntosh, Director of Designers Education & Family Programs Ryan Rowlett, Senior Interactive SPECIAL PROJECTS John P. Tighe, Assistant Director Designer Jeremy Dewey, Director, Project February 2, 2014 John S. Foster, Education Manager Katie Positerry, Interactive Management Eveline Chang, Verushka Wray, Designer Katie Dixon, Director, Special Program Managers Michelle Angelosanto, Designer Projects Victoria Collado, Education Intern Casey Cleverly, Design Studio Suzanne Youngerman, Curatorial Coordinator CAPITAL PROJECTS Consultant Ariel Davis, Intern Jonathan Jones, Director, Capital Projects