Jacques Demy

Total Page:16

File Type:pdf, Size:1020Kb

Jacques Demy FEB 14 GAZETTE ■20 Vol. 42, No. 2 24th Annual Festival of Films from Iran SNOW ON PINES, Feb. 8, 9 Complete ■ ■ schedule ALSO: JACQUES DEMY FREE SCHEDULE NOT FOR SALE For more information, on page 3 visit us online at: www.siskelfilmcenter.org $11 General Admission, $7 Students, $6 Members ■ To receive weekly updates and special offers, join our FOLLOW US! Join our email list email list at www.siskelfilmcenter.org at www.siskelfilmcenter.org CHICAGO PREMIERE! In a wrenching, radiant performance, Binoche plays the lover and protégée of Rodin who became a brilliant sculptor in her own right before being Camille committed by her family to a mental institution. With rigorous intensity, director Dumont (HUMANITÉ, HADEWIJCH) depicts three days in the early part of Claudel Camille’s long incarceration, observing her daily routines, interactions with the other patients, and sudden shifts in mood as she anxiously awaits a crucial visit from her brother, the pious poet Paul 1915 Claudel (Vincent). In French with English subtitles. DCP 2013, Bruno Dumont, France, 95 min. digital. (MR) With Juliette Binoche, Jean-Luc Vincent “One of Dumont’s finest February 14—20 Fri. and Tue. at 6:00 pm; achievements...Binoche Sat. 8:00 pm; is quite simply Sun. at 3:00 pm; Mon. at 7:45 pm; magnificent.” Wed. at 6:00 pm and 8:00 pm; —Geoff Andrew, Thu. at 8:15 pm Sight & Sound 2013, Mohsen Makhmalbaf, South Chicago premiere! Korea/Israel/Iran, 87 min. “Soothing, civilized, and quietly touching…Makhmalbaf’s radical tolerance is itself an act of political defiance.” —Manohla Dargis, THE GARDENER The New York Times In a welcome return to the screen after several years’ absence, exiled Iranian director Makhmalbaf (KANDAHAR) feelingly explores spirituality through this meditative film set in the magnificent gardens of the headquarters of the Baha’i faith in Haifa, Israel. A declared agnostic, the director gently debates his son Maysam on the pros and cons of religion through evocative imagery and poetic flights of visual fancy in a setting of breathtaking beauty. In English, Persian, and Tok Pisin with English subtitles. DCP digital. (BS) February 28—March 6 Fri., Mon., and Wed. at 8:00 pm; Sat. at 6:45 pm; Sun. at 1:45 pm; Tue. and Thu. at 6:00 pm FEB 2014 2 164 North State Street. Tickets: Go to our website for on-line ticket purchasing information. For more information, visit us online at: www.siskelfilmcenter.org or call 312-846-2800. 7 BOXES, February 7-20 TWO NEW INITIATIVES TO BENEFIT MOVIE LOVERS Reduced on-line ticketing fees In order to better serve our patrons and to keep your entertainment costs down, we are excited to announce that we will be transitioning to a new ticketing system. Once the conversion is complete, the on-line service fee will only be $1.50 per ticket with no handling fee. We appreciate your patience during this transition. Membership Mondays! Effective immediately, anyone and everyone who attends any screening at the Gene Siskel Film Center on Mondays pays the member ticket price of only $6 per movie instead of $11! Current Gene Siskel Film Center Members pay only $5 on Mondays. CATE Will Return! SATURDAY 1 Our Thursday-night series Conversations at the Edge 3:00 I AM BREATHING (Stranger), p. 13 is on hiatus and will return 3:00 2 AUTUMNS, 3 WINTERS (Run), p. 13 4:30 FIRE IN THE BLOOD (Stranger), p. 13H THE GIRLS IN March 27. Check our 4:45 A TOUCH OF SIN (Run), p. 13 THE BAND, website for upcoming 7:45 A TOUCH OF SIN (Run), p. 13 February 21-27 CATE programs. 7:45 2 AUTUMNS, 3 WINTERS (Run), p. 13 SUNDAY 2 MONDAY 3 TUESDAY 4 WEDNESDAY 5 THURSDAY 6 FRIDAY 7 8 3:00 A TOUCH OF SIN 6:00 2 AUTUMNS, 3 6:00 SHADOWS (New 6:00 2 AUTUMNS, 3 6:00 DAYS OF BEING WILD 6:00 HALLELUJAH THE HILLS (New Wave), p. 12 3:00 THE UMBRELLAS OF CHERBOURG (Demy), p. 8 (Run), p. 13 WINTERS (Run), p. 13 Wave), p. 12H WINTERS (Run), p. 13 (Rep), p. 13 6:00 7 BOXES (Run), p. 16 3:00 EVERYBODY STREET (Special), p. 11 3:15 AS TEARS GO BY 6:15 I AM BREATHING 6:00 A TOUCH OF SIN 6:30 AT BERKELEY (Run), 6:00 A TOUCH OF SIN 8:00 THE PRIVATE LIFE OF MR & MRS M (Iran), p. 4 4:45 LOLA (Demy), p. 9 (Rep), p. 13 (Stranger), p. 13 (Run), p. 13 p. 13 (Run), p. 13 8:00 BETTIE PAGE REVEALS ALL (Run), p. 7 4:45 BETTIE PAGE REVEALS ALL (Run), p. 7 5:15 DAYS OF BEING WILD 7:45 AS TEARS GO BY 8:30 2 AUTUMNS, 3 7:45 A TOUCH OF SIN 8:00 FIRE IN THE BLOOD 6:30 THE UMBRELLAS OF CHERBOURG (Demy), p. 8 (Rep), p. 13 (Rep), p. 13 WINTERS (Run), p. 13 (Run), p. 13 (Stranger), p. 13H 8:15 SNOW ON PINES (Iran), p. 5 5:30 2 AUTUMNS, 3 7:45 A TOUCH OF SIN 8:30 2 AUTUMNS, 3 8:15 7 BOXES (Run), p. 16 WINTERS (Run), p. 13 (Run), p. 13 WINTERS (Run), p. 13 9 10 11 12 13 14 15 3:00 SNOW ON PINES 6:00 LOLA (Demy), p. 9 6:00 HALLELUJAH THE 6:00 BETTIE PAGE REVEALS 6:00 THE UMBRELLAS OF 6:00 NOTHING BUT A MAN (New Wave), p. 12 3:00 THE YOUNG GIRLS OF ROCHEFORT (Iran), p. 5 7:45 7 BOXES (Run), p. 16 HILLS (New Wave), ALL (Run), p. 7 CHERBOURG (Demy), 6:00 CAMILLE CLAUDEL 1915 (Run), p. 2 (Demy), p. 9 3:00 7 BOXES (Run), p. 16 7:45 EVERYBODY STREET p. 12H 6:15 EVERYBODY STREET p. 8 8:00 PARVIZ (Iran), p. 5 3:00 IN NO GREAT HURRY (Special), p. 11 5:00 THE PRIVATE LIFE OF (Special), p. 11 6:00 BETTIE PAGE REVEALS (Special), p. 11 6:00 7 BOXES (Run), p. 16 8:00 7 BOXES (Run), p. 16 4:30 7 BOXES (Run), p. 16 MR & MRS M (Iran), ALL (Run), p. 7 8:00 7 BOXES (Run), p. 16 7:45 EVERYBODY STREET 5:30 BAY OF ANGELS (Demy), p. 9 p. 4 8:00 7 BOXES (Run), p. 16 8:00 BETTIE PAGE REVEALS (Special), p. 11 6:30 IN NO GREAT HURRY (Special), p. 11 5:00 BETTIE PAGE REVEALS ALL (Run), p. 7 8:00 BETTIE PAGE REVEALS 8:00 MY NAME IS NEGAHDAR JAMALI AND I MAKE ALL (Run), p. 7 ALL (Run), p. 7 WESTERNS (Iran), p. 5H 8:00 CAMILLE CLAUDEL 1915 (Run), p. 2 16 17 18 19 20 21 22 3:00 CAMILLE CLAUDEL 6:00 BAY OF ANGELS 6:00 NOTHING BUT A MAN 6:00 CAMILLE CLAUDEL 6:00 THE YOUNG GIRLS OF 6:00 THE GIRLS IN THE BAND (Run), p. 11 3:00 THE GIRLS IN THE BAND (Run), p. 11 1915 (Run), p. 2 (Demy), p. 9 (New Wave), p. 12H 1915 (Run), p. 2 ROCHEFORT (Demy), 6:00 IS THE MAN WHO IS TALL HAPPY? (Run), p. 7 3:00 UNE CHAMBRE EN VILLE (Demy), p. 9 3:15 MY NAME IS 6:00 7 BOXES (Run), p. 16 6:00 CAMILLE CLAUDEL 6:15 IN NO GREAT HURRY p. 9 7:45 AMERICAN PROMISE (Run), p. 7 4:45 MODEL SHOP (Demy), p. 10 NEGAHDAR JAMALI 7:45 CAMILLE CLAUDEL 1915 (Run), p. 2 (Special), p. 11 6:15 7 BOXES (Run), 8:00 THE BRIGHT DAY (Iran), p. 5 5:00 AMERICAN PROMISE (Run), p. 7 AND I MAKE 1915 (Run), p. 2 8:00 7 BOXES (Run), p. 16 7:45 7 BOXES (Run), p. 16 p. 16 7:45 IS THE MAN WHO IS TALL HAPPY? (Run), p. 7 WESTERNS (Iran), 8:00 IN NO GREAT HURRY 8:00 CAMILLE CLAUDEL 8:15 CAMILLE CLAUDEL 8:00 THE WEDLOCK (Iran), p. 6 p. 5 (Special), p. 11 1915 (Run), p. 2 1915 (Run), p. 2 4:45 PARVIZ (Iran), p. 5 8:30 7 BOXES (Run), p. 16 5:00 7 BOXES (Run), p. 16 23 24 25 26 27 28 MARCH 1 3:00 AMERICAN PROMISE 6:00 THE GIRLS IN THE 6:00 SCORPIO RISING + 6:00 THE GIRLS IN THE 6:00 UNE CHAMBRE EN 6:15 A CINEMA OF DISCONTENT (Iran), p. 6 3:00 DONKEY SKIN (Demy), p. 10 (Run), p. 7 BAND (Run), p. 11 FLAMING CREATURES BAND (Run), p. 11 VILLE (Demy), p. 9 6:15 APPROVED FOR ADOPTION (Run), p. 6 3:00 APPROVED FOR ADOPTION (Run), p. 6 3:15 THE BRIGHT DAY 6:00 MODEL SHOP (Demy), (New Wave), p. 13H 6:00 IS THE MAN WHO IS 6:00 AMERICAN PROMISE 7:45 MUSEUM HOURS (Run), p. 10 4:30 MUSEUM HOURS (Run), p. 10 (Iran), p. 5 p. 10 6:00 AMERICAN PROMISE TALL HAPPY? (Run), p. 7 8:00 THE GARDENER (Run), p. 2 4:45 A SLIGHTLY PREGNANT MAN (Demy), p. 10 5:15 THE WEDLOCK 7:45 AMERICAN PROMISE (Run), p. 7 (Run), p. 7 7:45 THE GIRLS IN THE 6:45 THE GARDENER (Run), p. 2 (Iran), p. 6 (Run), p. 7 8:30 IS THE MAN WHO IS 7:45 AMERICAN PROMISE BAND (Run), p. 11 6:45 APPROVED FOR ADOPTION (Run), p. 6 5:30 IS THE MAN WHO IS 8:00 IS THE MAN WHO IS TALL HAPPY? (Run), p.
Recommended publications
  • Iranian Women's Quest for Self-Liberation Through
    IRANIAN WOMEN’S QUEST FOR SELF-LIBERATION THROUGH THE INTERNET AND SOCIAL MEDIA: AN EMANCIPATORY PEDAGOGY TANNAZ ZARGARIAN A DISSERTATION SUBMITTED TO THE FACULTY OF GRADUATE STUDIES IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY GRADUATE PROGRAM IN EDUCATION YORK UNIVERSITY TORONTO, ONTARIO December 2019 © [Tannaz Zargarian, 2019] i Abstract This dissertation examines the discourse of body autonomy among Iranian women. It approaches the discourse of body autonomy by deconstructing veiling, public mobility, and sexuality, while considering the impact of society, history, religion, and culture. Although there are many important scholarly works on Iranian women and human rights that explore women’s civil rights and freedom of individuality in relation to the hijab, family law, and sexuality, the absence of work on the discourse of body autonomy—the most fundamental human right—has created a deficiency in the field. My research examines the discourse of body autonomy in the context of liberation among Iranian women while also assessing the role of the internet as informal emancipatory educational tools. To explore the discourse of body autonomy, I draw upon critical and transnational feminist theory and the theoretical frameworks of Derayeh, Foucault, Shahidian, Bayat, Mauss, and Freire. Additionally, in-depth semi-structured interviews with Iranian women aged 26 to 42 in Iran support my analysis of the practice and understanding of body autonomy personally, on the internet, and social media. The results identify and explicate some of the major factors affecting the practice and awareness of body autonomy, particularly in relation to the goal of liberation for Iranian women.
    [Show full text]
  • ZOOM- Press Kit.Docx
    PRESENTS ZOOM PRODUCTION NOTES A film by Pedro Morelli Starring Gael García Bernal, Alison Pill, Mariana Ximenes, Don McKellar Tyler Labine, Jennifer Irwin and Jason Priestley Theatrical Release Date: September 2, 2016 Run Time: 96 Minutes Rating: Not Rated Official Website: www.zoomthefilm.com Facebook: www.facebook.com/screenmediafilm Twitter: @screenmediafilm Instagram: @screenmediafilms Theater List: http://screenmediafilms.net/productions/details/1782/Zoom Trailer: www.youtube.com/watch?v=M80fAF0IU3o Publicity Contact: Prodigy PR, 310-857-2020 Alex Klenert, [email protected] Rob Fleming, [email protected] Screen Media Films, Elevation Pictures, Paris Filmes,and WTFilms present a Rhombus Media and O2 Filmes production, directed by Pedro Morelli and starring Gael García Bernal, Alison Pill, Mariana Ximenes, Don McKellar, Tyler Labine, Jennifer Irwin and Jason Priestley in the feature film ZOOM. ZOOM is a fast-paced, pop-art inspired, multi-plot contemporary comedy. The film consists of three seemingly separate but ultimately interlinked storylines about a comic book artist, a novelist, and a film director. Each character lives in a separate world but authors a story about the life of another. The comic book artist, Emma, works by day at an artificial love doll factory, and is hoping to undergo a secret cosmetic procedure. Emma’s comic tells the story of Edward, a cocky film director with a debilitating secret about his anatomy. The director, Edward, creates a film that features Michelle, an aspiring novelist who escapes to Brazil and abandons her former life as a model. Michelle, pens a novel that tells the tale of Emma, who works at an artificial love doll factory… And so it goes..
    [Show full text]
  • Cinema Medeia Nimas
    Cinema Medeia Nimas www.medeiafilmes.com 10.06 07.07.2021 Nocturno de Gianfranco Rosi Estreia 10 Junho Programa Cinema Medeia Nimas | 13ª edição | 10.06 — 07.07.2021 | Av. 5 de Outubro, 42 B - 1050-057 Lisboa | Telefone: 213 574 362 | [email protected] 213 574 362 | [email protected] Telefone: 42 B - 1050-057 Lisboa | 5 de Outubro, Medeia Cinema Nimas | 13ª edição 10.06 — 07.07.2021 Av. Programa Os Grandes Mestres do Cinema Italiano Ciclo: Olhares 1ª Parte Transgressivos A partir de 17 Junho A partir de 12 Junho Ciclo: O “Roman Porno” Programa sujeito a alterações de horários no quadro de eventuais novas medidas de contençãoda da propagaçãoNikkatsu da [1971-2016] COVID-19 determinadas pelas autoridades. Consulte a informação sempre actualizada em www.medeiafilmes.com. Continua em exibição Medeia Nimas 10.06 — 07.07.2021 1 Estreias AS ANDORINHAS DE CABUL ENTRE A MORTE Les Hirondelles de Kaboul In Between Dying de Zabou Breitman e Eléa Gobbé-Mévellec de Hilal Baydarov com Simon Abkarian, Zita Hanrot, com Orkhan Iskandarli, Rana Asgarova, Swann Arlaud Huseyn Nasirov, Samir Abbasov França, 2019 – 1h21 | M/14 Azerbaijão, México, EUA, 2020 – 1h28 | M/14 ESTREIA – 10 JUNHO ESTREIA – 11 JUNHO NOCTURNO --------------------------------------------- --------------------------------------------- Notturno No Verão de 1998, a cidade de Cabul, no Davud é um jovem incompreendido e de Gianfranco Rosi Afeganistão, era controlada pelos talibãs. inquieto que tenta encontrar a sua família Mohsen e Zunaira são um casal de jovens "verdadeira", aquela que trará amor e Itália, França, Alemanha, 2020 – 1h40 | M/14 que se amam profundamente. Apesar significado à sua vida.
    [Show full text]
  • SMALL CRIMES DIAS News from PLANET MARS ALL of a SUDDEN
    2016 IN CannES NEW ANNOUNCEMENTS UPCOMING ALSO AVAILABLE CONTACT IN CANNES NEW Slack BAY SMALL CRIMES CALL ME BY YOUR NAME NEWS FROM NEW OFFICE by Bruno Dumont by E.L. Katz by Luca Guadagnino planet mars th Official Selection – In Competition In Pre Production In Pre Production by Dominik Moll 84 RUE D’ANTIBES, 4 FLOOR 06400 CANNES - FRANCE THE SALESMAN DIAS NEW MR. STEIN GOES ONLINE ALL OF A SUDDEN EMILIE GEORGES (May 10th - 22nd) by Asghar Farhadi by Jonathan English by Stephane Robelin by Asli Özge Official Selection – In Competition In Pre Production In Pre Production [email protected] / +33 6 62 08 83 43 TANJA MEISSNER (May 11th - 22nd) GIRL ASLEEP THE MIDWIFE [email protected] / +33 6 22 92 48 31 by Martin Provost by Rosemary Myers AN ArtsCOPE FILM NICHolas Kaiser (May 10th - 22nd) In Production [email protected] / +33 6 43 44 48 99 BERLIN SYNDROME MatHIEU DelaUNAY (May 10th - 22nd) by Cate Shortland [email protected] / + 33 6 87 88 45 26 In Post Production Sata CissokHO (May 10th - 22nd) [email protected] / +33 6 17 70 35 82 THE DARKNESS design: www.clade.fr / Graphic non contractual Credits by Daniel Castro Zimbrón Naima ABED (May 12th - 20th) OFFICE IN PARIS MEMENTO FILMS INTERNATIONAL In Post Production [email protected] / +44 7731 611 461 9 Cité Paradis – 75010 Paris – France Tel: +33 1 53 34 90 20 | Fax: +33 1 42 47 11 24 [email protected] [email protected] Proudly sponsored by www.memento-films.com | Follow us on Facebook NEW OFFICE IN CANNES 84 RUE D’ANTIBES, 4th FLOOR
    [Show full text]
  • Friday Night F I L M Series
    SPRING 2014 SERIES NAO BUSTAMANTE IN THE MOOD FOR LOVE COLGATE UNIVERSITY PRESENTS IN THE MOOD FOR LOVE THE PIANO dir. Kar Wai Wong, 2000, 98 min, 35mm February 14 dir. Jane Campion, 1993, 121 min, 35mm March 28 In Hong Kong in the early 1960s, a man and a woman A mute woman (Holly Hunter), her young daughter (Anna move in to neighboring apartments. When they begin Paquin), and her piano are sent to New Zealand for an 3.28 FRIDAY 2.14 suspecting their spouses of cheating, they meet to console arranged marriage to a wealthy landowner in this 1850s each other and soon find themselves tempted toward the lyrical romantic drama. The film won three Academy same transgression. Arguably one of the most romantic Awards, and shared the highest award at the Cannes movies of all time, In the Mood for Love is renowned for its Film Festival, the Palme d’Or. lush score and cinematography, as well as for the luminous NIGHT performances of stars Tony Leung and Maggie Cheung. AMATEUR: BLACK GIRL THE WORK OF NAO BUSTAMANTE FILM Ousmane Sembène, 1966, 60 min Artist will bring video clips to screen as part of lecture. April 4 MANDABI The late, great, and sorely missed performance scholar José Esteban Muñoz described Nao Bustamante as 4.4 2.21 Ousmane Sembène, 1968, 90 min, DVD February 21 a “vulnerability artist,” in recognition of how her work Two films by the masterful Senegalese filmmaker Ous- brings the audience into a field of exchange with the art- SERIES mane Sembène.
    [Show full text]
  • Westminsterresearch the Artist Biopic
    WestminsterResearch http://www.westminster.ac.uk/westminsterresearch The artist biopic: a historical analysis of narrative cinema, 1934- 2010 Bovey, D. This is an electronic version of a PhD thesis awarded by the University of Westminster. © Mr David Bovey, 2015. The WestminsterResearch online digital archive at the University of Westminster aims to make the research output of the University available to a wider audience. Copyright and Moral Rights remain with the authors and/or copyright owners. Whilst further distribution of specific materials from within this archive is forbidden, you may freely distribute the URL of WestminsterResearch: ((http://westminsterresearch.wmin.ac.uk/). In case of abuse or copyright appearing without permission e-mail [email protected] 1 THE ARTIST BIOPIC: A HISTORICAL ANALYSIS OF NARRATIVE CINEMA, 1934-2010 DAVID ALLAN BOVEY A thesis submitted in partial fulfilment of the requirements of the University of Westminster for the degree of Master of Philosophy December 2015 2 ABSTRACT The thesis provides an historical overview of the artist biopic that has emerged as a distinct sub-genre of the biopic as a whole, totalling some ninety films from Europe and America alone since the first talking artist biopic in 1934. Their making usually reflects a determination on the part of the director or star to see the artist as an alter-ego. Many of them were adaptations of successful literary works, which tempted financial backers by having a ready-made audience based on a pre-established reputation. The sub-genre’s development is explored via the grouping of films with associated themes and the use of case studies.
    [Show full text]
  • 4-12 Novembre | Cinema Savoy - Macro
    Opera di Zoo Project, dalla serie di grafti "Les Martyrs" 4-12 NOVEMBRE | CINEMA SAVOY - MACRO Direzione Artistica e Organizzativa Redazione Artistic and Executive Management Editorial Staff Ginella Vocca Giulio Casadei Presidente Fondatore MedFilm Festival / MedFilm Francesca Passacantando Festival President and Founder Veronica Flora Mara Valente Giulio Casadei, Responsabile Programmazione Federica Licata / Head of Programming Gianfranco Pannone, Curatore Concorso Catalogo a cura di Documentari / International Documentary Films Catalog Curator Competition Programmer Alessandro Zoppo, Curatore Concorso Alessandro Zoppo Cortometraggi, Coordinamento programmazione / International Short Films Competition Grafca del Catalogo Programmer, Screening Coordinator Graphic Design Francesca Passacantando, Progetto Methexis / Methexis Project Andrea Pergola & Pietro Bindi - Dude Mag Comitato di Selezione Uffcio Stampa Selection Committee Press Offce Giulio Casadei Reggi&Spizzichino Communication Francesca Passacantando Veronica Flora Veronica Flora Natalia La Terza Alessandro Zoppo Giulia De Luca Gabrielli Gianfranco Pannone Visual Communication, Visual Identity, Digital PR Staff Organizzativo General Organization Valerio Innamorati Anthony Ettorre Movimento Copie / Film Shipment Web Design Management Francesca Delise Responsabile Ospitalità / Guest Simone Foti Manager Veronica Flora Responsabile rapporti Università / Foto & Video University Relations Manager Photos & Videos Giulia De Luca Gabrielli Responsabile comunicazione / Projection Coordinator
    [Show full text]
  • Es Un Proyecto De
    ES UN PROYECTO DE: festivalcinesevilla.eu Es un proyecto de: Alcalde de Sevilla Presidente del ICAS Juan Ignacio Zoido Álvarez Teniente Alcalde Delegada de Cultura, Educación, Deportes y Juventud Vicepresidenta del ICAS María del Mar Sánchez Estrella Directora General de Cultura María Eugenia Candil Cano Director del Festival de Cine Europeo de Sevilla José Luis Cienfuegos PROGRAMA DE MANO Edición y textos: Elena Duque Documentación: Antonio Abad Textos música: Tali Carreto Diseño e impresión: Avante de Publicidad (www.avantedepublicidad.com) Maquetación: Páginas del Sur UNA PUBLICACIÓN DEL ICAS Instituto de la Cultura y de las Artes de Sevillla Depósito Legal: SE 2038-2013 PRESENTACIÓN SECCIÓN OFICIAL 5 Las obras clave del 2013, el mejor cine europeo reconocido internacionalmente. LAS NUEVAS OLAS (FICCIÓN+NO FICCIÓN) 15 Los nuevos valores y las miradas singulares del cine europeo contemporáneo más refrescante. RESISTENCIAS 29 Cine español estimulante y combativo, producciones independientes que plantan cara a la crisis con ímpetu creativo. SELECCIÓN EFA 35 Las películas prenominadas a los premios de la European Film Academy, MARÍA DEL MAR SÁNCHEZ ESTRELLA sello de calidad indiscutible. TENIENTE ALCALDE DELEGADA DE CULTURA, EDUCACIÓN, DEPORTES Y JUVENTUD VICEPRESIDENta DEL ICAS SPECIAL SCREENING 43 Proyecciones especiales que acercan a Sevilla películas imperdibles. Hablar de Sevilla en otoño es hacerlo de cine europeo. De audacia SEFF PARA TODA LA FAMILIA 47 creativa, de tradición y de futuro, de apuesta por el talento y de Cine para pequeños y mayores, una selección de lo mejor del cine familiar europeo. comunión entre los sevillanos y sus espacios culturales. Y es así SEFF JOVEN 51 porque el Festival de Cine Europeo ha conseguido lo que el Ayun- El ritmo, el ardor y la fuerza de los años del frescor.
    [Show full text]
  • Lo Sguardo (Dis)Umano Di Bruno Dumont
    Lo sguardo (dis)umano di Bruno Dumont Alberto Scandola «La cinematografia – ha dichiarato Bruno Dumont – è disumana. […] È la materia delle nostre vite, è la vita stessa, presente e rappresentata»1. Sin dagli esordi (L’età inquieta, 1997), Bruno Dumont ha posto al centro della sua attenzione l’umano e soprattutto le sue derive verso l’animale, il selvaggio, il bestiale. Liberi di non significare altro che loro stessi e il loro opaco Dasein, i corpi di questo cinema abitano luoghi dove – penso a L’humanité (1999) – il visibile altro non è che il riflesso dell’invisibile e l’immagine sembra lottare contro il suono. Conflitti come quello tra i volumi e i rumori (l’ansimare dettagliato di un corpo ripreso in campo lunghissimo, per esempio), frequenti soprattutto nella prima fase della produzione, sono finalizzati a evidenziare la testura di un dispositivo a cui l’autore da sempre affida una precisa funziona catartica: Bisogna sviluppare il sistema immunitario dello spettatore, biso- gna mettergli il male. Costui svilupperà naturalmente gli anticorpi. È lo spettatore che deve svegliarsi, non il film. Per me un film non è molto importante. Ciò che è importante è cominciare; poi tocca allo spettatore terminare2. Per poter «terminare», però, bisogna innanzitutto riuscire a guardare. Guardare immagini che, nel disperato tentativo di catturare le vita, offrono 1 B. Dumont in Ph. Tancelin, S. Ors, V. Jouve, Bruno Dumont, Éditions Dis Voir, Paris 2001, p. 12. Nostra traduzione. 2 B. Dumont in A. Scandola, Un’estetica della rivelazione. Conversazione con Bruno Du- mont, in Schermi D’Amore dieci+1, a cura di P.
    [Show full text]
  • Les Parapluies De Cherbourg, Photographiée Par Leo Weisse, 1963
    AFFICHE 2013 NUIT DE CHINE d’APRÈS UNE PHOTOGRAPHIE DE LEO WEISSE © 1993 CINÉ-TAMARIS C I MIS ENMUSIQUEPAR UN FILMDE MARC MICHEL NINO CASTELNUOVO ANNE VERNON DENEUVE CATHERINE PRÉSENTE CINÉ-TAMARIS MAGES OSTUMES J EAN J ACQUELINE RABIER JACQUES DEMY D ÉCORS MOREAU B MICHEL LEGRAND ERNARD M ontage EVEIN A NNE -M ARIE COTRET « Les Parapluies c’est un film contre la guerre, CATHERINE DENEUVE ET NINO CASTELNUOVO contre l’absence, contre tout ce qu’on déteste et qui brise un bonheur. » “The Umbrellas Of Cherbourg LES PARAPLUIES is a film against war, against absence, DE CHERBOURG against everything we hate THE UMBRELLAS OF CHERBOURG that crushes happiness.” UN FILM DE / A FILM BY JACQUES DEMY JACQUES DEMY MUSIQUE DE / MUSIC BY MICHEL LEGRAND FRANCE / 1963 / 91 min / Couleurs - Colors / Panoramique / Visa n° 28.015 Un film restauré par / A film restored by Avec le soutien de / With the support of et / and Un soir de juillet 1963, j‘avais 5 ans, j’ai vécu ma première expérience de cinéma ! Pour la scène finale des Parapluies de Cherbourg, Jacques avait eu une idée charmante. Faire jouer à Hervé Legrand, le fils de Michel, le rôle de François fils de Guy, recasé après sa déception amoureuse et de me faire jouer le rôle de Françoise, fille de Geneviève et de Guy… enfant de l’amour… Hervé et moi avions l’âge des rôles. Pour Jacques, c’était peut être une façon de graver pour toujours nos visages d’enfants sur la pellicule. Je me souviens bien de ce tournage tard le soir et de sentir que tout cela était spécial… Je me souviens de la fausse neige au sol, c’était du sel et des faux flocons qui tombaient mystérieusement du ciel… Je me souviens de notre Catherine, la plus belle à mes yeux et de son manteau de vison.
    [Show full text]
  • Jacques Demy Et Les Racines Du Rêve
    MONOGRAPHIES CINÉMATHÈQUE QUÉBÉCOISE Médiathèque Guy-L.-Coté (842-9768 – poste 262) Berthomé, Jean-Pierre. Jacques Demy et les racines du rêve . Nantes : L’Atalante, 1996, 478p. Filmogr. ; (Courriel : [email protected]) Générique ; Ill. À travers des entretiens avec le cinéaste, ses amis, ses acteurs et ses collaborateurs, des analyses des films et REPÈRES BIBLIOGRAPHIQUES 72 des rapports que le livre tisse entre le cinéma et la vie, se dessine l’œuvre inclassable de Jacques Demy. e JACQUES DEMY Collet, Jean. Le cinéma en question : Rozier, Chabrol, Rivette, Truffaut, Demy, Rohmer . Paris : Cerf, 1972 – (7 Art ; 55), 192, 1p. Bibliogr. ; Ill. Chapitre sur le cinéma de Jacques Demy, particulièrement les films MODEL SHOP et PEAU D ’ÂNE (pp. 125- RÉTROSPECTIVE 155). L’UNIVERS DE JACQUES DEMY (23 janvier au 8 mars 2009) Cornu, Jean-François. « Paysages intérieurs : les travellings dans quatre courts métrages de Jacques Demy ». In : Fiant, Anthony ; Hamery, Roxane. Le court métrage français de 1845 à 1968 (2), documentaire, fiction : allers- retours . Rennes : Presses Universitaires de Rennes, 2008, pp.329-342. Cette bibliographie se veut très sélective par rapport aux documents disponibles à la Médiathèque. Ceux-ci peuvent Étude sur l’évolution du travelling comme figure de style dans quatre courts métrages de Jacques Demy. être consultés aux heures d'ouverture, du mardi au vendredi de 13h00 à 20h00. Intégrale Jacques Demy , S.l. : s.n., 1987, 40p. Filmogr. ; Générique ; Ill. Publié à l'occasion de la rétrospective « Jacques Demy, réalisateur - intégrale des films », janvier-février 1987. Jacques Demy . Lisbonne : Cinemateca Portuguesa, 1983, 75p. Filmogr. ; Ill. Ouvrage produit à l’occasion d’une rétrospective des films de Jacques Demy.
    [Show full text]
  • God Loves Uganda | the Hooping Life | Tim’S Vermeer | the Address | Life According to Sam | the Story of the Jews Scene & He D
    July-August 2014 VOL. 29 THE VIDEO REVIEW MAGAZINE FOR LIBRARIES N O . 4 IN THIS ISSUE God Loves Uganda | The Hooping Life | Tim’s Vermeer | The Address | Life According to Sam | The Story of the Jews scene & he d LET BAKER & TAYLOR’S SCENE & HEARD TEAM HELP MAKE BUILDING AND MAINTAINING YOUR A/V COLLECTION EASIER WITH OUR PROFESSIONAL DIGITAL MEDIA PROCESSING (DMP) SERVICES! DMP off s a v iety of key benefi ts and feat es including: ■ Digitally reproduced original cover artwork ■ Personalized library contact information ■ Detailed content checklists and messaging ■ Circulation-tough polyvinyl CD and DVD cases ■ Single, double, multiple and locking security cases available ■ Large assortment of customized, embedded labels — genre, spine and more! To learn about DMP and other A/V products and services, contact your Sales Consultant today to discuss a custom-tailored solution for all your needs! 800-775-2600 x2050 [email protected] www.baker-taylor.com STAY CONNECTED: Spotlight Review God Loves Uganda streets, LGBT activists identified in newspa- HHH1/2 pers, and finally to a killing. Williams seems (2013) 83 min. DVD: to be everywhere with his camera (although $24.95. First Run he also makes assiduous use of archival and Publisher/Editor: Randy Pitman Features (avail. from other material): on buses with young Ameri- most distributors). Closed can ministers in Uganda, in parliamentary Associate Editor: Jazza Williams-Wood captioned. session, and at town hall-like meetings where Copy Editor: Kathleen L. Florio Stunning in its rev- gay pornography is shown (even to children) elations about the ways Editorial Assistant: Chris Pitman with the intent of fomenting intolerance.
    [Show full text]