DOCSLIB.ORG

October 1992

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
October 1992 VOLUME 16, NUMBER 10 FEATURES STEVE LEWIS EDDIE GORMAN NASH BAYERS The Black Crowes' Steve Gorman Only in his early 30's, Lewis Nash has supplied the pulse for The biggest artists in might not have decades of experience, but this is one drummer some of the top jazz musicians of country—Ricky Skaggs, the our time—Dizzy Gillespie, Ron Judds, Vince Gill, Randy Travis, who's put it all together real fast—and with a high degree of Carter, Kenny Burrell, Branford Rosanne Cash, Hank Williams, Marsalis, Betty Carter, and Sonny Jr.—can't get enough of the success. Learn what it takes to rhythmically propel one Rollins, to name just a few. drummer with the golden (and Check out what this intelligent platinum) groove. Find of today's biggest rock 'n' roll success stories. and passionate skinsman has to out why in this very say regarding the life special MD feature. • by Teri Saccone 28 and language of jazz • by Robyn Flans 22 drumming. • by Ken Micallef 32 COVER PHOTO BY RICK MALKIN INSET BY NEIL ZLOZOWER COLUMNS Education 54 ROCK 'N' JAZZ CLINIC The Funky Octopus Beat BY TOMMY CAMPBELL 70 TRACKING Composers And Equipment Samplers BY EMIL RICHARDS 38 PRODUCT Departments CLOSE-UP 88 ROCK CHARTS Gibraltar Stands 4 EDITOR'S Bill Bruford: BY RICK VAN HORN "Silent Talking" OVERVIEW News TRANSCRIBED 39 Sonor Force 1000 Kit BY ED TARZIA BY RICK MATTINGLY 6 READERS' 8 UPDATE Jason Bonham, Duratech Drumsticks PLATFORM 40 Eric Singer, Michael 104 THE JOBBING BY RICK MATTINGLY Foster of Firehouse, and DRUMMER 12 ASK A PRO Paul Garisto of Shooting Balter Percussion Backing Club Acts 41 Gallery, plus News BY ROBERT COXON Products BY RICK MATTINGLY 16 IT'S 106 JAZZ QUESTIONABLE 118 INDUSTRY DRUMMERS' 46 ELECTRONIC HAPPENINGS REVIEW 20 LIAISON WORKSHOP Roland R-70 Human Advanced Rhythm Composer Timekeeping: Part 3 CRITIQUE BY RICHARD WATSON 100 Profiles BY RICK MATTINGLY 52 NEW AND 124 DRUM MARKET 60 PORTRAITS 116 CONCEPTS Jimmy DeGrasso The Presence NOTABLE BY ROBYN FLANS Of Heart BY ANDREW KOLLMORGEN 56 SHOP TALK 86 SHOW DRUMMERS' Slingerland Radio Kings: Part 1 SEMINAR Circus Drummer BY JOHN M. ALDRIDGE Tim McGinley BY RICK VAN HORN EDITOR/PUBLISHER Ronald Spagnardi ASSOCIATE PUBLISHER Isabel Spagnardi Something New And Notable MANAGING EDITOR Rick Van Horn FEATURES EDITOR William F. Miller ASSOCIATE EDITOR Adam J. Budofsky EDITORIAL ASSISTANT Justin J. Cordes Ever since MD's debut issue back in 1977, we've ART DIRECTOR always reserved space for the announcement of new Scott G. Bienstock drum products and other items of interest to ART ASSISTANT Lori Spagnardi drummers. Those who go back a ways with Modern ADMINISTRATIVE MANAGER Tracy A. Kearns Drummer might recall that the department that ADVERTISING DIRECTOR Bob Berenson covered this information was originally called Just ADVERTISING ASSISTANT Drums. However, since JD always seemed to Joan C. Stickel include a bit more than "just drums," it was re-titled New And SALES AND MARKETING Crystal W. Van Horn DIRECTOR Notable in November of '87. CONSULTANT TO THE Arnold E. Abramson Interestingly, over the years, reader surveys have indicated that PUBLISHER New And Notable has remained among the most popular depart- MODERN DRUMMER ADVISORY BOARD: Henry Adler, Kenny ments in the magazine. And a more recent study once again demon- Aronoff, Louie Bellson, Bill Bruford, Jim Chapin, Alan Dawson, Dennis strated that N&N was still among the top five. In light of all this, DeLucia, Les DeMerle, Len DiMuzio, Charlie Donnelly, Peter Erskine, Vic Firth, Danny Gottlieb, Sonny Igoe, Jim Keltner, Larrie Londin, Peter we've decided to devote more space to the department. To Magadini, George Marsh, Joe Morello, Rod Morgenstein, Andy accommodate the additional space requirement, we've begun by Newmark, Neil Peart, Charlie Perry, Dave Samuels, John Santos, Ed Shaughnessy, Steve Smith, Ed Thigpen, Dave Weckl. relocating the column from the very back of the book—where it's always been—to a position further forward. So beginning with this CONTRIBUTING WRITERS: Robyn Flans, Simon Goodwin, Rick Mattingly, Ken Micallef, Teri Saccone, Robert Santelli. issue, New And Notable will run immediately following our Product Close- Up and Electronic Review departments. As a result, all equip- MODERN DRUMMER magazine (ISSN 0194-4533) is published monthly by MODERN DRUMMER Publications, Inc., 870 Pompton ment-related material will now be centralized in one section of the Avenue, Cedar Grove, NJ 07009. Second-Class Postage paid at Cedar magazine, which will allow you to locate it more easily. Grove, NJ 07009 and at additional mailing offices. Copyright 1992 by MODERN DRUMMER Publications, Inc. All rights reserved. There are several other advantages to this design alteration. First, Reproduction without the permission of the publisher is prohibited. since we'll now be able to bring you more new product information EDITORIAL/ADVERTISING/ADMINISTRATIVE OFFICES: MODERN in each issue, the problem of editorial backlogging will be eased. (Of DRUMMER Publications, 870 Pompton Avenue, Cedar Grove, NJ all the departmental material published in MD each month, infor- 07009. Tel.: (201) 239-4140. mation earmarked for New And Notable tends to get backlogged MODERN DRUMMER welcomes manuscripts and photographic mate- more than any other column's.) Second, devoting more space to rial, however, cannot assume responsibility for them. Such items must be accompanied by a self-addressed, stamped envelope. product press releases will enable us to report on new product infor- mation in a much more timely manner. And manufacturers, who've MUSIC DEALERS: Modern Drummer is available for resale at bulk rates. Direct correspondence to Modern Drummer, Dealer Service, P.O. sometimes waited a couple of months for their product announce- Box 389, Mt. Morris, IL 61054. Tel.: (800) 334-DRUM or (815) 734- ments to run, should be pleased that this time lag will be somewhat 6013. reduced. Finally, you'll notice that New And Notable will appear in SUBSCRIPTIONS: $27.95 per year; $49.95, two years. Single copies complete editorial spreads, uninterrupted by advertising. This will $3.95. enable us to run a greater selection of product photos in larger sizes. SUBSCRIPTION CORRESPONDENCE: Modern Drummer, P.O. Box Oddly enough, New And Notable—despite its popularity—has 480, Mt. Morris, IL 61054-0480. Change of address: Allow at least six weeks for a change. Please provide both old and new address. Toll Free always had the appearance of filler material relegated to the back of Tel.: (800) 551-3786. the book. This minor redesign will help make the department a POSTMASTER: Send address changes to Modern Drummer, P.O. Box more intrinsic part of our editorial content, which it rightly deserves 480, Mt. Morris, IL 61054. to be. We think that both readers and manufacturers will benefit equally from this format change, and we hope you agree. Take a look to see what we've done, and drop me a line. Audit Bureau Of Circulations Membership applied for. Poll Winners Respond for 1992. My wife told me the news just as dB. He then says: "With prolonged expo- With deep sincerity, I wish to thank all I was getting ready to board a jet for the sure to 90 dB, I, for one, wouldn't be able those who voted for Roll The Bones as the long trip home after a European tour; she to hear the drums for all the blood spurt- "Best Recorded Performance" in this thought the news would cheer me. It cer- ing from my ears, so this wouldn't be year's Readers Poll. It is always the great- tainly did that, but it was also humbling, much of an issue to me." est honor to be appreciated by other and served to remind me just how much As some of MD's readers may already drummers, but I am especially proud of more there is to learn about drumming know, volume is measured in decibels (dB) this recognition for my most recent, and and jazz. I thank you all very much, and of Sound Pressure Level (SPL). An SPL of perhaps hardest-won, piece of work. I put will do my best to deserve the honor. 90 dB will certainly not cause one's ears to a lot of thought and sweat into that record, Peter Erskine bleed and could roughly be compared to and consequently this appreciation from Santa Monica CA the noise one hears in heavy traffic (with other drummers means a lot to me. trucks and busses) or a subway train. The The first time I appeared in the MD I would like to express my deep apprecia- typical amplified band easily cranks out Readers Poll—many years ago now—I felt tion and gratitude to the faithful readers of between 105 and 115 dB SPL, and a loud the most intense mixed emotions: a Modern Drummer for voting me into the rock band might push an onstage SPL of strange combination of exaltation and recent Readers Poll. It is so very reassuring about 125 to 130 dB SPL. A volume level of unworthiness. No other award would ever to be recognized by one's peers. All the 120 dB SPL is considered the "threshold equal that first one, as I'm sure anyone can long hours and hard work were truly worth of pain"—the level where the average per- understand. But still, the thrill of pride it all. I am both flattered and encouraged son begins to experience discomfort. For a doesn't really fade. Even after 25 years of by this great honor. Thanks so much! person's ears to bleed, the SPL would have playing drums—and the good fortune to Milton Sledge to be well above 150 dB, which is the vol- have been appreciated for it—I remain Nashville TN ume level where permanent damage to the humble before all the master drummers of hearing starts to happen.
Load more

Recommended publications
  • RHYTHM & BLUES...63 Order Terms
    5 COUNTRY .......................6 BEAT, 60s/70s ..................71 AMERICANA/ROOTS/ALT. .............22 SURF .............................83 OUTLAWS/SINGER-SONGWRITER .......23 REVIVAL/NEO ROCKABILLY ............85 WESTERN..........................27 PSYCHOBILLY ......................89 WESTERN SWING....................30 BRITISH R&R ........................90 TRUCKS & TRAINS ...................30 SKIFFLE ...........................94 C&W SOUNDTRACKS.................31 AUSTRALIAN R&R ....................95 C&W SPECIAL COLLECTIONS...........31 INSTRUMENTAL R&R/BEAT .............96 COUNTRY AUSTRALIA/NEW ZEALAND....31 COUNTRY DEUTSCHLAND/EUROPE......32 POP.............................103 COUNTRY CHRISTMAS................33 POP INSTRUMENTAL .................136 BLUEGRASS ........................33 LATIN ............................148 NEWGRASS ........................35 JAZZ .............................150 INSTRUMENTAL .....................36 SOUNDTRACKS .....................157 OLDTIME ..........................37 EISENBAHNROMANTIK ...............161 HAWAII ...........................38 CAJUN/ZYDECO ....................39 DEUTSCHE OLDIES ..............162 TEX-MEX ..........................39 KLEINKUNST / KABARETT ..............167 FOLK .............................39 Deutschland - Special Interest ..........167 WORLD ...........................41 BOOKS .........................168 ROCK & ROLL ...................43 BOOKS ...........................168 REGIONAL R&R .....................56 DISCOGRAPHIES ....................174 LABEL R&R
    [Show full text]
  • PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
    PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized.
    [Show full text]
  • Russell Gulley Alabama Touring Artist Program
    Alabama Touring Artist Program Study Guide Russell Gulley Intro: FROM TRADITIONAL MUSIC TO AMERICAN POP 265-845-0203 [email protected] Artistic Genre: Music Performing Artist: Russell Gulley 1 Alabama Touring Artist Program Study Guide presented by Alabama State Council on the Arts 201 Monroe Street, Suite 110; Montgomery, AL 36130-1800 334-242-4076 Ext. 241 Alabama Touring Artist Program presented by the Alabama State Council on the Arts This Study Guide has been prepared for you by the Alabama State Council on the Arts in collaboration with the performing artist. All vocabulary that is arts related is taken directly from the Alabama Course of Study, Arts Education. With an understanding that each teacher is limited to the amount of time that may be delegated to new ideas and subjects, this guide is both brief and designed in a way that we hope supports your school curriculum. We welcome feedback and questions, and will offer additional consulting on possible curriculum connections and unit designs should you desire this support. Please feel free to request further assistance and offer your questions and feedback. Hearing from educators helps to improve our programs for other schools and educators in the future. Please Contact: Diana F. Green, Arts in Education Program Manager at: 334/242-4076 Ext. 241 [email protected] Set up: Artists typically arrive 60 minutes before their scheduled performance in order to set up. Please have the space available to the artist as soon as she arrives. All artists will need some kind of setup prior to arrival.
    [Show full text]
  • Logging Songs of the Pacific Northwest: a Study of Three Contemporary Artists Leslie A
    Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2007 Logging Songs of the Pacific Northwest: A Study of Three Contemporary Artists Leslie A. Johnson Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF MUSIC LOGGING SONGS OF THE PACIFIC NORTHWEST: A STUDY OF THREE CONTEMPORARY ARTISTS By LESLIE A. JOHNSON A Thesis submitted to the College of Music in partial fulfillment of the requirements for the degree of Master of Music Degree Awarded: Spring Semester, 2007 The members of the Committee approve the Thesis of Leslie A. Johnson defended on March 28, 2007. _____________________________ Charles E. Brewer Professor Directing Thesis _____________________________ Denise Von Glahn Committee Member ` _____________________________ Karyl Louwenaar-Lueck Committee Member The Office of Graduate Studies has verified and approved the above named committee members. ii ACKNOWLEDGEMENTS I would like to thank those who have helped me with this manuscript and my academic career: my parents, grandparents, other family members and friends for their support; a handful of really good teachers from every educational and professional venture thus far, including my committee members at The Florida State University; a variety of resources for the project, including Dr. Jens Lund from Olympia, Washington; and the subjects themselves and their associates. iii TABLE OF CONTENTS ABSTRACT .................................................................................................................
    [Show full text]
  • Brian Wilson's Spacious Estate in West Suburban St
    May 24, 1998---- The backyard of Brian Wilson's spacious estate in west suburban St. Charles overlooks a calm pond. A playground set stands near the water. Wilson slowly walks out of the basement studio in the home he shares with wife Melinda and daughters Daria, 2, and Delanie, 6 months old. Wilson squints into the midday sun. He looks at a playground slide. Then he looks at a swing set. Wilson elects to sit down on the saddle swing. In a life of storied ups and downs, Wilson's career is on the upswing. The June release of ``Imagination'' (Giant Records) is a return to 1966's ``Pet Sounds'' in terms of orchestration and instrumentation, with its the ambitious patterns of tympanies and snare drums. But equally important are Wilson's vocals, which are the smoothest and most soulful since 1970's ``Sunflower.'' Wilson, 55, has suddenly defied age. Mick Jagger and Pete Townshend are brittle rock 'n' roll barnacles. Ray Davies and Paul McCartney have matured gracefully. Yet here's Wilson singing with effervescent hope on ``Dream Angel,'' which he co-wrote with his co-producer Joe Thomas and Jim Peterik of Survivor and Ides of March fame. The song was inspired by Wilson's new daughters. They make him happy. He says that is why he is writing happy music. On ``Dream Angel,'' Wilson even returned to the tight, late '50s harmonies of the Dell Vikings (``Come Go With Me'') and the Four Freshmen - happy-go-lucky voices that influenced the Beach Boys when they were young.
    [Show full text]
  • Still on the Road 1980 Saved Sessions
    STILL ON THE ROAD 1980 SAVED SESSIONS FEBRUARY 11 Sheffield, Alabama Muscle Shoals Sound Studio, 1st Saved recording session 12 Sheffield, Alabama Muscle Shoals Sound Studio, 2nd Saved recording session 13 Sheffield, Alabama Muscle Shoals Sound Studio, 3rd Saved recording session 14 Sheffield, Alabama Muscle Shoals Sound Studio, 4th Saved recording session 15 Sheffield, Alabama Muscle Shoals Sound Studio, 5th Saved recording session 27 Los Angeles, California Shrine Auditorium, 22nd Annual Grammy Award Ceremony MARCH Los Angeles, California United Western Studios, Keith Green recording session Still On The Road: 1980 Saved Sessions 5551 Muscle Shoals Sound Studio Sheffield, Alabama 11 February 1980 1st Saved recording session produced by Jerry Wexler & Barry Beckett. 1. Covenant Woman 2. Covenant Woman 3. Covenant Woman 4. Covenant Woman 5. Covenant Woman 6. Covenant Woman 7. Covenant Woman 8. Covenant Woman 9. Covenant Woman 10. Covenant Woman 11. Covenant Woman Bob Dylan (vocal & guitar), Fred Tackett (guitar), Spooner Oldham (keyboards), Terry Young (acoustic piano), Barry Beckett (electric piano), Tim Drummond (bass), Jim Keltner (drums). Official release 3 released on Bob Dylan: Trouble No More. The Bootleg Series Vol. 13 1979-1981, Disc Three: Rare and Unreleased, Columbia 88985454652-2, 3 November 2017 References Michael Krogsgaard: Bob Dylan: The Recording Sessions (Part 4). The Telegraph #56, Winter 1997, pp. 168- 176. Clinton Heylin: Bob Dylan. The Recording Sessions [1960 – 1994]. St. Martin’s Press December 1995, pp 131– 136. Clinton Heylin: Trouble In Mind. Bob Dylan’s Gospel Years. What really happened. Chapter 6. Where I Will Always Be Renewed, (January – February 1980). Lesser Gods 2017.
    [Show full text]
  • Firehouse Jig
    Kjos String Orchestra Grade 4 Full Conductor Score SO405F $7.00 Kirt Mosier Firehouse Jig SAMPLE Neil A. Kjos Music Company • Publisher 2 The Composer Internationally known composer and conductor, Kirt Mosier was director of orchestras at Lee’s Summit West High School in Lee’s Summit, Missouri. He has also taught orchestration and arranging as an adjunct professor at University of Missouri-Kansas City Conservatory of Music in Kansas City, Missouri. Mr. Mosier has many published orchestral works and has twice won national composition awards. His first occurred in 1993 with his original work, Baltic Dance, which won the National School Orchestra Association Composition Contest. In 2004, American Reel, won the 2004 Merle J. Isaac National Composition Contest. In the professional performance arena, the Portland Ballet Company of Portland, Maine, commissioned Mr. Mosier to write an original score to their production of The Legend of Sleepy Hollow (2010). The Kansas City Symphony premiered one of Mosier’s holiday arrangements in December of 2017. From 1990 to present, Kirt Mosier has conducted numerous orchestras and served as keynote speaker throughout the United States and abroad. He conducted the National High School Honors Orchestra as well as the National Junior High School Honors Orchestra at Carnegie Hall in 2016. In 2017, he traveled throughout the United States, including two trips to Carnegie Hall, and had two world premiere performances at the Midwest International Clinic in Chicago. Internationally, Mr. Mosier conducted the 2015 International Strings Festival in Bangkok, Thailand and the 2017 International Strings Festival in Jakarta, Indonesia. He has also conducted in Reykjavik, Iceland and continues to have conducting appearances throughout the United States, Singapore, the Netherlands, and Sydney, Australia.
    [Show full text]
  • Dennis Chambers
    IMPROVE YOUR ACCURACY AND INDEPENDENCE! THE WORLD’S #1 DRUM MAGAZINE FUSION LEGEND DENNIS CHAMBERS SHAKIRA’S BRENDAN BUCKLEY WIN A $4,900 PEARL MIMIC BLONDIE’S PRO E-KIT! CLEM BURKE + DW ALMOND SNARE & MARCH 2019 GRETSCH MICRO KIT REVIEWED NIGHT VERSES’ ARIC IMPROTA FISHBONE’S PHILIP “FISH” FISHER THE ORIGINAL. ONLY BETTER. The 5000AH4 combines an old school chain-and-sprocket drive system and vintage-style footboard with modern functionality. Sought-after DW feel, reliability and playability. The original just got better. www.dwdrums.com PEDALS AND ©2019 Drum Workshop, Inc. All Rights Reserved. HARDWARE 12 Modern Drummer June 2014 LAYER » EXPAND » ENHANCE HYBRID DRUMMING ARTISTS BILLY COBHAM BRENDAN BUCKLEY THOMAS LANG VINNIE COLAIUTA TONY ROYSTER, JR. JIM KELTNER (INDEPENDENT) (SHAKIRA, TEGAN & SARA) (INDEPENDENT) (INDEPENDENT) (INDEPENDENT) (STUDIO LEGEND) CHARLIE BENANTE KEVIN HASKINS MIKE PHILLIPS SAM PRICE RICH REDMOND KAZ RODRIGUEZ (ANTHRAX) (POPTONE, BAUHAUS) (JANELLE MONÁE) (LOVELYTHEBAND) (JASON ALDEAN) (JOSH GROBAN) DIRK VERBEUREN BEN BARTER MATT JOHNSON ASHTON IRWIN CHAD WACKERMAN JIM RILEY (MEGADETH) (LORDE) (ST. VINCENT) (5 SECONDS OF SUMMER) (FRANK ZAPPA, JAMES TAYLOR) (RASCAL FLATTS) PICTURED HYBRID PRODUCTS (L TO R): SPD-30 OCTAPAD, TM-6 PRO TRIGGER MODULE, SPD::ONE KICK, SPD::ONE ELECTRO, BT-1 BAR TRIGGER PAD, RT-30HR DUAL TRIGGER, RT-30H SINGLE TRIGGER (X3), RT-30K KICK TRIGGER, KT-10 KICK PEDAL TRIGGER, PDX-8 TRIGGER PAD (X2), SPD-SX-SE SAMPLING PAD Visit Roland.com for more info about Hybrid Drumming. Less is More Built for the gigging drummer, the sturdy aluminum construction is up to 34% lighter than conventional hardware packs.
    [Show full text]
  • Randy Travis Greatest Hits Volume Two Mp3, Flac, Wma
    Randy Travis Greatest Hits Volume Two mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Folk, World, & Country Album: Greatest Hits Volume Two Country: Canada Released: 1992 Style: Country MP3 version RAR size: 1230 mb FLAC version RAR size: 1735 mb WMA version RAR size: 1456 mb Rating: 4.3 Votes: 362 Other Formats: MP3 WMA MMF AAC MP1 MOD AHX Tracklist Hide Credits Look Heart, No Hands A1 Written-By – Russell Smith , Trey Bruce Forever And Ever, Amen A2 Written-By – Don Schlitz, Paul Overstreet No Place Like Home A3 Written-By – Paul Overstreet Is It Still Over? A4 Written-By – Ken Bell , Larry Henley He Walked On Water A5 Written-By – Allen Shamblin Take Another Swing At Me B1 Written-By – Paul Craft Promises B2 Written-By – John Lindley, Randy Travis Diggin' Up Bones B3 Written-By – Al Gore, Paul Overstreet I Won't Need You Anymore (Always And Forever) B4 Written-By – Max D. Barnes, Troy Seals It's Just A Matter Of Time B5 Written-By – Belford Hendricks, Brook Benton, Clyde Otis Companies, etc. Phonographic Copyright (p) – WEA International Inc. Copyright (c) – WEA International Inc. Record Company – Columbia House – 754564C Distributed By – Columbia House Credits Producer – Kyle Lehning (tracks: A1-B4), Richard Perry (tracks: B5) Notes © 1992 Warner Bros. Records Inc. for the U.S. and WEA International Inc. for the world outside of the U.S. ℗ 1986, 1987, 1988, 1989, 1992 Warner Bros. Records Inc. for the U.S. and WEA International Inc. for the world outside of the U.S. Has fewer tracks than CD. Other versions Category Artist Title (Format) Label Category Country Year Randy Greatest Hits Volume Warner Bros.
    [Show full text]
  • Lulu New Routes Mp3, Flac, Wma
    Lulu New Routes mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock / Funk / Soul / Pop Album: New Routes Country: US Released: 1970 Style: Pop Rock, Soul MP3 version RAR size: 1272 mb FLAC version RAR size: 1392 mb WMA version RAR size: 1358 mb Rating: 4.7 Votes: 685 Other Formats: MIDI RA XM MPC AIFF MP1 AUD Tracklist Hide Credits Marley Purt Drive A1 3:21 Written-By – Barry, Robin & Maurice Gibb* In The Morning A2 3:30 Written-By – Barry Gibb People In Love A3 2:42 Written-By – Eddie Hinton, Grady Smith After All (I Live My Life) A4 3:12 Written-By – Frank Miller, Jim Doris Feelin' Alright A5 3:04 Written-By – Dave Mason Dirty Old Man B1 2:18 Written-By – Delaney Bramlett, Mac Davis Oh Me Oh My (I'm A Fool For You Baby) B2 2:45 Written-By – Jim Doris Is That You Love B3 2:40 Written-By – Jackie Avery, John Farris Mr. Bojangles B4 3:06 Written-By – Jerry Jeff Walker Where's Eddie B5 3:01 Written-By – Donnie Fritts, Eddie Hinton Sweep Around Your Own Back Door B6 2:40 Written-By – Fran Robins Companies, etc. Record Company – Atlantic Recording Corporation Manufactured By – Atlantic Recording Corporation Recorded At – Muscle Shoals Sound Studios Copyright (c) – Atlantic Recording Corporation Published By – Casserole Published By – Bramsdene Published By – Ruler Published By – Nootrac Published By – Irving Published By – Metric Published By – Redwal Published By – Cotillion Music Published By – Danel Music Published By – Blackwood Mastered At – Atlantic Studios Credits Bass – David Hood Design [Album] – Haig Adishian Drums – Roger Hawkins Engineer – Jimmy Johnson , Marlin Greene Guitar – Cornell Dupree, Duane Allman, Eddie Hinton, Jimmy Johnson Keyboards – Barry Beckett Lacquer Cut By – aB* Photography By – Stephen Paley Producer – Arif Mardin, Jerry Wexler, Tom Dowd Notes (C) 1970 Atlantic Recording Corporation Printed in U.S.A.
    [Show full text]
  • THE INTERNATIONAL MAGAZINE of the AVEDIS ZILDJIAN COMPANY Welcome To
    ZL326 THE INTERNATIONAL MAGAZINE OF THE AVEDIS ZILDJIAN COMPANY welcome to Z Time2011 edition issue 33 2011 Z Time Page two News & Events Page six Greatest Cymbal of All Time Page ten Legends Page fourteen Gen 16 Craigie Zildjian Page sixteen On the Road Page twenty Moving Forward Product Info Intro There are so many exciting new things going on here at Zildjian that I couldn’t wait to share this year’s Z-Time with you. 2011 represents our breakthrough into the digital Page twenty-one music making realm. Our new Gen16 product line is the result of our effort to bring our Cast Cymbals knowledge of cymbals and their sounds to the modern digital environment. You can learn more about this initiative on pages 14 and 15 or at our new website www.zildjian.com. Page fifty-five Sheet Cymbals Whether your music making is acoustic, digital, or both, our desire is to be there no matter where your music takes you. I sincerely hope you enjoy the journey. Page sixty-one Drumsticks Best regards, Page sixty-five Gear Page sixty-eight Scrapbook Craigie & Debbie Zildjian Contributing photographers: Sayre Berman Hadas Naoju Nakamura John Stephens cover artist: Volker Beushausen Heinz Kronberger Kacper Diana Nitschke Levi Tecofsky Dominic Howard - Joris Bulckens Kaminski Jimmy Katz Mario Pires Melissa Terry Muse Tina Korhonen Bernard Rosenberg Andreas Ulvo James Cumpsty photo: Calum Doris Scott Legato Tao Ruspoli JonVanDaal Richard Ecclestone Robert Downs Hyejin, Lee Bianca Scharroo Neil Zlozower Sergey Dudin H.J Lee Ronny Sequeira Ludwig Drums graphic designer: M.v.d.
    [Show full text]
  • Scorpions Wolf Parade Lady Gaga
    Music.Gear.Style. No.31 August 2010 Scorpions Sonus Faber Wolf Parade Sneak Peek The Lady GaGa Beer Snob Returns A Private Session with A&E’s Lynn Hoffman Mellencam Toronto’s Costello Hockey Museum Maiden B&W 805D BestCoast Si m 75 0 More Gear! Wavves More Music! Stereotypes Sound City Audio Classics Shelley’s Stereo Audio Vision S F Daytona Beach, FL 32114 Denville, NJ 07834 Vestal, NY 13850 Hi Fi Center San Francisco, CA 94109 386-253-7093 973-627-0083 607-766-3501 Woodland Hills, CA 91367 415-641-1118 818-716-8500 Sound Components The Sound Concept Home Theater Concepts Audio FX Coral Gables, FL 33146 Bedford Hills, NY 10507 Morton, IL 61550 DSS- Dynamic Sacramento, CA 95825 305-665-4299 914-244-0900 309-266-6640 Sound Systems 916-929-2100 Carlsbad, CA 92088 Audio Advisors Sound Image Audio and Global Sight & Sound 760-723-2535 Media Enviroments West Palm Beach, FL 33409 Video Design Group Sussex, WI 53089 San Rafael, CA 94901 561-478-3100 Carrollton, TX 75006 262-820-0600 L & M Home Entertainment 415-456-1681 972-503-4434 Tempe, AZ 85285 Independence Audio Freeman’s Stereo 480-403-0011 Pro Home Systems Independence, MO 64055 Advanced Home Charlotte, NC 28216 Oakland, CA 94609 816-252-9782 Theater Systems 704-398-1822 Joseph Cali Systems Design 510-653-4300 3800 Watts. Plano, TX 75075 Santa Monica, CA 90404 Definitive Audio 972-516-1849 Hi Fi Buys 310-453-3297 Overture Bellevue, WA 98005 Nashville, TN 37211 Winnington, DE 19803 360 lbs.
    [Show full text]