Petaluma International Folk Dance Index
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A Short Course in International Folk Dance, Harry Khamis, 1994
Table of Contents Preface .......................................... i Recommended Reading/Music ........................iii Terminology and Abbreviations .................... iv Basic Ethnic Dance Steps ......................... v Dances Page At Va'ani ........................................ 1 Ba'pardess Leyad Hoshoket ........................ 1 Biserka .......................................... 2 Black Earth Circle ............................... 2 Christchurch Bells ............................... 3 Cocek ............................................ 3 For a Birthday ................................... 3 Hora (Romanian) .................................. 4 Hora ca la Caval ................................. 4 Hora de la Botosani .............................. 4 Hora de la Munte ................................. 5 Hora Dreapta ..................................... 6 Hora Fetalor ..................................... 6 Horehronsky Czardas .............................. 6 Horovod .......................................... 7 Ivanica .......................................... 8 Konyali .......................................... 8 Lesnoto Medley ................................... 8 Mari Mariiko ..................................... 9 Miserlou ......................................... 9 Pata Pata ........................................ 9 Pinosavka ........................................ 10 Setnja ........................................... 10 Sev Acherov Aghcheek ............................. 10 Sitno Zensko Horo ............................... -
Južnoslovenski Filolog
ЈУЖНОСЛОВЕНСКИ ФИЛОЛОГ ПОВРЕМЕНИ СПИС ЗА СЛОВЕНСКУ ФИЛОЛОГИЈУ И ЛИНГВИСТИКУ УРЕЂУЈЕ А. БЕЛИЋ УЗ СТАЛНУ САРАДЊУ г. г. А. МЕЈЕ-А, проф. Collège de France, A. CTОЈИЋЕВИЋА, проф. Унив. у Љубљани, К. ЊИЧА, проф. Унив. у Кракову, Љ. СТОЈAНОВИЋА, акад. у Београду, М. РЕШЕТАРА, проф. Унив. у Загребу, О. ХУЈЕРА, проф. Унив. у Прагу, Р. НАХТИГАЛА, проф. Унив. у Љубљани, СТ. ИBШИЋА, проф. Унив. у Загребу, СТ. М. КУЉВАКИНА, проф. Унив. у Београду, ФР. ИЛЕШИЋА, проф. Унив. у Загребу, ФР. РАМОВША, проф. Унив. у Љубљани и Х. БAРИЋА, проф. Унив. у Београду. КЊИГА III. ШТАМПАЊЕ ОВЕ КЊИГЕ ПОТПОМОГНУТО ЈЕ ИЗ ЗАДУЖБИНА СРП. КР, АКАДЕМИЈЕ: арх. НИЋИФОРА ДУЧИЋА и Д-ра. ЉУБ. РАДИВОЈЕВИЋА. БЕОГРАД, 1922–1923. : г САДРЖАЈ ШЋЕ КЊИГЕ. -о-до-ко Расправе. стpд М. Решетар: Završetak -u u gen. sing. muških imenica u slovenskom jeziku . 1–6 Лbуб. Стојановић: Реченичне конструкције без verbum-a finitum-a . 7–10 Dr. Franjo Fancev : О avtorstvu i postanju rječnika „Lexicon latinum . Zagrabiae 1742“ . 11–25 Г. Ил њи н скi W : Књ зтимологiи имени chrbrvatЋ „Хорватњ“ . 36—30 А. Белић: О промени ст. слов. кли „фиi“ . 31–34 Dr. Nikola Majnarić: Jedna zanimljiva pojava u ravnogorskom narječju . 35–40 П. К. Булат: Из живота речи . 41–47 Др. Ст. Куљбаки н: Акценатска питања . 48—70 Прилози. 1. Ivan Koštial: Stsl. zajeсњ . 71—72 2. P. Skok: Iz srpskohrvatske toponomastike . 72—77 3. В. Зрнић: Неколико ситних прилога . 78 4. А. Белић: Двојица, неколицина и слична обра зовања . 79—81 5. Ђуро Шкарић: Јужнословенска ријечца „ве“ 81—83 6. Dr. Fr. Ilešić: Slovenske „etimologije“ . -
Results Level 3
Pass (P) Level First Name Last Name or Fail (F) 4132 CHRISTINA S ABARTSOUMIDOU F 4132 EMMANOUIL G ABARTZAKIS P 4132 PANAYIOTIS M ABARTZAKIS P 4132 CHOUSEIN S ABASI F 4132 KONSTANTINOS N ACHILEUS F 4132 PANAGIOTIS V ACHILLEOPOULOS P 4132 DIMITRIOS V ACHILLEOPOULOS P 4132 ARCHODOULA MARIA D ACHINIOTI F 4132 TSAMPIKOS-ELEFTHERIOS M ACHIOLAS P 4132 VASILIKI D ACHLADIOTI P 4132 THEMISTOKLIS G ACHYRIDIS P 4132 ANGELIKI N ADALI F 4132 MARIA A ADAM P 4132 KONSTANTINOS-IOANNIS I ADAMAKIS P 4132 IOANNIS P ADAMAKOS P 4132 GEORGIOS S ADAMIDIS P 4132 KIRIAKOS A ADAMIDIS P 4132 ANTIGONI G ADAMIDOU P 4132 THEODOROS G ADAMOPOULOS P 4132 NIKOLAOS G ADAMOPOULOS P 4132 GEORGIOS E ADAMOPOULOS P 4132 GEORGIOS I ADAMOPOULOS F 4132 NIKOLAOS T ADAMOPOULOS P 4132 GEORGE K ADAMOPOULOS P 4132 AGELOS S ADAMOPOULOS P 4132 ANNA N ADAMOPOULOU P 4132 MARIGO I ADAMOPOULOU F 4132 GEORGIA D ADAMOPOULOU F 4132 THEODORA P ADAMOPOULOU F 4132 POLYXENI A ADAMOPOULOU P 4132 IOANNA S ADAMOPOULOU P 4132 FOTIS S ADAMOS F 4132 EVAGGELIA A ADAMOU P 4132 MARIA G ADAMOU F 4132 SOULTANA T ADAMOU-ANDROULAKI P 4132 EVAGELIA V ADONAKI P 4132 THEODOROS N ADONIOU F 4132 CHRISOULA K ADONIOU F 4132 ANA D ADRANJI P 4132 LAZAROS T AEFADIS F 4132 ANDREAS K AERAKIS P 4132 EMMANOUIL G AERAKIS P 4132 EMMANOUIL M AERAKIS P 4132 CHARA P AFALONIATI P 4132 TSAMPIKA D AFANTENOU P 4132 VASILIKI G AFENTOULI P 4132 SAVVAS A AFENTOULIDIS F 4132 ALEXANDROS P AFENTOULIDIS F 4132 MARIA A AGA P 4132 BRUNILDA I AGALLIU P 4132 ANASTASIOS G AGAOGLOU F 4132 ELENI V AGAPITOU F 4132 JOHN K AGATHAGGELOS P 4132 PANAGIOTA -
Types of Dance Styles
Types of Dance Styles International Standard Ballroom Dances Ballroom Dance: Ballroom dancing is one of the most entertaining and elite styles of dancing. In the earlier days, ballroom dancewas only for the privileged class of people, the socialites if you must. This style of dancing with a partner, originated in Germany, but is now a popular act followed in varied dance styles. Today, the popularity of ballroom dance is evident, given the innumerable shows and competitions worldwide that revere dance, in all its form. This dance includes many other styles sub-categorized under this. There are many dance techniques that have been developed especially in America. The International Standard recognizes around 10 styles that belong to the category of ballroom dancing, whereas the American style has few forms that are different from those included under the International Standard. Tango: It definitely does take two to tango and this dance also belongs to the American Style category. Like all ballroom dancers, the male has to lead the female partner. The choreography of this dance is what sets it apart from other styles, varying between the International Standard, and that which is American. Waltz: The waltz is danced to melodic, slow music and is an equally beautiful dance form. The waltz is a graceful form of dance, that requires fluidity and delicate movement. When danced by the International Standard norms, this dance is performed more closely towards each other as compared to the American Style. Foxtrot: Foxtrot, as a dance style, gives a dancer flexibility to combine slow and fast dance steps together. -
Why Stockton Folk Dance Camp Still Produces a Syllabus
Syllabus of Dance Descriptions STOCKTON FOLK DANCE CAMP – 2018 FINAL In Memoriam Rickey Holden – 1926-2017 Rickey was a square and folk dance teacher, researcher, caller, record producer, and author. Rickey was largely responsible for spreading recreational international folk dancing throughout Europe and Asia. Rickey learned ballroom dance in Austin Texas in 1935 and 1936. He started square and contra dancing in Vermont in 1939. He taught international folk dance all over Europe and Asia, eventually making his home base in Brussels. He worked with Folkraft Records in the early years. He taught at Stockton Folk Dance Camp in the 1940s and 50s, plus an additional appearance in 1992. In addition to dozens of books about square dancing, he also authored books on Israeli, Turkish, Bulgarian, Hungarian, Greek, and Macedonian dance. STOCKTON FOLK DANCE CAMP – 2018 FINAL Preface Many of the dance descriptions in the syllabus have been or are being copyrighted. They should not be reproduced in any form without permission. Specific permission of the instructors involved must be secured. Camp is satisfied if a suitable by-line such as “Learned at Folk Dance Camp, University of the Pacific” is included. Loui Tucker served as editor of this syllabus, with valuable assistance from Karen Bennett and Joyce Lissant Uggla. We are indebted to members of the Dance Research Committee of the Folk Dance Federation of California (North and South) for assistance in preparing the Final Syllabus. Cover art copyright © 2018 Susan Gregory. (Thanks, Susan.) Please -
SYRTAKI Greek PRONUNCIATION
SYRTAKI Greek PRONUNCIATION: seer-TAH-kee TRANSLATION: Little dragging dance SOURCE: Dick Oakes learned this dance in the Greek community of Los Angeles. Athan Karras, a prominent Greek dance researcher, also has taught Syrtaki to folk dancers in the United States, as have many other teachers of Greek dance. BACKGROUND: The Syrtaki, or Sirtaki, was the name given to the combination of various Hasapika (or Hassapika) dances, both in style and the variation of tempo, after its popularization in the motion picture Alexis Zorbas (titled Zorba the Greek in America). The Syrtaki is danced mainly in the taverns of Greece with dances such as the Zeybekiko (Zeimbekiko), the Tsiftetelli, and the Karsilamas. It is a combination of either a slow hasapiko and fast hasapiko, or a slow hasapiko, hasaposerviko, and fast hasapiko. It is typical for the musicians to "wake things up" after a slow or heavy (vari or argo) hasapiko with a medium and / or fast Hasapiko. The name "Syrtaki" is a misnomer in that it is derived from the most common Greek dance "Syrtos" and this name is a recent invention. These "butcher dances" spread throughout the Balkans and the Near East and all across the Aegean islands, and entertained a great popularity. The origins of the dance are traced to Byzantium, but the Argo Hasapiko is an evolved idiom by Aegean fisherman and their languid lifestyle. The name "Syrtaki" is now embedded as a dance form (meaning "little Syrtos," though it is totally unlike any Syrto dance), but its international fame has made it a hallmark of Greek dancing. -
Round Dances Scot Byars Started Dancing in 1965 in the San Francisco Bay Area
Syllabus of Dance Descriptions STOCKTON FOLK DANCE CAMP – 2016 – FINAL 7/31/2016 In Memoriam Floyd Davis 1927 – 2016 Floyd Davis was born and raised in Modesto. He started dancing in the Modesto/Turlock area in 1947, became one of the teachers for the Modesto Folk Dancers in 1955, and was eventually awarded the Lifetime Achievement Award for dance by the Stanislaus Arts Council. Floyd loved to bake and was famous for his Chocolate Kahlua cake, which he made every year to auction off at the Stockton Folk Dance Camp Wednesday auction. Floyd was tireless in promoting folk dancing and usually danced three times a week – with the Del Valle Folk Dancers in Livermore, the Modesto Folk Dancers and the Village Dancers. In his last years, Alzheimer’s disease robbed him of his extensive knowledge and memory of hundreds, if not thousands, of folk dances. A celebration for his 89th birthday was held at the Carnegie Arts Center in Turlock on January 29 and was attended by many of his well-wishers from all over northern California. Although Floyd could not attend, a DVD was made of the event and he was able to view it and he enjoyed seeing familiar faces from his dancing days. He died less than a month later. Floyd missed attending Stockton Folk Dance Camp only once between 1970 and 2013. Sidney Messer 1926 – 2015 Sidney Messer died in November, 2015, at the age of 89. Many California folk dancers will remember his name because theny sent checks for their Federation membership to him for nine years. -
Virtual Dance Room Session # 65 Playlist Friday, June 18, 2021 - 7:30Pm - 11:00Pm-Ish CDT Page #1
Virtual Dance Room Session # 65 Playlist Friday, June 18, 2021 - 7:30pm - 11:00pm-ish CDT Page #1 Play Last Set Origin Session Set Ord Dances Played Date Play Seq Ethnicity Status 6/18 50 0 Set 050 - Repertoire Workshop Set - Paul Co Paul Collins 6/18 50 1 1 Akh Naro Naro Armenian/Modern paul/Teach 6/18 6/11 50 2 2 Karakachansko Horo Bulgarian paul/Teach 6/18 6/11 50 3 3 Hackig's Tamzara Armenian paul/review 6/18 6/11 50 4 4 Zonaradikos #1 Evros/Generic (Economou) Greek/Thrace 6/18 6/11 50 5 5 Esmer (Dyarbakir in Eastern Turkey) (Ozkok)Turkish paul/review 6/18 100 0 Set 100 - Program & Requests - 1 6/18 5/7 100 1 1 Godecki Cacak Serbian/East paul/lead 6/18 6/11 100 2 2 Sardana (Bella Franca) Spanish/Catalonian paul/lead 6/18 2/12 100 3 3 Drmes Iz Zdencine Croatian paul/lead 6/18 1/8 100 4 4 Adana (Atanas) Macedonian Paul/Nakas 6/18 5/21 100 5 5 Aidym Central Asia 6/18 6/4 100 6 6 Sandansko Horo Bulgarian/Pirin 6/18 6/11 100 7 7 Indijski Cocek Serbian/Roma 6/18 6/4 100 8 8 Rukavice Croatian/Slavonian 6/18 6/11 100 9 9 Gorani Armenian Theresa 6/18 4/23 100 10 10 Joc de Fete Romanian diane/lead 6/18 2/19 100 11 11 Cimpoi Romanian Paul 6/18 5/21 100 12 12 Swing Dance USA/Swing Diane/Barbara/Paul 6/18 100 13 Announcement Set 1 Karen Tutkowski 6/18 5/21 100 14 13 Passu Torrau (Celest) Italian/Sardinian Paul/George 6/18 4/23 100 15 14 Haroa Haktana Israeli Leigh/Patti 6/18 4/9 100 16 15 Electric Slide USA/Line Paul 6/18 5/28 100 17 16 Popovicanka Serbian Paul 6/18 2/12 100 18 17 Karapyet Russian Paul/Catherine 6/18 200 0 Set 200 - Guest Host -
Pocono Fall Folk Dance Weekend 2017
Pocono Fall Folk Dance Weekend 2017 Dances, in order of teaching Steve’s and Yves’ notes are included in this document. Steve and Susan 1. Valle e Dados – Kor çë, Albania 2. Doktore – Moh ács/Moha č, Hungary 3. Doktore – Sna šo – Moh ács/Moha č, Hungary 4. Kukunje šće – Tököl (R ác – Serbs), HungaryKezes/Horoa - moldaviai Cs áng ó 5. Kezes/Hora – Moldvai Cs áng ó 6. Bácsol K ék Hora – Circle and Couple ____ 7. Pogonisht ë – Albania 8. Gajda ško 9. Staro Roko Kolo 10. Kupondjijsko Horo 11. Gergelem (Doromb) 12. Gergely T ánc 13. Hopa Hopa Yves and France 1. Srebranski Danets (Bulgaria/Dobrudzha) 2. Svornato (Bulgaria/Rhodopes) 3. Tsonkovo (Bulgaria/Trakia) 4. Nevesto Tsarven Trendafil (Macedonia) 5. Zhensko Graovsko (Bulgaria/Shope) _____ 6. Belchova Tropanka (Bulgaria/Dobrudzha) 7. Draganinata (Bulgaria/ W. Trakia) 8. Chestata (North Bulgaria) 9. Svrlji ški Čačak (East Serbia) DOKTORE I SNAŠO (Mo hács, Hungary) Doktore and Snašo are part of the “South Slavic” ( Délszláv) dance repertoire from Mohács/Moha č, Hungary. Doktore is named after a song text and is originally a Serbian Dance, but is enjoyed by the Croatian Šokci as well. Snašno (young married woman) or Tanac is a Šokac dance. Recording: Workshop CD Formation: Open circle with “V” hold, or M join hands behind W’s back and W’s hands Are on M’s nearest shoulders. Music: 2/4 Meas: DOKTORE 1 Facing center, Step Rft diag fwd to R bending R knee slightly (ct 1); close Lft to Rft and bounce on both feet (ct 2); bounce again on both feet (ct &); 2 Step Lft back to place (bend knee slightly)(ct -
One the Peculiarities of Modern Musical Folklore of Shirak
Social and Economic Aspects of Education in Modern Society ART ONE THE PECULIARITIES OF MODERN MUSICAL FOLKLORE OF SHIRAK Hasmik Harutyunyan, PhD in Art Studies, Yerevan State Conservatory after Komitas Gyumri Branch (Director), Shirak Centre for Armenological Studies NAS RA Hasmik Matikyan, PhD in Philology, Yerevan State Conservatory after Komitas Gyumri Branch (Lecturer), Shirak Centre for Armenological Studies NAS RA DOI: https://doi.org/10.31435/rsglobal_conf/25122020/7307 Abstract. In different rural communities of Shirak region nowadays live representatives of the Armenain generation who have immigrated from Western Armenia and bear unique musical specimen. They are folk and national multi-genre song types and musical instrumental works. In the article we have touched upon 100 folk songs compiled from the folkloristic material organized in about 20 communities of Shirak region in 2015 March-April, that not only give us common notion of the song tradition of our compatriots migrated from Moush and Alashkert, in 2015, but they also certify that the tradition of folk song creativity is alive and coexists next to the very different modern cultural manifestations. Keywords: Ethnomusicology, Musical folklore, Shirak regon, traditional music, folk song, study, revival. The musical heritage of Shirak of the 19th-20th centuries has its unique place and role in the development of the Armenian national music. The rich musical folklore, imbued with the genre- stylistic features of the musical dialects of Western Armenia, became the basis for the unprecedented development of the professional music of the oral tradition and the creation of a valuable heritage. From the second half of the 19th century Armenian philologists and musician-folklorists became interested in the flourishing art of the Armenian bards and folk music players of Shirak. -
Traditional Dances PARTNERS
The Treasuere Chest and ICT or ICT in Reading and Writing May 26, 2015 Traditional Dances PARTNERS: BULGARIA The Treasuere Chest and ICT or ICT in Reading and Writing Професионална гимназия по транспорт-РазлогVocational High School of Transport -Razlog Issue 1 LATVIA Rezekne Polish State Gymnasium What is Inside? POLAND This leaflet is designed They visited I ZESPOL SZKOL IM ST.STASZICA WE WSCHOWIE for outputs of the libraries and used TURKEY Project “The treasure catalogues for AVCILAR TICARET MESLEK LISESI Chest and ICT or ICT searching in Reading and information. HUNGARY Writing”. Also they met eldery Hunyadi János Grammar School, Technical School and Students'Hostel In this leaflet, there people to ask for ESTONIA are 3 dances from each infomration. In This Issue: Peetri Lasteaed-Põhikool country , and their In this leaflet, we description. put 3 of them from ROMANIA Students looked for each country. LICEUL TEHNOLOGIC COSTESTI interesting folk dances All the dances and Hungary 2 from the local places their English form 18 or 21 century. description can be Latvia 5 About The Project The treasure chest and ICT and they don’t want to write scenario for Common or ICT in reading and essays or to create their European celebration – the Estonia 8 writing is faced towards the own short texts. They just past and nowadays students aged 16-19. The copy them from Internet. traditions. Students will main purpose of the project use their creativity and ICT communication has is to combine “old – imaginations and new re p la ce d the di re ct Romania 11 fashioned reading and knowledge. -
Ö 10 - 1 Royal Empress Tango English Couple I A- 5
MVFD Listing by OLD Number CD Track Dance Name Nationality Type Inst Old # 9 - 20 Canadian Breakdown USA Contra A- 3 9 - 19 Petronella USA Contra I A- 3 ö 10 - 1 Royal Empress Tango English Couple I A- 5 9 - 21 Tango Waltz, The English Couple A- 5 10 - 2 Camptown Races USA Square I A- 8 10 - 3 Old Joe Clark USA Square A- 8 10 - 3 Old Joe Clark USA Contra A- 8 10 - 4 Bonfire (Fisher's Hornpipe) Irish Couple I A- 9 10 - 5 Come Up the Backstairs (Sacketts USA Contra I A- 9 10 - 4 Fisher's Hornpipe USA Contra I A- 9 10 - 5 Sacketts's Harbour (Come Up the USA Contra I A- 9 ö 81 - 17 Aird Of Coigah (Reel of Mey) Scottish Set 4 Couple I A-10 81 - 18 Cauld Kail in Aberdeen Scottish Set 4 Couple I A-10 81 - 15 Gates of Edinburgh (8x32 Reel) S Scottish Set 4 Couple A-10 81 - 13 Hooper's Jig (8x32 Jig) SKIPS Scottish Jig A-10 81 - 16 Jessie's Hornpipe (8x32 Reel) Scottish Contra I A-10 81 - 19 Kingussie Flower (8x40 Reel) Scottish Reel A-10 81 - 14 Macphersons of Edinburgh, The ( Scottish Set 4 Couple A-10 81 - 12 Mairi's Wedding (8x40 Reel) Scottish Set 4 Couple I A-10 81 - 19 Red House Reel (Kingussie Flow Scottish Set 4 Couple I A-10 ö 81 - 17 Reel of Hey, The (8x48 Reel) Scottish Set 4 Couple I A-10 81 - 19 White Heather Jig (Kingussie Flo Scottish Set 4 Couple I A-10 10 - 7 Geudman Of Ballangigh English Contra I A-11 10 - 6 Larusse English Square I A-11 10 - 8 Yorkshire Square Eight English Square I A-11 10 - 12 Dargason English Set 4 Couple I A-12 10 - 9 Little Man in a Fix Danish Set 2 Couple I A-12 Saturday, July 29, 2000 Page 1 of 96 MVFD