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Code-Switching in Contemporary Nigerian Hip
University of Ghana http://ugspace.ug.edu.gh CODE-SWITCHING IN CONTEMPORARY NIGERIAN HIP HOP SONGS BY KUPONIYI ADERIYIKE OREOLUWA (10361991) THIS DISSERTATION IS SUBMITTED TO THE UNIVERSITY OF GHANA, LEGON, IN PARTIAL FULFILLMENT OF THE REQUIREMENT FOR THE AWARD OF M.A ENGLISH DEGREE. JULY 2013 University of Ghana http://ugspace.ug.edu.gh DECLARATION I, Kuponiyi Aderiyike Oreoluwa, do hereby declare that apart from the acknowledged references cited, this work is the result of my own research. It has neither been partly nor wholly submitted for the award of another degree elsewhere. CANDIDATE ……………………………… DATE………………………… KUPONIYI, ADERIYIKE OREOLUWA SUPERVISOR……………………………. DATE…………………………... PROFESSOR A.B.K. DADZIE SUPERVISOR……………………………... DATE……………………………. PROFESSOR KARI DAKO i University of Ghana http://ugspace.ug.edu.gh DEDICATION This work is dedicated to my late Mother, Mrs Olajide Ilori-Kuponiyi. ii University of Ghana http://ugspace.ug.edu.gh ACKNOWLEDGEMENTS I give all the glory to God Almighty. My sincere gratitude goes to my father, Professor F.A. Kuponiyi for his total and unwavering support. Thank you to all my siblings, for their love, support and prayers. Special appreciations go to my supervisor, Professor A. B. K Dadzie for his help, advice and guidance and also to Professor Kari Dako. Again I say thank you to Mr Kenneth Igiri for his prompt response each time I call on him for help and for making my first few months in Ghana comfortable and remarkable. Also I thank everyone that has in one way or the other contributed to the achievement of this work. God bless you all. iii University of Ghana http://ugspace.ug.edu.gh ABSTRACT Most Nigerian hip hop artistes use a combination of English and one or more local language(s) in writing the lyrics of their songs. -
Proceedings, the 50Th Annual Meeting, 1974
proceedings of tl^e ai^i^iVepsapy EQeetiiig national association of schools of music NUMBER 63 MARCH 1975 NATIONAL ASSOCIATION OF SCHOOLS OF MUSIC PROCEEDINGS OF THE 50 th ANNIVERSARY MEETING HOUSTON, TEXAS 1974 Published by the National Association of Schools of Music 11250 Roger Bacon Drive, No. 5 Reston, Virginia 22090 LIBRARY OF CONGRESS CATALOGUE NUMBER 58-38291 COPYRIGHT ® 1975 NATIONAL ASSOCIATION OF SCHOOLS OF MUSIC 11250 ROGER BACON DRIVE, NO. 5, RESTON, VA. 22090 All rights reserved including the right to reproduce this book or parts thereof in any form. CONTENTS Officers of the Association 1975 iv Commissions 1 National Office 1 Photographs 2-8 Minutes of the Plenary Sessions 9-18 Report of the Community/Junior College Commission Nelson Adams 18 Report of the Commission on Undergraduate Studies J. Dayton Smith 19-20 Report of the Commission on Graduate Studies Himie Voxman 21 Composite List of Institutions Approved November 1974 .... 22 Report of the Library Committee Michael Winesanker 23-24 Report of the Vice President Warner Imig 25-29 Report of the President Everett Timm 30-32 Regional Meeting Reports 32-36 Addresses to the General Session Welcoming Address Vance Brand 37-41 "Some Free Advice to Students and Teachers" Paul Hume 42-46 "Teaching in Hard Times" Kenneth Eble 47-56 "The Arts and the Campus" WillardL. Boyd 57-62 Papers Presented at Regional Meetings "Esthetic Education: Dialogue about the Musical Experience" Robert M. Trotter 63-65 "Aflfirmative Action Today" Norma F. Schneider 66-71 "Affirmative Action" Kenneth -
By Jennifer M. Fogel a Dissertation Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy
A MODERN FAMILY: THE PERFORMANCE OF “FAMILY” AND FAMILIALISM IN CONTEMPORARY TELEVISION SERIES by Jennifer M. Fogel A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Communication) in The University of Michigan 2012 Doctoral Committee: Associate Professor Amanda D. Lotz, Chair Professor Susan J. Douglas Professor Regina Morantz-Sanchez Associate Professor Bambi L. Haggins, Arizona State University © Jennifer M. Fogel 2012 ACKNOWLEDGEMENTS I owe my deepest gratitude to the members of my dissertation committee – Dr. Susan J. Douglas, Dr. Bambi L. Haggins, and Dr. Regina Morantz-Sanchez, who each contributed their time, expertise, encouragement, and comments throughout this entire process. These women who have mentored and guided me for a number of years have my utmost respect for the work they continue to contribute to our field. I owe my deepest gratitude to my advisor Dr. Amanda D. Lotz, who patiently refused to accept anything but my best work, motivated me to be a better teacher and academic, praised my successes, and will forever remain a friend and mentor. Without her constructive criticism, brainstorming sessions, and matching appreciation for good television, I would have been lost to the wolves of academia. One does not make a journey like this alone, and it would be remiss of me not to express my humble thanks to my parents and sister, without whom seven long and lonely years would not have passed by so quickly. They were both my inspiration and staunchest supporters. Without their tireless encouragement, laughter, and nurturing this dissertation would not have been possible. -
Foregrounding Female Agency in the Dance Culture of Nigeria
WHAT I DO WHEN I DANCE: FOREGROUNDING FEMALE AGENCY IN THE DANCE CULTURE OF NIGERIA Oladoyin Abiona A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS August 2021 Committee: Angela Nelson, Advisor Jeremy Wallach Rahdika Gajjala © 2021 Oladoyin Abiona All Rights Reserved iii ABSTRACT Angela Nelson, Advisor Scholarship on female representations in hip hop has been predominantly premised on the sexualization of the female body. By focusing mainly on this singular aspect of the genre, we reduce the whole essence of womanhood in the industry to such interpretations. The limited scope of such discussions deprives the women of opportunities to tell their own stories of what they do when they dance. Seeing the cultural significance of dance as a form of popular culture in the Nigerian context, this essay, from a feminist perspective, closes this gap by engaging in a qualitative exploration of the lives of three female dancers in Nigeria telling their stories through dance. They are Kaffayat Oluwatoyin Shafau (Kaffy), Odumewu Debbie (Debbiepinkie), and Usiwo Orezinena Jane (Janemena). Exploring their social media archives, interviews granted to TV stations and a published autobiography “Alajoota” by Kaffy, this essay contextualizes and complicates the interpretations of sexualization in the Nigerian hip hop dance industry. Through dance Nigerian women performers are able to negotiate the heavily male-dominated hip hop scene. For them, dance is a coping strategy, a profession, a space for redefining self and embracing sexuality and femininity, and a form of youthful identity and inclusion. -
• Ws/Story?Id=6456834&Page=1 WHAT IS SEXTING?
• http://abcnews.go.com/Technology/WorldNe ws/story?id=6456834&page=1 WHAT IS SEXTING? • The newly minted word for sending or posting nude or semi-nude photos or videos WHY ARE KIDS SEXTING? • 82.2% said to get attention • 66.3% said to be “cool” • • 59.4% said to be like the popular girls • 54.8% said to find a boyfriend WHY ARE KIDS SEXTING? • Peer pressure ( 52%-Boys) (23%-Friend) • Revenge after a breakup • Blackmail • Flirting • Impulsive behavior • Special present • Joke • Think it will remain private What Did the World Do Before Cell Phones and Texting? • You got your stuff done on time. • Kids talked to their parents in person. • We used quarters at pay telephones. • Parents owned cameras that took photos. • People used complete words, not BFF, LOL, OMG, or . • Wrote personal letters and mailed them with a licked stamp. • IM had an apostrophe (I’m). • 1 out of 5 teens have sent nude or semi nude pictures or videos of themselves • 40% of teens have had a sexually suggestive message shown to them • 71% of teen girls and 67% of teen guys who have sent sexually suggestive content say they have sent this to a boyfriend/girlfriend • 44% of teens say it is common for these messages to get shared with people other than the intended recipient Why do teens send these messages? • Pressure from guys • Pressure from friends • As a joke • “Fun or flirtatious” • “Feel sexy” or as a “sexy present” • To bully or harass • To get attention Potential Consequences • Future employment and college admission may be jeopardized • Relationship problems • Mental health issues/Suicide • Violate school rules • Legal issues • http://www.thatsnotcool.com/TVSpot.aspx THE LAW • The legal system is lagging behind technological advances. -
15-12-05 Davis Lewczak
CorporateThe Metropolitan Counsel® www.metrocorpcounsel.com Volume 15, No. 12 © 2007 The Metropolitan Corporate Counsel, Inc. December 2007 Advertising, Marketing And Promotions Law Year In Review Joseph Lewczak, Apprentice, Deal or No Deal, and American Privacy/Data Protection Allison Fitzpatrick and Idol were the subjects of class action law- Privacy concerns and internet predators suits this year. In February, a class charged continued to capture headlines in 2007 with Matthew Smith The Apprentice with running an illegal gam- the widespread dissemination of racy pic- bling scheme for its “Get Rich With Trump” tures of Miss New Jersey, Amy Polumbo, DAVIS & GILBERT LLP sweepstakes because viewers who entered taken from her Facebook profile, and by the text message method of entry were Antonella Barba, the American Idol contes- The year came in with a scare – but for- charged a 99 cent premium fee by their cel- tant, whose chances of winning the contest tunately not a bang – when Boston police lular providers. The suit alleged that the were sabotaged by explicit photos of her arrested two men in connection with a sus- sweepstakes was an illegal lottery even posted on MySpace. picious device alert that turned out to be a though viewers could participate for free In the “Hey, you’re not in my entourage” guerilla marketing ploy for a late night cable online. While this lawsuit was dismissed category, Attorneys General nationwide cartoon. Turner Broadcasting, the parent without prejudice, the very same attorneys commenced an investigation into the use of social networking web sites, including company of the Cartoon Network, said the filed class action lawsuits against NBC Uni- MySpace and Facebook, by sexual predators devices were part of a promotion for the TV versal for the sweepstakes broadcast during to contact children. -
Ntertainment [email protected] U M B E R Ja C K Page 9 Mar
C on tact Us: Jennifer Rae Palmer A&E Editor 523-4921 ntertainment [email protected] u m b e r ja c k Page 9 Mar. 29 - Apr. 4, 2007 www. JackCent ral .com Teahouse thrives off unique entertainment Idols get nude I would love to sit here and say everyone should be careful when taking scan dalous photographs ot themselves. I really would. I wish I could describe, for paragraphs on end, the dangers of doing soft-core porn or even taking off your clothes for a small role in a movie no one will ever see. I wish I could. But wouldn’t you know it, I just can’t. Ab solutely cannot do it. Not in my right mind. Nope. Not gonna happen. If you’ve been watch ing “American Idol” - and you have, because the damn thing is still on the air - you would have noticed the insanely good-looking Antonella Barba. Perhaps some drool may have even escaped your lips because of the insanely good-look Marcus baoim/Tne LumoerjacK ing Antonella Barba. While not necessarily the most KATIE WIRSING OF Denver performs last Saturday night during the Treetop Southwest Regional Poetry Slam at Applesauce Teahouse. The teahouse talented of the bunch (her hosts a variety of events that range from dance classes and movies to open mic nights on Mondays. rendition of Celine Dion’s “Because You Loved Me” left M IKE REISINGER nights and provides a venue for to the bar. They smell it, they enjoyed her second time at the ing soon. -
Performing Arts Annual 1987. INSTITUTION Library of Congress, Washington, D.C
DOCUMENT RESUME ED 301 906 C3 506 492 AUTHOR Newsom, Iris, Ed. TITLE Performing Arts Annual 1987. INSTITUTION Library of Congress, Washington, D.C. REPORT NO ISBN-0-8444-0570-1; ISBN-0887-8234 PUB DATE 87 NOTE 189p. AVAILABLE FROMSuperintendent of Documents, U.S. Government Printing Office, Washington, DC 20402 (Ztock No. 030-001-00120-2, $21.00). PUB TYPE Collected Works - General (020) EDRS PRICE MF01/PC08 Plus Postage. DESCRIPTORS Cultural Activities; *Dance; *Film Industry; *Films; Music; *Television; *Theater Arts IDENTIFIERS *Library of Congress; *Screenwriters ABSTRACT Liberally illustrated with photographs and drawings, this book is comprised of articles on the history of the performing arts at the Library of Congress. The articles, listed with their authors, are (1) "Stranger in Paradise: The Writer in Hollywood" (Virginia M. Clark); (2) "Live Television Is Alive and Well at the Library of Congress" (Robert Saudek); (3) "Color and Music and Movement: The Federal Theatre Project Lives on in the Pages of Its Production Bulletins" (Ruth B. Kerns);(4) "A Gift of Love through Music: The Legacy of Elizabeth Sprague Coolidge" (Elise K. Kirk); (5) "Ballet for Martha: The Commissioning of 'Appalachian Spring" (Wayne D. Shirley); (6) "With Villa North of the Border--On Location" (Aurelio de los Reyes); and (7) "All the Presidents' Movies" (Karen Jaehne). Performances at the library during the 1986-87season, research facilities, and performing arts publications of the library are also covered. (MS) * Reproductions supplied by EDRS are the best that can be made * from the original document. 1 U $ DEPARTMENT OP EDUCATION Office of Educational Research and Improvement 411.111.... -
Digital Fact Pack, Is Full of Fascinating Numbers
DIGITAL MARKETING & MEDIA FACT PACK IN ASSOCIATION WITH Published April 23, 2007 © Copyright 2007 Crain Communications Inc. Digital Marketing & Media | Advertising Age | 3 30+ billion ads per month - 200+ million unique users - 7,000+ premium web sites Your audience is on our network DIGITAL MARKETING AND MEDIA DATA ON THE DIGITAL WORLD LET’SFACEIT. It’s becoming critical to stay atop the digital media and marketing space, but the pace of technological change is making it increasingly difficult. That’s why we’ve again pulled together the important data and trends to serve as a guide to marketing in this space. This, our second annual Digital Fact Pack, is full of fascinating numbers. Some highlights: Big players continue to dominate online advertising, thanks to both their audience scale and their ability to re-aggregate smaller, disparate audiences. The top 10 online properties took in 99% of 2006 gross online ad revenue. Net online ad revenue is a slightly less stilt- ed story, but continues to illustrate that when it comes to online ad revenue, the Long Tail of the web has a big, fat head (Page 11). 48.3% of Americans will be hooked up to a broadband connection this year and $243.1 billion will be spent in U.S. online retail sales. After breaking onto the scene a few years ago, social networking is flourishing. MySpace and Facebook continue to defy gravity, growing 72.5% and 59.2% (Feb. ‘07 versus Feb. ‘06), You need a network that can keep respectively, and, depending on what surveys you use, advertisers are set to spend between up with your audience online. -
Gender Performance in American Idol, Pop Idol and the X Factor DELLER, Ruth A
Gender performance in American Idol, Pop Idol and The X Factor DELLER, Ruth A. <http://orcid.org/0000-0003-4935-980X> Available from Sheffield Hallam University Research Archive (SHURA) at: http://shura.shu.ac.uk/5653/ This document is the author deposited version. You are advised to consult the publisher's version if you wish to cite from it. Published version DELLER, Ruth A. (2012). Gender performance in American Idol, Pop Idol and The X Factor. In: ZWAAN, Koos and DE BRUIN, Joost, (eds.) Adapting idols: authenticity, identity and performance in a global television format. Ashgate Popular and Folk Music Series . Farnham, Ashgate, 181-194. Copyright and re-use policy See http://shura.shu.ac.uk/information.html Sheffield Hallam University Research Archive http://shura.shu.ac.uk 1 Chapter 13 Gender Performance in American Idol, Pop Idol and The X Factor Ruth Deller In de Bruin, J. and Zwaan, K. (eds), Adapting Idols: Authenticity, Identity and Performance in a Global Television Format, Farnham: Ashgate, pp. 181-194. Introduction This chapter looks at the way that gender and sexuality are performed and constructed within the series Pop Idol (2001-3) American Idol (2002-present) and the X Factor (2004-present). These shows were big hits in the UK and USA, propelling several acts to stardom, not least judge Simon Cowell, who features in all three. They offer the audience a chance to witness the creation of 'pop stars' by taking ordinary people and showing their transformations (Holmes, 2004) into celebrities. However, the process of star making at work in these shows offers strong discourses about what it means to be a man or a woman. -
You Are Viewing an Archived Copy from the New Jersey State Library
You are Viewing an Archived Copy from the New Jersey State Library You are Viewing an Archived Copy from the New Jersey State Library You are Viewing an Archived Copy from the New Jersey State Library TABLE OF CONTENTS INTRODUCTION..................................................3 CHAIRMAN'S MESSAGE............................................5 EXECUTIVE DIRECTOR'S REPORT...................................9 "Production Totals and Percentage Increases: 2010 vs. 2009" Chart....................................13 "Production Totals, 1978-2010" Chart....................15 "Number of Film and Video Projects Using New Jersey Locations, 1978-2010" Graph.............................17 ECONOMIC IMPACT..............................................23 "Economic Impact Statistics, 1978-2010" Chart...........29 “Revenue Breakdown by Production Category, 2010” Chart..31 "Millions of Dollars Contributed to New Jersey Economy by Filmmaking Activity, 1978-2010" Graph........33 PRODUCTION SERVICES..........................................35 INTERNSHIP PROGRAM...........................................39 PRODUCTION LIST..............................................41 Features................................................43 Telefilms/Mini-Series...................................51 Television Series and Specials..........................53 Music Videos............................................69 Industrial, Educational, Documentary and Short Films....71 Commercials/Stills......................................89 Webcasts/Web Series....................................107 -
Scholarship Available As Incentive for Teachers
VOLUME 36 December 1, 2003 ISSUE Your source for campus news and information 1104 See page 14 'The Comedy of Errors' doesn't err. T HECURRENTONLINE.COM U N IVERSITY O F MISSOURI - ST. L O U IS UMSL grad SGA approves new fee increases ~students B Y BECKY ROSNER us to be proud of our school, for us to News Ediio;' ~ develop school plide and for us to develop intrical relationships that we redesign haven't had," Dolan said. "We are very At the Student Government passionate about what we do." Association meeting on Fliday, Nov. Dolan also said that UM-SL Louis is 21 , many proposals were discussed and funded 10th out of 11 schools in the •Hannibal passed by popular vote of the assembly. conference. She stated that UM-Rolla Increases in student fees are among the has more funding and that UM-St. propositions that will go to the Board of Louis does not offer as many amenities Museum Curators. to the student athletes. Some of the student The student fee BY BECKY ROSNER fees for the 2004-05 increase would still ..... ...~-- ..- .- - . ..- - . ."1 News Editor year may go up by as --"-- leave the University much as 90 cents per behind many others in credit hour. Currently, The majority of the conference. TIle Graduate students in museum all students pay $9 per assembly passed the studies have been presented with an credit hour for an that [increase] will fee. opportunity to redesign the Mark athletic fee. These fees go towards student Student Life is Twain museum in Hannibal, Mo.