Effects of Nigerian R&B Music on the Use of English

Total Page:16

File Type:pdf, Size:1020Kb

Effects of Nigerian R&B Music on the Use of English EFFECTS OF NIGERIAN R&B MUSIC ON THE USE OF ENGLISH LANGUAGE IN NIGERIA ODESANMI ABIOLA AYOBAMI 07/15CD-122 AN ESSAY SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE AWARD OF THE DEGREE OF BACHELOR OF ARTS (HONS) IN ENGLISH TO THE DEPARTMENT OF ENGLISH, FACULTY OF ARTS, UNIVERSITY OF ILORIN, ILORIN, NIGERIA MAY, 2011 i CERTIFICATION This project has been read and approved as meeting part of the requirement for the award of Bachelor of Arts Degree in the Department of English of the Faculty of Arts, University of Ilorin. ……………………………… ……………………………… DR. T. A. ALABI Date (Supervisor) ……………………………… ……………………………… DR. S. T. BABATUNDE Date (Head of Department) ……………………………… ……………………………… EXTERNAL EXAMINER Date ii DEDICATION This research work is dedicated to my family. iii ACKNOWLEDGEMENTS The best of all thanks goes to Almighty God, alpha and omega, the beginning and the end, whom by His grace and mercy, I have been able to experience my first degree programme. Through it all, He has given me cause to be a living testimony of His goodness and kindness. I appreciate my supervisor Dr. T. A. Alabi for his efforts, and disciplined supervision which has gone a long way in making this research work a success. I am very grateful. Special thanks to my parents for the love, prayer, care, and support they have showered on me. I love you. To my lovely sisters, Adeola, Abimbola, and Jesudunsin, I am proud to be a brother to you. I also want to say a big thank you to Mr. Famakinwa, and Dr. Arowolo for their fatherly support. I also want to acknowledge my brothers from another mother, Joseph, Tunde and Femi, whom through the tough moments helped in completing this degree programme. You guys are the experiences of life I will never forget. iv ABSTRACT Due to the fact that English language is the official language of Nigeria, and Nigerian is a multilingual country, English language continues to grow popular every day. The Nigerian R&B with its high level of spread lately has contributed a great deal in influencing English usage. This research work has aimed to enlighten people on how Nigerian R&B music penetrates and affect their usage of English language. This research work has examined the various ways in which the Nigerian R&B music affects the use of English language using four randomly selected Nigerian R&B tracks. The result of the analysis shows that Nigerian R&B music introduces and changes a lot in English vocabulary. v TABLE OF CONTENTS Title page i Certification ii Dedication iii Acknowledgements iv Abstract v Table of contents vi CHAPTER ONE: GENERAL INTRODUCTION 1.0 INTRODUCTION 1 1.1 ENGLISH LANGUAGE IN NIGERIA 2 1.2 RHYTHM AND BLUES MUSIC 3 1.3 MUSIC IN NIGERIA 3 1.4 PURPOSE OF THE STUDY 4 1.5 JUSTIFICATION OF THE STUDY 4 1.6 SCOPE OF THE RESEARCH 5 1.7 RESEARCH METHODOLOGY 5 vi CHAPTER TWO: LITERATURE REVIEW 2.0 INTRODUCTION 6 2.1 LEXICO-GRAMMAR 6 2.1.1 LEXIS 6 2.2 GRAMMATICAL COMPETENCE AND PERFORMANCE 7 2.3 SOCIOLINGUITICS 8 2.4 INFLUENCE OF THE AMERICAN ENGLISH 10 2.5 WORD FORMATION 11 2.5.1 IDIOM 12 2.5.2 NEOLOGISM 13 2.5.3 AGGLUTINATING 14 2.5.4 CONTRATION 14 2.6 SLANG 15 CHAPTER THREE: DATA ANALYSIS 3.0 INTRODUCTION 16 3.1 ANALYSIS OF DATA 16 3.1.1 SLANGS 16 3.1.2 WORD FORMATION 20 3.1.2.1 IDIOMATICITY 20 3.1.2.2 NEOLOGISM 23 vii 3.1.2.3 AGGLUTINATING 25 3.1.2.4 CONTRATION 26 3.1.3 INFLUENCE OF THE AMERICAN ENGLISH 28 CHAPTER FOUR: SUMMARY AND FINDINGS 4.0 INTRODUCTION 33 4.1 SUMMARY 33 4.2 FINDINGS 34 4.3 CONCLUSION 35 BIBIOLOGRAPHY APPENDIX viii CHAPTER ONE GENERAL INTRODUCTION 1.0 INTRODUCTION English language is the official language in Nigeria as a tool that facilitates cultural and linguistic unity in the country. Part of the area in which English language is used peculiarly in the country is music. R&B music originated from traditional Rhythm and Blues music. Today, the term R&B is most often used to describe a style of Africa American music originating after the demise of disco in the 1980s. Nigerian R&B culture started spreading in the 1990s with the likes of Plantashun Boiz, The Remedies etc. When the country witnessed proliferation of computer and cheap music editing software in the 21th century, Nigeria R&B artistes started achieving higher quality recordings that rapidly won over the Nigerian audience. English language has been adopted as the language of the Nigerian R&B music. In spite of the fact that most Nigerian R&B singers use English language, they still try to identify with their indigenous languages. Nigerian R&B singers use their music as a medium of informing their listeners of the current event and liberation strategies, using alternate language understood only by those within the cultural network. Through the years, many of the words and phrases become integrated and used by listeners who had figured out the context and definitions of these words. ix 1.1 ENGLISH LANGUAGE IN NIGERIA English is a heritage left behind in Nigeria by the British at the end of the colonial administration. However, it is now the language of government, business, commerce, education, literature, arts, the mass media, internal and external communication in Nigeria. In practice therefore, English is the only effective medium of communication among Nigerians from different linguistic backgrounds. Although English is the official language of Nigeria, it has not succeeded in replacing any of the indigenous languages. Three of the hundreds of Nigerian local languages (Hausa, Yoruba, and Igbo) are often referred to as the major languages of the country; but few people speak more than one of the local languages. The multilingual nature of the Nigerian society leads to many regional variations in their use of English because local languages have their accents directly or indirectly transferred to English language. So, we have the majority speaking the Nigerian English (NE) as it can be tagged, with different accents. The term “Nigerian English” has come to be recognised and accepted is referring to the legitimate subtype of English, which is peculiar to Nigeria. 1.2 RHYTHM AND BLUES MUSIC Rhythm and Blues music or R&B is a variety of different, but related types popular music produced and supported primarily by African American beginning in the early 1940s. R&B was first coined in 1949 by Jerry Wexler, who became prominent with Atlantic Records. The term R&B was used as a x synonym for black rock and roll in the early and mid-1950s. R&B music embraces such genres as jump blues, club blues, black rock and roll, doo wop, soul, Motown, funk, disco and rap. Today’s contemporary R&B music has a distinctly different sound than its forebears, focusing on pop beats and culture rather than the blues, gospel and jazz sounds of previous the generations. In the late 1940s and into the 50s, R&B groups consisted brass instruments and woodwinds, as well as drums, piano and vocals. 1.3 MUSIC IN NIGERIA Nigerian music is extremely vibrant and lively. The popular music of Nigeria are highlife, afrobeat, juju, apala, hip hop (which includes R&B) and a lot more. As Nigeria culture is completely multi-ethnic, the music in Nigeria is influenced by a lot of traditions of different tribes. Hip hop which has gained worldwide popularity in the recent years is the most popular music among Nigerians today especially the Nigerian youths. 1.4 PURPOSE OF THE STUDY This research intends to show the relationship between language and the society by investigating the lyrics of the Nigerian R&B music. With the continues growth of the English language among the people of Nigeria, and language learning being highly influenced by the socio-environment, the music industry in Nigeria is one of the greatest influence on language acquisition in the country. xi Therefore, it is the aim of this research work to review the social effects of Nigerian R&B music on English language, so that at the end of this research, readers of this work will be able to have a visible assessment of the effect of the Nigerian R&B music on the standardization of English language in the country. 1.5 JUSTIFICATION OF THE STUDY This study is being embarked upon because no study of this nature to the researcher has focused on the complexity of the effect of the Nigerian R&B on the use of English language in Nigerian R&B on the use of English language in Nigeria. A similar research work which the researcher came across is Babalola and Taiwo (2009), which focuses on code-switching in contemporary Nigerian hip hop songs. This research work will not only look into code-switching but will examine the ideological background of Nigerian R&B songs and relating it to the linguistic constructions employed as the medium. 1.6 SCOPE OF THE RESEARCH In the research work, the researcher intends to place more emphasis on the analysis of pervasive lexico-grammatical properties of R&B music on the use of English language. The study is limited to the Nigerian environment alone. Because of space constraint and for explicit discussion, a maximum of four Nigerian R&B tracks will be selected and used as the data in this research work. xii 1.7 RESEARCH METHODOLOGY The method intended will incorporate the following components of linguistics/language in layers: (i) Sampling and listening to some randomly selected Nigerian R&B tracks.
Recommended publications
  • Code-Switching in Contemporary Nigerian Hip
    University of Ghana http://ugspace.ug.edu.gh CODE-SWITCHING IN CONTEMPORARY NIGERIAN HIP HOP SONGS BY KUPONIYI ADERIYIKE OREOLUWA (10361991) THIS DISSERTATION IS SUBMITTED TO THE UNIVERSITY OF GHANA, LEGON, IN PARTIAL FULFILLMENT OF THE REQUIREMENT FOR THE AWARD OF M.A ENGLISH DEGREE. JULY 2013 University of Ghana http://ugspace.ug.edu.gh DECLARATION I, Kuponiyi Aderiyike Oreoluwa, do hereby declare that apart from the acknowledged references cited, this work is the result of my own research. It has neither been partly nor wholly submitted for the award of another degree elsewhere. CANDIDATE ……………………………… DATE………………………… KUPONIYI, ADERIYIKE OREOLUWA SUPERVISOR……………………………. DATE…………………………... PROFESSOR A.B.K. DADZIE SUPERVISOR……………………………... DATE……………………………. PROFESSOR KARI DAKO i University of Ghana http://ugspace.ug.edu.gh DEDICATION This work is dedicated to my late Mother, Mrs Olajide Ilori-Kuponiyi. ii University of Ghana http://ugspace.ug.edu.gh ACKNOWLEDGEMENTS I give all the glory to God Almighty. My sincere gratitude goes to my father, Professor F.A. Kuponiyi for his total and unwavering support. Thank you to all my siblings, for their love, support and prayers. Special appreciations go to my supervisor, Professor A. B. K Dadzie for his help, advice and guidance and also to Professor Kari Dako. Again I say thank you to Mr Kenneth Igiri for his prompt response each time I call on him for help and for making my first few months in Ghana comfortable and remarkable. Also I thank everyone that has in one way or the other contributed to the achievement of this work. God bless you all. iii University of Ghana http://ugspace.ug.edu.gh ABSTRACT Most Nigerian hip hop artistes use a combination of English and one or more local language(s) in writing the lyrics of their songs.
    [Show full text]
  • Proceedings, the 50Th Annual Meeting, 1974
    proceedings of tl^e ai^i^iVepsapy EQeetiiig national association of schools of music NUMBER 63 MARCH 1975 NATIONAL ASSOCIATION OF SCHOOLS OF MUSIC PROCEEDINGS OF THE 50 th ANNIVERSARY MEETING HOUSTON, TEXAS 1974 Published by the National Association of Schools of Music 11250 Roger Bacon Drive, No. 5 Reston, Virginia 22090 LIBRARY OF CONGRESS CATALOGUE NUMBER 58-38291 COPYRIGHT ® 1975 NATIONAL ASSOCIATION OF SCHOOLS OF MUSIC 11250 ROGER BACON DRIVE, NO. 5, RESTON, VA. 22090 All rights reserved including the right to reproduce this book or parts thereof in any form. CONTENTS Officers of the Association 1975 iv Commissions 1 National Office 1 Photographs 2-8 Minutes of the Plenary Sessions 9-18 Report of the Community/Junior College Commission Nelson Adams 18 Report of the Commission on Undergraduate Studies J. Dayton Smith 19-20 Report of the Commission on Graduate Studies Himie Voxman 21 Composite List of Institutions Approved November 1974 .... 22 Report of the Library Committee Michael Winesanker 23-24 Report of the Vice President Warner Imig 25-29 Report of the President Everett Timm 30-32 Regional Meeting Reports 32-36 Addresses to the General Session Welcoming Address Vance Brand 37-41 "Some Free Advice to Students and Teachers" Paul Hume 42-46 "Teaching in Hard Times" Kenneth Eble 47-56 "The Arts and the Campus" WillardL. Boyd 57-62 Papers Presented at Regional Meetings "Esthetic Education: Dialogue about the Musical Experience" Robert M. Trotter 63-65 "Aflfirmative Action Today" Norma F. Schneider 66-71 "Affirmative Action" Kenneth
    [Show full text]
  • By Jennifer M. Fogel a Dissertation Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy
    A MODERN FAMILY: THE PERFORMANCE OF “FAMILY” AND FAMILIALISM IN CONTEMPORARY TELEVISION SERIES by Jennifer M. Fogel A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Communication) in The University of Michigan 2012 Doctoral Committee: Associate Professor Amanda D. Lotz, Chair Professor Susan J. Douglas Professor Regina Morantz-Sanchez Associate Professor Bambi L. Haggins, Arizona State University © Jennifer M. Fogel 2012 ACKNOWLEDGEMENTS I owe my deepest gratitude to the members of my dissertation committee – Dr. Susan J. Douglas, Dr. Bambi L. Haggins, and Dr. Regina Morantz-Sanchez, who each contributed their time, expertise, encouragement, and comments throughout this entire process. These women who have mentored and guided me for a number of years have my utmost respect for the work they continue to contribute to our field. I owe my deepest gratitude to my advisor Dr. Amanda D. Lotz, who patiently refused to accept anything but my best work, motivated me to be a better teacher and academic, praised my successes, and will forever remain a friend and mentor. Without her constructive criticism, brainstorming sessions, and matching appreciation for good television, I would have been lost to the wolves of academia. One does not make a journey like this alone, and it would be remiss of me not to express my humble thanks to my parents and sister, without whom seven long and lonely years would not have passed by so quickly. They were both my inspiration and staunchest supporters. Without their tireless encouragement, laughter, and nurturing this dissertation would not have been possible.
    [Show full text]
  • Foregrounding Female Agency in the Dance Culture of Nigeria
    WHAT I DO WHEN I DANCE: FOREGROUNDING FEMALE AGENCY IN THE DANCE CULTURE OF NIGERIA Oladoyin Abiona A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS August 2021 Committee: Angela Nelson, Advisor Jeremy Wallach Rahdika Gajjala © 2021 Oladoyin Abiona All Rights Reserved iii ABSTRACT Angela Nelson, Advisor Scholarship on female representations in hip hop has been predominantly premised on the sexualization of the female body. By focusing mainly on this singular aspect of the genre, we reduce the whole essence of womanhood in the industry to such interpretations. The limited scope of such discussions deprives the women of opportunities to tell their own stories of what they do when they dance. Seeing the cultural significance of dance as a form of popular culture in the Nigerian context, this essay, from a feminist perspective, closes this gap by engaging in a qualitative exploration of the lives of three female dancers in Nigeria telling their stories through dance. They are Kaffayat Oluwatoyin Shafau (Kaffy), Odumewu Debbie (Debbiepinkie), and Usiwo Orezinena Jane (Janemena). Exploring their social media archives, interviews granted to TV stations and a published autobiography “Alajoota” by Kaffy, this essay contextualizes and complicates the interpretations of sexualization in the Nigerian hip hop dance industry. Through dance Nigerian women performers are able to negotiate the heavily male-dominated hip hop scene. For them, dance is a coping strategy, a profession, a space for redefining self and embracing sexuality and femininity, and a form of youthful identity and inclusion.
    [Show full text]
  • Performing Arts Annual 1987. INSTITUTION Library of Congress, Washington, D.C
    DOCUMENT RESUME ED 301 906 C3 506 492 AUTHOR Newsom, Iris, Ed. TITLE Performing Arts Annual 1987. INSTITUTION Library of Congress, Washington, D.C. REPORT NO ISBN-0-8444-0570-1; ISBN-0887-8234 PUB DATE 87 NOTE 189p. AVAILABLE FROMSuperintendent of Documents, U.S. Government Printing Office, Washington, DC 20402 (Ztock No. 030-001-00120-2, $21.00). PUB TYPE Collected Works - General (020) EDRS PRICE MF01/PC08 Plus Postage. DESCRIPTORS Cultural Activities; *Dance; *Film Industry; *Films; Music; *Television; *Theater Arts IDENTIFIERS *Library of Congress; *Screenwriters ABSTRACT Liberally illustrated with photographs and drawings, this book is comprised of articles on the history of the performing arts at the Library of Congress. The articles, listed with their authors, are (1) "Stranger in Paradise: The Writer in Hollywood" (Virginia M. Clark); (2) "Live Television Is Alive and Well at the Library of Congress" (Robert Saudek); (3) "Color and Music and Movement: The Federal Theatre Project Lives on in the Pages of Its Production Bulletins" (Ruth B. Kerns);(4) "A Gift of Love through Music: The Legacy of Elizabeth Sprague Coolidge" (Elise K. Kirk); (5) "Ballet for Martha: The Commissioning of 'Appalachian Spring" (Wayne D. Shirley); (6) "With Villa North of the Border--On Location" (Aurelio de los Reyes); and (7) "All the Presidents' Movies" (Karen Jaehne). Performances at the library during the 1986-87season, research facilities, and performing arts publications of the library are also covered. (MS) * Reproductions supplied by EDRS are the best that can be made * from the original document. 1 U $ DEPARTMENT OP EDUCATION Office of Educational Research and Improvement 411.111....
    [Show full text]
  • Scholarship Available As Incentive for Teachers
    VOLUME 36 December 1, 2003 ISSUE Your source for campus news and information 1104 See page 14 'The Comedy of Errors' doesn't err. T HECURRENTONLINE.COM U N IVERSITY O F MISSOURI - ST. L O U IS UMSL grad SGA approves new fee increases ~students B Y BECKY ROSNER us to be proud of our school, for us to News Ediio;' ~ develop school plide and for us to develop intrical relationships that we redesign haven't had," Dolan said. "We are very At the Student Government passionate about what we do." Association meeting on Fliday, Nov. Dolan also said that UM-SL Louis is 21 , many proposals were discussed and funded 10th out of 11 schools in the •Hannibal passed by popular vote of the assembly. conference. She stated that UM-Rolla Increases in student fees are among the has more funding and that UM-St. propositions that will go to the Board of Louis does not offer as many amenities Museum Curators. to the student athletes. Some of the student The student fee BY BECKY ROSNER fees for the 2004-05 increase would still ..... ...~-- ..- .- - . ..- - . ."1 News Editor year may go up by as --"-- leave the University much as 90 cents per behind many others in credit hour. Currently, The majority of the conference. TIle Graduate students in museum all students pay $9 per assembly passed the studies have been presented with an credit hour for an that [increase] will fee. opportunity to redesign the Mark athletic fee. These fees go towards student Student Life is Twain museum in Hannibal, Mo.
    [Show full text]
  • Pus, Howard University Is Claim That They Live There
    Howard University Digital Howard @ Howard University The iH lltop: 1990-2000 The iH lltop Digital Archive 3-10-2000 The iH lltop 3-10-2000 Hilltop Staff Follow this and additional works at: https://dh.howard.edu/hilltop_902000 Recommended Citation Staff, Hilltop, "The iH lltop 3-10-2000" (2000). The Hilltop: 1990-2000. 261. https://dh.howard.edu/hilltop_902000/261 This Book is brought to you for free and open access by the The iH lltop Digital Archive at Digital Howard @ Howard University. It has been accepted for inclusion in The iH lltop: 1990-2000 by an authorized administrator of Digital Howard @ Howard University. For more information, please contact [email protected]. ILLTOP The Nation's Largest Black Collegiate Newspaper VOLUME 83, NO. 23 FRIDAY, 1\-JARCH IO, 2000 http://hilltop.howard.edu THIS O.R.E.M., 4A Plan to Face in Run-off WEEK'S. Coleman and Winston Clinch Trustee Seats HILLTOP By CIIRISTOPIIFR WJt;OIIMt Asst. Campus Editor None of the three HUSA slates earned 1he required 51 percent of the total numbcrof,otcs Spring Break cast Wednesday to be declared winner of2000 General Assembly elections. The lack of voter 2000 percentage will result in a Ma.rch 15 run-off election between Sellano Simmons and Nicole Saulter of the O.R.E.M slute who rccci,ed 43 percent of the votes, and Nwaji Jubinoh and Dawn Henson of the 4A Plan slate who gar­ nered 34.2 percent. According to election results. O.R.E.M. receh-ed 692 votes. TI1e4A Plan garnered 551 votes, and L.
    [Show full text]
  • October 1992
    VOLUME 16, NUMBER 10 FEATURES STEVE LEWIS EDDIE GORMAN NASH BAYERS The Black Crowes' Steve Gorman Only in his early 30's, Lewis Nash has supplied the pulse for The biggest artists in might not have decades of experience, but this is one drummer some of the top jazz musicians of country—Ricky Skaggs, the our time—Dizzy Gillespie, Ron Judds, Vince Gill, Randy Travis, who's put it all together real fast—and with a high degree of Carter, Kenny Burrell, Branford Rosanne Cash, Hank Williams, Marsalis, Betty Carter, and Sonny Jr.—can't get enough of the success. Learn what it takes to rhythmically propel one Rollins, to name just a few. drummer with the golden (and Check out what this intelligent platinum) groove. Find of today's biggest rock 'n' roll success stories. and passionate skinsman has to out why in this very say regarding the life special MD feature. • by Teri Saccone 28 and language of jazz • by Robyn Flans 22 drumming. • by Ken Micallef 32 COVER PHOTO BY RICK MALKIN INSET BY NEIL ZLOZOWER COLUMNS Education 54 ROCK 'N' JAZZ CLINIC The Funky Octopus Beat BY TOMMY CAMPBELL 70 TRACKING Composers And Equipment Samplers BY EMIL RICHARDS 38 PRODUCT Departments CLOSE-UP 88 ROCK CHARTS Gibraltar Stands 4 EDITOR'S Bill Bruford: BY RICK VAN HORN "Silent Talking" OVERVIEW News TRANSCRIBED 39 Sonor Force 1000 Kit BY ED TARZIA BY RICK MATTINGLY 6 READERS' 8 UPDATE Jason Bonham, Duratech Drumsticks PLATFORM 40 Eric Singer, Michael 104 THE JOBBING BY RICK MATTINGLY Foster of Firehouse, and DRUMMER 12 ASK A PRO Paul Garisto of Shooting Balter Percussion
    [Show full text]
  • UNIVERSITY of CALIFORNIA RIVERSIDE Latinidades and the Repository Function of the Poetic a Dissertation Submitted in Partial
    UNIVERSITY OF CALIFORNIA RIVERSIDE Latinidades and the Repository Function of the Poetic A Dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in English by Clarissa A. Castaneda March 2019 Dissertation Committee: Dr. Steven Gould Axelrod, Chairperson Dr. Robert Hernández Dr. Fred Moten Dr. Rafael Pérez-Torres Dr. Marguerite Waller Copyright by Clarissa A. Castaneda 2019 The Dissertation of Clarissa A. Castaneda is approved: ____________________________________________ ____________________________________________ ____________________________________________ ____________________________________________ ____________________________________________ Committee Chairperson University of California Riverside Acknowledgements Thank you to my committee members, mentors, and colleagues who have supported my research and writing over the past eight years. Your support and direction have been instrumental in the development and completion of this project. iv Dedication Thank you to my parents, Dr. Lillian Vega Castaneda and Dr. Mario Castaneda, who taught me how to be an indigenous Chicana with ideas and a voice. Thank you, for everything, to my siblings, Mario and Gabriella; to the children in my life, Christopher, Maya, Parker, Shane, and Eli; and to their mothers, Heather, Ardell, and Alison. To my husband, Chris Garcia, thank you for being my partner, every day. To my crazy friends and the Vega, Castaneda, and Hawelu families—this work is a reflection you, my familia, tribe, and ohana. The past eight years of study would not have been possible without the trailblazing efforts of my grandparents—Mario and Milagro Castaneda, and Henry and Evelyn Vega. My life is in your memory and my work is in your honor. v ABSTRACT OF THE DISSERTATION Latinidades and the Repository Function of the Poetic by Clarissa A.
    [Show full text]
  • The Possible Selves of African American Men As a Mediator Of
    THE POSSIBLE SELVES OF AFRICAN AMERICAN MEN AS A MEDIATOR OF CONDOM USE AND NEGOTIATION: AN EXPLORATORY STUDY by LAUREN MARKLE (Under the Direction of Celeste Condit) ABSTRACT This paper seeks to expand upon the available methods for developing HIV/AIDS prevention campaigns by utilizing Possible Selves theory. A detailed look at representations of African American men in U.S. television media since 1980 is provided from which implications for possible selves are extrapolated. Next interview transcripts from 12 HIV-positive African American men in Athens, GA are analyzed to determine a range of possible selves articulated. Comparisons are made between the two analyses and recommendations are made for the use of Possible Selves theory in HIV/AIDS prevention campaigns. INDEX WORDS: Possible Selves, HIV/AIDS, Rhetorical Analysis, African American males, Television Representation, Ethnography, Prevention, United States Media THE POSSIBLE SELVES OF AFRICAN AMERICAN MEN AS A MEDIATOR OF CONDOM USE AND NEGOTIATION: AN EXPLORATORY STUDY by LAUREN MARKLE B.S., Georgia Southern University, 2007 A Thesis Submitted to the Graduate Faculty of The University of Georgia in Partial Fulfillment of the Requirements for the Degree MASTER OF ARTS ATHENS, GEORGIA 2009 © 2009 Lauren Markle All Rights Reserved THE POSSIBLE SELVES OF AFRICAN AMERICAN MEN AS A MEDIATOR OF CONDOM USE AND NEGOTIATION: AN EXPLORATORY STUDY by LAUREN MARKLE Major Professor: Celeste Condit Committee: Vicki Freimuth Roger Stahl Electronic Version Approved: Maureen Grasso Dean of the Graduate School The University of Georgia August 2009 DEDICATION For Shane. iv ACKNOWLEDGEMENTS So many people worked tirelessly to help me succeed during these past two years.
    [Show full text]
  • Tuesday, March 11, 2008 Volume 134, Issue 19 2 March 11 I 2008
    Tuesday, March 11, 2008 Volume 134, Issue 19 2 March 11 I 2008 . (I lDSJ e 2 News 6 Who's who in Newark 12 Editorial 13 Opinion 17 Mosaic 21 Fashion Forward 26 Classifieds· 28 Sports THE REVIEW/Jenny Lin Students congratulate the winners of the Dancing with the Dark Arts competition last ~aturday. 28 Sport? Commentary web exclJJsives Check out these articles and more on udreview.com • FASHION FORWARD COLUMNIST LARISSA CRUZ HITS NEWARK'S STREETS TO HIGHLIGHT THE LATEST FASHIONS ON HER BLOG, I CAN DRESS MYSELF THE REVIEW/Steven Gold THE REVIEW/Steven Gold Former Delaware football players Joe Fiacco Students talk with Paul Rusesabagina, the inspiration and Omar Cuff chat at Pro Day last Thursday. behind the film "Hotel Rwanda," on Thursday night. The Review is published once weekly every Tuesday of the school year, except Editor in Chief Administrative News Editor Managing Sports Editors during Winter and Summer Sessions. An exclusive, online edition is published every Wesley Case Jennifer Hayes Kevin Mack:ie~icz, Michael LoRe Friday. Our main office is1ocated at 250 Perkins Student Center, Newark, DE 19716. Executive Editor City News Editor Sports Editors Sarah Lipman Josh Shannon Greg Arent, Seif Hussain If you have questions about advertising or news content, see the listings below. National/State News Editor I Editorial Editors ·Brian Anderson Copy Editors Jessica Lapointe, Jeff Ruoss News Features Editor Sarah Esralew, Elisa Lala, Mike Pina, Emily Riley, Copy Desk Chiefs Sara Wahlberg Caitlin Wolters, Maria Zinszer Display Advertising
    [Show full text]
  • Tender Is the Night Fitzgerald, Francis Scott
    Tender is the Night Fitzgerald, Francis Scott Published: 1933 Categorie(s): Fiction, Literary, Biographical Source: http://gutenberg.net.au 1 About Fitzgerald: Francis Scott Key Fitzgerald (September 24, 1896 – Decem- ber 21, 1940) was an American Jazz Age author of novels and short stories. He is regarded as one of the greatest twentieth century writers. Fitzgerald was of the self-styled "Lost Genera- tion," Americans born in the 1890s who came of age during World War I. He finished four novels, left a fifth unfinished, and wrote dozens of short stories that treat themes of youth, despair, and age. Also available on Feedbooks for Fitzgerald: • The Curious Case of Benjamin Button (1922) • The Great Gatsby (1925) • The Great Gatsby (1925) • The Beautiful and the Damned (1922) • This Side of Paradise (1920) • "I Didn't Get Over" (1936) • The Rich Boy (1926) • Jacob's Ladder (1927) • The Sensible Thing (1924) • Bernice Bobs Her Hair (1920) Copyright: This work is available for countries where copy- right is Life+70. Note: This book is brought to you by Feedbooks http://www.feedbooks.com Strictly for personal use, do not use this file for commercial purposes. 2 Already with thee! tender is the night… … But here there is no light, Save what from heaven is with the breezes blown Through verdurous glooms and winding mossy ways. —Ode to a Nightingale 3 Part 1 4 Chapter 1 On the pleasant shore of the French Riviera, about half way between Marseilles and the Italian border, stands a large, proud, rose-colored hotel. Deferential palms cool its flushed façade, and before it stretches a short dazzling beach.
    [Show full text]