Firehouse Jig
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized. -
Ithaca College Concert Band Ithaca College Concert Band
Ithaca College Digital Commons @ IC All Concert & Recital Programs Concert & Recital Programs 4-14-2016 Concert: Ithaca College Concert Band Ithaca College Concert Band Jason M. Silveira Justin Cusick Follow this and additional works at: http://digitalcommons.ithaca.edu/music_programs Part of the Music Commons Recommended Citation Ithaca College Concert Band; Silveira, Jason M.; and Cusick, Justin, "Concert: Ithaca College Concert Band" (2016). All Concert & Recital Programs. 1779. http://digitalcommons.ithaca.edu/music_programs/1779 This Program is brought to you for free and open access by the Concert & Recital Programs at Digital Commons @ IC. It has been accepted for inclusion in All Concert & Recital Programs by an authorized administrator of Digital Commons @ IC. Ithaca College Concert Band "Road Trip!" Jason M. Silveira, conductor Justin Cusick, graduate conductor Ford Hall Thursday, April 14th, 2016 8:15 pm Program New England Tritych (1957) William Schuman I. Be Glad Then, America (1910–1992) II. When Jesus Wept 17' III. Chester More Old Wine in New Bottles (1977) Gordon Jacob I. Down among the Dead Men (1895–1984) II. The Oak and the Ash 11' III. The Lincolnshire Poacher IV. Joan to the Maypole Justin Cusick, graduate conductor Intermission Four Cornish Dances (1966/1975) Malcolm Arnold I. Vivace arr. Thad Marciniak II. Andantino (1921–2006) III. Con moto e sempre senza parodia 10' IV. Allegro ma non troppo Homecoming (2008) Alex Shapiro (b. 1962) 7' The Klaxon (1929/1984) Henry Fillmore arr. Frederick Fennell (1881–1956) 3' Jason M. Silveira is assistant professor of music education at Ithaca College. He received his Bachelor of Music and Master of Music degrees in music education from Ithaca College, and his Ph. -
College of Piping and Drumming Bass & Tenor Drum Booklet 1
Royal New Zealand Pipe Bands’ Association EDUCATION GROUP College of Piping and Drumming Bass & Tenor Drum Curriculum and Guidelines December 1999 Booklet 1 Intermediate & Advanced INTERMEDIATE CERTIFICATE BASS AND TENOR DRUMMING SYLLABUS SECTION ONE -THEORYAND KNOWLEDGE (a) Requirements for Preliminary and Elementary Theory. (b) Understand the use of (i) accent and (ii) rhythm. (c) Understand (i) tempo and (ii) time. (d) Recognise time signatures of tunes played by the examiner which may include;2 4 (e) march, 2 4 hornpipe, 4 4 march, 4 4 strathspey, 3 4 march, 2 2 reel, 6 8 march, 6 8 jig. (e) Identify written up beats and down beats. (f) Present three tunes (of four parts each) written correctly by the candidate, in 2/4 march 4/4 strathspey 2/2 reel time signatures respectively, which incorporate the embellishments and groups of the Preliminary, Elementary and Intermediate Certificates. In addition present a 6 8, 9 8, or 12 8 march (also of four parts, and also written out by the candidate). SECTION TWO -PRACTICAL (a) Correctly play exercises on a hard surface. The candidate will be asked to perform one of the two intermediate exercise sheets chosen by the examiner from Bass & Tenor Drumming Booklet 3 (Intermediate Certificate). (b) Demonstrate how to tune a bass drum. (c) Play by memory the 68' 98, or 128 march, and the march strathspey and reel presented above (on the drum). OPTIONAL SECTION THREE -FLOURISHING (a) Swing notation to be understood and performed: - alternate figure 3 - forward cartwheel - forward cartwheel with flicks - figure of 8 - double forte variation (b) Correctly play exercises on a hard surface. -
When I Look Into Your Eyes Firehouse Free Download
When i look into your eyes firehouse free download LINK TO DOWNLOAD Check out When I Look Into Your Eyes by Firehouse on Amazon Music. Stream ad-free or purchase CD's and MP3s now on renuzap.podarokideal.ru(17). Free guitar backing track for When I Look Into Your Eyes by FireHouse in MP3 format. Download it for free. Firehouse When I Look Into Your Eyes sheet music arranged for Piano, Vocal & Guitar (Right-Hand Melody) and includes 7 page(s). The style of the score is Love. Catalog SKU number of the notation is The arrangement code for the composition is PVGRHM. Minimum required Reviews: 1. Print and download When I Look Into Your Eyes sheet music by Firehouse. Sheet music arranged for Piano/Vocal/Guitar in F Major (transposable). SKU: MNInstruments: Voice, range: C4-C#6, Piano, Guitar. Lyrics. Firehouse I see forever when I look in your eyes You're all I ever wanted I always want you to be mine Let's make a promise till the end of time We'll always be together And our love will never die So here we are face to face And heart to heart I want you to know we will Never be apart Now I believe that wishes can come true 'Cause I see my whole world I see only you When I look into. When I look into your eyes I can see how much I love you And it makes me realize When I look into your eyes I see all my dreams come true When I look into your eyes I've looked for you all of my life Now that I've found you We will never say good-bye Can't stop this feelin' And there's nothing I can do 'Cause I see everything When I look at you. -
Thesis- Pedagogical Concepts for Marching Percussion
PEDAGOGICAL CONCEPTS 1 Running head: PEDAGOGICAL CONCEPTS PEDAGOGICAL CONCEPTS FOR MARCHING PERCUSSION SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF MUSIC EDUCATION: STUDIO PEDAGOGY EMPHASIS THOMAS JOHN FORD UNIVERSITY OF WISCONSIN-STEVENS POINT MAY, 2019 PEDAGOGICAL CONCEPTS 2 Abstract This document serves as a guide for recent music education graduates who are put in the position of having to teach marching percussion to students who have joined the marching band, specifically in the drumline. To have a well-rounded understanding of the drumline, teachers will need to know the instruments of the drumline, and the associated sticks and mallets. This document also discusses pedagogical concepts for all of the instruments, including playing techniques required to achieve a balanced sound throughout the ensemble, and how to properly care for marching percussion equipment. Keywords: marching percussion, drumline, battery, snare drums, tenor drums, bass drums, crash cymbals PEDAGOGICAL CONCEPTS 3 Table of Contents Abstract 2 Acknowledgements 5 List of Figures 8 Introduction 9 Chapter I: Marching Percussion Equipment 12 Snare Drums 12 Tenor Drums 14 Bass Drums 16 Crash Cymbals 17 Other Equipment 18 Chapter II: Pedagogical Concepts for Marching Percussion 21 Posture 21 Playing Positions 21 Grips and General Playing Techniques 25 Stroke Types and Dynamics 31 The Exercise and Technical Development Program 32 Timing Strategies 37 Chapter III: Marching Percussion Care and Maintenance 39 Changing and Replacing Heads 39 Repairing Broken and Loose Drum Equipment 40 Cymbal Straps 42 Cleaning and Storing Equipment 43 PEDAGOGICAL CONCEPTS 4 Conclusion 45 References 46 Appendix A 49 PEDAGOGICAL CONCEPTS 5 ACKNOWLEDGEMENTS There are so many people who I want and am obligated to thank for helping me in this whole process of graduate school and writing my thesis. -
Recognizing and Combating Firefighter Stress by P.J
Continuing Education Course Recognizing and Combating Firefighter Stress BY P.J. NORWOOD AND JAMES RASCATI TRAINING THE FIRE SERVICE FOR 136 YEARS To earn continuing education credits, you must successfully complete the course examination. The cost for this CE exam is $25.00. For group rates, call (973) 251-5055. Recognizing and Combating Firefighter Stress Educational Objectives On completion of this course, students will 1) Learn why Firefighter Stress and Post Traumatic Stress Disor- 3) Understand the key part of stress’s multiple definition. der (PTSD) has been a taboo topic in the fire service. 4) Learn the warning signs of stress. 2) Discover how stressful the firefighting profession is on fire- fighters. BY P.J. NORWOOD percent for PTSD in the fire service is well above the national AND JAMES RASCATI average for adults, which is 6.8 percent. It is well established that firefighters are impacted by critical incident stress.A lso, VER THE PAST FEW YEARS, THERE HAS BEEN a suicides within the fire service community continue to escalate positive trend in firefighter training; firefighter aware- at an alarming rate. O ness; and instructors’ writing, teaching, and preach- Alcohol abuse has been and continues to be an issue for ing toward firefighter fitness. It is a topic that had been taboo both career and volunteer firefighters. It is estimated that the for many years in the fire service. Many firefighters across the alcohol abuse disorder rate is seven to nine percent for adult country are focusing on their level of fitness, and many depart- Americans and anywhere from 25 to 30 percent for firefight- ments have put mechanisms and programs in place that encour- ers.1 Alcohol abuse has been a culturally accepted way to deal age weight loss and increased physical fitness. -
The Love of a Lifetime Pdf, Epub, Ebook
THE LOVE OF A LIFETIME PDF, EPUB, EBOOK Melissa Hill | 384 pages | 06 Oct 2016 | Simon & Schuster Ltd | 9781471127656 | English | London, United Kingdom The Love of a Lifetime PDF Book I guess the time was right for us to say, We'd take our time and live our lives together day by day. Yes No. It was the band's third single and its highest charting single in the United States, peaking at No. FireHouse Lyrics provided by SongLyrics. Oughta Be A Law. The song was written by vocalist C. Overnight Sensation live. All She Wrote. It is also the band's first and most popular power ballad. David Prater Bruce Dickinsom. Forever in my heart, I finally found a love of a lifetime. Hidden categories: Pages using infobox song with unknown parameters Articles with hAudio microformats. Sign In Register. Metaphysical Services. George Fearon. Cancel Report. Overnight Sensation. In a interview, Snare commented "now I have the benefit of time to look back over this and there isn't a show that goes by where people don't come up to us and are like "'Love of a Lifetime' - we got married to that song! We follow the teachings from A Course in Miracles and metaphysical concepts to create a life true to your purpose. A love to last my whole life through. We also offer Transformational Life and Relationship Coaching to individuals and couples. Love of a Lifetime Extremely Acoustic version. We know our dreams can all come true if loving we can share. All She Wrote 2. Don't Treat Me Bad. -
Rockfest 80'S Returns for Year Three!
Contact: Roy Anthony Rockfest Concerts, LLC. [email protected] Rockfest 80’s Returns For Year Three! Brand New Venue And The Ultimate Line Up To Date, Bringing The Best 80’s Music Festival In The Country. One “Rockin” Veterans Day Weekend ----- 16 Rock Icons Will Grace The Stage (Miramar, FL – July 2018) – Get ready for round three, with the most ultimate line-up set to ignite South Florida this fall for the third Annual Rockfest 80’s festival event. The epic two-day event is coming to Miramar Amphitheater, Saturday November 10th & Sunday November 11th, 2018 – Doors open noon to 10:30pm each day. Tickets are on-sale: http://www.rockfest80s.com This year’s spectacular lineup features: Vince Neil, Ace Frehley, Cinderella’s Tom Keifer, Night Ranger, Sebastian Bach, KIX, Winger, Mr Big’s Eric Martin, Trixter, Firehouse, Steelheart, Nelson, Zebra and Kickin Valentina. Paying homage to South Florida’s local music scene, Rockfest 80’s always brings the best of the best. The local band scene joining the line-up thus far: Stellar Revival and Big Rock Band. Miramar Amphitheater (Home to Rockfest 80's) located in Miramar, FL. is the center piece of the Miramar Regional Park. The completion of the Miramar Amphitheater came in spring of 2017 with a July 4th grand opening. This State of the Art Amphitheater is the only Amphitheater in South Florida with a canopy covering its 3,000 luxury seats, flanked by a general admission lawn that holds an additional 2,000 people. Being one of Broward County’s premier parks and extremely popular serving Miramar, Pembroke Pines, Hollywood and both Ft Lauderdale and Miami. -
Acknowledgments
ACKNOWLEDGMENTS I would like to acknowledge and express my sincerest thanks to the many people without whom the completion ofthis document would have been impossible: My wife, Amy, whose patience, support, and encouragement was unending, and whose proofreading, word processing, and taping skills were invaluable. My children, Charlie, Will, and Mary Emma, for willingly giving up many, many hours of "quality time" with their dad, which rightfully belonged to them. Professor Richard Blatti of The Ohio State University for his priceless knowledge of the wind-band repertoire, and for the guidance, suggestions, and time (of which he has very little) he was willing to give me and this project. Dr. James L. Moore, for his kindness, support, and willingness to proofread parts of this document, and for donating valuable materials from his own research which concerned this topic. Dr. A Peter Costanza, for his willingness to proofread parts of this document during a time in which he could have devoted all available time and energy into overseeing the 1995 OMEA State Convention. Craig Young, for the many times he helped me find what I needed in the OSU Band Music Library. Professor H. Robert Reynolds of the University of Michigan, for making that university's band music library available to me, and to Ms. Maggie St. Clair and Mr. Bill Kellerman for their wonderful hospitality and professionalism in assisting me while on campus. The many percussionists and conductors who responded to my surveys, submitting valuable suggestions ofpieces which represented the core ofmy research. My father-in-law, Dr. L. R. -
Issue 333 Fall 2004
B.C. PIPERS’ ASSOCIATION NewsletterNewsletter Simon Fraser University Pipe Band 2004 World Drum Corps Champions FALL 2004 ISSUE NO. 333 BC Pipers’ Association Newsletter • Fall 2004 1 B.C. PIPERS’ ASSOCIATION B.C. Pipers’ Association Newsletter FALL 2004 Newsletter ISSUE NO. 333 Robert MacNeil Editor • Bonnie Ridout Design Editor • An Affiliated Association of the Jan Mattock Royal Scottish Pipe Band Association Contributing Editor and Member of the • Alliance of North American Pipe Band Associations Sharon Hampson Advertising • FALL 2004 Melissa Maxwell Cover Design • FEATURES Bob Dunsire World Pipe Band Championships Results ....................................................................... 4 Webmaster BCPA Developmental Grants .......................................................................................... 7 • BCPA 2004 Grand Aggregate Standings ....................................................................... 10 Summer Journal - Piping Hot Summer Drummer ........................................................ .13 International Solo Results ............................................................................................. 15 Newsletter Distribution Promotions List ............................................................................................................. 16 Bill and Sharyn Elder Keith Highlanders Trip to Scotland ............................................................................... 18 • CD Review - 90 Years on the Beat - Vancouver Police Pipe Band ............................. -
SEASON THOMAS ADÈS Overture
2017 2018 SEASON David Robertson, conductor Friday, January 12, 2018 at 10:30AM Augustin Hadelich, violin Saturday, January 13, 2018 at 8:00PM THOMAS ADÈS Powder Her Face Suite (1995/2017 SLSO co-commission) (b. 1971) Overture – Scene with Song – Wedding March – Waltz – Ode – Paperchase – Hotel Manager’s Aria “It is too late” – Finale BRITTEN Violin Concerto, op. 15 (1939) (1913–1976) Moderato con moto – Vivace – Passacaglia: Andante lento (un poco meno mosso) Augustin Hadelich, violin INTERMISSION SHOSTAKOVICH Symphony No. 1 in F minor, op. 10 (1925) (1906–1975) Allegretto; Allegro non troppo Allegro Lento – Lento; Allegro molto 23 ACKNOWLEDGMENTS The 2017/2018 Classical Series is presented by World Wide Technology, The Steward Family Foundation, and Centene Charitable Foundation. These concerts are sponsored by St. Louis College of Pharmacy. The concert of Friday, January 12 is underwritten in part by a generous gift from Renee and Bruce Michelson. The concert of Saturday, January 13 is underwritten in part by a generous gift from Norman and Susan Gilbert. David Robertson is the Beofor Music Director and Conductor. Augustin Hadelich is the Carolyn and Jay Henges Guest Artist. Pre-Concert Conversations are sponsored by Washington University Physicians. 24 NEW VOICES BY BENJAMIN PESETSKY TIMELINKS Thomas Adès, Benjamin Britten, and Dmitri Shostakovich were all under the age of 30 when they wrote the pieces on today’s program. Adès’s 1925 F. Scott Fitzgerald opera, Powder Her Face, and Shostakovich’s publishes The Great Gatsby. Symphony No. 1 launched their composers to fame, receiving international performances soon 1939 Marian Anderson after their premieres. -
THE FIREHOUSE SCENE • Congratulations to Capt
Station Gossip By Sheryl Drost • Our 75th History Book is on sale at Station One for $54. Please stop by and get your copy! THE FIREHOUSE SCENE • Congratulations to Capt. Mike Huffman’s girlfriend, Peggy is a publication of the Ann Davenport, on receiving the fourth annual Crusader Clinic Community Advocate Award! Harlem-Roscoe Fire Protection District • Glad to hear Firefighter Shannon Burbach’s son Logan is healing well after his double knee surgery. He recently had three plates with six screws put in - two on right and one on the left. Seems Logan is is growing too fast and his knees February 2015 Chief Don Shoevlin Editor Sheryl Drost cave in, causing the need for the surgery. He already stands 6’4” now at age 14. Logan won’t let them take pictures, but mom got a shot from behind at Target riding the scooter! How cold is it? Just ask Colleen! Love you Logan! Car Fire Page 3 Firefighter Caught up in Multi-car Pileup Photos by John Donovan HRFD Firefighter John Donovan, along with his wife and son, were caught up in the fiery multi-vehicle pileup on snowy roads on Interstate 94 near Battle Creek, Michigan. The pileup was in both directions on Jan.9, killing at least one person and injuring a number of others. Michigan State Police now say 193 vehicles were involved, including dozens of semi-trucks. John said they were traveling home in his pickup with his daughters behind him in a car. They were returning from his mother-in-law’s funeral in Michigan and they feel she may have been their guardian angel because his daughter missed the turnoff to I-94 and luckily her little car was no longer behind them when John came upon the accident.