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JORDAN This Publication Has Been Produced with the Financial Assistance of the European Union Under the ENI CBC Mediterranean
ATTRACTIONS, INVENTORY AND MAPPING FOR ADVENTURE TOURISM JORDAN This publication has been produced with the financial assistance of the European Union under the ENI CBC Mediterranean Sea Basin Programme. The contents of this document are the sole responsibility of the Official Chamber of Commerce, Industry, Services and Navigation of Barcelona and can under no circumstances be regarded as reflecting the position of the European Union or the Programme management structures. The European Union is made up of 28 Member States who have decided to gradually link together their know-how, resources and destinies. Together, during a period of enlargement of 50 years, they have built a zone of stability, democracy and sustainable development whilst maintaining cultural diversity, tolerance and individual freedoms. The European Union is committed to sharing its achievements and its values with countries and peoples beyond its borders. The 2014-2020 ENI CBC Mediterranean Sea Basin Programme is a multilateral Cross-Border Cooperation (CBC) initiative funded by the European Neighbourhood Instrument (ENI). The Programme objective is to foster fair, equitable and sustainable economic, social and territorial development, which may advance cross-border integration and valorise participating countries’ territories and values. The following 13 countries participate in the Programme: Cyprus, Egypt, France, Greece, Israel, Italy, Jordan, Lebanon, Malta, Palestine, Portugal, Spain, Tunisia. The Managing Authority (JMA) is the Autonomous Region of Sardinia (Italy). Official Programme languages are Arabic, English and French. For more information, please visit: www.enicbcmed.eu MEDUSA project has a budget of 3.3 million euros, being 2.9 million euros the European Union contribution (90%). -
Mtv and Transatlantic Cold War Music Videos
102 MTV AND TRANSATLANTIC COLD WAR MUSIC VIDEOS WILLIAM M. KNOBLAUCH INTRODUCTION In 1986 Music Television (MTV) premiered “Peace Sells”, the latest video from American metal band Megadeth. In many ways, “Peace Sells” was a standard pro- motional video, full of lip-synching and head-banging. Yet the “Peace Sells” video had political overtones. It featured footage of protestors and police in riot gear; at one point, the camera draws back to reveal a teenager watching “Peace Sells” on MTV. His father enters the room, grabs the remote and exclaims “What is this garbage you’re watching? I want to watch the news.” He changes the channel to footage of U.S. President Ronald Reagan at the 1986 nuclear arms control summit in Reykjavik, Iceland. The son, perturbed, turns to his father, replies “this is the news,” and lips the channel back. Megadeth’s song accelerates, and the video re- turns to riot footage. The song ends by repeatedly asking, “Peace sells, but who’s buying?” It was a prescient question during a 1980s in which Cold War militarism and the nuclear arms race escalated to dangerous new highs.1 In the 1980s, MTV elevated music videos to a new cultural prominence. Of course, most music videos were not political.2 Yet, as “Peace Sells” suggests, dur- ing the 1980s—the decade of Reagan’s “Star Wars” program, the Soviet war in Afghanistan, and a robust nuclear arms race—music videos had the potential to relect political concerns. MTV’s founders, however, were so culturally conserva- tive that many were initially wary of playing African American artists; addition- ally, record labels were hesitant to put their top artists onto this new, risky chan- 1 American President Ronald Reagan had increased peace-time deicit defense spending substantially. -
Movie Store Collections- Includes Factory Download Service
Kaleidescape Movie Store Collections- Includes Factory Download Service. *Content Availability Subject to Change. Collection of 4K Ultra HD & 4K HDR Films Academy Award Winners- Best Picture Collection of Family Films Collection of Concerts Collection of Best Content from BBC Our Price $1,250* Our Price $1,450* Our Price $2,450* Our Price $625* Our Price $650* MSCOLL-UHD MSCOLL-BPW MSCOLL-FAM MSCOLL-CON MSCOLL-BBC 2001: A Space Odyssey 12 Years a Slave Abominable Adele: Live at the Royal Albert Hall Blue Planet II A Star Is Born A Beautiful Mind Aladdin Alicia Keys: VH1 Storytellers Doctor Who (Season 8) Alien A Man for All Seasons Alice in Wonderland Billy Joel: Live at Shea Stadium Doctor Who (Season 9) Apocalypse Now: Final Cut All About Eve April and the Extraordinary World Celine Dion: Taking Chances World Tour - The Concert Doctor Who (Season 10) Avengers: Endgame All Quiet on the Western Front Babe Eagles: Farewell 1 Tour — Live from Melbourne Doctor Who (Season 11) Avengers: Infinity War All the King's Men Back to the Future Elton John: The Million Dollar Piano Doctor Who Special 2012: The Snowmen Baby Driver Amadeus Back to the Future Part II Eric Clapton: Slowhand at 70 - Live at the Royal Albert Hall Doctor Who Special 2013: The Day of the Doctor Blade Runner 2049 American Beauty Back to the Future Part III Genesis: Three Sides Live Doctor Who Special 2013: The Time of the Doctor Blade Runner: The Final Cut An American in Paris Beauty and the Beast Hans Zimmer: Live in Prague Doctor Who Special 2014: Last Christmas Blue Planet II Annie Hall Cars INXS: Live Baby Live Doctor Who Special 2015: The Husbands of River Song Bohemian Rhapsody Argo Cars 2 Jackie Evancho: Dream with Me in Concert Doctor Who Special 2016: The Return of Doctor Mysterio Chinatown Around the World in 80 Days Cars 3 Jeff Beck: Performing This Week.. -
Once Upon a Time in Hollywood
THE MAGAZINE FOR FILM & TELEVISION EDITORS, ASSISTANTS & POST- PRODUCTION PROFESSIONALS THE SUMMER MOVIE ISSUE IN THIS ISSUE Once Upon a Time in Hollywood PLUS John Wick: Chapter 3 – Parabellum Rocketman Toy Story 4 AND MUCH MORE! US $8.95 / Canada $8.95 QTR 2 / 2019 / VOL 69 FOR YOUR EMMY ® CONSIDERATION OUTSTANDING SINGLE-CAMERA PICTURE EDITING FOR A DRAMA SERIES - STEVE SINGLETON FYC.NETFLIX.COM CINEMA EDITOR MAGAZINE COVER 2 ISSUE: SUMMER BLOCKBUSTERS EMMY NOMINATION ISSUE NETFLIX: BODYGUARD PUB DATE: 06/03/19 TRIM: 8.5” X 11” BLEED: 8.75” X 11.25” PETITION FOR EDITORS RECOGNITION he American Cinema Editors Board of Directors • Sundance Film Festival T has been actively pursuing film festivals and • Shanghai International Film Festival, China awards presentations, domestic and international, • San Sebastian Film Festival, Spain that do not currently recognize the category of Film • Byron Bay International Film Festival, Australia Editing. The Motion Picture Editors Guild has joined • New York Film Critics Circle with ACE in an unprecedented alliance to reach out • New York Film Critics Online to editors and industry people around the world. • National Society of Film Critics The organizations listed on the petition already We would like to thank the organizations that have recognize cinematography and/or production design recently added the Film Editing category to their Annual Awards: in their annual awards presentations. Given the essential role film editors play in the creative process • Durban International Film Festival, South Africa of making a film, acknowledging them is long • New Orleans Film Festival overdue. We would like to send that message in • Tribeca Film Festival solidarity. -
The Preludes in Chinese Style
The Preludes in Chinese Style: Three Selected Piano Preludes from Ding Shan-de, Chen Ming-zhi and Zhang Shuai to Exemplify the Varieties of Chinese Piano Preludes D.M.A. DOCUMENT Presented in Partial Fulfilment of the Requirements for the Degree Doctor of Musical Arts in the Graduate School of The Ohio State University By Jingbei Li, D.M.A. Graduate Program in Music The Ohio State University 2019 D.M.A. Document Committee: Professor Steven M. Glaser, Advisor Dr. Arved Ashby Dr. Edward Bak Copyrighted by Jingbei Li, D.M.A 2019 ABSTRACT The piano was first introduced to China in the early part of the twentieth century. Perhaps as a result of this short history, European-derived styles and techniques influenced Chinese composers in developing their own compositional styles for the piano by combining European compositional forms and techniques with Chinese materials and approaches. In this document, my focus is on Chinese piano preludes and their development. Having performed the complete Debussy Preludes Book II on my final doctoral recital, I became interested in comprehensively exploring the genre for it has been utilized by many Chinese composers. This document will take a close look in the way that three modern Chinese composers have adapted their own compositional styles to the genre. Composers Ding Shan-de, Chen Ming-zhi, and Zhang Shuai, while prominent in their homeland, are relatively unknown outside China. The Three Piano Preludes by Ding Shan-de, The Piano Preludes and Fugues by Chen Ming-zhi and The Three Preludes for Piano by Zhang Shuai are three popular works which exhibit Chinese musical idioms and demonstrate the variety of approaches to the genre of the piano prelude bridging the twentieth century. -
ELTON JOHN THREE-YEAR FAREWELL YELLOW BRICK ROAD TOUR ADDS FINAL 2020 DATES in NORTH AMERICA Just Added Simmons Bank Arena* July 3, 2020
ELTON JOHN THREE-YEAR FAREWELL YELLOW BRICK ROAD TOUR ADDS FINAL 2020 DATES IN NORTH AMERICA Just Added Simmons Bank Arena* July 3, 2020 *formerly Verizon Arena American Express Pre-Sale begins Thursday, November 14 at 10am Public On Sale begins Friday, November 22 at 10am local time “..The Farewell Yellow Brick Road tour is the most bombastic, elaborate, high-tech arena show he’s ever attempted.” – Rolling Stone Photo Credit: Ben Gibson, © HST Global Limited, courtesy of Rocket Entertainment New York, NY - November 13, 2019 - Elton John, the number one top-performing solo male artist, announced 24 new concert dates to his sold out Farewell Yellow Brick Road Tour. These new dates complete the second year of the North American leg of Elton’s three-year worldwide tour, counting 43 dates in 2020. The Farewell Yellow Brick Road Tour will be making stops in new cities across North America such as Hershey, PA, Greensboro, NC, Knoxville, TN, Fargo, ND, and N. Little Rock, AR. In addition to the new markets, Elton will return to cities including Toronto, ON, Miami, FL, Chicago, IL, Houston, TX, and Kansas City, MO. The tour will conclude in 2021 and is promoted by AEG Presents. Elton wraps 2019 with one of his most successful years to date. In addition to the incredible success of the tour, Rocketman has drawn commercial success and rave reviews, as has Elton’s memoir, Me, which hit #1 on the New York Times Best Sellers list. The Farewell Yellow Brick Road Tour marks the superstar’s last-ever tour, the end of half a century on the road for one of pop culture’s most enduring performers. -
Proust's Medusa: Ovid, Evolution, and Modernist Metamorphosis
City University of New York (CUNY) CUNY Academic Works All Dissertations, Theses, and Capstone Projects Dissertations, Theses, and Capstone Projects 5-2015 Proust's Medusa: Ovid, Evolution, and Modernist Metamorphosis Gregory John Mercurio Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/1053 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] PROUST’S MEDUSA: OVID, EVOLUTION, AND MODERNIST METAMORPHOSIS by GREGORY JOHN MERCURIO A dissertation submitted to the Graduate Faculty in English in partial fulfillment of the requirements for the degree of Doctor of Philosophy, The City University of New York 2015 ii © 2015 GREGORY JOHN MERCURIO All Rights Reserved iii This manuscript has been read and accepted for the Graduate Faculty in English in satisfaction of the dissertation requirement for the degree of Doctor of Philosophy Joshua Wilner 4/24/2015 Joshua Wilner Date Chair of Examining Committee Mario DiGangi 4/28/2015 Mario DiGangi Date Executive Officer Wayne Koestenbaum Mary Ann Caws Supervisory Committee THE CITY UNIVERSITY OF NEW YORK iv Abstract PROUST’S MEDUSA: OVID, EVOLUTION AND MODERNIST METAMORPHOSIS by Gregory John Mercurio Advisor: Joshua Wilner Ovid’s Metamorphoses has served as an indispensible text for Modernism, not least for such foundational Modernists as T. S. Eliot, Ezra Pound and Wyndham Lewis. This dissertation examines how these writers characteristically employ Ovidian metamorphoses with a specifically evolutionary inflection, particularly in a post- Darwinian world informed by varying –often authoritarian– notions of biological adaptation, as well as an increasing emphasis on Mendalian genetics as the determining factor in what would become known as the Modern Synthesis in evolutionary theory. -
Pianos in Early Minnesota
MR. HOLMQUIST, a resident of St. Paul, operates a piano tuning and rebuilding business. He here combines his knowledge of these instruments with a strong interest in Minnesota history. of th Fi®m@@f i Pianos in Early Minnesota DONALD C. HOLMQUIST FORT SNELLING, situated high on a bluff been among his most valued possessions. overlooking the confluence of the Minnesota The English diarist Samuel Pepys noted this and Mississippi rivers, was responsible for in 1666 when he described the flight of peo many of Minnesota's cultural "firsts," in ple from the London fire and remarked that cluding the area's first known piano. At this one out of every three boats had in it a vir outpost of the white man's culture in what ginal (one of the many keyboard precursors was otherwise a vast expanse of wdlderness, of the piano). Similarly, in the 1820s when the wife of Captain Joseph Plympton arrived Mrs. Plympton brought the first piano to as a newlywed in 1824. The source of the Minnesota, we can assume that she did so Mississippi River would be unknown for because it was one of her most cherished another eight years and only the scattered belongings.2 posts of trappers and traders represented In the 1820s the piano was unlike the the economy of what was to become Minne instrument we know today. Although it had sota Territory twenty-five years later. None been invented in Italy in 1709 by Bartolom- theless, to the newly completed fort, then meo Cristofori, it did not become popular the northwesternmost army post in the for over fifty years. -
The Venice Simplon-Orient-Express
Welcome to the Venice Simplon-Orient-Express Sip a flute of crisp champagne as the train starts rolling. Your adventure begins here. CHAPTER ONE Discover Europe Steeped in history and buzzing with culture, Europe is as unique as it is dazzling. What better way to discover this singular continent than on the legendary Venice Simplon-Orient-Express? An icon of Art Deco design and an enduring symbol of luxury, the Venice Simplon-Orient-Express travels between some of Europe’s most iconic cities every year from March to November. London’s architecture alone gives you a sense of this city’s great spirit. Here, modern skyscrapers such as The Shard overlook historic sites including the Tower of London and the Houses of Parliament. In the City of Light, the Eiffel Tower casts a magical glow at night. By day, stroll along Paris’s beautiful Grands Boulevards and visit sunny pavement cafés. Vibrant and fabled Istanbul bridges east and west, old and new, while Budapest links two ancient cities across the River Danube. Elegant Prague is as beautiful as it is rich in history. Venice is the continent’s most romantic destination, breathtaking in its beauty, from the Grand Canal to St Mark’s Square. Grand palaces and pristine parks characterise classical Vienna, Austria’s capital. For cutting-edge music and culture, Berlin offers chic sky bars, buzzing galleries and stunning contemporary architecture. Your voyage of discovery on these storied carriages brings together aspects of Europe’s extraordinary lineage with the ultimate in style and comfort. VENICE SIMPLON-ORIENT-EXPRESS BELMOND.COM/VSOE VENICE SIMPLON-ORIENT-EXPRESS BELMOND.COM/VSOE “ The journey not the arrival matters.”– T. -
Madama Butterfly
JACOBS SCHOOL OF MUSIC Seven Hundred Seventy-Third Program of the 2006-07 Season The Indiana University Opera Theater presents, as its 391st production Madama Butterfly An Opera in Three Acts Music by Giacomo Puccini Libretto by Luigi Illica and Giuseppe Giacosa After the story by John Luther Long and the play by David Belasco and John Luther Long David Effron, Conductor Nicholas Muni, Stage Director Max Röthlisberger and C. David Higgins, Set and Costume Designers Michael Schwandt, Lighting Designer Mona Tobin Houston, Diction Coach __________________ Musical Arts Center Friday Evening, April Sixth Saturday Evening, April Seventh Friday Evening, April Thirteenth Saturday Evening, April Fourteenth Eight O’Clock music.indiana.edu Cast (in order of appearance) Goro, a marriage broker . Carmund White, Jason Wickson Lt. B. F. Pinkerton, U.S.N. Marcos Aguiar, Adam Diegel Suzuki, Cio-Cio San’s servant . Abigail Peters, Heng Xia Sharpless, United States Consul at Nagasaki . Kenneth Pereira, Brad Raymond Cio-Cio San, (Madama Butterfly) . Jung Nan Yoon, Jing Zhang The Imperial Commissioner . Adam Cioffari Official Registrar . Justin Moore The Bonze, (a Buddhhist Priest, Cio-Cio San’s uncle) . Jesse Malgieri, Miroslaw Witkowski Prince Yamadori, a rich suitor . Jong-Hun Cha, Joseph Legaspi Sorrow (the child of Butterfly and Pinkerton) . Alexa Minton Kate Pinkerton, Pinkerton’s American wife . Elizabeth Ashantiva, Angela Brower Cio-Cio San’s Relatives: Aunt . Siân Davies Family. Amanda Biggs, Erin Houghton Mother . Christia Starnes Uncle Yakuside . Anthony Webb House Servants . David Johnson, Jonathan Matthews Yamadori’s Servants . Brian Daniels, Nicholas Nesbitt, John Rodger Chorus: Cio-Cio San’s relatives and friends . -
Wolfgangamadeus Mozart
Wolfgang Amadeus Mozart TH EA TE R 17 /1 8 FOR YOUR INFORMATION Do you want more information about upcoming events at the Jacobs School of Music? There are several ways to learn more about our recitals, concerts, lectures, and more! Events Online Visit our online events calendar at music.indiana.edu/events: an up-to-date and comprehensive listing of Jacobs School of Music performances and other events. Events to Your Inbox Subscribe to our weekly Upcoming Events email and several other electronic communications through music.indiana.edu/publicity. Stay “in the know” about the hundreds of events the Jacobs School of Music offers each year, most of which are free! In the News Visit our website for news releases, links to recent reviews, and articles about the Jacobs School of Music: music.indiana.edu/news. Musical Arts Center The Musical Arts Center (MAC) Box Office is open Monday – Friday, 11:30 a.m. – 5:30 p.m. Call 812-855-7433 for information and ticket sales. Tickets are also available at the box office three hours before any ticketed performance. In addition, tickets can be ordered online at music.indiana.edu/boxoffice. Entrance: The MAC lobby opens for all events one hour before the performance. The MAC auditorium opens one half hour before each performance. Late Seating: Patrons arriving late will be seated at the discretion of the management. Parking Valid IU Permit Holders access to IU Garages EM-P Permit: Free access to garages at all times. Other permit holders: Free access if entering after 5 p.m. -
2007–08 Annual Report
THE POWER OF TRUTHAnnual Report 2007–08 THE TRUTH. iT HappenEd THEREFORE iT can HaPPEn again and iT can HaPPEn EvERyWHERE —Primo Levi, Holocaust survivor and author Contents 4 From Our Leadership 6 A Year of Outreach 8 Our Relentless Search for Truth 20 The Power of Truth to Confront Hate 28 The Power of Truth to Prevent Genocide 36 The Power of Truth to Change the World 46 Days of Remembrance Events 48 Our Partners 52 Our Donors 68 Financial Statement 69 United States Holocaust Memorial Council 2 annual report 2007–08 Our Relentless Search for Truth 3 DeaR FRiEndS, That the Holocaust can happen again is a fundamental truth The Holocaust teaches one of the greatest lessons about individual of the Museum. We are teaching people the world over another responsibility—the choice we each have to act or not to act and the truth: It didn’t have to happen, and that they have the power to prevent consequences of that decision. With your support, we continue building the next one. what is the world’s most comprehensive collection of evidence of this “crime of all crimes” against humanity. And what this evidence makes Three years ago, one of our Belfer Teachers so motivated his eighth painfully clear is that the Holocaust happened because ordinary people graders at a Catholic school in Louisville, Kentucky, by what they learned became accomplices to mass murder. Whether motivated by indifference, studying the Holocaust that they began to wonder why every student career advancement, peer approval, or antisemitism, in the long span did not have the same opportunity.