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Iranian Women's Quest for Self-Liberation Through
IRANIAN WOMEN’S QUEST FOR SELF-LIBERATION THROUGH THE INTERNET AND SOCIAL MEDIA: AN EMANCIPATORY PEDAGOGY TANNAZ ZARGARIAN A DISSERTATION SUBMITTED TO THE FACULTY OF GRADUATE STUDIES IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY GRADUATE PROGRAM IN EDUCATION YORK UNIVERSITY TORONTO, ONTARIO December 2019 © [Tannaz Zargarian, 2019] i Abstract This dissertation examines the discourse of body autonomy among Iranian women. It approaches the discourse of body autonomy by deconstructing veiling, public mobility, and sexuality, while considering the impact of society, history, religion, and culture. Although there are many important scholarly works on Iranian women and human rights that explore women’s civil rights and freedom of individuality in relation to the hijab, family law, and sexuality, the absence of work on the discourse of body autonomy—the most fundamental human right—has created a deficiency in the field. My research examines the discourse of body autonomy in the context of liberation among Iranian women while also assessing the role of the internet as informal emancipatory educational tools. To explore the discourse of body autonomy, I draw upon critical and transnational feminist theory and the theoretical frameworks of Derayeh, Foucault, Shahidian, Bayat, Mauss, and Freire. Additionally, in-depth semi-structured interviews with Iranian women aged 26 to 42 in Iran support my analysis of the practice and understanding of body autonomy personally, on the internet, and social media. The results identify and explicate some of the major factors affecting the practice and awareness of body autonomy, particularly in relation to the goal of liberation for Iranian women. -
4-12 Novembre | Cinema Savoy - Macro
Opera di Zoo Project, dalla serie di grafti "Les Martyrs" 4-12 NOVEMBRE | CINEMA SAVOY - MACRO Direzione Artistica e Organizzativa Redazione Artistic and Executive Management Editorial Staff Ginella Vocca Giulio Casadei Presidente Fondatore MedFilm Festival / MedFilm Francesca Passacantando Festival President and Founder Veronica Flora Mara Valente Giulio Casadei, Responsabile Programmazione Federica Licata / Head of Programming Gianfranco Pannone, Curatore Concorso Catalogo a cura di Documentari / International Documentary Films Catalog Curator Competition Programmer Alessandro Zoppo, Curatore Concorso Alessandro Zoppo Cortometraggi, Coordinamento programmazione / International Short Films Competition Grafca del Catalogo Programmer, Screening Coordinator Graphic Design Francesca Passacantando, Progetto Methexis / Methexis Project Andrea Pergola & Pietro Bindi - Dude Mag Comitato di Selezione Uffcio Stampa Selection Committee Press Offce Giulio Casadei Reggi&Spizzichino Communication Francesca Passacantando Veronica Flora Veronica Flora Natalia La Terza Alessandro Zoppo Giulia De Luca Gabrielli Gianfranco Pannone Visual Communication, Visual Identity, Digital PR Staff Organizzativo General Organization Valerio Innamorati Anthony Ettorre Movimento Copie / Film Shipment Web Design Management Francesca Delise Responsabile Ospitalità / Guest Simone Foti Manager Veronica Flora Responsabile rapporti Università / Foto & Video University Relations Manager Photos & Videos Giulia De Luca Gabrielli Responsabile comunicazione / Projection Coordinator -
Climates a Film by Nuri Bilge Ceylan
WINNER FIPRESCI PRIZE IN COMPETITION 2006 Cannes Film Festival climates a film by Nuri Bilge Ceylan A Zeitgeist Films Release climates a film by Nuri Bilge Ceylan Winner of the prestigious Fipresci Award at the 2006 Cannes Film Festival, CLIMATES is internationally acclaimed writer-director Nuri Bilge Ceylan’s sublime follow-up to his Cannes multi-award winner DISTANT. Beautifully drawn and meticulously observed, the film vividly recalls the cinema of Italian master Michelangelo Antonioni with its poetic use of landscape and the incisive, exquisitely visual rendering of loneliness, loss and the often-elusive nature of happiness. During a sweltering summer vacation on the Aegean coast, the relationship between middle-aged professor Isa (played by Ceylan himself ) and his younger, television producer girlfriend Bahar (the luminous Ebru Ceylan, Ceylan’s real-life wife) brutally implodes. Back in Istanbul that fall, Isa rekindles a torrid affair with a previous lover. But when he learns that Bahar has left the city for a job in the snowy East, he follows her there to win her back. Boasting subtly powerful performances, heart-stoppingly stunning cinematography (Ceylan’s first work in high definition) and densely textured sound design, CLIMATES is the Turkish filmmaker’s most gorgeous rumination yet on the fragility and complexity of human relationships. BIOGRAPHIES Nuri Bilge Ceylan (Isa / Director-Screenwriter) Since winning the Grand Prize at Cannes in 2003 for DISTANT (Uzak), Nuri Bilge Ceylan, the ‘Lone Wolf ’ of Turkish cinema, has been critically acclaimed for his spare and unaffected style of filmmaking, inviting comparisons to Tarkovsky, Bresson and Kiarostami. Humorous and masterful, his is a cinema that spans the modern experi- ence: examining rural life, relationships, masculinity, and urban alienation. -
Akdeniz İletişim
Akdeniz İletişim Akdeniz Üniversitesi İletişim Fakültesi Dergisi Aralık 2017 Sayı 28 ISSN 1304 3846 Akdeniz Üniversitesi İletişim Fakültesi Dergisi Sahibi Akdeniz Üniversitesi İletişim Fakültesi Adına Dekan Prof. Dr. Ahmet Ayhan Editör Yrd. Doç. Dr. Sibel Karaduman Editör Yardımcıları Arş. Gör. Selda Saral Uzman Banu K. Arun Arş. Gör. Işıl Demir Yabancı Dil Editörü Uzman Rıza Eren Bozkurt Kapak ve Sayfa Tasarımı, Kitabın Hazırlanması Öğr.Gör. Macit Gürel Diğer Bilgiler • Akdeniz İletişim, iletişim alanının disiplinlerarası niteliğini önemseyen, çeşitli kapsam ve yönelimlerdeki tüm akademik çalışma anlayışlarının değerli olduğunu kabul etmektedir. • Akdeniz İletişim, ülkemizde iletişim alanındaki yazının gelişmesine katkıda bulunmayı öncelikli bir görev olarak benimseyen bir süreli yayın olarak 2003 yılından bu yana Akdeniz Üniversitesi İletişim Fakültesi tarafından yayınlanır. • Akdeniz İletişim, iletişim alanındaki çalışmaların Aralık ve Haziran aylarında olmak üzere yılda iki kez yayınlandığı akademik, “hakemli” bir dergidir. • Akdeniz İletişim Dergisi‟nin yayın dilleri Türkçe ve İngilizce’dir. Akdeniz İletişim Dergisi ULAKBİM Ulusal veri tabanı ve EBSCO Uluslararası veri tabanında taranmaktadır. Yazışma Adresi Akdeniz Üniversitesi İletişim Fakültesi Dergisi Akdeniz Üniversitesi İletişim Fakültesi Dumlupınar Bulvarı Kampus 07058 Antalya T 0242 227 5987 / 0242 310 1530 • F 0.242 310 1531 e-posta [email protected] Danışma Kurulu Prof. Dr. Başak Solmaz, Selçuk Üniversitesi Prof. Dr. Erdal Dağtaş, Anadolu Üniversitesi Prof. Dr. Füsun Alver, Türk-Alman Üniversitesi Prof. Dr. Gülcan Seçkin, Gazi Üniversitesi Prof. Dr. Hamza Çakır, Erciyes Üniversitesi Prof. Dr. Hürriyet Konyar, Akdeniz Üniversitesi Prof. Dr. Mete Çamdereli, İstanbul Ticaret Üniversitesi Prof. Dr. Mustafa Şeker, Akdeniz Üniversitesi Prof. Dr. Nilgün Tutal Cheviron, Galatasaray Üniversitesi Prof. Dr. Nurdan Akıner, Akdeniz Üniversitesi Prof. Dr. Özlen Özgen, Gazi Üniversitesi Prof. -
Stablished in 2007 As an Important Part of the Iranian Cinema Industry
Stablished in 2007 as an important part of the Iranian Cinema industry. The purpose of the company is to provide a strong platform for the Iranian productions to have access to the international market. A main part of company’s focus is sales and distribution of film productions include features and TV/Web series. The company is also heavily involved in productions and international co-productions of various projects. Over nearly a decade we have collaborated closely with the International distributors from around the world and we have actively participated in most prominent International Film Festivals and Markets such as Cannes (Marche Du Film), MIPCOM, MIP JUNIOR, Berlinale and Venice. HONAR AVAL is currently producing and providing contents for the market of Entertainment, releasing titles in multiple media such as Theatre, Home Video, Digital Market, VOD/OTT platforms and TV Channels. We are proud that over the years we have been able to provide more than 2,000 titles for the general public, including special contents for children and young adults. Achieving the position of the country's top Home Video Company in 2015 and the country's top National Broadcasting Company in 2016, 2017, 2018, 2019 & 2020 which has been a testimony to the trust and love of our audience. Here are some of the titles from our 2020-2021 catalog. Web Series I Want To Stay Alive Mikhaham Zende- Bemanam (Original Title) Drama | Series | 2021 | IRAN | 20 Episode *45 Min Director: Sharam Shah Hosseini Producer: Mohammad Shayesteh Writer: Pouya Saeedi | Pourya Kakavand CAST Sahar Dolatshahi| Hamed Behdad| Pedram Sharifi| Babak Karimi | Ali Shadman | Bahareh Kian Afshar | Ezzatollah Mehravaran | Azadeh Samadi | Nahid Moslemi| Afsaneh Chehreh Azad | Mehran Ahmadi| Anahita Dargahi| Amir Noruzi | Maedeh Tahmasebi SYNOPSIS I WANT TO STAY ALIVE is a drama series which shows Iranian society’s condition right after the Iran & Iraq war, the time in which the Committee (a former law enforcement organization in Iran acting under the Ministry of Interior affairs) has the power beyond the law. -
An Audience-Based Approach in the Subtitling of Cultural Elements in Selected Iranian Films
AN AUDIENCE-BASED APPROACH IN THE SUBTITLING OF CULTURAL ELEMENTS IN SELECTED IRANIAN FILMS MOHAMMAD SADEGH KENEVISI UNIVERSITI SAINS MALAYSIA 2017 AN AUDIENCE-BASED APPROACH IN THE SUBTITLING OF CULTURAL ELEMENTS IN SELECTED IRANIAN FILMS by MOHAMMAD SADEGH KENEVISI Thesis submitted in fulfillment of the requirements for the degree of Doctor of Philosophy August 2017 To My Much-loved Father, Mother, Wife & Daughter ACKNOWLEDGEMENT First and foremost, I would like to extend my deepest gratitude to my supervisor, Associate Professor Dr. Hasuria Che Omar, whose academic supports, encouragements and her invaluable counselling and advice helped me in the course of accomplishment of the present research. I am also indebted to Dr. Aniswal Abdol Ghani, whose critical viewpoint shaped my initial understanding of the required capabilities in doing a Ph.D. I would also like to especially thank my proposal examiner, Dr. Leelany Ayob, whose comments paved the way for finding the better path in carrying out the present study. My deepest thanks also extend to Dr. Ali Jalalian Daghigh whose support helped me carry out this research. I would also like to express my special gratitude to my beloved father and mother, whose patience, support and care supported me during these years of separation. Lastly, I would like to extend my warmest thanks to my much-loved wife and daughter whose presence and patience were incredibly compassionate for me and enabled me in carrying out this research. ii TABLE OF CONTENT ACKNOWLEDGEMENT……………………………………………………………………………………………………………………………………………………………………………..…………………………………………… -
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WWW.TEHRANTIMES.COM I N T E R N A T I O N A L D A I L Y 16 Pages Price 10,000 Rials 38th year No.12871 Sunday JJULYULY 99,, 22017017 Tir 18, 1396 Shawwal 14, 1438 Dialogue with Riyadh Gas exports to CHTHO to introduce Iran’s Ebadi still best way to end neighboring countries, disable-friendly wins gold at Asia Cup impasse: diplomat 2 India prioritized 4 tourist sites 10 archery meet 15 Iran’s 2016 oil exports up Sepehri artwork breaks over 77%: OPEC ECONOMY TEHRAN — Iran’s In 2015, Iran exported 1.423 deskoil exports in 2016 million bpd of oil to its Asian buy- reached 1.921 million barrels per ers compared to 969,700 bpd in record at Tehran Auction day (bpd), a 77.6 percent rise com- 2015. pared to 2015, according to OPEC’s Meanwhile, 497,300 barrels of oil latest Annual Statistical Bulletin re- was sent to the European markets port. on a daily basis while the figure was The country’s crude exports stood 111,400 bpd in 2015. See page 16 at 1.081 million bpd in 2015 which in- Iran was exempted from OPEC dicates that the 2016 figure is 840,000 agreement to reduce output by 1.2 bpd more than that of the 2015 av- million bpd that began this year, as erage. Tehran needs to regain the market In the meantime, Iran boosted ex- share it lost under Western sanctions ports of oil products by 74.5 percent over its nuclear program. -
Istanbul Film Festival Celebrates 35 Edition The
For detailed information on the Istanbul Film Festival: http://film.iksv.org/en For high resolution images from the Istanbul Film Festival: www.iksvphoto.com For promotional videos of the Istanbul Film Festival: https://files.secureserver.net/0fqvcyftnL8ngH For all press releases about the Istanbul Film Festival programme: http://film.iksv.org/en/press ISTANBUL FILM FESTIVAL CELEBRATES 35TH EDITION THE FESTIVAL TO KICK OFF ON 7 APRIL, WILL LEAVE ITS MARK ON THE CITY Initiated by the Istanbul Foundation for Culture and Arts (İKSV) as a film week in 1982, the Istanbul Film Festival has since become the most extensive film event in Turkey. The festival prepares to leave its mark on the city one more time this year as it celebrates its 35th edition, between 7 and 17 April, with the support of Akbank for the 12th time. The Istanbul Film Festival presents a rich programme in its 35th edition as ever, ranging from the latest productions of world cinema to cult films, to the latest Turkish films and the classics, new discoveries, masterpieces, and hidden treasures. The festival hosts 187 feature films, as well as 10 short and 24 experimental films, in 25 different categories and in addition to the screening of a total of 221 films by 223 directors from 62 countries, there will be talks with guest filmmakers, panel discussions, concerts, and other special events. The press meeting of the 35th Istanbul Film Festival to be held on Monday night, 14 March at Soho House Istanbul was cancelled after the terrorist attack in Ankara. İKSV General Director Görgün Taner, Akbank CEO Hakan Binbaşgil, and Istanbul Film Festival Director Kerem Ayan, extended their deepest condolences to the families and friends of the victims and wished a quick recovery to those injured. -
Ferzan Özpetek
THE SPACE BETWEEN A PANORAMA OF CINEMA IN TURKEY This catalog has been published in conjunction with “The Space Between: A Panorama of Cinema in Turkey” co-presented by The Film Society of Lincoln Center and Moon and Stars Project of The American Turkish Society The Film Society of Lincoln Center April 27-May 10, 2012 Walter Reade Theater Elinor Bunin Munroe Film Center New York City The Film Society of Lincoln Center 165 West 65th Street New York, NY 10023 (212) 875-5610 Moon and Stars Project c/o The American Turkish Society 305 E. 47th Street, 8th Floor New York, NY 10017 (212) 583-7614 Written by Richard Peña, Doğa Kayalar Polat, Sean M. Dixon, Alexandra N. Sprano Edited by Binnaz Saktanber Graphic Design by Çağan Yüksel and Jacqueline M. Rivera Printed by Paragraf Basım From Moon and Stars Project of The American Turkish Society Dear Friends: It is our pleasure to co-present with The Film Society of Lincoln Center “The Space Between: A Panorama of Cinema in Turkey.” As part of our mission to highlight the changing face of Turkey’s arts and culture scene in the United States - as well as The American Turkish Society’s overall objective of enhancing mutual understanding between our countries - we have been true believers in the power of cinema not only in transporting audiences to distant places, but also reflecting the universality of the human experience. Building on this idea, Moon and Stars Project has been presenting and supporting numerous film events since its inception in order to expose American audiences and cinema professionals to Turkey’s rising film scene as well as to the developments in the country. -
Our Activities in 1389 Will Focus on Welfare
No. 10 The House Of Cinema Newsletter Iranian Alliance of Motion Picture Guilds April 2010 Our Activities in 1389 .Report on Box Office Receipt of .Conclusion of Letter of Understanding . Between the House of Cinema and the Inside will Focus on Welfare Films Iranian Society of International Affairs Mohammad Mehdi Asgarpour, The House of Cinema’s Managing Director: Our Activities in 1389 will Focus on Welfare The first news session of the board of direc- of the House of Cinema in 1388, was related “I suppose you all agree that we are not con- tors of the House of Cinema in 13 89 (March to the social welfare. fronted with a single and well-formulated 21, 2010 – March 20, 2011) was held on Mon- attitude, and this is not restricted to recent day, April 12 In the presence of Mohammad “Unfortunately sometimes our criterion for years and has prevailed for many years.” Mahdi Asgarpour (chairman of the board and the evaluation of the activities of a guild so- managing director), Amin Tarokh (speaker ciety is restricted to the arrangement of a fes- Government’s outlook on the guild system of the board of directors of the House of Cin- tival. It is true of course that the organizing is not well defined. Asgarpour emphasized ema) and Farhad Towhidi (vice-chairman of of the festival is part of our job, but that does that the government’s outlook on the guild the board of directors). not mean the festival should be the sole basis system is not well defined, especially in the for the evaluation of our activities. -
1.Pdf (973.1Kb)
T.C. ANKARA ÜNİVERSİTESİ SOSYAL BİLİMLER ENSTİTÜSÜ RADYO TELEVİZYON SİNEMA ANABİLİM DALI 2000’Lİ YILLARDA TÜRKİYE SİNEMASINDA TAŞRANIN TEMSİLİ Yüksek Lisans Tezi Melek Şimşek ERDOĞAN Ankara, 2019 T.C. ANKARA ÜNİVERSİTESİ SOSYAL BİLİMLER ENSTİTÜSÜ RADYO TELEVİZYON SİNEMA ANABİLİM DALI 2000’Lİ YILLARDA TÜRKİYE SİNEMASINDA TAŞRANIN TEMSİLİ Yüksek Lisans Tezi Melek Şimşek ERDOĞAN Tez Danışmanı Doç. Dr. Ali KARADOĞAN Ankara, 2019 T.C. ANKARA ÜNİVERSİTESİ SOSYAL BİLİMLER ENSTİTÜSÜ RADYO TELEVİZYON SİNEMA ANABİLİM DALI Melek Şimşek ERDOĞAN 2000’Lİ YILLARDA TÜRKİYE SİNEMASINDA TAŞRANIN TEMSİLİ Yüksek Lisans Tezi Tez Danışmanı: Doç. Dr. Ali KARADOĞAN Tez Jürisi Üyeleri Adı ve Soyadı İmzası ……………………………………… ......................... ……………………………………… ......................... ……………………………………… ......................... ......................... Tez Sınavı Tarihi: TÜRKİYE CUMHURİYETİ ANKARA ÜNİVERSİTESİ SOSYAL BİLİMLER ENSTİTÜSÜ MÜDÜRLÜĞÜ’NE Bu belge ile bu tezdeki bütün bilgilerin akademik kurallara ve etik davranış ilkelerine uygun olarak toplanıp sunulduğunu beyan ederim. Bu kural ve ilkelerin gereği olarak, çalışmada bana ait olmayan tüm veri, düşünce ve sonuçları andığımı ve kaynağını gösterdiğimi ayrıca beyan ederim. (..../..../20...) Tezi Hazırlayan Öğrencinin Adı Soyadı ............................. İmzası 4 İÇİNDEKİLER GİRİŞ: BİR TANIM OLARAK TAŞRA .................................................................................... 7 A) TÜRKİYE’DE TAŞRANIN TARİHSEL SEYRİ ................................................................ 12 1) -
Ezgi Ergün YL Tez.Pdf (1.366Mb)
T.C. İSTANBUL KÜLTÜR ÜNİVERSİTESİ LİSANSÜSTÜ EĞİTİM ENSTİTÜSÜ 1990 SONRASI TÜRK SİNEMASINDA FİLM ANLATI YAPILARINA KARŞILAŞTIRMALI BİR BAKIŞ YÜKSEK LİSANS TEZİ Ezgi ERGÜN 1105020026 Anabilim Dalı: İLETİŞİM TASARIMI Programı: İLETİŞİM TASARIMI Tez Danışmanı: Dr. Öğr. Üyesi Perihan TAŞ ÖZ HAZİRAN 2019 T.C. İSTANBUL KÜLTÜR ÜNİVERSİTESİ LİSANSÜSTÜ EĞİTİM ENSTİTÜSÜ 1990 SONRASI TÜRK SİNEMASINDA FİLM ANLATI YAPILARINA KARŞILAŞTIRMALI BİR BAKIŞ YÜKSEK LİSANS TEZİ Ezgi ERGÜN 1105020026 Anabilim Dalı: İLETİŞİM TASARIMI Programı: İLETİŞİM TASARIMI Tez Danışmanı: Dr. Öğr. Üyesi Perihan TAŞ ÖZ Jüri Üyeleri: Dr. Öğr. Üyesi Meliha Elif DEMOĞLU Doç. Dr. Okan ORMANLI HAZİRAN 2019 ÖNSÖZ Yüksek lisans tezimi tamamlamış olmamın heyecanı ve sevincini yaşarken, bu süreçte yanımda olan herkese teşekkür etmek istiyorum. Beni yüksek lisans yapmaya yönlendirerek tüm akademik sürecimde olduğu gibi, bu uzun ve zorlu tez yazım sürecimde de destek ve motiveleri ile yanımda olan, her aşamada değerli bilgi ve fikirleriyle çalışmamın biçimlenmesine katkı sağlayan ve benim için tünelin ucundaki ışığın en büyük parçası olan sevgili hocam Dr.Öğr. Üyesi Perihan TAŞ ÖZ’e sonsuz teşekkür ve sevgilerimi sunuyorum. Kendisine, akademik ve daha da önemlisi hayata dair bana katmış olduğu her şey için minnettarım. Aynı zamanda lisans ve yüksek lisans dönemlerimdeki katkılarından ötürü başta değerli hocam Doç. Dr. Okan ORMANLI olmak üzere bütün hocalarıma teşekkürü borç bilirim. Hayatımın bütün dönem ve süreçlerinde olduğu gibi, tez yazım sürecimde de desteğini benden esirgemeyen, varlığı ile güçlendiğim, başarabileceğime duyduğu inançla bana umut veren sevgili annem Leyla ERGÜN’e, minnetimi ifade edecek yeterli bir kelime bulamasam da sonsuz teşekkür ediyor ve sevgilerimi sunuyorum. Yine benzer şekilde bu süreçte desteklerini ve güzel enerjilerini hissettiğim sevgili teyzelerime, halama ve dostlarıma çok teşekkür ederim.