SMALL CRIMES DIAS News from PLANET MARS ALL of a SUDDEN
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Cinemabreweryarts.Co.Uk | 01539 725133 Jan-Mar 2019
Cinema Jan-Mar 2019 breweryarts.co.uk | 01539 725133 Capernaum | Mar 01 For listings, information and online bookings, go to breweryarts.co.uk/cinema 02 Island of Hungry Ghosts The Brewery Cinema USEFUL INFO Doors open 10 minutes prior to January-March 2019 advertised start time and includes adverts & trailers All screenings have allocated seating; choose your preferred view when elcome to a new season of films We’ll also be welcoming back the booking Destroyer at the Brewery Cinema. Japan Foundation Touring Film You are welcome to enjoy alcoholic Programme with a selection of This winter/spring we will drinks in our cinema screens - served films, based around the theme of be bringing you the best in in plastic glasses only. Please drink love, in the intimate surroundings mainstream film and a selection responsibly TICKETS & OFFERS of British independent and of our Warehouse Cinema. The first W Only food & drink purchased at *Ticket Prices unless stated: specialist films from around the film in the series will be Tonight at the Brewery may be taken into the £8.50 | £7.50 OAP/NUS | £7.00 U18 world. the Movies which will be screened cinemas on Valentine’s Day – perfect timing! Book online: breweryarts.co.uk/cinema The 2019 Awards Season is This year, the Brewery will be Please note that hot drinks or via our box office: 01539 725133 well under way, and we’re are not permitted in Screen 3 looking forward to screening celebrating Inspirational Women some of the main contenders. in the Arts with special theatre, Screens 1 & 2 are equipped with an The Reel Deal Enjoy a movie & a pizza for only £15 Titles to look out for include comedy and spoken word infra-red assisted listening system & audio description facility. -
SLACK BAY Press Notes
SLACK BAY A film by Bruno Dumont Official Selection, Cannes Film Festival Competition 2016 / France / 122 min. / In French with English subtitles Press materials: www.kinolorber.com New York Publicity: Los Angeles Publicity: Charlie Olsky, Cinetic Marketing Sasha Berman, Shotwell Media [email protected] [email protected] 212-204-7951 310-450-5571 SYNOPSIS The bourgeois and extremely eccentric Van Peteghem family - among them Juliette Binoche, Fabrice Luchini, and Valeria Bruni Tedeschi - have settled in for another summer at their cliff-top villa overlooking the picturesque Slack Bay. Their leisurely rhythm of sunbathing and seaside constitutionals is soon interrupted by the arrival of two bumbling inspectors investigating a string of tourists gone missing (and serving full- on Keystone Kops). As the macabre mysteries mount and love blossoms between the family's genderqueer teen and the son of a local fisherman, Binoche and company ratchet the slapstick up to eleven. It's no wonder director Bruno Dumont (Li'l Quinquin, Camille Claudel 1915) cites Peter Sellers, Monty Python, and Laurel and Hardy as cinematic influences for his delightful foray into winking, absurdist farce. DIRECTOR’S STATEMENT I’ve wanted to make a comedy, but couldn’t find the right note, the right tune. I put this idea to the side for a long time; I made some other films, tackled some other genres. Then Arte asked me to direct a series. I had a free hand to do whatever I wanted, so I decided to embark on a cop comedy, but in my own, somewhat experimental way. I had the intuition that the drama had to drive the humor. -
Westminsterresearch the Artist Biopic
WestminsterResearch http://www.westminster.ac.uk/westminsterresearch The artist biopic: a historical analysis of narrative cinema, 1934- 2010 Bovey, D. This is an electronic version of a PhD thesis awarded by the University of Westminster. © Mr David Bovey, 2015. The WestminsterResearch online digital archive at the University of Westminster aims to make the research output of the University available to a wider audience. Copyright and Moral Rights remain with the authors and/or copyright owners. Whilst further distribution of specific materials from within this archive is forbidden, you may freely distribute the URL of WestminsterResearch: ((http://westminsterresearch.wmin.ac.uk/). In case of abuse or copyright appearing without permission e-mail [email protected] 1 THE ARTIST BIOPIC: A HISTORICAL ANALYSIS OF NARRATIVE CINEMA, 1934-2010 DAVID ALLAN BOVEY A thesis submitted in partial fulfilment of the requirements of the University of Westminster for the degree of Master of Philosophy December 2015 2 ABSTRACT The thesis provides an historical overview of the artist biopic that has emerged as a distinct sub-genre of the biopic as a whole, totalling some ninety films from Europe and America alone since the first talking artist biopic in 1934. Their making usually reflects a determination on the part of the director or star to see the artist as an alter-ego. Many of them were adaptations of successful literary works, which tempted financial backers by having a ready-made audience based on a pre-established reputation. The sub-genre’s development is explored via the grouping of films with associated themes and the use of case studies. -
Uk Films for Sale in Cannes 2009
UK FILMS FOR SALE IN CANNES 2009 Supported by Produced by 1234 TMoviehouse Entertainment Cast: Ian Bonar, Lyndsey Marshal, Kieran Bew, Mathew Baynton Gary Phillips Genre: Drama Rés. Du Grand Hotel 47 La Croisette, 6Th Director: Giles Borg Floor Producer Simon Kearney Tel: +33 4 93 38 65 93 Status : Completed [email protected] Home Office Tel: +44 20 7836 5536 Synopsis Ardent musician Stevie (guitar, vocals) endures a day-job he despises and can't find a girlfriend but... at least he has his music! With friend Neil (drums) he's been kicking around for a while not achieving much but when the pair of misfits team-up with the more-experienced Billy (guitar) and his cute pal Emily (bass) the possibility they might be on to something really good presents itself. For Stevie this is the opportunity he's been waiting for with the band and just maybe... Emily too! 13 Hrs TEyeline Entertainment Cast: Isabella Calthorpe, Gemma Atkinson, Tom Felton, Joshua Duncan Napier-Bell Bowman Lerins Stand R10 Genre: Horror Tel: +33 4 92 99 33 02 Director: Jonathan Glendening [email protected] Writer: Adam Phillips Home Office Tel: +44 20 8144 2994 Producer Nick Napier-Bell, Romain Schroeder, Tom Reeve Status : Post-Production Synopsis A full moon hangs in the night sky and lightning streaks across dark storm clouds. Sarah Tyler returns to her troubled family home in the isolated countryside, for a much put-off visit. As the storm rages on, Sarah, her family and friends shore up for the night, cut off from the outside world. -
Liste De Films Autour De La Nourriture Ou De La Cuisine
Liste de films autour de la nourriture ou de la cuisine Il y a un intérêt au cinéma pour des films s’intéressant en grande partie à la nourriture, à la cuisine, à la gastronomie, à la restauration et/ou à l’industrie agroalimentaire ou l’on y retrouve une scène marquante. En voici une liste : Année Titre du film Réalisateur Principaux acteurs / actrices 1895 La charcuterie Louis Lumière - mécanique 1899 Au cabaret Alice Guy - 1900 Chapellerie et Alice Guy - charcuterie mécaniques 1900 Le repas fantastique Georges Méliès - 1905 La charité du Alice Guy - prestidigitateur 1906 Madame a des envies Alice Guy - 1907 La course à la saucisse Alice Guy - 1907 Le billet de banque Alice Guy - 1914 Charlot et les saucisses Mack Sennett Charlie Chaplin, Mabel (Mabel’s Busy Day) Normand, Chester Conklin 1914 Charlot mitron Charlie Chaplin Charlie Chaplin, Chester (Dough and Dynamite / Conklin The Doughnut Designers) 8 2 janvier 2019, François Brouard [Liste de films autour de la nourriture ou de la cuisine] 1 Année Titre du film Réalisateur Principaux acteurs / actrices 1916 Karzy Kat & Ignatz Frank Moser et - Mouse Discuss the Leon Searl Letter ‘G’ 1928 A la soupe Edgar Kennedy Stan Laurel, Oliver Hardy (From Soup to Nuts) 1929 Piccadilly Ewald André Gilda Gray, Anna May Wong, Dupont Jameson Thomas 1932 The Whoopee Party Wilfred Jackson (Mickey Mouse) 1933 Ham and Eggs Walter Lantz et (Oswald and the girl beagle) Bill Nolan 1934 The Hot Chocolate Walt Disney - Soldiers 1935 Carnaval des gateaux Ben - (The Cookie Carnival) Sharpsteen 1938 La femme -
Es Un Proyecto De
ES UN PROYECTO DE: festivalcinesevilla.eu Es un proyecto de: Alcalde de Sevilla Presidente del ICAS Juan Ignacio Zoido Álvarez Teniente Alcalde Delegada de Cultura, Educación, Deportes y Juventud Vicepresidenta del ICAS María del Mar Sánchez Estrella Directora General de Cultura María Eugenia Candil Cano Director del Festival de Cine Europeo de Sevilla José Luis Cienfuegos PROGRAMA DE MANO Edición y textos: Elena Duque Documentación: Antonio Abad Textos música: Tali Carreto Diseño e impresión: Avante de Publicidad (www.avantedepublicidad.com) Maquetación: Páginas del Sur UNA PUBLICACIÓN DEL ICAS Instituto de la Cultura y de las Artes de Sevillla Depósito Legal: SE 2038-2013 PRESENTACIÓN SECCIÓN OFICIAL 5 Las obras clave del 2013, el mejor cine europeo reconocido internacionalmente. LAS NUEVAS OLAS (FICCIÓN+NO FICCIÓN) 15 Los nuevos valores y las miradas singulares del cine europeo contemporáneo más refrescante. RESISTENCIAS 29 Cine español estimulante y combativo, producciones independientes que plantan cara a la crisis con ímpetu creativo. SELECCIÓN EFA 35 Las películas prenominadas a los premios de la European Film Academy, MARÍA DEL MAR SÁNCHEZ ESTRELLA sello de calidad indiscutible. TENIENTE ALCALDE DELEGADA DE CULTURA, EDUCACIÓN, DEPORTES Y JUVENTUD VICEPRESIDENta DEL ICAS SPECIAL SCREENING 43 Proyecciones especiales que acercan a Sevilla películas imperdibles. Hablar de Sevilla en otoño es hacerlo de cine europeo. De audacia SEFF PARA TODA LA FAMILIA 47 creativa, de tradición y de futuro, de apuesta por el talento y de Cine para pequeños y mayores, una selección de lo mejor del cine familiar europeo. comunión entre los sevillanos y sus espacios culturales. Y es así SEFF JOVEN 51 porque el Festival de Cine Europeo ha conseguido lo que el Ayun- El ritmo, el ardor y la fuerza de los años del frescor. -
Charles Péguy
Joan of Arc A film by BRUNO DUMONT Synopsis In the 15th century, both France and England stake a blood claim for the French throne. Believing that God had chosen her, the young Joan leads the army of the King of France. When she is captured, the Church sends her for trial on charges of heresy. Refusing to accept the accusations, the graceful Joan of Arc will stay true to her mission. Bruno Dumont’s decision to work with a ten-year-old actress re-injects this heroine’s timeless cause and ideology with a modernity that highlights both the tragic female condition and the incredible fervor, strength and freedom women show when shackled by societies and archaic virile orders that belittle and alienate them. ©3B Productions Cast Lise Leplat Prudhomme, Jean-François Causeret, Daniel Dienne, Fabien Fenet, Robert Hanicotte, Yves Habert. With the kind participation of Fabrice Luchini and Christophe. Crew Director & Screenwriter: Bruno Dumont Make Up: Simon Livet Based on novels by Charles Péguy Hair: Clément Douel Music Composer: Christophe Costume Design: Alexandra Charles Producers: Jean Bréhat, Rachid Bouchareb, Set Designer: Erwan Legal Muriel Merlin Location Manager: Edouard Sueur Line Producer: Cédric Ettouati Still Photographer: Roger Arpajou Cinematographer: David Chambille Script Supervisor: Virginie Barbay A 3B Productions. With the participation of Sound: Philippe Lecœur Pictanovo and the support of La Région Hauts Mixing: Emmanuel Croset de France with the participation of the Centre Sound Editor: Romain Ozanne National du Cinéma et de l’Image Animée. In Editors: Bruno Dumont and Basile Belkhiri association with CINECAP 2. First Assistant: Rémi Bouvier World Sales: Luxbox Casting: Clément Morelle French Distribution: Les Films du Losange Dialogue Coach: Julie Sokolowski ©3B Productions 2019, 138 minutes, France, Color 1.85 - 5.1 – French AN INTERVIEW WITH THE DIRECTOR Bruno Dumont Joan is the sequel to Jeannette and the two films form the Péguy wrote a text that was precise in the field of ideas and very lyrical adaptation of a play by Charles Péguy. -
Lo Sguardo (Dis)Umano Di Bruno Dumont
Lo sguardo (dis)umano di Bruno Dumont Alberto Scandola «La cinematografia – ha dichiarato Bruno Dumont – è disumana. […] È la materia delle nostre vite, è la vita stessa, presente e rappresentata»1. Sin dagli esordi (L’età inquieta, 1997), Bruno Dumont ha posto al centro della sua attenzione l’umano e soprattutto le sue derive verso l’animale, il selvaggio, il bestiale. Liberi di non significare altro che loro stessi e il loro opaco Dasein, i corpi di questo cinema abitano luoghi dove – penso a L’humanité (1999) – il visibile altro non è che il riflesso dell’invisibile e l’immagine sembra lottare contro il suono. Conflitti come quello tra i volumi e i rumori (l’ansimare dettagliato di un corpo ripreso in campo lunghissimo, per esempio), frequenti soprattutto nella prima fase della produzione, sono finalizzati a evidenziare la testura di un dispositivo a cui l’autore da sempre affida una precisa funziona catartica: Bisogna sviluppare il sistema immunitario dello spettatore, biso- gna mettergli il male. Costui svilupperà naturalmente gli anticorpi. È lo spettatore che deve svegliarsi, non il film. Per me un film non è molto importante. Ciò che è importante è cominciare; poi tocca allo spettatore terminare2. Per poter «terminare», però, bisogna innanzitutto riuscire a guardare. Guardare immagini che, nel disperato tentativo di catturare le vita, offrono 1 B. Dumont in Ph. Tancelin, S. Ors, V. Jouve, Bruno Dumont, Éditions Dis Voir, Paris 2001, p. 12. Nostra traduzione. 2 B. Dumont in A. Scandola, Un’estetica della rivelazione. Conversazione con Bruno Du- mont, in Schermi D’Amore dieci+1, a cura di P. -
BRENTANO STRING QUARTET Mark Steinberg, Violin Serena Canin, Violin Misha Amory, Viola Nina Lee, Cello With
Wednesday, February 18, 2015 at 7:30PM Richardson Auditorium in Alexander Hall BRENTANO STRING QUARTET Mark Steinberg, Violin Serena Canin, Violin Misha Amory, Viola Nina Lee, Cello with JOYCE DIDONATO, Mezzo-soprano MARC-ANTOINE CHARPENTIER (1643-1704) Suite for Strings in D Minor, H. 545 Prélude 1 Prélude 2 Sarabande Gigue angloise Gigue francoise Passecaille CLAUDE DEBUSSY (1862-1918) String Quartet in G Minor, Op. 10 Animé et très décidé Assez vif et bien rythmé Andantino doucement espressif Très modéré —INTERMISSION— JAKE HEGGIE (b. 1961) Camille Claudel: Into the Fire, texts by Gene Scheer (2011) Prelude: Awakening Rodin La Valse Shakuntala La petite châtelaine The Gossips L’age mûr Epilogue: Jessie Lipscomb visits Camille Claudel, Montdevergues Asylum, 1929 The Brentano String Quartet appears by arrangement with David Rowe Artists. ABOUT THE ARTISTS PRINCETON UNIVERSITY CONCERTS 2014-15 SEASON ABOUT THE BRENTANO QUARTET ince its inception in 1992, the Brentano String Quartet has appeared throughout Sthe world to popular and critical acclaim. For 14 years, the Brentano Quartet was Princeton’s first and only Quartet-in-Residence. In July 2014 we bid them a bittersweet goodbye as they succeeded the Tokyo String Quartet as Artists-in-Residence at Yale University. The quartet also currently serves as the collaborative ensemble for the Van Cliburn International Piano Competition. In recent seasons, the Quartet has traveled widely, appearing all over the United States and Canada, in Europe, Japan and Australia. It has performed in the world’s most prestigious venues, including Carnegie Hall and Alice Tully Hall in New York City; the Library of Congress in Washington, DC; the Concertgebouw in Amsterdam; the Konzerthaus in Vienna; Suntory Hall in Tokyo; and the Sydney Opera House. -
Haitian Creole – English Dictionary
+ + Haitian Creole – English Dictionary with Basic English – Haitian Creole Appendix Jean Targète and Raphael G. Urciolo + + + + Haitian Creole – English Dictionary with Basic English – Haitian Creole Appendix Jean Targète and Raphael G. Urciolo dp Dunwoody Press Kensington, Maryland, U.S.A. + + + + Haitian Creole – English Dictionary Copyright ©1993 by Jean Targète and Raphael G. Urciolo All rights reserved. No part of this work may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying and recording, or by any information storage and retrieval system, without the prior written permission of the Authors. All inquiries should be directed to: Dunwoody Press, P.O. Box 400, Kensington, MD, 20895 U.S.A. ISBN: 0-931745-75-6 Library of Congress Catalog Number: 93-71725 Compiled, edited, printed and bound in the United States of America Second Printing + + Introduction A variety of glossaries of Haitian Creole have been published either as appendices to descriptions of Haitian Creole or as booklets. As far as full- fledged Haitian Creole-English dictionaries are concerned, only one has been published and it is now more than ten years old. It is the compilers’ hope that this new dictionary will go a long way toward filling the vacuum existing in modern Creole lexicography. Innovations The following new features have been incorporated in this Haitian Creole- English dictionary. 1. The definite article that usually accompanies a noun is indicated. We urge the user to take note of the definite article singular ( a, la, an or lan ) which is shown for each noun. Lan has one variant: nan. -
Contacts in Berlin
2016 SCREENING IN BERLIN NEW PROJECTS UPCOMING STILL AVAILABLE CONTACTS IN BERLIN - EFM NEWS FROM MR. STEIN GOES ONLINE BERLIN SYNDROME A MONSTER MARTIN GROPIUS BAU – BOOTH #33 planet mars by Stephane Robelin by Cate Shortland WITH A THOUSAND th th by Dominik Moll In Pre-production In Post-Production HEADS EMILIE GEORGES (February 10 – 17 ) [email protected] / +33 6 62 08 83 43 Official Selection – SCRIPT AVAILABLE NEW PROMOREEL by Rodrigo Plá th th Out of Competition THE MIDWIFE SlacK BAY TANJA MEISSNER (February 10 – 18 ) [email protected] / +33 6 22 92 48 31 ALL OF A SUDDEN by Martin Provost by Bruno Dumont NEON BULL by Gabriel Mascaro th th by Asli Özge In Pre-production In Post-Production Nicholas KAISER (February 10 – 18 ) Panorama Special SCRIPT AVAILABLE NEW PROMOREEL [email protected] / +33 6 43 44 48 99 NEW Mathieu DelaunaY (February 10th – 18th) ASGHAR FARHADI’S THE DARKNESS [email protected] / +33 6 87 88 45 26 by Daniel Castro Zimbrón GIRL ASLEEP UNTITLED PROJECT Sata Cissokho (February 12th – 18th) by Rosemary Myers by Asghar Farhadi In Post-Production [email protected] / +33 6 17 70 35 82 Generation 14Plus – Opening Film In Post-Production TEASER AVAILABLE th th NEW SCRIPT AVAILABLE Naima Abed (February 10 – 16 ) AN Artscope FILM [email protected] / +44 7 731 611 461 OFFICE IN PARIS MEMENTO FILMS INTERNATIONAL 9 Cité Paradis – 75010 Paris – France | Tel: +33 1 53 34 90 20 Fax: +33 1 42 47 11 24 | [email protected] | [email protected] | www.memento-films.com |Follow -
Colcoa-Press-2019-Part IV
September 19, 2019 COLCOA French Film Festival Monday, September 23 – Saturday, September 28 DGA in Hollywood $$ This film festival showcases the latest work from France. It only looks like it the Coca Cola Film Festival if you read it too fast. September 3, 2019 Critic's Picks: A September To-Do List for Film Buffs in L.A Alain Delon in 'Purple Moon' (1960) A classic lesbian drama, French noirs starring Alain Delon and Jean Gabin and a series of matinees devoted to Katharine Hepburn are among the plentiful vintage and classic options for SoCal film buffs this month. OLIVIA AT THE LAEMMLE ROYAL | 11523 Santa Monica Blvd. Already underway and screening daily through Sept. 5 at the Laemmle Royal is a new digital restoration of Jacqueline Audry’s trailblazing 1951 feature Olivia, one of the first films, French or otherwise, to deal with female homosexuality. Set in a 19th-century Parisian finishing school for girls, the film depicts the struggle between two head mistresses (Edwige Feuillere and Simone Simon) for the affection of their students, and how one girl’s (Marie-Claire Olivia) romantic urges stir jealousy in the house. Audry, one of the key female filmmakers of post-World War II France, stages this feverish chamber drama (based on a novel by the English writer Dorothy Bussy) with a delicate yet incisive touch, allowing the story’s implicit sensuality to simmer ominously without boiling over into undue hysterics. Lesbian dramas would soon become more explicit, but few have matched Olivia’s unique combination of elegance and eroticism. FRENCH FILM NOIR AND KATHARINE HEPBURN MATINEES AT THE AERO | 1328 Montana Ave.