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In Search of the Promised Land: the Travels of Emilia Pardo Bazan
IN SEARCH OF THE PROMISED LAND: THE TRAVELS OF EMILIA PARDO BAZAN Maria Gloria MUNOZ-MARTIN, University College London, Ph.D. in Spanish and Latin-American Studies, 2000 ProQuest Number: U642760 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest. ProQuest U642760 Published by ProQuest LLC(2015). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code. Microform Edition © ProQuest LLC. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 ABSTRACT The object of this thesis is to explore Pardo Bazan's approach to travel as an aesthetically rewarding experience and also as a soul-searching exercise in which she voices her opinions and concerns with regard to the state of late nineteenth-century Spain and compares it to some other European countries. Indeed, in the Galician author's chronicles, which reveal her versatility and multifaceted interests as a travel writer, the journey itself takes second place to cultural, social, political, artistic, religious, and intellectual considerations. Another aspect of Pardo Bazan's travel works that this study will develop is her uneasy stance with regard to progress, technological advancement, and modern civilization, as illustrated, principally, in her foreign chronicles. For it is her apprehension and at times aversion to modern technology that place her in an anachronistic position in relation to some of the events and places covered in her travel accounts. -
Theatro Nacional Tópicos & Notícia As Forças Armadas
m '•':: - ¦'¦¦¦''¦ Læs ¦ ¦ '"r.at :*''! Correio da Manliã 1 %ipciM ni mcSao «Mvai lt VAltlttOUt, Director - EDMUNDO BITTJblNCOTTRT -*,r-mt ta mvit gÁ-oa p. nnvx'» t. -i 5H______| ii.¦! 1 .t ,.ii«!_ii.giMSgr1 AMO Xn-N. 5.008 BIO DE JANEIRO — QUINTA-EBIRA, 17 DE OUTUBRO DE 1912 Redacçüo—Rus áo Ou vidor, 162j wammmtammm-temmmmt^m^Xa^^m^^^t-mmearmraeimammaammm-eaemamTimemamam!*^. ,r 1 bordejar. pelo littoral, em barcos automo- a * Foi destruído por um Incêndio, em MontevI* como examinadores de francez, nm profes- perficie territorial do Pará â Amazon veis, lendo Bpurget e armadas de seguros dio, o bazar La Mcnagére, sor de allemão e outro de physica e chimica I Land Colonisation Company, ton-ia- S.IBW.f50 CONTRA AS SECCAS % salva-vidas. Nem sociedade de e o THEATRO a que são No palácio do Cattete estiveram, hontem, pela Dado esse processo conhecido plaho se bem poistivo que as nossas coisas ornamentos, lhes affrontassem o manhi em vista ao da Republ ca, os AS FORÇAS permittiria presidente com grande antecedência architectado, não senadores Gabriel Salgado e Antônio Azeredo; militares, cada vez mais obrigam aos mar alto. admira dias antes da realização Escrevem-nos: Ora, as intriguitrhas de deputados Erasmo de Macedo, Balthazar Pereira, que, quinze cuidados da administração "S. positivamente, lítoreira clc Vasconcellos e Cunha Vasconcellos; das tod» rente soubesse qual o publica. do Maranhão, 27 de Petropolis os episódios elegantes de provas, já Li^z dc setembro five- major Vieira Pamplona, dr. Moura Brasil e capitão seria classificado em Faz-se necessário que, se surgirem 1912. -
February 20, 2015 Vol. 119 No. 8
VOL. 119 - NO. 8 BOSTON, MASSACHUSETTS, FEBRUARY 20, 2015 $.35 A COPY WATCHING WHILE THE WORLD BURNS A Winter Poem by Sal Giarratani It’s winter in Massachusetts Back when Jack Kennedy and the gentle breezes blow. was a young man, he penned At seventy miles an hour a great piece of non-fiction entitled, “While England and at thirty-five below. Sleeps” in which he warned Oh how I love Massachusetts the world that to sit back and when the snow’s up to your butt. watch evil like a helpless bystander led to World War II. You take a breath of winter While Hitler and the Nazis and your nose gets frozen shut. slaughtered millions of inno- Yes, the weather here is wonderful cent people, including six so I guess I’ll hang around. million Jews, the West sat on its hands, but eventually I could never leave Massachusetts evil has a way of growing if cuz I’m frozen to the ground. left alone. I see the very same thing — Author Unknown taking place as I write this commentary. Just over the Presidents’ Day holiday weekend, 21 Coptic Chris- when it comes to his objec- puts a target on Europe and tians were rounded up by tivity on Radical Islam who especially Rome, Italy. Our ISIS and all dressed in or- are trying to create a global president may not believe ange jumpsuits had their caliphate when Jewish pa- we are in a war, but we are heads severed on video for trons at a Paris deli are ex- thanks to the other side. -
Dc Comics: Wonder Woman: Wisdom Through the Ages Pdf, Epub, Ebook
DC COMICS: WONDER WOMAN: WISDOM THROUGH THE AGES PDF, EPUB, EBOOK Mike Avila | 192 pages | 29 Sep 2020 | Insight Editions | 9781683834779 | English | San Rafael, United States DC Comics: Wonder Woman: Wisdom Through the Ages PDF Book Instead, she receives the ability to transform into the catlike Cheetah, gaining superhuman strength and speed; the ritual partially backfires, and her human form becomes frail and weak. Diana of Themyscira Arrowverse Batwoman. Since her creation, Diana of Themyscira has made a name for herself as one of the most powerful superheroes in comic book existence. A must-have for Wonder Woman fans everywhere! Through close collaboration with Jason Fabok, we have created the ultimate Wonder Woman statue in her dynamic pose. The two share a degree of mutual respect, occasionally fighting together against a common enemy, though ultimately Barbara still harbors jealousy. Delivery: 23rdth Jan. Published 26 November Maria Mendoza Earth Just Imagine. Wonder Girl Earth She returned to her classic look with help from feminist icon Gloria Steinem, who put Wonder Woman — dressed in her iconic red, white, and blue ensemble — on the cover of the first full-length issue of Ms. Priscilla eventually retires from her Cheetah lifestyle and dies of an unspecified illness, with her niece Deborah briefly taking over the alter ego. In fact, it was great to see some of the powers realized in live-action when the Princess of Themyscira made her big screen debut in the Patty Jenkins directed, Wonder Woman. Submit Review. Although she was raised entirely by women on the island of Themyscira , she was sent as an ambassador to the Man's World, spreading their idealistic message of strength and love. -
Tatiana Lobo, Rosa María Britton, Horacio
LA VIOLENCIA EN LA NARRATIVA DE FICCIÓN CENTROAMERICANA DEL SIGLO XX: TATIANA LOBO, ROSA MARÍA BRITTON, HORACIO CASTELLANOS MOYA Y RODRIGO REY ROSA A Dissertation by ANA CECILIA GEORGE Submitted to the Office of Graduate and Professional Studies of Texas A&M University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY Chair of Committee, Juan Carlos Galdo Committee Members, Alessandra Luiselli Alain Lawo-Sukam Gregory Pappas Head of Department, María Irene Moyna May 2017 Major Subject: Hispanic Studies Copyright 2017 Ana Cecilia George ABSTRACT This dissertation analyzes the work of four Central American novelists, who together offer a panorama of the history of Central America from the colonial period, through independence to the postwar. The authors that are part of this study are: Tatiana Lobo, Rosa María Britton, Horacio Castellanos Moya and Rodrigo Rey Rosa. The works analyzed share a historical-geographical framework, which creates links between them. They also share a discourse of violence that has been part of Latin America since the colony to the present day. The theories of Ariel Dorfman, René Girard, Carlo Galli and Terry Eagleton are used in order to demonstrate how violence has been represented over time. ii RESUMEN Este trabajo de disertación analiza la obra de cuatro novelistas centroamericanos, que en su conjunto, ofrecen un panorama de la historia de Centroamérica desde el período colonial, pasando por el período de la independencia hasta la posguerra. Los autores que forman parte de este estudio son: Tatiana Lobo, Rosa María Britton, Horacio Castellanos Moya y Rodrigo Rey Rosa. Las obras que se analizan en este trabajo comparten un marco histórico- geográfico, lo que crea lazos comunicantes entre ellas. -
A Representação Do Espaço Nas Histórias Em Quadrinhos Do Gênero Super-Heróis: a Metrópole Nas Aventuras De Batman
UNIVERSIDADE DE SÃO PAULO FACULDADE DE FILOSOFIA, LETRAS E CIÊNCIAS HUMANAS DEPARTAMENTO DE GEOGRAFIA PROGRAMA DE GEOGRAFIA HUMANA A REPRESENTAÇÃO DO ESPAÇO NAS HISTÓRIAS EM QUADRINHOS DO GÊNERO SUPER-HERÓIS: A METRÓPOLE NAS AVENTURAS DE BATMAN Maria Angela Gomez Rama São Paulo 2006 UNIVERSIDADE DE SÃO PAULO FACULDADE DE FILOSOFIA, LETRAS E CIÊNCIAS HUMANAS DEPARTAMENTO DE GEOGRAFIA PROGRAMA DE PÓS-GRADUAÇÃO EM GEOGRAFIA HUMANA A REPRESENTAÇÃO DO ESPAÇO NAS HISTÓRIAS EM QUADRINHOS DO GÊNERO SUPER-HERÓIS: A METRÓPOLE NAS AVENTURAS DE BATMAN Maria Angela Gomez Rama Dissertação apresentada ao Programa de Pós-Graduação em Geografia Humana, do Departamento de Geografia da Faculdade de Filosofia, Letras e Ciências Humanas da Universidade de São Paulo, para obtenção do título de Mestre em Geografia. Orientadora: Prof. Drª Glória da Anunciação Alves São Paulo 2006 Dedico este trabalho aos meus amores, Marciel e Matheus e aos meus pais, Asuncion e Angel, heróis na batalha da vida. AGRADECIMENTOS À Profª Drª Glória da Anunciação Alves, sempre pronta a discutir e ajudar, pela orientação dedicada. Ao professor Prof. Dr. Waldomiro Vergueiro, pelos materiais disponibilizados, e por ter me proporcionado uma “iniciação” no universo dos quadrinhos. Aos amigos Adailton, Ana, Emerson, Kleber, Nanci, Nedir e Wilson pelas contribuições ao longo da produção deste trabalho, em especial à Sandrinha pelas leituras e sugestões, e pelo apoio emocional. À Maristela Consani, pelo apoio e materiais enviados. Ao meu companheiro Marciel Consani, pelas sugestões, discussões e muita paciência. Aos queridos amigos e à minha família que, mesmo de maneira indireta, muito contribuíram para que eu pudesse dedicar-me a este trabalho. -
La Cubana En La Poesía: Género Y Nación En Visitaciones Y Habana Del Centro De Fina García Marruz
Revista Iberoamericana, Vol. LXXV, Núm. 226, Enero-Marzo 2008, 167-189 LA CUBANA EN LA POESÍA: GÉNERO Y NACIÓN EN VISITACIONES Y HABANA DEL CENTRO DE FINA GARCÍA MARRUZ POR KATHERINE M. HEDEEN Kenyon College I. En su relevante estudio Lo cubano en la poesía (1958), Cintio Vitier enfrentaba la crisis social que un año después desembocaría en la revolución, reclamando la “necesidad profunda de conocer nuestra alma, cuando parece que sus mejores esencias se prostituyen y evaporan” (398). Para el crítico, el resultado de esa indagación era lo cubano, que en principio no constituía “una esencia inmóvil y preestablecida [...] que podamos defi nir con independencia de sus manifestaciones sucesivas y generalmente problemáticas, para después decir: aquí está, aquí no está” (28). Sin embargo, en su propuesta cultural opuesta al neocolonialismo estadounidense, insistiría luego en “[l]a ausencia de historicidad del cubano” (106), resaltaría “las inspiraciones más puras y eternas de lo hispánico” (171), buscaría “nuestras esencias insulares” (397) y llegaría a identifi car “diez especies, categorías o esencias de lo cubano” (399).1 En este ensayo de construcción nacional Vitier no incluye, “por razones obvias” solo para él (351), un estudio de la poesía de su compañera en la vida y en la aventura de Orígenes –la prestigiosa revista y editorial que renovaría la literatura de Cuba entre 1944 y 1956–, Fina García Marruz (1923).2 1 Estas son, de acuerdo con Vitier: “Arcadismo, Ingravidez, Intrascendencia, Lejanía, Cariño, Despego, Frío, Vacío, Memoria, Ornamento” (399). Añade que “[c]ada una de las especies o esencias nombradas, incluye un cúmulo de valores y signifi cados que han ido revelándose en el proceso histórico. -
La Mosquea, Poética Inventiva, Y Aunque En El Sujeto De La Materia Es Muy Humilde, El Estilo Y Invención Del Poeta Es Ingenioso
The Works of Cervantes: Other texts <http://users.ipfw.edu/jehle/wcotexts.htm> URL: http://users.ipfw.edu/jehle/CERVANTE/othertxts/Suarez_Figaredo_LaMosquea.pdf L A M O S C H E A poetica inuentiua en Octaua Rima. C O M P V E S T O P O R I O- seph de Villauiciosa, vezino de la Ciudad de Cuenca. DIRIGIDO A PEDRO DE RAVAGO Regidor perpetuo de la dicha Ciudad. Año 1615. C O N P R I V I L E G I O. _____________________________________________________________________________ Impresso en Cuenca, por Domingo de la Iglesia, a la calle Ancha. Texto preparado por ENRIQUE SUÁREZ FIGAREDO JOSÉ DE VILLAVICIOSA – LA MOSQUEA ÍNDICE Elogios al Autor ................................................................................................... 9 Dedicatoria ......................................................................................................... 17 Prólogo ................................................................................................................ 18 Canto I: El reino de la Mosquea ...................................................................... 22 Canto II: La amenaza sobre el rey Sanguileón .............................................. 38 Canto III: Llega el rey Matacaballo ................................................................. 53 Canto IV: La expedición ................................................................................... 71 Canto V: El desastre de la flota ....................................................................... 86 Canto VI: El sanguinario Sicaborón ............................................................. -
University of Florida Thesis Or Dissertation Formatting
LA BIFURCACIÓN DE LA CIUDAD NEOBARROCA HISPANO CARIBEÑA: LA HABANA, SAN JUAN Y SANTO DOMINGO COMO ESPACIOS CARNAVALESCOS Y CONTRANARRATIVOS EN SEIS NOVELAS DEL CARIBE HISPANO By ALMA Y. GARCÍA RODRÍGUEZ A DISSERTATION PRESENTED TO THE GRADUATE SCHOOL OF THE UNIVERSITY OF FLORIDA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY UNIVERSITY OF FLORIDA 2017 © 2017 Alma García Rodríguez To my husband, Daniel, and my parents, Arelys and Víctor, for loving me unconditionally and helping me persevere. ACKNOWLEDGMENTS I will like to thank my advisor Dr. Efraín Barradas, whose guidance and knowledge provided me with a solid base to continue and challenge myself more every day. It was through his advice that this work could be finished. I will also like to thank the members of my committee, Dr. Emily Hind, Dr. Charles Perrone and Dr. Tace Hedrick, who helped me tremendously in each of our meetings with their comments and suggestions. I want to extend my appreciation to Mayra Santos-Febres, who generously allowed me to interview her during her visit to the University of Florida. Her insight gave me a completely new perspective on her work. Thank you to my husband, Daniel Garcia, a truly blessing from God, who has been with me in every step of the way and shows me every day the true meaning of love. Thank you to my parents, Arelys and Victor. Without their sacrifice and support I would not have made it this far. Thank you for all those years of hard work to make sure I had an education. -
University of Oklahoma Graduate College
UNIVERSITY OF OKLAHOMA GRADUATE COLLEGE LA BÚSQUEDA DE IDENTIDAD CULTURAL CANARIA (A TRAVÉS DEL TÓPICO MARINO) EN LA OBRA DE TOMÁS MORALES Y PEDRO GARCÍA CABRERA A DISSERTATION SUBMITTED TO THE GRADUATE FACULTY in partial fulfillment of the requirements for the Degree of DOCTOR OF PHILOSOPHY By DIEGO BATISTA REY Norman, Oklahoma 2011 LA BÚSQUEDA DE IDENTIDAD CULTURAL CANARIA (A TRAVÉS DEL TÓPICO MARINO) EN LA OBRA DE TOMÁS MORALES Y PEDRO GARCÍA CABRERA A DISSERTATION APPROVED FOR THE DEPARTMENT OF MODERN LANGUAGES, LITERATURES, AND LINGUISTICS BY _____________________________ Dr. Bruce Boggs _____________________________ Dr. José Juan Colín _____________________________ Dr. Luis Cortest _____________________________ Dr. Sandie Holguín _____________________________ Dr. Ryan Long © Copyright by DIEGO BATISTA REY 2011 All Rights Reserved. Dedicated to my wife Melany and all my children, for their continual love and support throughout this long process. To my aunt and uncle Pilar Rey and Antonio Abdo for encouraging me along the way. To all the friends and family who knew I could do this even before I started. Acknowledgements I would like to thank my Committee Director, Dr. Bruce Boggs, for his inestimable recommendations, his encouragement and altruistic dedication to this project. I also wish to thank La Universidad de La Laguna for their invaluable help during the research process. In particular Dr. Rafael Fernández Hernández, and Dra. Nieves María Concepción Lorenzo for their intellectual assistance. Without their aid, this project would have not been possible. Thanks are also due to the members of my Committee, Dr. Jose Juan Colín, Dr. Luis Cortest, Dra. Sandie Holguin, and Ryan Long for their fathomless insight. -
©Anagnórisis ©Los Autores ©The Authors ©Les Auteurs ©Lessy
©Anagnórisis ©Los autores ©The authors ©Les auteurs ©Lessy Fotografía de Lessy Montes de Oca de la actriz Senko Hida en la obra Numancia de Miguel de Cervantes. Compañía: KSEC ACT (Japón). Dir.: Kei Jinguji. Lessy Montes de Oca’s picture of the actress Senko Hida actress in the play Numancia by Miguel de Cervantes. Company: KSEC ACT (Japan). Dir.: Kei Jinguji. Photographie de Lessy Montes de Oca de l'actrice Senko Hida dans l'oeuvre Numancia de Miguel de Cervantes. Compagnie: KSEC ACT (Japon). Dir.: Kei Jinguji. 1 LAS MUJERES EN EL TEATRO WOMEN IN THE THEATRE LES FEMMES AU THÉÂTRE NOTA DE LAS DIRECTORAS/DIRECTOR’S NOTE/ NOTE DES DIRECTRICES 4 SIGLO XVII/ 17TH CENTURY/ XVIIE SIÈCLE OMERO CRUZ «Las mujeres de Diego Jiménez de Enciso. De lo femenino en un hombre del Barroco»………………………………………………………………8 STEPHANIE BATES Y A. ROBERT LAUER «‖Performativity‖ del género de Leonor/Leonardo y la creación de ―Gender Trouble‖ en Valor, agravio y mujer de Ana Caro»…………………33 SIGLOS XVIII-XIX/ 18TH-19 TH CENTURIES/ XVIIIE-XIXE SIÈCLES MARIBEL MARTÍNEZ LÓPEZ «La imagen de la mujer en la literatura española del siglo XVIII. Paradigmas de género en la comedia neoclásica»………………………………..59 LAETICIA ROVECCHIO ANTÓN «Isabel María Morón y su única aportación a la comedia sentimental ilustrada: Buen amante y buen amigo»…………………………………………..87 ANA MARÍA DÍAZ-MARCOS «Ciudadanos del mundo: cosmopolitismo, civilización y barbarie en Un loco hace ciento»……………………………………………………………105 ROSA NAVARRO DURÁN «Salomé o la tentación irresistible»…………………………………………….130 SIGLOS XX-XXI/ 20TH-21ST CENTURIES/ XXE-XXIE SIÈCLES ALBA URBAN BAÑOS «El teatro español bajo la mirada crítica de Emilia Pardo Bazán en ―La vida contemporánea‖»……………………………………………………...145 3 ÍNDICE LAURA BURGOS-LEJONAGOITIA «La madeja de Sofía Casanova. -
Luiz Alfredo.Pdf
Universidade Federal Fluminense Instituto de Ciências Humanas e Filosofia Curso de Graduação em Ciências Sociais LUIZ ALFREDO MENDES CERQUEIRA “POLITICAMENTE CORRETO” NOS QUADRINHOS: PROCESSOS DE RECONFIGURAÇÕES DAS SUPER – HEROÍNAS NO SÉCULO XXI Niterói 2017 Universidade Federal Fluminense Instituto de Ciências Humanas e Filosofia Curso de Graduação em Ciências Sociais LUIZ ALFREDO MENDES CERQUEIRA “POLITICAMENTE CORRETO” NOS QUADRINHOS: PROCESSOS DE RECONFIGURAÇÕES DAS SUPER – HEROÍNAS NO SÉCULO XXI Monografia apresentada ao Curso de Ciências Sociais da Universidade Federal Fluminense, como requisito parcial para a obtenção do título de Bacharel em Ciências Sociais. Orientador: Prof. Dr. Thaiane Moreira de Oliveira Niterói 2017 C416 Cerqueira, Luiz Alfredo Mendes. “Politicamente correto” nos quadrinhos: processos de reconfigurações das super-heroínas no século XXI / Luiz Alfredo Mendes Cerqueira. – 2017. 104 f. ; il. Orientadora: Thaiane Moreira de Oliveira. Trabalho de Conclusão de Curso (Graduação em Ciências Sociais) – Universidade Federal Fluminense. Coordenação de Ciências Sociais, 2017. Bibliografia: f. 101-103. 1. Histórias em quadrinhos. 2. Politicamente correto. 3. Semiótica. 4. Super – heroínas (Personagens fictícios). I. Oliveira, Thaiane Moreira de. II. Universidade Federal Fluminense. Coordenação de Ciências Sociais. III. Título. Universidade Federal Fluminense Instituto de Ciências Humanas e Filosofia Curso de Graduação em Ciências Sociais LUIZ ALFREDO MENDES CERQUEIRA “POLITICAMENTE CORRETO” NOS QUADRINHOS: PROCESSOS